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Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Ede and Ravenscroft et al, City of Brighton Mayoral Robe, c. 1970
The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, R.W. Bredin & Son, City of Brighton Town Clerk Robe
Full length black robe with centre opening. Constructed from black polyester cotton fabric with black velvet edging and reverse. Black braid with silk tassels attached to sleeves and at back of robe.city of brighton, robe, ceremonial wear, r.w. bredin & son, town clerk, town clerk's robe -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Ede and Ravenscroft, City of Brighton Town Clerk Robe
Full length black robe with centre opening. Constructed from black silk grosgrain with black velvet edging and reverse. Stitching visible where patches and tassels have been removed from the sleeves and at back of robe.city of brighton, robe, ceremonial wear, town clerk, town clerk's robe, ede and ravenscroft, brighton, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, J. Ravensdale, Mayoral Robe
Full length black mayoral ceremonial robe with centre front opening. Dark brown ermine fur edging on centre front opening and cuffs. Decorative piping edging and white satin lining in sleeves. Gathered/puckered detail at back. mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, j. ravensdale, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, R.W. Bredin & Son, Mayoral Robe
Full length black wool mayoral ceremonial robe with centre front opening. Dark brown fur edging on centre front opening and cuffs. Blue acetate satin lining in sleeves. Gathered/puckered detail at back. mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, r.w. bredin & son, bredlin, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, David Lack Pty Ltd, Town Clerk Robe
Plain black three-quarter length ceremonial robe, centre front opening, pleated/gathered around collar. Pleats on three quarter length sleeves; pleats kept in place by 3 sets of vertical ribbons (10cm in length) with a plastic button at each end.robe, ceremonial wear, town clerk, town clerk's robe, bayside, city of bayside, sandringham, brighton, david lack -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Town Clerk Robe
Plain black knee length ceremonial robe, centre front opening with buttons and tucking/pleating on sleeves. Pleats on three quarter length sleeves; pleats kept in place by 3 sets of vertical ribbons (10cm in length) with a metal press button at each end. Pleated/gathered around back neckline.robe, ceremonial wear, town clerk, town clerk's robe, bayside, city of bayside, sandringham, brighton -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Mayoral Robe
Full length black mayoral ceremonial robe with centre front opening. Silk grosgrain with dark brown ermine fur edging on centre front opening and cuffs. Cream silk lining in sleeves. The cuffs are also trimmed with cream coloured machine made net and lace. Gathered/puckered detail at back. Black ribbons attached to shoulders.mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, R.W. Bredin & Son, City of Brighton Mayoral Robe
Knee length black mayoral ceremonial robe with centre front opening. Black wool with dark brown faux fur edging on centre front opening and cuffs. Blue silk lining in sleeves. Gathered/puckered at back and fur collar connected to back with black plastic button and loop.city of brighton, mayoral robe, robe, ceremonial wear, r.w. bredin & son, raymond w. bredin, brighton, mayor, bayside, mayoral regalia -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, R.W. Bredin & Son, City of Brighton Mayoral Robe
Full length black mayoral ceremonial robe with centre front opening. Black wool with dark brown ermine fur edging on centre front opening and cuffs. Dark blue silk lining in sleeves. Gathered/puckered at back and fur collar connected to back with black plastic button and loop.city of brighton, mayoral robe, robe, ceremonial wear, r.w. bredin & son, raymond w. bredin, brighton, mayor, bayside, mayoral regalia -
National Wool Museum
Knitting, Cape, Minerva's Robe
The Aquarian Esoteric Group Melbourne made the robe as an entry in the 'In the Tracks of Hercules' exhibition in London December 2005. See attached notes.Front cover of the exhibition catalogue for "In the Tracks of Hercules" Entry for 'Minerva's Robe' in exhibition catalogue "In the Tracks of Hercules" Promo card for exhibition "In the Tracks of Hercules" First page of "Triangles Bulletin" which contains an article about the exhibition "In the Tracks of Hercules". Concept sketch of the front of 'Minerva's Robe' Concept sketch for back of 'Minerva's Robe' Minerva's Robe Back of Minerva's Robe Detail of Minerva's Robe Detail of Minerva's Robe Comments on making the robe by the group Poem "Minerva's Robe" by Helen Baxter Articles offered form for 'Minerva's Robe' The history of 'Minerva's Robe' Document "In the Tracks of Hercules 'Minerva's Robe' The Journey" 'The Process of Creating "Minerva's Robe"'knitting handicrafts textile art, aquarian esoteric group, costume, heywood, mrs anne, knitting, handicrafts, textile art -
Glen Eira City Council History and Heritage Collection
Robe
Official Municipal (?) Robe, Black pleated (woollen?) robe.Makers details printed in gold on cotton tag stitched on inner side, back of robe. -
Whitehorse Historical Society Inc.
Letter - Correspondence, Christening robe - Cleaver, 8/08/1985 12:00:00 AM
Correspondence between Alice Cleaver, Council and Schwerkolt Cottage Committee of Management.Correspondence between Alice Cleaver, Council and Schwerkolt Cottage Committee of Management about a christening robe she saw in the museum which she thought could belong to her late husband. She had loaned the robe to a relative who had not returned it and wondered if it had been donated and by whom. No record of the resolution here.Correspondence between Alice Cleaver, Council and Schwerkolt Cottage Committee of Management.cleaver, alice, schwerkolt cottage & museum complex, schwerkolt cottage committee of management. -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Blashki & Sons, 20th
Mayoral robe worn with jabot and lace cuffs. Black Faille ceremonial robe with lapin collar and cuffs and cream lining.Unknowncity of greater bendigo ceremonial item -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, 19th century
Mayoral robesBlack Faille ceremonial mayoral robe with lapin collar and sleeve edging, purple sleeve lining.city of greater bendigo ceremonial item -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Badge, City of Brighton Mayoral robe badges
This pair of embroidered badges were worn on the sleeves of the red City of Brighton mayoral robes until Coat of Arms were granted in 1970 by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Two oval shaped City of Brighton mayoral robe badges, embroidered and mounted on red felt. The badges have a black border with CITY OF BRIGHTON embroidered on the top and the British Coat of Arms on the bottom. The centre image depicts the City of Brighton seal of the Brighton coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, and buildings on the left and right sides. coat of arms, mayoral robe badges, badge, mayoral robe, city of brighton, ceremonial wear, mayoral regalia, bayside, crest, british coat of arms, brighton, seal -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ceremonial object - City of Moorabbin Mayoral Robe c1960, circa 1960
This robe was the last City of Moorabbin Mayoral Robe, and was worn by Mayor Ron Brownlees, (prior to the City of Moorabbin's amalgamation with City of Glen Eira and City of Kingston in 1994). It was donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. 12/11/2018 Cr Steve Staikos MAYOR City of Kingston requests that CMHS loan the Mayoral Robes and Jabot with Cuffs for display at KCC Officess Nepean Highway Cheltenham on going 7 Years. The Moorabbin Mayoral Robe with Jabot is displayed along with those of former City of Chelsea Robes and former City of Mordialloc Robes at Kingston City Council Office . The KCC possesses the Mayoral Chains of each former Council and they are displayed on the Mayoral Robes for the Annual Opening meeting of KCC in February .The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. In the 1994 Amalgamation of Councils the City of Moorabbin was divided between the new City of Kingston in the South and the new City of Glen Eira to the North . This is the last Mayoral Robe for the City of Moorabbin 1934- 1994City of Moorabbin Mayoral Robe. Full length garment of royal blue material, 55% Polyester & 45% Wool, with gold braid on hem and sleeves. Full length Collar and the cuffs are brown mink and sleeves are lined with blue satin. Two brass clips on shoulders are for the attachment of the Mayoral Chain. Hook and eye fasteners join the front of the robe. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. 2018 the Robe with jabot was moved to Kingston City Council Office Cheltenham for display with former City of Chelsea Robe and former City of Mordialloc Robe. Label " Raymond W. Bredin & Son / 17 Glenola Road / CHELSEA VIC. AUSTRALIA / Robe Makers "clothing, tailors, formal wear, moorabbin, kingston, mayor, city of moorabbin, robes civic, moorabbin roads board, shire of moorabbin, brownlees ron, city of glen eira, city of kingston -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Irusaq Void Sayer's Robe, 1986-1989
“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter -
Ringwood and District Historical Society
Christening Robe, Fine cotton robe with cotton lace inserts on bodice front. C 1900, c. 1900
Fine cotton robe with cotton lace inserts on bodice front and two buttons fastening at back. Five pin tucks on skirt then three lace and ribbon bands to hem which is gathered to a band organza lace. -
Whitehorse Historical Society Inc.
Document, Ships which landed Chinese Passengers at Robe, 1980
List of ships which landed Chinese Passengers at Robe between 1857 and 1863.List of ships which landed Chinese Passengers at Robe between 1857 and 1863. 'Queen of the Seas' and 'Maria Hay' have associations with Nunawading and Vermont. Taken from 'Ships and Seamen of the South Coast' by Jack Loney.List of ships which landed Chinese Passengers at Robe between 1857 and 1863.goldminers, witt, william, flatman, james, cotton, elizabeth georgina -
Brimbank City Council
Clothing - Robe, mayor, Unknown
This selection of robes is worn by mayors at official functions. The various styles include robes from pre-amalgamation - City of Keilor and City of Sunshine, and post-amalgamation - Brimbank City Council.This selection of robes is worn by mayors at official functions. The various styles include robes from pre-amalgamation - City of Keilor and City of Sunshine, and post-amalgamation - Brimbank City Council.Mayoral Robesmayor, brimbank city council, robe, robes, mayoral, city of keilor, city of sunshine -
Ararat Gallery TAMA
Mixed media, Irusaq Presenter at Arm's Robe, 1986-1989
“All Irusagi robes of office are highly symbolic. Generally black or dark blue, they are richly jewelled and embroidered; each one individually designed for its owner, as he, or she, takes office at the central court. The miniature is a record of this office. This, the Armourer’s Robe is typical of the richly decorated formal styles of the 10” to 12" Centuries Post Imperium. The symbolism is obvious: oversleeves of silver, to indicate one of the metals used in the making of weapons; decorative daggers, indicative of the famous throwing and fighting knives; studs, symbolising protective armour; and touches of red alongside the predominating metal, to represent the shedding of blood, (a minor theme, because bloodshed is undesirable). The Void, the centre of Irusaqu worship is always shown on this Robe, because all fighting men or women have a deep religious responsibility to obey the Voidic code. Lastly, the jewel, with its elongated triangle, forms the ancient symbol of Man, at the base of the Void, but not subordinate to it.” -Inga Hunter -
Ballarat Tramway Museum
Ephemera - Menu, Neil Robe and Ballarat Tramway Museum, Tramway's Reunion dinner, Sep. 1971
Has a strong association with the reunion event arranged by Neil Robe to celebrate 30 years of closure of the SEC tramway in Ballarat., Has a strong association with the reunion event arranged by Neil Robe to celebrate 30 years of closure of the SEC tramway in Ballarat.1964.1 - Colour printed A4 sheet of paper as a Menu at the Queens Head Hotel, Humffray, Ballarat East for the "Tramway's Reunion" dinner on Saturday 15/9/2001 to celebrate the 30th anniversary of the closure of the Ballarat Tramway System. Printed with the Head of Queen Elizabeth II as a watermark, Hotel name overlain by the menu in red, with the name of the event at the top and two images of tram 38 in Wendouree Parade by a tram stop in both left and right hand corners. Printed using a colour bubble jet printer on plain A4 paper. Three copies held. Prepared by Neil Robe - dinner organiser. 1964.2 - A5 sheet photocopied with a Ballarat Tramway Museum 10cent ticket (A163000) blown up to fill the sheet and on the back - handwritten and photocopied - "Available for a complimentary ride on Sunday 16th September - remembering 30 years - S.E.C. Tramway Employees Reunion". Prepared by Richard Gilbert of the BTM. Given to the attendees of the dinner. See also Reg. Item No. 1968 for a photo of the attendees. 2nd copy of 1964.1 - ex Kevin Brookman, added 1/6/2009.2nd copy of 1964.1 added 1/6/2009.trams, tramways, employees, reunions, 30th anniversary -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Irusaq Robemaster's Robe, 1986-1989
“The Robemaster is the designer of all robes of office. Each one is individually made for its wearer, and is regarded as the personal portrait of the office-bearer. Each one is replicated in miniature for the archives, a record left behind when the original is destroyed on the office-bearer’s death, or when she in some other way relinquishes her (or his) position. Robemasters are usually women. Most positions on lrusaq are theoretically held by men or women equally, but some seem to separate out, for instance, the Master of the Mines, by the very nature of the requirements of office, is nearly always held by a man. Robemaster is the opposite. It seems that the particular type of creativity needed is more frequently found in lrusaqi females, so that the office has come to be an exclusive prerogative of women. Robemasters are very highly regarded, and the position has come to hold great power, not directly, but because of the influence the officer can wield. Robemasters deal with everyone, go everywhere and know everything. Traditionally a Robemaster is always one of the three Imperium heads of office and acts as the major figurehead and spokesman in Irusaqui affairs. The last Robe designed by any retiring Robemaster is that of her successor, and the only symbolism required by law is the representation of a Robe somewhere on the work, otherwise the designer has complete freedom.” -Inga Hunter -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Late 20th century
Loose fitting black ceremonial robe.city of greater bendigo ceremonial item -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Unknown
Eaglehawk mayoral robe with fur trim.borough of eaglehawk, city of greater bendigo ceremonial item -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe
Red academic robe with blue front trim.Labelled Blashky & Sonscity of greater bendigo ceremonial item -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Unknown
Black ceremonial mayoral robe with velvet collar and tassle and leather detail. city of greater bendigo ceremonial item -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Unknown
3/4 length black ceremonial robe with pleated shoulder detail.city of greater bendigo ceremonial item -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Iboriis Sun Worshipper's Robe, 1986-1989
“The Bird God cult is the official lboriisi religion, but there are certain sections of the planet where people worship the sun - not the big Voidstar, but the smaller erratic red star, known as Lanturan on lrusag, and lisa, or “Womb of the Wave Stone” on Iboriis. The sun is thought to be the creator and controller of all things, both benevolent and capricious. Priest of the Sunworshippers sacrifice appropriately coloured fruits and vegetables to the Sun God to ensure continuity of crops and a rich, peaceful life. When the red sun disappears from the sky on its erratic orbit, the God is thought to be displeased and the people gather in great groups to pray for better times. It is at this time that the Sun dances are performed in specially prepared dancing grounds in the forests. This essentially peaceable religion is hated and feared by followers of the Bird God, so that Sunworshippers are hunted and destroyed whenever possible. It is considered a favourable omen if the year’s sacrificial victims can be Sunworshippers, a sure sign of a good future harvest. Naturally enough, Sunworshippers are never delegates to the Court — this Robe was smuggled out of lboriis by a team of dedicated anthropologist who risked their lives to study the Sun God religion.” -Inga Hunter