"These paintings manage to be both intimate and distanced. The intimacy belongs to their source in the artist's snapshots over a 30-year period: while the uniform colouring (dark sea green, black and white) and stylised interpretation of photographic shades of grey by flat areas of colour create a mechanical feel. D'Arcy's treatment of his subject matter - events and people encountered as a soldier in Vietnam 1969-70 and in commemoration of that war since - is coolly dispassionate, in the tradition of the classical memento mori. War and mortality: timely themes." Review of series, The Age, Friday 23 April 2004This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Abstracted images in black and khaki on white - Series of 14 Paintings _ 13 donated to NVVM. Painting shown here is the artist's self-portrait, which he retained for his family to keep.vietnam war, robert d'arcy, 8rar, service number 55668, d'arcy, 8 rar, robert e d'arcy

"Pod-mounted M60 machine gun in the platoon bunker on the defensive perimeter of Nui Dat base camp. When not on operations, you mounted the piquet (picket) - 24/7."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image mostly black with some dark khaki on a white background features a machine gun resting on the top of a darkened pit as if at a horizon line, with a distant landscape outline above it. vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, picket duty, machine gun, nuidat, m60, piquet

"We were inserted by chopper, resupplied by chopper, medevacked by chopper - always reliable, always there when needed the most."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Work in 2 shades of khaki green and black on a white background features four Australian soldiers in uniform carrying weapons and wearing bandoliers of cartridges leading a group of other soldiers.vietnam war, robert d'arcy, 8rar, service number 55668, d'arcy, 8 rar, helicopter, uh-1, huey, workhorse

"Relatives and friends carrying the flags, one for each soldier killed in Vietnam."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image in black and dark khaki on white of a parade of Australian flags being carried by walking people, with trees in the background.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, war dead, casualty, flags, memorial, canberra

'Private Garry M West was 19 when he was killed in action in the Long Hai hills on 28 February 1970. This day in 1992 was the first time I had met his dad and spoken about what happened on that day all those years ago." This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image in black and dark khaki on white background of middle-aged man in jacket with medals, carrying an Australian flag.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, war dead, casualty, flags, memorial, canberra

"Another day at the office as a platoon prepares to mount tracks for insertion into night ambush positions. The gunners were the heart of the platoon with enormous firepower." (3 Platoon, A Company, 8RAR )This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970. Figures in this painting are from 3 Platoon, A Company, 8RAR. The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Work in 2 shades of khaki green and black on a white background features four Australian soldiers in uniform carrying weapons and wearing bandoliers of cartridges leading a group of other soldiers.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, gunner, 8 rar

"They always looked like kids, about 14-16 years old, very slight build, short, smooth-skinned. Very good soldiers though. We always thought if we could join forces, we'd finish the war quick smart." The enemy soldier in this work lies at across the canvas at a 35-45 degree angle, with the head in the right side foreground.This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans. The abstracted enemy soldier in this work lies across the canvas at a 35-45 degree angle, with the head in the right- side foreground.Image mostly dark khaki with black to the right and left at the bottom. Abstracted image is depicted in white splashes and streaks.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, enemy, viet cong, vc, north vietnamese soldier, war dead, casualty, unknown soldier

"Recruit training, both aged about 19, Felix (left) died in a single vehicle accident soon after his return from service in Vietnam with the SAS. Motor accidents were a problem for servicemen after 12 months of adrenalin, then normal on return."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans. Robert completed his recruit and corps training with Felix Henry Richards, Service Number: 55669 . Trooper Richards served with 2nd Special Air Service Squadron (SAS) Vietnam, 17 Feb 1971 - 11 Oct 1971. Work in 2 shades of khaki green and black on a white background features two smiling young men in army uniforms with trees in the background.kapooka, army training, vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, richards, felix richards, trooper richards

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

This item was donated to RANZCOG's historical collection by Dr Ian Cope. In 1958, Dr Cope moved into rooms at 233 Macquarie Street, Sydney, which had previously been occupied by Dr Dame Constance D'arcy. He subsequently donated much of the material which remained in those rooms to the College. V2A, produced by Krupp (see third scalpel in this box), was the first commercially produced non-rusting steel. It was patented in 1912. (Montanstahl) Sir Robert Wade (1874-1954) was an orthopaedic surgeon. He was a Foundation Fellow of the Royal Australian College of Surgeons (RACS), and President of RACS 1935-1937. He was also President of the State (NSW) branch of the British Medical Association, and inaugural president of the orthopaedic section of the Australian Medical Congress.Metal tin containing three scalpels. Section of sticking plaster attached to lid of tin carries hardwriting which reads 'SIR ROBT. WADE/SCALPELS/TO BE SHARPENED'. Traces of an manufacturers label printed on the lid of the tin are visible beside the sticking plaster, resembling an Allen and Hanburys label. The first scalpel is engraved 'J.GRAY & SON/SHEFFIELD' near the base of the handle on one side, with a parital and unreadable engraving relating to a Sydney instrument maker on the other side. The second scalpel is very thin and narrow and is engraved with the text 'ALLEN&HANBURYS LONDON' on one side of the handle. The third scalpel is engraved with the logo of Krupp (a German instrument maker), 'V2A', and the number '1377.dame constance d'arcy, surgery, british medical association, royal australian college of surgeons, australian medical congress