I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of roots and leaves handwoven using a colour palette of black, grey, and white.valerie kirk, textile, tapestry

Con Kroker Private CollectionBlack & white photo of a vertical clay cliff with dead trees at the top & exposed roots hanging down the cliff.

Alfred Benjamin Lokan Born 2/12/1894. Died Stawell 10/5/1981. Married to Ottilie Meta with four children. In Identities Index. Resident of 14 Shirreff StreetSix draft horses in harness with wagon piled high with Mallee Roots. Alfred Benjamin Lokan standing beside cart.Horses Names : Rose Lofty Bess Prince Boxer Kate A B Lokantransport

history, experimental gardens, school of horticulture, early women, agriculture, commonwealth reconstruction training scheme, dept of agriculture, royal horticultural society of victoria, victorian college of agriculture and horticulture, the university of melbourne, burnley gardens

Image from William Westgarth's "Port Phillip Settlement" (1883)Image of two Aboriginal women gathering roots, both use a digging stick. They wear cloaks and carry a basket over their shoulders. In the background is a man is carrying a stick. aborigines, aboriginal, women, food, basket, digging stick, tools

Old uncle is standing on the mountainside watching over the modern-day empires built on Aboriginal land shaking his head, saying: “they are doing it again, every empire has a rise and fall”. It’s something that has never been learnt over time. — Josh Muir Josh Muir’s work, Roots, was the first temporary artwork to be installed on the Gallery Annex Wall on the approach to Alfred Deakin Place, Police Lane in Ballarat Central. The space is an important site to host this work given that Alfred Deakin Place is commonly used as a place of discussion, engagement, protest and performance.Temporary artwork - printed vinyl application to concrete wallnoneelder, aboriginal and torres strait islander

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, brian wright, eltham (london), eltham common, eltham shire ranger

Colour photographPolaroid R Manufacturer's Batch No. 06031017011 (June 1980)drainage works, infrastructure, polaroid

Article on a recreation by Yvonne Dite in 2021 of a photograph taken of her grandmother, Elizabeth Greenwood under the "Batman apple tree" in 1921.Newspaper clipping, black and white and colour photographsbatman apple tree, yvonne dite, elizabeth greenwood.

Yarra Plenty Regional Library's family history librarian Liz Pidgeon discusses activities for Family History Month August 2016.News clipping, black text and colour imageyarra plenty regional library, family history, liz pidgeon

Colour photographdrainage works, eltham shire council, maintenance works, montmorency, starling street

Colour photographdrainage works, eltham shire council, maintenance works, montmorency, starling street

Colour photographdrainage works, eltham shire council, maintenance works, montmorency, starling street

Colour photographdrainage works, eltham shire council, infrastructure, lower plenty

Colour photographdrainage works, eltham shire council, infrastructure, lower plenty

Colour photographdrainage works, eltham shire council, infrastructure, lower plenty

A transcript of testimony given at the Hearing On the War in Vietnam conducted by the Hon. Robert W. Kastenmeier, Member of Congress, 2nd District, Wisconsin, US.A transcript of testimony given at the Hearing On the War in Vietnam conducted by the Hon. Robert W. Kastenmeier, Member of Congress, 2nd District, Wisconsin, US.vietnam war, 1961-1975 -- united states, vietnam -- history.

I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile

Panel from the exhibition held to celebrate the College's 70th anniversary in 2012. Photograph 1: First Form 2 Class, 1970. Photograph 2: Whole school assembly with Principal Abraham Chowers, 1964. Please contact [email protected] to request access to this record.shakespeare grove, principal, history, 2000s

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p121. He was well known for his Saturday morning programme on ABC Radio.Black and white photograph. Jack Plumridge examining the roots of a plant he has taken out of a pot.On reverse, "Aug 1964 Jack Plumridge," and, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. D521D." jack plumridge, green grows our garden, a.p. winzenried, staff, abc radio, roots, pot plant

6 slides labelled, different types of mulch Feb 1987. 22 slides of a plant and its roots Jul 1988.mulch, roots, plant, wood chips, lucerne, compost, scoria, weed mat

Colour photograph of tree on the side of the Diamond Creek upstream at Bridge Street, Eltham. The tree has been undermined with roots exposed near a council drain.eltham, diamond creek, bridge street, drainage, roots, tree

Deep Roots. The Australian story of the Rochester Family 1790 - 1984.Peter Setevenson.inglewood, history, rochester geneaology.