Shows crew in 4 racing shell. One of the rowers is Ted Morgan.lake wendouree, rowing regatta, sport, people

Photos feature a rowing regatta on Lake Wendouree, a Tram stop shelter (Grenville and Sturt Streets) decorated with hand-made flowers, an arch in Main Road built by local scouts and the Burke and Wills Statue in Sturt St decorated hand made flowers. The tram shelter has the numbers "100". "1838" and "1938" with several well-dressed ladies outside the shelter. Notes the celebrations will continue until April 18. See Reg Item 6418 for a coloured photograph of the shelter from the other side,Yields information about a Ballarat event in 1938.Newspaper Clipping from the Sun News-Pictorial, Melbourne, Monday, March 7 1938, page 14 with four photos of Ballarat's Centenary Celebrations or European settlement in the district. ballarat, centenary, shelters, celebrations, grenville st, sturt st

This shield belonged to Dr Ian 'Spud' MacLeod Murphy (1905 - 1981) and was presumably awarded to him when he was the cox of the winning Geelong College team in the Head of the River competitions (rowing regattas) in 1921 and 1922. He attended Geelong College 1919-1922 and later, Melbourne University (1929-1937). Dr Murphy retired to Emerald in 1947 intending to breed turkeys but instead responded to the community need for a GP. For the next 34 years, he was Emerald's GP working seven days a week without assistance and travelling all over the hills. He was awarded the British Empire Medal in 1977 for devotion to the health of the community. He died in 1981 at the age of 76 years and a Memorial Fund was set up in his name to provide support for local students studying Medicine.Dr Murphy was Emerald's first and much-loved GP. His work for the community over 34 years was of immense benefit to Emerald and surrounding districts. Wooden shield with green and white stripes painted around edges and green and white crossed oars in the centre. A partly torn off sticker of Pegasus (Greek mythological winged horse and motif of Geelong College) is above the crossed oars. On front below crossed oars is handwritten two lists of team members of winning teams of 1921 and 1922. On back handwritten 'Murphy'dr ian macleod murphy, spud murphy, doctor, emerald, geelong college

Block out flagstaff/ put in skytextile mills - sporting teams textile mills, collins bros mill pty ltd, sport, textile mills - sporting teams, textile mills

Thought to be taken at the annual rowing Regatta, on Lake Moodemere, Wahgunyah.Black and white photograph, mounted on cardboard, of a group of people posing under trees. rowing, regatta, wahgunyah

Thought to have been taken at the annual rowing Regatta, on Lake Moodemere, WahgunyahBlack and white group photograph, mounted on cardboard. Most of the women are wearing broad-brimmed hats. Children are seated on the ground at the front of the group.rowing, regatta, wahgunyah

This is a trophy for a mens four or eight- awarded to each rower (this is for the rower in 2 seat)- probably awarded at a regatta (warrnambool)long timber oar shaped trophy- with a green blade and gold colored writingWDRA Championship Four April 6th 1940 Warrnambool R.C. R. Merriman No 2.r. merriman, city of warrnambool rowing club, warrnambool rowing club, hopkins river, rowing, regatta

First used Boxing day 1936 at Nagambie, Launched by Mrs S.G. Williams wife of the Shire President. The champaign bottle failed to break and a hammer was required. The first race was rowed by H. Gayer (bow) W. Bourke (stroke), Ted Forbes (cox) winning maiden pairs and the same crew won lightweight pairs at Lake Moodemere 1st Jan 1937. The boat was then purchased with funds raised in a queen competition held in Rutherglen and contested by 3 queens, Elise Frances, Emma Howard and Peggy Bourke (the winner and she went on to marry the bow H. Gayer). The Queen of Hearts went to the Air Force at Tocumwal during the WWIIClinker build racing row boaton stern VRA No. 176rowing, regatta, boats

This medallion was issued to all competitors at the 1996 Australian Rowing Championships to commemorate the official opening of the Sydney International Regatta Centre at Penrith , March 1996 in which Marion Taffe was rowing.The Sydney International Regatta Centre at Penrith was opened in March 1996 as the new venue for the Sydney Olympic Games 2000. The national regatta 1996 was the first regatta held at the centre and used as a trial for its suitability for the Olympic rowing and canoeing events and the regatta was sponsored by ABN Amro.rowing, regatta, sydney

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Photograph of Ballarat Rowing Club house on Lake Wendouree in 1901 with crowds celebrating the finish of an event at the annual rowing regatta..photograph, lake wendouree, rowing,lake wendouree, ballarat, regatta, 1901.

City of Warrnambool crews at the Dimboola Regatta: 2011. Top: Brendan Finnigan. Middle: Maryanne Purcell, Angela Griffin, Debbie Fitzgibbon, Jasmine Sloane, Susan Finnigan, Carla Sudholz, Clive Wooster, Aeofia Dalton, Gillian Norris. Front: Kate Jolley, Jo Bone, Joanna Welsh. city of warrnambool crews at the dimboola regatta: 2011. top: brendan finnigan. middle: maryanne purcell, angela griffin, debbie fitzgibbon, jasmine sloane, susan finnigan, carla sudholz, clive wooster, aeofia dalton, gillian norris. front: kate jolley, jo bone, joanna welsh., city of warrnambool rowing club, city of warrnambool rowing club, warrnambool rowing club, rowing, dimboola, regatta

This is a programme of 24 pages with a black cover with black and yellow printing and black and yellow images of rowers.The pages contain printed text, including many advertisements. The pages were originally stapled.non-fictionWarrnambool Rowing Club Regatta Programmewarrnambool rowing club, val bertrand, rowing

Badge produced as a souvenir of the Barwon River rowing regatta (Henley Day, after Henley-on-the-Thames in England where the public schools and universities compete in rowing races) held in 1921. The initials CBRC are probably for a local rowing club.BARWON REGATTA CARNIVAL 1921 / HENLEY / DAY / CBRCsport

Black and gold colored rowing program- containing historical information about the Warrnambool Rowing Club, race events for the regatta and advertisements. Another copy is in the state library of new south wales Mitchell Library - Onsite Storage Q797.123/2 REQUEST ITEMBlack and gold colored rowing program- containing historical information about the Warrnambool Rowing Club, race events for the regatta and advertisements.city of warrnambool rowing club, warrnambool rowing club, hopkins river warrnambool, regatta program, centenary regatta, rowing

There were numerous banners awarded to winning crews (rowers and coxswains)- these are a sample.Four synthetic material 'banners' dated 1974-78 Names of winning crews listedCWRC 1974-75city of warrnambool rowing club, warrnambool rowing club, trophy, regatta, warrnambool regatta

Shield shaped trophy with crossed oars over a wreath surrounded by 8 named shields with a banner across the top: inscription is difficult to read, it appears to be: C.W.R.C. Best Club man. Donated by W. ?. R. C. Student Union.Inscription is difficult to read, it appears to be: C.W.R.C. Best Club man. Donated by W. ?. R. C. Student Union. Named shields are dated from 1972 - 1978.city of warrnambool rowing club, warrnambool, warrnambool rowing club, warrnambool regatta

Warrnambool Rowing Club held regattas on the Hopkins River from about 1885. This was initially over a weekend in conjunction with Colac Rowing Club. Hamilton Rowing Club started a regatta after Colac moved theirs to the Barwon in Geelong. The western Victorian clubs also had a rowing association.Silver colored trophy on a timber base.Warrnambool Hamilton Rowing Clubs Western Victorian Novice Club Championshipcity of warrnambool rowing club, warrnambool rowing club, hamilton rowing club, hopkins river, rowing