Grave of Hazel Rust (died 07/01/1991) Plot# unknown, Greensborough Cemetery. . The Rust Family lived in Henry Street.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.hazel rust, greensborough cemetery

Corrosion or rust were a great threat to sewing needles before the invention of stainless steel. Manufacturers attempted to counter this by using specialised black paperCorrosion or rust were a great threat to sewing needles before the invention of stainless steel. Manufacturers attempted to counter this by using specialised black paperDark grey paper printed needle packaging. Gold print, containing 2 steel needles. Verso has decorative gold patterned band. THE NEW RUST-PREVENTING NEEDLE CASE, FURNISHED WITH English Needles needle case, rust-prevention

Historic document, 1980 guidelines for the prevention and control of methicillin-resistant and othe staphylococcus aureus infectionsInsight into hospital infection control in 1980Stapled booklet with yellow cover. Front cover has black print detailing title and publisherprevious catalogue number at top right of front cover [pencil]mrsa, methicillin resistant staphylococcus aureus, hospital infections, infection control

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This 1930s evening dress is one of a number of items donated by Teresa Mayer.Deep rust coloured three-quarter length crepe dress featuring extensive ruching on the bodice and to the short sleeves. A bow of the same fabric with hanging laces (sic) is attached at the neck. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, day wear, day dresses

Memorandum printed using a duplicator process onto a foolscap sheet titled "Accident Prevention" from the Traffic Manager to All Traffic Officers, dated 18/9/1957, providing a review of the accidents for 1956 and 1957 year ends for both trams and buses. List the various types of accidents, injuries, falls, collisions, employees and public. Signed B. H. Misson as Traffic Manager.trams, tramways, mmtb, accidents, reports, collision

Paper booklet, consisting of 82 pages plus 7 preface pages. Text printed on title page reads: "WHAT EVERY WOMAN SHOULD/KNOW./DISEASES/INCIDENTAL TO WOMEN./THEIR CAUSE, PREVENTION AND CURE,/BY/MRS. B. SMYTH,/Being the Substance of a Lecture delivered at the Town/Hall, North Melbourne./PRICE, 2S./MELBOURNE:/H.J. PRENDER, Printer and Publisher, 119 Swanston-st./1895'.non-fictiongynaecology, women's health, genital diseases

Presentation being made to Shire of Eltham Fire Prevention Week 1971 Winners L-R: Mr. K. Griffith (Lower Yarra Group - Rural Fire Brigades), Mrs. Toogood - Winner Residential Section, Mr. MacMaillan - Winner Farm Section (Ex-Councillor of Shire of Eltham) and Cr. Dreverman - Shire PresidentThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print 10 x 16 cm (Held at Eltham Library)sepp, shire of eltham pioneers photograph collection, eltham, fire prevention week, mrs toogood, mr macmillan, k. griffith, cr. dreverman, rural fire brigade, councillors

A brown hardcover book with the title Manual of Injurious Insects and Methods of Prevention by E.A.Ormerod printed in black lettering on the front cover with a small decorative flourish in each corner and black lines around all edges. The spine has the title, author 5/- Second Edition printed in gold lettering. There is a black and white portrait of the author on the frontispiece opposite the title page protected by tissue paper. There is an Introductory Preface, Parts I, II and III followed by other facts and lists, Glossary, Index and includes many black and white illustrations of insects. Tanning to edges of pages is seen as well as some loose pages. 410p.non-fictionA manual of injurious insects and methods of prevention and remedy for their attacks to food crops, forest trees and fruit. It is a renowned English title used all around the world.entomology, insects, agriculture

Relates to the history of the agriculture industry in VictoriaCream paper, foldout tables, 24 pagesagriculture, department of agriculture, victoria, wheat, growers guides, wheat rust, d martin

Ill, p.239.non-fictionDescriptions and photographs of the remnants of World war II in the South pacific areaworld war two 1939-1945 - battlefields, world war two 1939-1945 - campaigns - south pacific

Short account of his 2 Tours as a Platoon Commander.Service No. 3169801photographic exhibition, behind the wire

Coloured photograph.photographic exhibition, behind the wire, photograph

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

University of Ballarat is a predecessor of Federation University Black spiral bound document with clear plastic front cover and light blue back cover with black print.university of ballarat, rsi, prevention exercises, caval

This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, bushfires

Nine panels showing Fire in Victoria from Black Thursday 1851to 1951

So Much to Lose is a well-crafted, exceptionally researched, and most welcome contribution. Rust provides a wealth of otherwise unavailable material on a largely unexplored and misunderstood chapter of America's Southeast Asia history.united states - foreign relations - laos, united states - foreign relations - 1961-1963

How close were we to full-scale war in Vietnam when Lyndon Johnson succeeded to the presidency in 1963? What course might Kennedy have followed had he not been assassinated?vietnamese conflict, 1961-1975 - united states, united states - foreign relations - vietnam, president j f kennedy, president lyndon johnson, bay of pigs

A studio photo of an officer standing next to a chair with tassles on arms and seat in front of a potted palm.Black and white unframed studio photo of Reggie Clarke. Mounted with some marking on LH side.clarke, reggie, rust, thomas a., photographers, uniforms, george evans collection

Graeme Rust standing beside BMW 1100 in open parkland. Circa 1998S/C Graeme Rust Knox TOGpolice vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; bmw motorcycle