1. 21 unused coloured Diploma Certificates of the type used in c. 1891. Royal Horticultural School Burnley Department of Agriculture, Victoria. 2. Includes a tracing ink drawing of the coloured areas of the 'Pavillion' illustration etching on the certificates. Made by Ruth Waters, 2 Jackson Avenue, Box Hill, in 1991 (B92.0468a)diploma, certificate, pavillion print, ruth waters, original diploma certificate, drawing

View of the intersection of Sturt St and Lydiard St Nth with the Ballarat Post Office being the primary feature. Has an ESCo tram turning from Sturt St into Lydiard St. Shows the trackwork at this location and has several horse-drawn vehicles in the photograph. Note the building in the road space on the left hand side of the photograph. Postmarked Coleraine, 12/9/1908. Has a red 1d stamp. For a similar image see items 8244 and 9008.Demonstrates postcard printing c1908 and has a strong association with the sender and receiver.Black and white postcard - divided back used. Has initials "WTP" in bottom right hand corner.On the rear is a short message from C Kelso to Miss Ruth Waters, of Hill View, Nareen.trams, tramways, post office, sturt st, lydiard st nth, esco

The LHLG newsletter of 1918 features this image and notes that they accompanied their shipmaster father Captain Aviss, of the Barque Inverneill who with his wife Catherine Florence Aviss, travelling through dangerous European waters, brought the family of three children to visit Melbourne. The two children featured are Margaret and Ronald, born at sea in 1915. Their young sister, Ruth Neil, was also born at sea on the 27 August 1918. The family re-united with a first meeting for the children and grandparents, Captain and Mrs Frampton, who "had lost two ships to enemy submarines and were now on their third". The family participated in "a happy Communion service in our chapel , in which the parents and grandparents joined this formed the keystone of their visit to Melbourne". Unfortunately the young Mrs Aviss contracted the Spanish influenza on their arrival in St John, New Brunswick, Canada, she succumbed in November 1918 after spending a week in the Parks Hospital. Herbert Aviss was left with 2 toddlers and a 3 month old baby. He went back to England with his children in March 1919 on passenger ship, accompanied by a nurse. Martin Frampton and his wife were in New York at the time, but they probably learnt about Catherine's death in the local newspaper. A memorial plaque in her name unveiled in the chapel at the Mission in April 1919. The parents and grandparents left their names and signatures in the visitor book (0149) on the 28 April 1918.One of the rare stories of seafarer visits illustrated with a photograph of the children of a family accustomed to life aboard ship. The impact of influenza also affected this family and others are recorded amongst the supporters of the Mission and reflects the widespread impact that the epidemic of the post WW1 period had on people, Mission activities and restrictions affecting public events. Both Framptons and Aviss are noted in the annals of the Cape Horne society.Small monochrome photograph of two small children, a girl and a boy posed in front of the ship's wheel of a sailing vesselshipboard life, seafarer families, martin frampton, elizabeth frampton, herbert aviss, children, catherine florence aviss nee frampton, wwi, world war one, great war, first world war, german, submarine, u boat, torpedo, spanish influenza, flu, pandemic, st john, new brunswick, sea mites, wheel, boy, girl, margaret aviss, ronald aviss, ruth aviss, ruth neill aviss, ruth neill paterson nee aviss (1918-2017), ronald aviss (1915-1996)

Small 8 page booklet from the Ballarat Teachers' College Reunion 2004Gold and blue ribbon taped to front coveremerald, jubilee, reunion, ballarat teachers' college, programme, lois bilston waters, sherryn waters baile, ines bourke noone, kath bunworth drummond, jean clarke white, stan white, margaret collins mountford, frank mountford, mavis court blackie, margaret eveston peters, carmel fitzgerald ryan, mary gallagher edmonds, ruth gardy howard, mary gearing turner, margaret george freckleton, maureen godfrey fithall, rose harrison johnstone, norma heinrich boldiston, bill boldiston, margaret hives coughlan, john coughlan, pam hudson pentney, valda kelly spalding, kingsley spalding, nancy lee sedgewick, lesley latch frank, verna lees kaye, kathy lister kenna, isabel macmahon young, kitty o'shannessy mcgurrin, janet page sanders, george sanders, margaret panther leask, margaret reynolds bennett, shirley russell rae, pat ryan roberts, betty webb mcguane, ilysa witney robertson, wall baker, beryl baker, graham bartle, ruth bartle, max bridges, dorothy bridges, lindsay campbell, david collins, jan collins, jim dunn, ron edmonds, don evans, jean evans, george fordham, janice fordham, peter fryar, bev hill, john holloway, judy holloway, jim lannen, florence lannen, bill lister, betty lister, ian mcintyre, carol mcintyre, len mcrae, vans mcrae, keith richardson, vera richardson, ian ryan, neil tippett, wal wall, rosemary wall, valda ward

Grade 11A 1937. Box Hill S.S.2838. Two black and white photosbox hill primary school, schools, students, box hill state school, holt> jack, davey> arthur, whitehead> geoff, betts> denis, graham> jack, baird> bill, slessor> peter, enever> george, bassing> fred, standing> bob, lean> dorothy, king> dorothy, peel> lois, underwood> isobel, smale> thelma, mcdonald> margaret, bennett> mary, king> norma, coutts> graham, carter> lorna, park> dorothy, waters> joyce, barnett> phyllis, crook> carol, rodgerson> margaret, waterson> veronica, petering> marjorie, bolton> barbara, butler> peggy, garrett> geoff, williams> irene, davis> freda, wright> dorothy, murphy> audrey, harris> ruth, mclass> beverley, robinson> keith, aumann> ted

trophy winners at Tennis Club Trophy Night Murray Smith, Jarrod Pye, Jenny and Kevin Dowie, Jenny Devonshire, Tom Cook, Ruth McPhee, Don Collins, Kimberly Smith, Bree Waters, Lorraine Cook, Courtney Ellis, Emma Devonshire, Rex Horner, Tim Dowie, Malanie McPhee, Alec McPhee, Gareth and Scott Ager, Andrew Devonshire Lakes Entrance VictoriaBlack and white photograph showing trophy winners at Tennis Club Trophy Night Murray Smith, Jarrod Pye, Jenny and Kevin Dowie, Jenny Devonshire, Tom Cook, Ruth McPhee, Don Collins, Kimberly Smith, Bree Waters, Lorraine Cook, Courtney Ellis, Emma Devonshire, Rex Horner, Tim Dowie, Malanie McPhee, Alec McPhee, Gareth and Scott Ager, Andrew Devonshire Lakes Entrance Victoria sports, tennis, clubs, recreation

Sera Waters is an artist, arts writer and academic living on Kaurna land, South Australia. Since being awarded a Ruth Tuck Scholarship in 2006 to study hand embroidery at the Royal School of Needlework in the UK, Waters’ art practice has been characterised by a darkly stitched meticulousness. Her embroideries and hand-crafted sculptures dwell within the gaps of Australian histories to examine settler-colonial home-making patterns and practices, especially her own genealogical ghostscapes. More recently Waters has been exploring how textile traditions can help navigate a future affected by climate change. These two works by Sera Waters draw on myths, histories, and narratives of the Australian bush and interior, weaving together research into explorers, family stories, popular culture, and folklore. Teeth and wild mouths become portals into different times and experiences: our colonial past, fictional bush tales, and lived encounters with a harsh, unpredictable land. Hand-embroidered and embellished with time-intensive techniques once linked to domestic craft, the works embody both fragility and ferocity. Delicate yet unsettling, these works reflect on survival, risk, and endurance, transforming personal and collective histories into strange offerings that are humorous, dark, and deeply human.

Sera Waters is an artist, arts writer and academic living on Kaurna land, South Australia. Since being awarded a Ruth Tuck Scholarship in 2006 to study hand embroidery at the Royal School of Needlework in the UK, Waters’ art practice has been characterised by a darkly stitched meticulousness. Her embroideries and hand-crafted sculptures dwell within the gaps of Australian histories to examine settler-colonial home-making patterns and practices, especially her own genealogical ghostscapes. More recently Waters has been exploring how textile traditions can help navigate a future affected by climate change. These two works by Sera Waters draw on myths, histories, and narratives of the Australian bush and interior, weaving together research into explorers, family stories, popular culture, and folklore. Teeth and wild mouths become portals into different times and experiences: our colonial past, fictional bush tales, and lived encounters with a harsh, unpredictable land. Hand-embroidered and embellished with time-intensive techniques once linked to domestic craft, the works embody both fragility and ferocity. Delicate yet unsettling, these works reflect on survival, risk, and endurance, transforming personal and collective histories into strange offerings that are humorous, dark, and deeply human.