Showing 75 items matching "rye"
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Bay Steamers Maritime Museum
Photograph, Steam Tug Wattle at Rye Pier, c. 01/2000
One of a series of photographs taken by Michael Ritchie who was enthusiastic deck hand on Wattle. Photographs taken when Wattle was at Rye for the Christmas/New Year period, most likely 1997. Sailing schedule,shows 5 cruises per day, ticket prices, cruise destination of Seal Colony.and tea, coffee & scrolls available. Colour photograph of Wattle moored at Rye Pier, looking to stern. Gangway, lifeboat, signs, Red Ensign visible. Skipper Leigh Doeg selling tickets to 2 parents,2 children on right hand side of photographsteam tug wattle, rye pier, seal colony cruises, leigh doeg, michael ritchie -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Untitled [Jar] by Owen Rye, c1985
Owen RYE (05.11.1944 - ) Born Cooma, New South Wales Internationally recognised in the field of Ceramics, Owen Rye was a lecturer at the School of Visual Arts, Gippsland Institute of Advanced Education (incorporated into Monash University 1992), 1985-91 and senior Lecturer at the Gippsland Centre for Art and Design, Monash University (later Federation University) from 1992-2003. Proficient in the use of the wood-fired Anagama kilm, the surface of his work is dependant upon the placement of the item in the kiln, with ash glaze developing where ash and embers coat the form. Wheelthrown Anagama [woodfired] stoneware. Jan Feder Memorial Ceramics Collectionjan feder memorial collection, jan feder, owen rye, ceramics, gippsland campus, artwork, artist, gippsland centre for art and design -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Regimental Badge, 2016
This is the badge of the 8th Light Horse (Indi) Regiment, a pre-World War 1militia unitIn 1991 the 8th/13th Victorian Mounted Rifles linked with the 4th/19th Prince of Wales's Light Horse Regiment. The history of the 8th Light Horse became part of the current Regiment's history.Badge of 8th Light Horse Regiment mounted in glass fronted wooden frame with emu plumes with backing sheet of blue and gold colour patch of the RegimentPresented to the Unit History Room 4th/19th Prince of Wales's Light Horse Regiment (VMR) By the President and Members of Rye RSL Sub Branch and Club -
Eltham District Historical Society Inc
Photograph, Shire of Flinders, connection between two closures, Glen Drive, Rye, August 1978, 1978
Shire of Eltham Infrastructure benchmark studies (see also EDHS_04185)35mm Colour positive transparency Mount - Kodak Card duplicate Also colour photo print enlargement 27 x 35.5 cmbenchmark studies, glen drive, infrastructure, rye, shire of flinders -
Eltham District Historical Society Inc
Photograph, Shire of Flinders, connection between two closures, Glen Drive, Rye, August 1978, 1978
Shire of Eltham Infrastructure benchmark studies (see also EDHS_03937)35mm Colour positive transparency Mount - Grey and White plastic Also colour photo print enlargement 27 x 35.5 cmbenchmark studies, glen drive, infrastructure, rye, shire of flinders -
South Gippsland Shire Council
Photograph, Framed, Morning milking at Rye Valley Dairy, 2003
Framed and laminated colour photograph featuring morning milking at Rye Valley Dairy in 2003. Photographe by Carolyn Jones. Brown wood frame with laminated surface. -
Vision Australia
Audio - Sound recording, Gold 104 advertisement for sand sculpture exhibition at Rye, 2003, 2003
Advertisement for sand sculpturing exhibition at Rye beach, supported by radio station Gold 104. Each weekend until March 10, 2003 to see the life size sculptures at Rye, with proceeds supporting Vision Australia Foundation.1 sound file of radio advertisementvision australia foundation, gold 104, fundraising -
Vision Australia
Audio - Sound recording, Vision Australia Foundation Sand Sculpting Exhibition: Rye and Cronulla, c2003
Promotional material produced to advertise the Sand Sculpting Exhibitions on at Rye and Cronulla beaches. These were fundraisers for Royal Blind Society of NSW and Vision Australia Foundation (respectively), held in conjunction with Sand Sculpting Australia.2 MP3 audio recordings for use on radiovision australia foundation, royal blind society of nsw, fundraising -
Bendigo Military Museum
Souvenir - BOTTLE of PORT, Romany - Rye Vineyards of Redesdale, Barossa Valley S.A. 'PRODUCE OF AUSTRALIA', 1986
Label inscription - 'H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."Amber glass bottle containing a liquid with metal screw top and one paper label adhered to side of bottle. Volume 750ml. Label has dark brown print on a beige background. Illustrated with City of Bendigo crest and HMAS Bendigo crest.Label inscription - “H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."souvenir, anniversaries, bottles, hmas bendigo -
Rye RSL Sub Branch
Newsletter, Commando Association, MV Krait, After 1966
One of the most important and successful attacks on merchant ships inside an enemy harbour during world war two by English and Australian Commandoes or Special Unit Forces, launched from Australia. Nil deaths by the Commandoes were recorded, and 40000 tons of enemy ships were damaged or destroyed. To enlighten RSL Members and the public, the history of the MV Krait and the importance of our Military History. The newsletter has a typed story and pictures of members of M and Z Special Force. Krait took a small force on one of its missions and they sank about 38,000 tons of Japanese shipping in Singapore Harbour in 1943. The newsletters front page has pink large writng on a white background. The word Krait and a photo of it on the Brisbane River. The newsletter is 4 pages with a photo of the men on board on page 2. Page 3 has another photo of the Krait. It is on loan from Mr.Jim Muir, world war two, pamphlet, short story, mv krait, motor vessel, singapore, singapore harbour, 1943 -
Federation University Historical Collection
Book, Never a Dull Moment: Autobiography of Graham Howard Beanland, 2007
Black and white soft covered book including information on Graham Beanland's connection to Stawell, Yallourn, Ballarat, University of Melbourne, Electricity Commission, Electrical Insulators, Latrobe Valley, TAFE BOard, Hawthorn Institute, Footscray TAFE, Ballarat School of Mines, Family History, preserving the history of the Ballarat School of MinesINSIDE FRONT COVER 'with complements G. Beanland'graham beanland, graham howard beanland, ballarat school of mines principal, ballarat school of mines history, family history, genealogy -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
7 diagrams.24. Fig. 22.-Claviceps purpurea. I ergot on rye-grass.fungal diseases, diagram -
Flagstaff Hill Maritime Museum and Village
Functional object - Padlock & key
Padlock and key, iron with figure 8 cut out. Padlock - Rye Co. USA Key - "Russel & Berwin MF Co., New Britain C.T. USA" "2". warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, padlock & key -
Lakes Entrance Historical Society
Book, Tract Consultants Australia Pty Ltd, Storth Ryes Enviornment Effects Statement, 1988
Environment effects statement, Supplementary Report on the proposed Storth Ryes, Metung, Victoria, residential and resort development on the Gippsland Lakes. Includes concept plans and sketches.land settlement, commercial development -
Uniting Church Archives - Synod of Victoria
Award - Ribbon
MOK271.1 and MOK272.2 Ribbon awards. Blue nylon with gold screen printing. Handwritten names of award and recipients.MOK272.1 "DARREN STEVENS COURT ULFIUS/RYENCE CHAMPION KNIGHTS TEAM" "INDOOR SPORTS 1981". MOK272.2 as above for "CRAIG HERBERT".methodist order of knights, darren stevens, craig herbert, court ulfius/ryence, awards, indoor sports -
Ballarat Heritage Services
Photograph - Ceramics, Jill Jones, Vessel with crystaline glaze by Jill Jones, 1086
Jill and Lloyd Jones ran Golf Lane Pottery in Rye, Victoria.VICSmall vessel by Jill Jones.jill jones, australia studio pottery, ceramics -
National Wool Museum
Textile - Fabric Sample, Kathryn Knitwear, 1980
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Strip of knitted fabric samples showing the nine wool colour options for the boys line of Robert Blake/Kathryn knitwear in the winter season of 1980. Label printed in pale blue paper lists season and colour names and is attached to sample strip with two metal staplesBOYS WOOL WINTER 1980 COLOR SWATCH RED BURGUNDY BROWN RYE PEBBLE OYSTER NAVY BLUE SHADOW DENIM GRANITE GREYfabric sample, textile sample, fabric swatch, textile swatch, fashion textile production, textile manufacturing -
Federation University Art Collection
Ceramic - Artwork, [Ceramic Form] by Tony Nankervis, c1986, c1986
Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. Gift of the Artisttony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic - Artwork, [Ceramic Vessel] by Tony Nankervis, c1986
Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. tony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection -
National Wool Museum
Textile - Fabric Sample, Kathryn Knitwear, 1980
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Strip of knitted fabric samples showing the 14 wool colour options for the ladies' line of Kathryn knitwear for the winter season of 1980. Label printed in pale blue paper lists season and colour names and is attached to sample strip with two metal staplesLADIES WOOL COLOR SWATCH WINTER 1980 RED BLACK MAGNOLIA OYSTER SILVER BLUE SHADOW NAVY TEAL GREEN BRACKEN RYE BROWN BURGUNDY DEEP REDfabric sample, textile sample, fabric swatch, textile swatch, fashion textile production, textile manufacturing -
Heidelberg Golf Club
Memorabilia - Memorabilia Collection, Australian Golf Union, Australian Open 2005, 2005
Memorabilia and notes to rules officials at the Australian Open 2005, played at the Moonah Links (Rye Victoria) 24-27 November 2005. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Memorabilia collection of 2 p. additional local rules; 4p. ‘Rules Walkers Roster’; 4 car park passes; Moonah Links scorecard; 2 AGU guest passes; 2 season passes; Bruce Harding - Rules Official badge.bruce harding, golf - rules, australian open (golf) -
Federation University Historical Collection
Photograph, Collection of Henry Sutton Photographs
Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Collection of Photographs taken by Henry Sutton. Some are single photographs and others are double (side by side on a card)photographs, henry sutton, federation celebrations 1901, rye, stereoscope -
Vision Australia
Administrative record - Text, Vision Australia Foundation Annual Report: 2001/2002, 2002
The annual report outlines the achievements of the year and financial position of the organisation. Other articles discuss the agreement to merge the library division with NILS (National Information Library Service), expansion of radio network with a station in Geelong and new services in Warragul and Warrnambool, launch of new building at Kooyong, redevelopment at Mirridong to incorporate Community Services facilities, Kooyong fair raised $30,000, continuing discussion over amalgamation with RVIB and RBS, the sad disbanding of auxiliaries at Geelong and Warragul, 12 Easter Egg hunts were held in partnership with Kenman Kandy and Hungry Jacks - an increase from 5 last year, and partnering with Rye Beach Action Group to bring sand sculpting to Rye.1 volume of printed pages with illustrationsvision australia foundation, corporation records, malcolm daubney, michael lynch, graeme jones, fundraising, kooyong fair -
Heidelberg Golf Club
Memorabilia - Book and Memorabilia Collection, Australian Golf Union, Australian Open: Official Program 2003, and memorabilia, 2003
Official program of the Australian Open 2003, played at Moonah Links (Rye) 18-21 December 2003. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situations. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Official program 83p., col. Illus. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situationsbruce harding, golf - rules, australian open (golf) -
Clunes Museum
Poster, Sovereign Press, Clunes Ceramic Award 2015, August 2015
Rankine, Drew, Eller, Lafferty, O'Sulivan, Mossman, Pilven, Spronk, Winkler, O'Loughlin, Winter, Robey, Dermer, Fleming, Puls, Stewart, Delaney, Kerr-Grant, Venables, Curtis, Hanna, Bowkett, Secombe, Shatrov, Vachon, Austin, Bish, DeMaine, Franzi, Gill, Guerin, Jagger, McClure, McLean, Poulton, Rye, Santilla, Saunders, Standen, Varian, OzawaA4 size, 2 sided colour printed poster. Front shows photos of finalists ceramic pieces. Back shows artist name, title of piece and price and sponsors names. Front also lists exhibition dates and locationNilceramics, award -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 27
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Stephen Jolley interviews Sharon Redmond about the Rye Sand Sculpting exhibition. Siobhan Dennis provides an update on new books in the library. Valerie Thomas chats with client John Pollack and Kate Gneil, from Public Relations, discusses the Commonwealth Games Queen’s Baton Relay holders.1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, stephen jolley, siobhan dennis, sharon redmond, john pollack, kate gniel -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 24
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Stephen Jolley chats with Jim Pipzack from Vistech, about technology, and Siobhan Dennis looks at new books in the library. Valerie Thomas speaks with Don Draffin, a longtime supporter of Vision Australia and his experiences in getting a guide dog. Kate Gniel talks about Sand Sculpting event at Rye.1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, stephen jolley, jim pipczak, siobhan dennis, don draffin, kate gniel -
Federation University Art Collection
Ceramic - Artwork - watercolour, Three Gold Fish Hanging by Chris Headley
Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 32
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Robyn McKenzie interviews Maria Markou about the Telephone Response Service. Stephen Jolley speaks with Clare Bilton-Roos about books in the library. Valerie Thomas interviews Roz Stewart, who has been involved with the Association for the Blind, Tilly Aston Council, Vision Australia and Macular Vision Loss Support society. Robyn McKenzie chats with Kate Gneil about the Southern Cross Games, a Come and Try day for a variety of sports and the upcoming conclusion of the Rye Sand Sculpturing exhibition.1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, kate gniel, robyn mckenzie, maria markou, clare bilton-roos, roz stewart -
Mission to Seafarers Victoria
Painting - Painting, Acrylic, Ramon Honisett, Untitled, 1990-2000
Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings