Postcard - full colour, Divided back type of W2 496 at the San Francisco Transbay Terminal in May 1987. Photo by Irving Waldorf. Tram has two advertising Melbourne Tourism on the sides "G'Day Begins in Melbourne" and the word "Australia" by the door entries.trams, tramways, w2 class, san francisco, tram 496

This photograph is part of series depicting Allan Quinn's travels through San Francisco in 1949. This photograph shows the Golden Gate Bridge.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Golden Gate Bridge, in San Francisco.Reverse: 4-12-49 handwritten in blue ink, K9 /B handwritten in pencil sideways below.allan-quinn, photograph, san-francisco, golden-gate-bridge, 1949

A letter written from Charles Quinn to his mother in 1946 depicting his time spent travelling from Sydney to San Francisco.This letter is of historical, social and interpretive significance as it provides information about the life of a seaman during the mid 20th century.Two page, double sided letter (0348.a1-a2) written on 21/02/46 from San Francisco from Allen to his mother with envelope (0348.b)Two double sided pages of script beginning with. "My Dear Mum...Arrived here on Wednesday being 2 days overdue...." Inscription on the top left hand corner which states. "M. I. Goonawarra/San Francisco/21-2-46" Inscription on the envelope. "Mrs. S Quinn/San Lorenzo/63 Ocean Beach/Manly N.S.W/Australia."charles quinn, sydney, san francisco, mission to seafarers, 1946, seafaring

120 pages, illustrated.

Photo shows former MMTB W2 531 running in San Jose, in chocolate livery, in the Second Street Transit Mall at Santa Clara Street. Photo by D. Ehrlich on 20/3/1990. See item 7685 for another photograph of this tram.Yields information about W2 class tram 531 in San Jose.Postcard - full colour, Divided back.trams, tramways, w2 class, san jose, tram 531

James Legg married Emerald Watson at Gembrook in 1885. The couple had at least 10 children. The San Francisco Instantaneous Photographic Company developed a new technique after 1870 which required exposures for only a fraction of a second. The Company would travel to advertised locations where they would take portrait photographs. This photograph is circa late nineteenth century. This and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its representation of a well-known local man and its evocation of a style of portraiture. It is also part of a collection belonging to a community member who had a close association with a local historical society.A style of photographic portraiture which became popular in Melbourne in the late 19th century, and which could be shared amongst family and friends. This one is sepia colored with rounded corners. The subject, James Legg, appears to be deliberately dressed as a working man and he is holding a long stick or tool and standing on leaves. Some background details are too faded to be able to be discerned accurately.On back printed: 'SAN FRANCISCO / INSTANTANEOUS / PHOTOGRAPHIC COMPANY' On back on the L side handwritten: 'Mr J Legg / alias / Ned Kelly' On back underneath the company information, handwritten: ' Pakenham / J. Legg'david moyle, police, san francisco instantaneous photographic company, gembrook, james legg, emerald

Alan Charles Quinn went to sea at the age of 16 and photographed his work and the places he visited. He has left behind a pictorial autobiography enclosed in a number of photograph albums. Also included in the Alan Charles Quinn Collection are a series of letters written to and from his mother during his time at sea.Black and white photograph of bollards in the water at San Francisco. There is some rippling of the water in the front of the photograph with complete calm toward the rear. In the background and to the right is a pier with what appears to be an upturned boat on the pier. There is a visible fog or mist through the background of the photograph.Blue/green ink, handwritten on reverse: "23.11.49". Pencil markings: "K8/B" mission-to-seafarers, missions-to-seamen, alan-charles-quinn, docks, san-francisco, bollards, pier, california, united states of america, usa

The history of the InterContinental Mark Hopkins San Francisco is rooted in the Gilded Age mansion built by railroad tycoon Mark Hopkins on Nob Hill, which burned down after the 1906 earthquake. The current hotel was constructed in its place and opened in 1926, retaining the opulent spirit of its predecessor through its Renaissance Revival-style architecture and historical features, such as the "Top of the Mark" lounge. One of San Francisco’s "Big Four," Mark Hopkins was among those who founded what became the great Southern Pacific Railroad. In 1925, mining engineer and hotel investor George D. Smith bought the land where the Hopkins estate was built with the desire to build a luxury hotel. San Franciscans declared the new “Mark Hopkins Hotel” to be, "architecturally perfect, flawless in its erection, comprehensive in its accommodations, strikingly representative of the best there is in modern hostelry." The Mark Hopkins Hotel quickly became an immediate part of San Francisco’s rich and colorful history. This famous hotel is still in existence today.Two identical coloured vintage postcards from the Top of the Mark bar at Hotel Mark Hopkins in San Francisco in the early 1900's. Guests are illustrated seated in their fine clothes enjoying drinks together. The curved bar is in the background. The whole scene overlooks the Bay of San Francisco at night through the large glass windows. On the back of the cards is room for writing a message and address, postage information and facts from the General manager.'Top of the Mark' is printed on the front of the cards at the bottom right, as well as Hotel Mark Hopkins, Nob Hill, San Fransisco' 'Private Mailing Card' 'The Mark Hopkins will be happy to stamp and mail' Plus general information about the hotel from the General Manager.postcards, photographic postcards, postal stationery

British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships

Alan Charles Quinn went to sea at 16 years of age and photographed his work and the places he visited. His collection of photo albums form a pictorial autobiography. The Alan Charles Quinn collection also includes a series of letters written to and from his mother.Black and white photograph of a number of yachts moored in San Francisco Bay. There is a jetty or pier visible to the right of frame and trees along the background to the left.Blue/green ink, handwritten on reverse: "30/9/49" Handwritten in pencil: "K9/A"sailing boats, moorings, san francisco, alan charles quinn

The chinese called the rich goldfields in the heart of Victoria Dai Gum San, Big Gold Mountain. A place of untold wealth and promise. Today Dai Gum San is a rich Chinese Cultural Centre and Chinese precinct in the centre of Bendigo which links the Golden Dragon Museum with the Yi Yuan Gardens and Kuan Yin Temple. The gardens are a place of peace and beauty and the Kuan Yin Temple is a stunning home for the goddess of compassion.Squarish piece of quartz with printed plaque attached to front face. Dai gum san / In appreciation of your contribution / to the development of the / Bendigo Chinese Precinct / August 2010dai gum san, bendigo chinese dragon, golden dragon museum, city of greater bendigo heritage attractions

Pamphlet titled: "Trolley Festival – The past is present on market street" Produced by the Market Street Railway Company, San Francisco, features photo of a Melbourne tram owned by them. “Historic Cars of the Trolley Festival”, Melbourne Marathoners (1928-30), former MMTB trams #496 and #648. Tram #648 has since been sold to Sacramento Western Railway museum Trolley Festival ran from 1983 to 1987 due to cable tram track replacement.trams, tramways, usa streetcars, usa trams, usa tramways, w2 class, w5 class, tram 496, tram 648

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View of the beach at San Remo looking towards San RemoTthe Rose Series No. 704. the Beach at San Remo Victorialocal history, photography, photographs, postcards, san remo, black & white postcard copy, phillip island

Donated by Ruth McConveyPostcard Folder with 6 coloured photographs and 6 black & white photographs of San Remo, Victoria.268-01 The Bridge San Remo Vic 268-02 Back Beach San Remo Vic (actually says "Black Beach") 268-03 Panorama from Lookout, San Remo, Vic. 268-04 Looking towards San Remo from Phillip Island, Vic. 268-05 The Pier from Bridge, San Remo, Vic. 268-06 San Remo from Newhaven, Vic. 268-07 Western Port Hotel, San Remo, Vic. 268-08 Entrance to Main Street, San Remo, Vic. 268-09 Koala Bears 268-10 San Remo Hotel, San Remo, Vic. 268-11 the Pier and Bridge, San Remo, Vic. 268-12 Main Street, San Remo, Vic.san remo victoria australia, suspension bridge san remo/phillip island, ruth mcconvey

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of San Remo Shore - showing buildings in background.San Remo Shore - 251local history, photography, photographs, postcards, black & white postcard copy

Postcard to Miss M. Robb, Cowes " Maggie. With Janie's best wishes for a happy birthday June 28th 1915"Black & white postcard of the Genista ferry off San Remo with the bridge in the background"Genista"off from San Remoferry "genista", san remo, margaret robb, genista

Heavy wooden plaque with image of San Francisco Bay "Port of San Francisco/ "The Pacific Gateway to World Trade"/ Presented by the San Francisco Port Commission" "To the Port of Melbourne from the Port of San Francisco" on reverse side: "PMA 0310" "Distributed by/ Walter W Cribbins Co., Inc./ San Francisco 94105"

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984B&W postcard. Ferry arriving at San Remo all decked out in flags. Jetty crowded with people. Several other small craft around.Landing at San Remolocal history, photography, photographs, postcards, transport, shipping, black & white postcard copy, ferries, san remo, jetties, phillip island

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of "Genista" steaming towards San Remo. Phillip Island on left. Old suspension bridge in background."Genista" off from San Remolocal history, photography, photographs, postcards, black & white postcard copy, san remo, suspension bridge, phillip island

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of Phillip Island from San Remo Harbour. Jetty in background - Coal Jetty. Coal comes from Kilcunda by Rail.Phillip Island from San Remo Harbour.local history, photography, photographs, postcards, black & white postcard copy., newhaven, phillip island, san remo, jetties, coal jetty

View of San Remo coastline 1968/69. From the Jack Jenner Collection.Horse and young rider opposite the beach at San Remolocal history, photographs, horse, horse & rider, san remo beach, black & white photograph, jack jenner collection, san remo

Part of a collection of Rose & Valentine Series of Postcards - copied by John Jansson 1984Black & White Postcard. View of Newhaven from San Remo, Phillip Island. Over printed "Merry Christmas" CopyNewhaven from San Remo, Phillip Island. "Merry Christmas" over printedlocal history, photography, photographs, views newhaven, phillip island, newhaven

Photograph showing full extent of bridge with San Remo hills behind. A large casaurina on left of photograph in foreground.View from Phillip Island cross to San RemoLooking towards San Remo from Phillip Is. Vic. Murray Views No. 9. Looking towards San Remo, Phillip Islandlocal history, photographs, bridges, san remo, black & white photograph, mona condrick

This Photograph belongs to Molly Brooks of Bergin Grove, San Remo and was donated to Cherry McFee.Sepia Photograph showing horse and buggy outside Pier Hotel, San Remolocal history, photographs, scenes of san remo and shetland heights, sepia photograph, san remo, pier hotel, horse & buggy

This photograph is part of series depicting Allan Quinn's travels through San Francisco in 1949. This photograph is a landscape shot of the San Fransisco Oakland Bay Bridge.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the San Francisco Bay and the Oakland Bay Bridge.Reverse: 12-11-49 handwritten in blue ink. Below this are some indecipherable marks in pencil.allan-quinn, photograph, san-francisco, bay-bridge, 1949, merchant navy