History of Saint Margaret's Church Eltham beginnings to 1888. Throughout this foundation period the community grew in numbers and influence within the developing district of Eltham. The minister's and lay readers appointed to Saint Margaret's are indentified and their contribution discussed. The significant events of the establishment of a temporary chuch and then a permanent church, the opening and closing of a denominational school, the construction of a parsonage, libraries and Sunday school are all examined. The key to the success of this faith community during its foundation years was the initiative and resourcefulness of its laypersons. - back cover. The early beginnings of the church included congregations at St Helena, Greensborough and Diamond Creek. People described in the book are listed as subjects in this description. The author Geoff Sandy mentions the following in the acknolwedgements on page iii: "Harry Gilham and Russell Yeoman of the Eltham District Historical Society willingly assisted me with locating records and images relevant to the scopeof this book".The first in a three volume set capturing a comprehensive rich history of the church and importantly its community for the first time.This volume discusses the pioneers of the Etham district who contributed not only to the foundation of the church but its wider thriving community and adds to the records of what we know about the early history.367 pages : colour illustrations ; 25 cm.[written inside front cover] Donated to the Eltham and District Historical Society on the occasion of the launch of "A History of Saint Margaret's Church Eltham" - 23 February 2014, Geoffrey A Sandysaint margaret's anglican church eltham, eltham, st helena church, dixon bertram, robert mackie, josiah hollis, andrew brown, arthur joseph pickering, john boyle gason, thomas cooper searle, henry dendy, william bravery andrew, charles symons wingrove, patrick alfred armstrong, patrick armstrong, john pearson, thomas hunniford, john gardner, thomas batt, isaac hill, william austin page, richard warren, john lindsay beale, henry stooke, john beale, charles hamilton, edwin willis maygar, william frederick ford, isaac briggs, david george clark, richard lowman, walter wippell, george knapman, benjamin oliver wallis, benjamin o. wallis, benjamin wallis, andrew logan, james rossiter, james thomas foster gilding, charles mash maplestone, george bird, george bird (1845-1921), charles hobart, e m bill, j c cole, william morris, francis flintoff, church of england, st margaret's anglican church, st margaret's anglican church eltham, st margaret's church, st margaret's church eltham, st margaret's church of england eltham, st margarets, st margarets anglican church, george stebbing, george stebbing builder

History of Saint Margaret's Church Eltham 1945 to 2015xx, 454 pages : illustrations (some colour), portraits ; 23 cm.ISBN 9780994519696 [written on flyleaf] Donated to the Eltham District Historical Society - Geoffrey A Sandysaint margaret's anglican church eltham

Sandy BROWN (1946- _ Born Tichborne, Hampshire. England From 1969-73 Sand Brown studied at Daisei Pottery, Mashiko, Japan. In 1988 she was awarded an residency in Australia, and was an artist in residence at the Gippsland Centre for Art and Design (GCAD). The Sandy Brown Museum opened in Appledore in June 2014.sandy brown, ceramics, gippsland campus, jan feder memorial ceramics collection

The coloured postcard depicts the Port of Warrnambool in the early 1900s. It shows the Breakwater, completed in 1890, the Viaduct, and the Merri River footbridge. There are many people on the sandy river banks, beach and bridge, and some are on the rocks of Middle Island. The printed postcard was made in England and is one of the Jordan Series produced by Joseph Jordan, a renowned photographer in Victoria's Western District.The postcard is locally significant as a record of the early footbridge over the Merri River, and the Viaduct before the space between the pylons was filled it. It shows the use of horses as a means of transportation. The photograph is also associated with Joseph Jordan, a renowned Victoria's Western District photographer.Postcard, coloured, showing the Port of Warrnambool. People are gathered on the sandy beach beside the river and near the river mouth. They are on and below the footbridge, along with several horses. Some are on the rocky Middle Island. There is a white ship in port. There is a jetty on the left, and buildings at the start of the breakwater. An inscription is printed at the bottom of the picture. The picture is one of the Jordan Series. It was printed in England in 1910."SANDY BEACH & BREAKWATER AT WARRNAMBOOL" "JORDAN SERIES" "PRINTED IN ENGLAND" "1910"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, postcard, merri river, footbridge, warrnambool breakwater, breakwater, viaduct, middle island, port of warrnambool, jordan series, printed in england, 1910, joseph jordan, jordan photography

Sandy Blythe - Newspaper Articles and PicsCo-Captain Australia Olympic Wheelchair Basketball Team ; Olympic Gold Medallist - Atlanta 1996 ; Founder - Dandenong Rangers Wheelchair Basketball Teamsandy blythe, wheelchair basketballer, olympic gold medallist - atlanta 1996, dandenong rangers, basketball, australian parlympian

This is a set of nine photographs taken at the School of Military Survey (SMS) Staff Verses Students Football match held on the 2nd of August 1991. It is probable the match was held at the Sandy Creek Oval, located 32km SSE of the SMS’s location at Latchford Barracks, Bonegilla, Victoria. CAPT Brian Sloan and CAPT Bill Griggs’ photos were taken at the SMS. The photos were taken by CPL Robin Parkin, who was a student attending a SMS Regimental Photographer course. He has donated the photographs.This is a set of nine photographs taken at the School of Military Survey – Staff Verses Students Football match held on the 2nd of August 1991. Black and white photographs are on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1991, spectators during the match. Chris Gordon 2nd from left, remainder unidentified. .2) - Photo, black & white, 1991, Peter ‘Blue’ Blaskett conducts the post-match presentations. In foreground L to R: Mark Casey, unidentified. In background L to R: unidentified (x3), Darren Wilkinson, Bob Thrower, Dave Lawler, Gill Park, unidentified, Rod Skidmore, remainder unidentified. .3) - Photo, black & white, 1991, L to R: Peter ‘Blue’ Blaskett presents an award to an unidentified recipient. In foreground L to R: Mark Casey, unidentified. In background L to R: unidentified (x3), Darren Wilkinson, Bob Thrower, Dave Lawler, Gill Park, unidentified, Rod Skidmore, remainder unidentified. .4) - Photo, black & white, 1991, L to R: Peter ‘Blue’ Blaskett presents an award to an unidentified recipient. In background L to R: Rod Skidmore, unidentified (x3), Kevin Kennedy, Neil Jones, remainder unidentified. .5) - Photo, black & white, 1991, L to R: Peter ‘Blue’ Blaskett presents an award to an unidentified recipient. .6) - Photo, black & white, 1991, L to R: Drew Martin, unidentified (x6), Trevor King, Mark Donnelly, Hamish Goetz CSM, remainder unidentified. .7) - Photo, black & white, 1991, CAPT Brian Sloan at the SMS. .8) & .9) - Photo, black & white, 1991, CAPT Bill Griggs at the SMSThere are no annotations.royal australian survey corps, rasvy, army survey regiment, school of military survey

Minus His Head and Hooves The Story of Sandy the only horse to return to Australia after the First War 1914 to 1918world war 1914 - 1918

History of Saint Margaret's Church Eltham 1889 to 1944xxi, 359 pages : illustrations, portraits ; 23 cm.ISBN Gifted to the Eltham District Historical Society 9 September 2017saint margaret's anglican church eltham

History of first 150 years of St Margaret's Anglican Parish Eltham24 p. : ill. (some col.), ports. ; 21 x 23 cm.ISBN 9780646562674 [signed by author on inside front cover and dated 17/11/11]st margaret's anglican parish

One sepia photographWritten on back "1870", on front, "Sandy Gully, Ringwood".

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Clear Plastic cover over white Card with White Plastic BindingDarling Flat / Sandy Creek Goldfields.stawell mining

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed drawing with watercolour detail of Sandy Church Bedfordshire 1854, with matt. art, artwork, sandy church bedfordshire, watercolour, church, unframed

Colour photograph of cottage Sandy Nook at New Works Village Lakes Entrance Victoria environment, historic sites

This photo is part of the Fred Griffith Photographic Collection. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.This image depicts early visitors to the Albury Ski Club and Falls Creek.A black and white photo of Sandy McNabb overlooking Falls Creek ski slope and skiers below.fred griffith, albury ski club, falls creek, bowna ski club

Murray Comrie Collection. Date of image: This office opened in August 1856. Large hoop skirt on subject suggests probably not later than 1880. This photograph is a good copy created from an older original.Monochrome photograph of people and a horse drawn buggy outside the Sandy Creek (later Tarnagulla) Post Office.tarnagulla, post office, construction, businesses, commercial road

Unframed photo of Brigadier "Sandy" C.M.I. Pearson, Commander 1st Australian Task Force speaking at the opening of the Pearson Community Centre in Nui DatAWM/BEL/69/0609/VN1st australian task force, brigadier "sandy" c.m.i. pearson, pearson community centre, nui dat

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 minThis gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a green and gold label. Title: The Wedding of Sandy McNab Artist: Harry Lauder Publisher: Zonophone Records England Size: 10 inch Number: X-42793flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, 10 inch, zonophone record, england, x-42793, the wedding of sandy mcnab, harry lauder

Sandy Anton as child and Mrs Berryball in Nell Street GreensboroughDigital copy of black and white photograph.nell street greensborough

Colour photograph of a clay sculpture by Matcham Skipper of Wyn Roberts. Stamped on reverse: 98213086 © Sandy Kilpatrick matcham skipper, photograph, sandy kilpatrick, sculpture, wyn roberts

Photograph shows weeds growing in sandy soil, an indication of poor soil management.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.land management, weeds

Eric Barclay with Sandy the dog at the gate to the Barclay home, Elder Street Greensborough 1947.Digital copy of black and white photographeric barclay, barclay family, elder street greensborough, bell family

Colour photograph of a Matcham Skipper bronze sculpture of a head of a woman wearing a head scarf. Printed on reverse: 9821308 2 © Sandy Kilpatricksandy kilpatrick, matcham skipper, photograph, sculpture, female head

Colour photograph of a Matcham Skipper sculpture of the head of a man with shirt collar and tie. Printed on reverse: 9821308 5 © Sandy Kilpatrick sandy kilpatrick, photograph, matcham skipper, sculpture, male head

Colour photograph of a bronze sculpture by Matcham Skipper of a seated boy with grapes. Printed on reverse: 9821308 7 © Sandy Kilpatricksandy kilpatrick, matcham skipper, photograph, sculpture, boy

Colour photograph of a bronze sculpture by Matcham Skipper of the head of a man. Printed on reverse: 9821308 3 © Sandy Kilpatricksandy kilpatrick, photograph, matcham skipper, sculpture, male head