Showing 464 items matching scalloped
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Whitehorse Historical Society Inc.
Domestic object - Curtains
Cream mesh curtain with scalloped edges. Wide pattern of cream embroidery at lower edge.manchester, furnishings -
Whitehorse Historical Society Inc.
Textile - Doyley
Oval white cotton doyley with white embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir teaspoon, n.d
Stuart silver plated scalloped spoon, with enamelled badge at Bridgewater Bay, showing the headland.Front: 'Bridgewater Bay Vic' - gold lettering on badge Back: 'STUART Silverplated Made in Australia'souvenir of portland, bridgewater bay -
Whitehorse Historical Society Inc.
Decorative object - Tea Cosy
Valda Arrowsmith purchased this tea cosy and donated it to the society.Cream linen tea cosy with scalloped edge. Both sides are embroidered in different colours and design. One side has a horseshoe in gold silk thread and green leaves entwined in green silk thread. Scallops in green silk thread The other side has a cross, worked in drawn thread. The scallops are worked in gold silk with embroidered flowers in the centre of each. Both sides are hemmed with drawn thread.manchester, table linen, domestic items, food & drink consumption, handcrafts, embroidery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's 1/2 slip cotton cutwork, c1900
This lady’s hand sewn cotton 1/2 petticoat with cut work is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's white cotton 1/2 slip with cutwork front, hand sewn scalloped hem.clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, marshall d, dairy farms, fruit orchards -
Blacksmith's Cottage and Forge
Bedspread
Manchester used at the timeDouble bed bedspread, ecru coloured crocheted, scalloped edges, small medallions. Made of cottoncotton, bedspread, crotcheted, manchester -
Flagstaff Hill Maritime Museum and Village
Ceramic - Bowl, 1910 to 1950
A mass produced unbranded utilitarian item made for domestic use no history or provenance currently available, design indicates item made before 1950Item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as made prior to 1950.Stoneware mixing bowl round cream with pouring lip and decorative scallop relief around bodyNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, ceramic bowl, pouring bowl, kitchen ware, cooking ware, ironstone bowl, salt glazed, mixing bowl -
Orbost & District Historical Society
plate, Probably after 1862
This item is an example of tableware used in the late 19th -early 20th century.Large Asiatic Pheasant plate with faded blue and white pattern of flowers and pheasants. Scalloped edge.Back - "Asiatic Pheasants', E & C Challinorplate challinor staffordshire crockery domestic tableware -
Orbost & District Historical Society
vase, Circa 1890
Glass vase. Glittering pink. Small, bulbous vase with fluted scalloped rim.. Inside is white.vase ornament-glass -
Orbost & District Historical Society
doily, Ralston, Marion, first half 20th century
Made by Marion Ralston and donated by husband , Mark.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Hand-embroidered doily. Round with scalloped edge. Embroidered with blue, yellow, green and red flowers.doily handcrafts needlework linen embroidery -
Geelong Cycling Club
Medallion
Awarded to L Stephenson, pupil at Chilwell State School in the late 1920s for competition with other local schools.In this period an attempt was made to introduce cycling as a sport at the local State School level.Gold Medallion in the shape of a scalloped hexagon. It has the shape of cyclists embossed inside a circle on the medallion."2 cyclists riding/Chilwell SS won by L Stephenson"chilwell ss; 1920; l stephenson; medallion; -
Kew Historical Society Inc
Household Textile, Bolster Cover
White linen bolster cover, embroidered one end, scalloped, sewn the other. Broderie Anglaise?? bed linens, household textiles, bolster covers -
Churchill Island Heritage Farm
Clothing - Lace Piece
This length of machine made lace could only be made on either the Raschel or the Leavers machine, however the Raschel only produced an hexagonal ground, therefore we must lean towards the Leavers machine. The pattern in the piece is a copy of a bobbin lace with a plaited octagonal ground. The Leavers machine could reproduce all sorts of grounds, it was very versatile and operated from the mid 19th century until the present day. This lace is quite fine and would look lovely as a trim on a fichu or mob cap.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.length of machine lace with repeating 'spoked wheel' designs, trimmed on one side with a scalloped edgechurchill island, lace, janet amess lace collection, amess, machine -
Churchill Island Heritage Farm
Textile - Lace Piece
This lace appears to be a beautiful product of the Leavers lace making machine. It is Valenciennes in style which is a bobbin lace characterized by the diamond shaped net. Unlike comparable Mechlin lace it does not have a gimp thread outlining the pattern. Valenciennes lace originated in France but perhaps due to religious persecution later moved to Ypres in Belgium and was very popular in the 18th century. It was simpler to produce than Mechlin lace and was never used on expensive garments but reserved for bed linen, lingerie and the fichu. By the 19th century it was made by machine which made it cheaper and even more accessible.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries. Machine made Valenciennes lace with a floral design on a fine mesh background, and one scalloped edge.lace, churchill island, janet amess lace collection, amess, machine -
Kyneton Fire Brigade
Memorabilia - Crystal bowl
Part of Kyneton Fire Brigade trophy collectionPart of Kyneton Fire Brigade trophy collectionCut crystal bowl, star pattern on base, leaves and flowers on sides, scalloped edge at top. Manufacturer's sticker on side of bowl: Bohemian / Hand / Cut / Crystal / Made in Czeckoslovakia. trophy, kyneton fire brigade, country fire authority, fire brigade demonstrations -
Mont De Lancey
Functional object - Table runner
Four white rectangular crocheted table runners. Small circular pattern throughout with scalloped edge.table runners -
Mont De Lancey
Camisole
Trousseau of Mrs. A. Mitchell (1877).White cotton embroidered camisole with butterfly design. Scalloped edge on neckline and sleeves. Richelieu work. camisoles, petticoats -
Whitehorse Historical Society Inc.
Textile - Tray Cloth, not known
Used by Mrs Jean Ashcroft (nee Beard) Probably worked by her in scotlandLinen centre with drawn thread worked in shape of squares with hand crochet border and scalloped edgingmanchester, table linen -
Whitehorse Historical Society Inc.
Domestic object - Glass pedestal bowl
Used as table ornament and fruit bowl in home at Blackburn. Glass pedestal dish, scalloped edge; pattern, circle within triangle. Triangle pattern on a pedestal.domestic items, ornaments / decorative, table setting -
Whitehorse Historical Society Inc.
Textile - Doyley
Oval shaped white cotton doyley embroidered in white. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen -
Glenelg Shire Council Cultural Collection
Souvenir - China Dish, Royal Stafford, England, n.d
White, Royal Stafford china scallop shaped dish. Black and white decal 'The Harbour Portland'.Back: Makers stamp - Royal Stafford -
Glenelg Shire Council Cultural Collection
Souvenir - Spoon - Souvenir Princess Margaret Rose Caves, Victoria, n.d
Spoon, scalloped, gold coloured metal, enamelled badge, Princess Margaret Rose Caves, VictoriaBack: Yellow sticker '50' in texta -
National Wool Museum
Textile - Cardigan, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green cardigan with black edged scallop detailing on collar, button band and faux pockets.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Whitehorse Historical Society Inc.
Textile - Doyley
From the estate of the late Jean Ord, mother of the donor.A pair of blue linen mats with white embroidery thread on drawn thread work with scalloped edge.handcrafts, embroidery, manchester, table linen -
Greensborough Historical Society
Costume - Apron, Embroidered apron, 1966_
Made to protect clothing when doing domestic duties.Embroidered calico apron with scalloped edging across the bottom. Apron bound with red bias binding.Indigenous women (possibly Maori) in traditional dress amongst native flowersapron, women's clothing -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Apricot sleeveless long nightdress scalloped edge on neckline with self embroidery at neckline. Tie for waist.costume, female nightwear -
Blacksmith's Cottage and Forge
Gloves-childrens, circa 1940s
Used by donor as a child in Sunshine to wear to Sunday school and other special occasions.Local history. typical accessories used by childrenOne pair ecru coloured cotton gloves crocheted with a scalloped edged cuff with a circular floral motif.cotton, accessories, gloves, crocheted -
Flagstaff Hill Maritime Museum and Village
Domestic object - Candle stick holder, 1900-1930s
A candlestick holder is a device used to hold a candle in place. Candlesticks have a cup or a spike ("pricket") or both to keep the candle in place. Before the proliferation of electricity, candles were carried between rooms using a chamber stick, a short candlestick with a pan to catch dripping wax. Although electric lighting has phased out candles in much of the world, candlesticks and candelabras are still used in homes as decorative elements or to add atmosphere on special occasions. An item used in every home that did not have electricity from the late 19th to early 20th centuries as a lighting aid.Candlestick is round, hollowed scalloped edge to base. Coated with white enamel it features a large ring handle. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, candle stick holder, candle holder, enameled candle stick holder -
Bendigo Military Museum
Souvenir - HANDKERCHIEF, SILK, c.1914-18
Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk -
Cheese World Museum
Toilet set, bowl, R Fowler Ltd
Used by the Percy Uebergang family of Tooram Park, Allansford. Cheeseworld museum has a photograph (P0127)of Ray Uebergang, aged approxiamately six months, sitting in this bowl. His twin Joyce is sitting in a striped bowl, also in the collection. Large white china bowl with fluted rim. The scalloped design dips down the sides and into the centre of the bowl.H1809 Trademark: crouched archer R Fowler Ltd Australiauebergang, allansford, tooram park, ablutions, toilet sets, bowls, fowler r