Showing 181 items matching screenprinting
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Glenelg Shire Council Cultural Collection
Print, The Groom, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, The Wedding, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17 -
Glenelg Shire Council Cultural Collection
Print, Sails, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38 -
Glenelg Shire Council Cultural Collection
Print, Are we falling off the sheep's back?, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of: a sheep transport boat; sheep truck; abattoir; sheep and protestors. The background is blue, green and silver, and features large silos. The text "Are we falling off the sheep's back?" is at the top of the work, as well as a simple map of the "Persian Gulf" with "Kuwait" marked.Front: RBR 28 (lower right image, printed) 30/50 (lower right) (pencil) Back: 35 -
Glenelg Shire Council Cultural Collection
Print, Coca-Cola, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30 -
Glenelg Shire Council Cultural Collection
Print, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11 -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency -
Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Print - Print - Bentinck Street, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of the Angela Gee Residency 1983 and 1984Laminated screenprint depicting an early street scene of Bentinck Street in Portland. The left side of the work depicts the row of buildings along Bentinck Street with the 'Gordon Hotel' in the foreground. In the centre of the image two figures on horses ride away from the viewer. On the right is a large tree with with two figures walking below it.Front: Karina Fredericks 84' (lower right) (pencil) Back: 9 -
Glenelg Shire Council Cultural Collection
Print, Fawthrop Lagoon, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Fawthrop Lagoon, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18 -
Glenelg Shire Council Cultural Collection
Print, Pandora's Box, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of abstract chess board with chess pieces and blocks of text. The chess board has abstract shaped squares of red and black. The chess pieces appear in the normal form and as images which have been cut into pieces. The blocks of text are red with black text and refer to controversial events in Portland's history.Front: 5/12 Pandora's Box. P. Tsernjavski '84 Back: 45 -
Latrobe Regional Gallery
Print, ANDREW, Brook, The Right to Offend is Sacred (black), 2016
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Latrobe Regional Gallery
Print, ANDREW, Brook, The Right to Offend is Sacred (cobalt), 2016
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Latrobe Regional Gallery
Print, ANDREW, Brook, The Right to Offend is Sacred (glow red), 2016
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Latrobe Regional Gallery
Print, TILSON, Joe b. 1928 London, England, The 1/2" Ziggurat, 1965
ScreenprintTitled and edition 'The 1/2" Ziggurat 38/70' bottom left corner under printed image. Signed and dated 'Joe Tilson 1965' lower right corner under printed image. -
Latrobe Regional Gallery
Print, PIPER, John b. 1903 d. 1992 Buckinghamshire, United Kingdom, Eye and Camera: Claret and Blue, 1973
ScreenprintSigned 'John Piper' in lower right corner under printed image. Edition 33/70 in lower left corner. -
Latrobe Regional Gallery
Print, PHILIPS, Tom b. 1937 London, United Kingdom, Benches, 1982
ScreenprintSigned in lower right under printed image. Edition 49/85 lower left under printed image. -
Latrobe Regional Gallery
Print, PASMORE, Victor b. 1908 Chelsham, UK d. 1998 Valletta, Malta, Point of Contact No. 37, 1982
ScreenprintSigned and dated 'VP 82' in lower right corner under printed image. Edition 23/70 in lower left under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Elvis, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 19/30 in lower left under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Captain Fantastic, 1995
ScreenprintDated and signed '1995 Eduardo Paolozzi' lower right under printed image. Edition 1/30 lower left corner under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, The Turning Suite, Image 9, 2000
ScreenprintSigned 'Eduardo Paolozzi' under printed image. Edition 4/50 in lower left corner under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Death Head, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' under printed image to the right. Edition 15/30, lower left corner under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, The Turning Suite, Image 5, 2000
ScreenprintSigned 'Eduardo Paolozzi' lower right under printed image. Edition 3/50 lower left under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, The Turning Suite, Image 6, 2000
ScreenprintSigned 'Eduardo Paolozzi' bottom middle. Edition 2/50 in lower left corner under printed image. -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Bilko, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 1/30 lower left corner under printed image. -
Latrobe Regional Gallery
Print, LAWSON, Sonia b. 1934 Darlington, United Kingdom, Girl Dreaming of Pony, 2001
ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image. -
Latrobe Regional Gallery
Print, LAWSON, Sonia b. 1934 Darlington, United Kingdom, Twin Forms, 2001
ScreenprintSigned 'Sonia Lawson' bottom right under printed image. Numbered 'XX' (20) in bottom left corner under printed image. -
Latrobe Regional Gallery
Print, LAWSON, Sonia b. 1934 Darlington, United Kingdom, Newspaper Readers, 2001
ScreenprintSigned 'Sonia Lawson' in the bottom right corner under printed image. Numbered 'XXII' (22) in the bottom left corner under printed image.