Showing 181 items matching screenprinting
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Latrobe Regional Gallery
Print, CAULFIELD, Patrick b. 1936 d. 2005, Dressed Lobster, 1980
Screenprint- -
Latrobe Regional Gallery
Print, BLAKE, Peter b. 1932 Britain, England, Ostrich Beach-About Collage: Tourist Attraction, 2000
ScreenprintSigned 'Peter Blake' lower right corner under printed image. Edition 15/60, under printed image. -
Latrobe Regional Gallery
Print, LANCELEY, Colin b. 1938 Dunedin, New Zealand, Some are More Equal than Others, 1969
ScreenprintSigned 'Lanceley 69' in lower right corner of print. Edition 141/150, numbered under printed image towards bottoms right corner. Titled 'Some are more equal than other' in centre bottom edge of print. -
Latrobe Regional Gallery
Print, BOYD, Jamie b. 1948, Man in the Bush, Not dated
ScreenprintSigned 'Jamie Boyd' in lower right corner under printed image. Edition A/P in lower left corner under printed image. -
Latrobe Regional Gallery
Print, BELLANY, John b. 1942, Port Seton d. 2013, Colchester Lil, 2000
ScreenprintSigned 'Bellany' under right corner of printed image. Edition 25/34, numbered under left corner of printed image. -
Latrobe Regional Gallery
Print, BELLANY, John b. 1942, Port Seton d. 2013, Celtic Maiden, 2000
ScreenprintSigned 'Bellany' lower right corner under printed image. Titled 'Celtic Maiden' centred under printed image. Edition 17/80, numbered under lower left corner of printed image. -
Latrobe Regional Gallery
Print, BOYD, Arthur b. 1920 Murrumbeena d. 1999 Melbourne, Wimmera, Not dated
ScreenprintSigned 'Arthur Boyd' lower right corner under printed image. Edition A/P, lower left corner under printed image. -
Latrobe Regional Gallery
Print, RICHARDS, Ceri b. Dunvant, Wales d. 1971 London, Peu a Peu Sortant de la Brume, 1969
ScreenprintSigned and dated 'Ceri Richards 69' lower right corner under printed image. Edition 36/100, numbered lower left corner under print. -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - [ Untitled ] 1968, Franz Kempf
1926 - ScreenprintSigned and dated -
Glenelg Shire Council Cultural Collection
Print, Old Lady, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 8/ 37 (lower left) A Gee (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Nuns Beach, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32 -
Glenelg Shire Council Cultural Collection
Print, Aboriginal Woman, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of an Aboriginal woman with a white and orange background. The Aboriginal woman appears to be seated and is wearing a full-length dress. She is positioned on the lower left side of the work and portrayed in orange and black. Behind her the background has been left blank. The top and right side of the work has an orange background with white wavy lines.Front: (no inscriptions) Back: 47 -
Glenelg Shire Council Cultural Collection
Print, Cape Nelson at Sunset, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43 -
Federation University Art Collection
Printmaking - Screenprint, Leach-Jones Alun, 'No 2 Untitled' by Alun-Leach Jones, 1967
Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint.art, artwork, printmaking, alun leach-jones, abstract colour, south australian school of art -
Geelong Gallery
Print - Peace, ANDREW, Brook, 2005
Colour screenprint -
Gippsland Art Gallery
Print, Reed, Sweeney, Film Star, 1975
Donated by Simon Gregg, 2015Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Cow, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Untitled, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Durrant, Ivan, Saigon, 1987
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Duxbury, Lesley, Carbon, 2013
Donated by Freestone Press, 2016Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Little Zinnia, 1974
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Perforated Game, 1970
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Senbergs, Jan, Love the Stage, 1970
Purchased, 1972Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Wicks, Arthur, Blue Craze, 1969
Donated from the estate of Patricia Marie White, 2017Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Critic, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Krausmann, Rudi, Final Victory, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection