Wooden instrument with two piecestag attached written in pencil: "Scribe" written with white pen: "PWO 1488.5"

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted orange paper mache head with goatie beard, blue eyes and white eyebrows. Wearing a long black and white dress with a grey collar and cuffs over a cream with little red flower skirt which is trimmed in grey. Legs are cream material with wooden feet. Hands are wood. Hair is white with bald head.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

SANYO Memo-Scriber Telephone Recorder Silver body with a grey control panel, black buttons and auxiliary sections. clear plastic cassette window on the right. SANYO MEMO-SCRIBER Typing

These 10 photographs were taken over two decades from the late 1950s to 1979 at the Army Survey Regiment, Fortuna, Bendigo. The two photos taken in 1961 are annotated with named personnel and the date. The other photos are not annotated with dates, locations and names of personnel, although the technicians in the last three photos taken in 1979 are positively identified. The photos were most likely taken in the Ballroom, Ante Room and Attic, Cartographic Squadron’s main production rooms on the top floor of Fortuna Villa. Scribing was the cartographic process of drafting topographic features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a creek to a specified line width on the map sheet, using a tool affixed with a metal or sapphire tipped cutter.This is a set of 10 photographs of technicians scribing topographic features at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s. unidentified personnel in Cartographic Squadron .2) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic .4) - Photo, black & white, c1960s. Cartographic Squadron Attic .5) - Photo, black & white, Oct 1961. L to R: PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Cartographic Squadron .6) - Photo, black & white, Oct 1961. CPL Jennifer H. Murray. Cartographic Squadron .7) - Photo, black & white, 1979. SPR Mick Ellis in Cartographic Squadron .8) - Photo, black & white, 1979. SPR Mark Casey in Cartographic Squadron .9) - Photo, black & white, 1979. SPR Sharon (Jones) Treble in Cartographic Squadron .10) - Photo, black & white, 1961. PTE BJ Madex. Cartographic Squadron.1 to .4 - annotated “Scribing” .5 – annotated “Scribing PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Oct 1961” .6 - annotated “Scribing CPL Jennifer H. Murray. Oct 1961” .7 to .9 - annotated “Scribing” .10 – annotated “PTE Madex Oct 61”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

The Sound Scriber Dictaphone allowed recordings to be imprinted into a soft disk that could then be replayed later. This was useful for blind stenographers who could transcribe the audio recording. The lid contains a speaker into which sounds are made, the front knob is allows for 'Talk' or 'Listen' and three other dials on the device allow for the tubes to be turned on/off, starting/stopping the turntable and the recording volume to be 'Dictation' or 'Conf". There are two measuring tapes placed near the recording head and the Listen head, which show the minutes in the recording. The large disk that is placed on this machine has been stopped at the 12 minute mark. At the rear of the device are two plugs, one of which is for electrical supply. This model of dicta phone remained popular until magnetic tapes.1 hinged leather case over a metal and wood machineSound Scriberaudio equipment, assistive devices

Mid-Eastern brass travelling scribe box. 19th century. Having a pen or quill case with a crown finnial on lid. Inkwell with shell lid. Engraved decoration throughout. Touchmark on pen case.Decorative engravingscribe, pen case, calligraphy

Soft Cover book. Soft cover cardboard, red and black print on front, spine and back. Front cover illustration. Black ink cartoon style portrait of a man, Back cover - small cartoon style etching of two men. 448 pages, cut plain, white. Illustrated black and white and colour photographs, etchings and cartoons.Biography of war artist Will Dysonbooks, biography, war artist, cartoons

Complete story of the memoirs of the Vietnam Veteran author.Soft cardboard cover, green background with colour photo of soldiers on bottom of front cover. Contents comments on outside of back cover. 293 pages with cut edges, black print with no illustrations. books-history, military history, vietnam

188 p., black & white and colour illustrationsnon-fictionaustralia social conditions, families

Index, notes, bibliography, ill, p.298.non-fictionIn the hands of Peter Stanley, one of Australia's leading military historians, a famous battlefield in France becomes unforgettably connected with Australian men and their families in the long aftermath of the Great War.australian army - 21st battalion - 9 platoon - history, world war 1914-1918 - 2nd battle of the somme

Index, bibliography, notes, ill, maps, p.374.non-fictionhis is the largely unknown story of another Anzac force, which fought not at Gallipoli, but in Greece, during World War II. Desperately outnumbered and fighting in deeply inhospitable conditions, these Anzacs found themselves engaging in a long retreat through Greece, under constant air attack. Most of the Anzac Corps was evacuated by the end of April 1941, but many men got only as far as Crete. Fighting a German paratroop invasion there in May, large numbers were taken captive and spent four long years as prisoners of the Nazis. The campaign in Greece turned out to have uncanny parallels to the original Gallipoli operation: both were inspired by Winston Churchill, both were badly planned by British military leaders, and both ended in defeat and evacuation. Just as Gallipoli provided military academies the world over with lessons in how not to conduct a complex feat of arms, Churchill's Greek adventure reinforced fundamental lessons in modern warfare - heavy tanks could not be stopped by men armed with rifles, and Stuka dive-bombers would not be deflected by promises of air support from London that were never honoured. In this revised edition, based on fresh archival research, and containing a collection of previously unpublished photos, the truth finally emerges as to how the Australian, Greek, and New Zealand Governments were misled over key decisions that would define the campaign. world war 1939-1945 - campaigns - greece, greek campaign - australian involvement

Bibliography, index, notes, p.424.non-fictionA total re-assessment of the life of Adolf Eichmann that reveals his activities and notoriety amongst a global network of national socialists following the collapse of the third Reich, and that permanently undermines Hannah Arendt's often-cited notion of the 'banality of evil'. war criminals - germany - biography, world war ii, 1939-1945 - atrocities

ill, notes, index, p.666non-fictionPompey Elliott was a remarkable Australian. During the Great War he was a charismatic, controversial, and outstandingly successful military leader. An accomplished tactician and the bravest of the brave, he was renowned for never sending anyone anywhere he was not prepared to go himself. As a result, no Australian general was more revered by those he led or more famous outside his own command. An officer on his staff even concluded that no greater soldier or gentleman ever lived.generals - australia - biography, world war 1914-1918 - history

index, notes, ill, maps. p.600.non-fictionTen extended biographies of young men who exemplified Australia's gifted lost generation of World War I. They involve a range of backgrounds and experiences, all states and classes, and come from a variety of military units, not just the infantry.world war 1914-1918 - biography, australia - armed forces - biography

p.228.non-fictionAs deputy director of the Australian War Memorial for many years, Michael McKernan had heard and written about many stories of war. For him, war was never about the big picture; it always came down to the individual. Yet little did he know when he met his future wife in 1989 that her father would soon be telling him, over many leisurely afternoons, his own story, of being made a slave to the Nazis in the Second World War, and its unforeseeable consequences.war and families - australia, ukranians - australia - biography

p.303.non-fictionIn this intensely personal account, Barry Heard draws on his own experiences as a young conscript, along with those of his comrades to look back at life before, during, and after the Vietnam War. The result is a sympathetic vision of a group of young men who were sent off to war completely unprepared for the emotional and psychological impact it would have on them. It is also a vivid and searingly honest portrayal of the author's post-war, slow-motion breakdown, and how he dealt with it.vietnam war 1961-1975 – personal recollections – australia, vietnam war 1961-1975 – australian involvement

p.295.non-fictionAs Iraq descends ever closer to civil war, no one doubts that George W. Bush's Iraq strategy has been an abysmal failure -- just as Gwynne Dyer argued it would be in both Ignorant Armies and Future: Tense. The question now is what will happen not just in Iraq but in the whole Middle East region once American troops are withdrawn. In The Mess They Made, Dyer predicts that the Middle East will go through the biggest shake up since the region was conquered and folded into the Ottoman Empire five centuries ago. In his trademark vivid prose, and in arguments as clear as his research is thorough, Dyer brings his considerable knowledge and understanding of the region to bear on the issue of how widespread the meltdown in the Middle East will likely be. In five chapters, Dyer points the way from present policies and events to likely future developments in Iraq, Iran, Afghanistan, and in the various other countries of the region, not least of which is nuclear-armed Israel. Argues that the Middle East is about to change fundamentally and everything is now up for grabs: regimes, ethinic pecking orders within states, even national borders themselves are liable to change without notice. Five years from now there could be an Islamic Republic of Arabia, an independent Kurdistan, a Muslim cold war, and more. iraq war 2003-2011 - history, middle east - international relations

Index, notes, p.339.non-fictionIn December 2005 Condoleezza Rice, the US Secretary of State, assured the world that the flights of CIA private jets that have criss-crossed Europe since 9/11 had no role in sending prisoners to be tortured. 'The United States has not transported anyone, and will not transport anyone, to a country when we believe he will be tortured,' she said. Tony Blair assured Parliament: 'I have absolutely no evidence to suggest that anything illlegal has been happening here at all.' But as Stephen Grey reveals in this book, Rice's claims were false - and the British governemnt has also turned a blind eye to a CIA operation that systematically out-sources the hasrh interrogation of its captives. Grey reveals how the Agency's programme, known by the euphemism 'extraordinary rendition', has transported hundreds of prisoners to foreign jails and its own secret facilities in the full knowledge they will face harsh torture.prisoners of war - abuse of - united states, central intelligence agency

Index, bib, ill, p.348.non-fictionWill Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.will dyson 1880-1938, cartoonists - australia

non-fictionboer war, 7th battalion, fromelles, advocate for returned soldiers, elliot pompey, gerals australia

Booknon-fictionMemoirs of a Vietnam Veteranvietnam war 1961-1975, veterans biography, australia armed forces biography

p. 210.non-fictionThis book is a result of a journey of discovery between centuries and continents, across inner and outer landscapes. Jewish historical experience has become mainstream Australian literature.arnold zable, bialystok (poland) - social life and customs

Index, ill, p.346.non-fictionn The Accidental Guerrilla, Kilcullen takes us on the ground to uncover the face of modern warfare, illuminating both the global challenge (the "War on Terrorism") and small wars across the world: Afghanistan, Iraq, Indonesia, Thailand, East Timor, and Pakistan. He explains that today's conflicts are a complex hybrid of contrasting trends: local social networks and worldwide movements; traditional and postmodern culture; local insurgencies seeking autonomy and a broader terrorist campaign. He warns that the United States has tended to conflate these trends, blurring the distinction between local and global struggles and thereby enormously complicating our challenges. The West has continually misidentified insurgents with limited aims and legitimate grievances - "accidental guerrillas" - as members of a unified worldwide terror network. We must learn how to disentangle these strands, develop strategies that deal with global threats, avoid local conflicts where possible, and win them where necessary.guerrilla warfare, insurgencies

From Title page: "WELL/ DONE/ THOSE/ MEN/ MEMOIRE OF A VIETNAM VETERAN"Hard cover book with dust cover. Hardcover - cardboard, dark brown buckram, silver colour print on spine. Dust cover - paper, white and black print on front, spine and back. Illustrated - front colour photograph of a group of soldiers seated in a transport aircraft. Back - small colour photograph of Australian landscape scene. 303 pages - cut, plain, white colour paper. Illustrated - one black and white half portrait photograph of the author. Title page - handwritten greeting and author's signature and dark red book seal with initials.Handwritten greeting - black ink pen "Best wishes/ Barry Heard". Initials on wax seal - gold ink "BH".publication, book, biography, vietnam war

Soft cover book. Cover - cardboard, colour, gloss paper finish. Yellow and White colour print on front, spine and back. Illustrated - in colour portrait painting of Brigadier General Harold Elliott by W.B. Innes 1921 (Australian War Memorial) Portions of painting on front, spine and back. 718 pages - cut, plain, white colour paper. Illustrated black and white photographs and maps. Handwritten inscription on Title Page.Handwritten inscription - black ink pen - author's signature - "Ross McMullin".publication, book, biography, ww1, "pompey elliott"

Hard cover book with dust cover. Hardcover - cardboard with grey colour paper finish, gold and white colour print on spine. Dust cover - paper. Gold and white colour print on front, spine and back. Black background. Illustrated - two black and white portrait photographs of Pompey Elliott, front through to back. 524 pages - cut, plain, white paper. Illustrated black and white photographs and sketches. Handwritten inscription on title page.Handwritten inscription - black ink pen. Author's signature - "Ross McMullin".publication, book, biography, ww1, pompey elliott