Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating.A replica of a hand hewn wooden milking stool which is round with two flat sides with three round legs glued underneath the seat. It has a large groove in the top which is part of the grain of the timber.dairy equipment, stools, furniture, seating furniture

Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating.A replica of a rough hand hewn rectangular hardwood milking stool with four round wooden legs glued into holes underneath the seat.dairy equipment, stools, furniture, seating furniture

Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating.A round brown painted wooden milking stool with four round wooden legs glued into holes underneath the seat.dairy equipment, stools, furniture, seating furniture

This nursing chair is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Hilda Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable. An ornately hand carved dark wooden heavy nursing chair with a carved figure of a child and gargoyles on the front of the back rest. The seat is highly patterned too. The back and front legs are carved in one enclosed piece of wood with a gargoyle face and spirals on them.chairs, nursery furniture, nursing chairs, seating furniture

W A brown wooden chair with wickerwork on the seat.chairs, seating furniture, dining chairs

Luterma was a famous trademark and brand name used by the A.M. Luther woodworking factory, a major Estonian furniture and plywood manufacturer founded in Tallinn in the late 19th century. It grew into one of Europe's largest producers of innovative bentwood and molded plywood items, collaborating with modern architects and avant-garde designers before operations ceased due to mid-20th-century.Four vintage cream painted Luterma bentwood kitchen chairs. Three have the original seat with a punch hole floral shaped design and one has been replaced with a plain homemade wooden seat with holes. These have a traditional curly shaped back with curved supports at the sides, slightly curved legs, and a circular brace under the seat. This is attached with screws and bolts.Underneath the seat is stamped in black lettering, an oval patterned shape with: ' LUTERNA Fabrique En Estonia' 'Made in Estonia'furniture, chairs, seating furniture, kitchen chairs

The timber on this captain's chair has been worn smooth across the backrest. It is of solid construction. A captain's chair is typically a wooden armchair with a back that curves around to form the armrests. The style of chair was used in the 19th century and was a statement of status aboard a ship. This captain's chair is an example of the type of furniture used onboard a ship in the 19th and early 20th centuries.Captain's chair; an oak armchair with a low curved back that forms the armrests. It has six turned spindles, a fretted back, a solid saddle seat and is supported on four turned legs. The timber backrest feels smooth and well-worn. Circa 1900.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wooden chair, captain's chair, armchair, 19th century furniture, nautical furniture, seating

Date made August 2005Colour photograph showing Central Hotel, taken from Mechanic Street. Covered seating area and outside furniture in Sports Bar, and glimpsed on right hand side driveway for the drive-in bottle shop. Taken from outside of highway showing all lanes. Lakes Entrance Victoriahotels, architecture

The Bentwood chair has been called ‘the world’s most popular chair’. The original Bentwood chair, was designed by German-Austrian cabinet maker and Master Joiner, Michael Thonet (b.1796 - d.1871) and introduced to the market in 1859. Thonet started his business in his home town of Boppard as an independent cabinet maker in 1819. In the 1830’s he began trying to make furniture from glued (laminated) and bent wooden slats. Over the next few years his attempts to patent this process failed in Germany, Great Britain, France, and Russia. He then began using lightweight, strong wood and bending it into elegant, comfortable furniture. The Bentwood technology took Thonet years to perfect. In simple terms, the wooden rods or lengths were wet by soaking or steaming, bent into shape and then held in place until they hardened into the moulded curved shape or pattern. The wood usually chosen for the bentwood chairs was maple or beech. Thonet had revolutionised an older process by industrialising the process. The dowels of wood were cut and prepared as components of furniture, treated by the ‘bentwood’ process, then ready immediately for assembling with very little extra workmanship needed. Thonet held 2 patents for this process, the second one ended on 10th July 1869 and was non-renewable. At the Trade Fair at Koblenz of 1841 Prince Klemens Wenzel von Mettemich was very impressed with Thonet’s furniture, especially the chairs. In 1842 Thonet sold his Boppard business and emigrated to Vienna, and began working, along with his sons, on the interior decoration of the Palais Leichtenstein, for the Carl Leistler establishment. In 1849 he began his own business again, the Gebruder Thonet to include his sons (translated “Brothers Thonet”). He produced the “No. 1” Bentwood chair. He received a bronze medal for his Vienna bentwood chairs at the World Fair in London in 1851, and a silver medal in Paris in 1855. In 1856 he opened a new factory in Koritchan (Moravia), where there were extensive woods of beech trees available for his enterprise. In the next years, five more Eastern European production sites were established in Bystritz (1862), Nagy-Ugrócz (1866), Wsetin (1867), Hallenkau(1867) and Nowo-Radomsk(1880). Thonet’s 1859 No. 14 “chair of chairs” (or “Konsumstuhl Nr. 14” – coffee shop chair no. 14) was the most famous of all of Thonet’s Bentwood chairs. In 1867 he received a gold medal at the Paris World Fair. This new style of furniture making became very popular. Up until 1830 50 million of these chairs had been produced. By the 1870’s Thonet owned offices in almost 20 countries, with sales locations across Europe, in Chicago and New York. In 1889 he set Thonet set up a head office in Frankenberg, Hesse. Bentwood models designed in the mid to late 19th century featured hand-caned or laminated wood seats and were usually stamped with the country of origin. The Bentwood elements were the backrest, seat rim and legs. Typically the seat was covered with ‘bucket’ leather. After the Patent ran out in 1869, companies such as Jacob & Josef Kohn began the production of bentwood furniture.The popularity of the Bentwood chair that was introduced by Michael Thonet in the 1850s is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, pair of two. Backrest has full length inverted U inside frame. Support rail and wire reinforcing between legs. 3692.01 seat has floral pattern pressed into wood 3692.02 seat is plain (replacement seat). Made by Harnison & Co.3692.01 chair's marks; Label ""HARNISON & CO./ NEUSOL / BUDAPEST" and "WIENER NOBEL" and "(symbol) N inside circle, under Crown" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, domestic furniture, dining furniture, bentwood chair, harnison & co., neusol, budapest, wiener nobel

The chair's supplied for each student where used for seating of paretns at the School's Opening in 1920.A high-back slatted wooden chair in a medium Oak coloured wood. Miss Jean Rentoul's School Chair."Jean Rentoul" nameplate on the back.education, school, morongo, geelong, 1920 1994, presbyterian, uniting, furniture, classroom

These Arm chairs were originally placed in the foyer entrance many, many years before the SMI became a Museum in 1998. Members would sit in the Foyer for a chat or when waiting to see the Dept of Vet Affairs person who sat in the Meeting room regarding veteran's issues. When the building became a Museum they were used by visitors who needed to rest or the Museum volunteers. The Museum had them recovered in 2014 at a cost of $1,230.00. They are now placed around the Museum for visitors to sit on due to changes in the foyer..1) - .5) Five Arm Chairs, timber frame, green vinyl seating on seat, back and arm rests.brsl, smirsl, chairs

Used by the Estoppey family, Swiss emigrants, at Briagolong. Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating. Wooden milking stool with a square top of axe-dressed hardwood and four wooden legs that fit through holes in the seat. One leg is made from a branch of a tree.dairying, furniture

Two short sections of flooring cut for distribution during Deakin Universities ‘Open Day’ in December 1994. This was during the conversion of Dalgety Wool Store to Deakin University’s Woolstore Campus. These small pieces of timber are part of Geelong’s history and were salvaged from the Dalgety Woolstores during the renovations. Hundred of meters of ironbark, red gum, pine and other timbers, some more than a century old, were reclaimed from the site and have been recycled as furniture and featured building materials for the woolstore campus. The old brick stores, located on a formerly neglected section of the Corio Bay shoreline, now house the administration and chancellery, architecture and building schools, information technology services, the student union, a cafeteria and, as the focal facility, a Great Hall seating 1500 people and acoustically tuned for symphony orchestras. The refit was developed from the existing grid of substantial timber columns and beams extending over 52,000 square metres. This framework was filled with lightweight panels to enclose workplaces and removed in some parts to establish courtyards, atriums and streets. The brick facades were redefined with new doors and double-glazed windows in proportion to original fenestration. Bright colours and industrial finishes identify the new insertions.Square sections of redgum lumber cut into floorboards. The sides of the lumber have a grove cut on one side and a matching section to fit within this groove on the other side. This has been done to ensure the floorboards have a tight and consistent fit with one another. The bottom of the lumber also has an additional grove running through the middle of the redgum. On top, one of the sections of lumber has three nail holes, which travel all the way through to the bottom of the wood.deakin university, dalgety wool store, red gum

Mrs Strange has captured the Gardens looking their leafy best, probably early Autumn, in this slide featuring colourful garden seating once a feature of the Gardens. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.botanical gardens, lake wendouree, statuary pavillion, william wallace statue, garden furniture

Colour photograph. Courtyard on ground floor eastern side facing south into the cafe area and Lonsdale street. Outdoor seating area of the Cafe. Taken for the QMag Newsletterphotograph, outdoor furniture, cafe

These beds were adapted by early settlers who used recycled timber and rudimentary tools to build practical, multi-functional furniture for cramped, early settler living quarters. By day, it served as bench seating in the kitchen or as a bed for toddlers, young children or whoever wanted to rest.In the Slab Kitchen there is a dark stained wooden early settler's single sized day bed with four thick turned legs, four turned rods at one end as a bedhead and a heavy wire rod to strengthen the frame is attached near the bedhead. It has a hessian base to support the fitted blue cotton covered mattress. For the bedding there is a floral coloured cotton throw as well as a small bugundy, green and navy coloured corduroy patchwork quilt at the foot of the bed. There are two small colourful printed cushions and a burgundy maroon corduroy bolster to decorate the bedding. It has a pillow covered with a white pillowcase showing a blue flour advertisement. Blue flour symbol on the pillowcasebeds, bed pillows, bedding, furniture

Photograph shows the interior of W4 class, tram 671 at a depot. Possibly a MMTB Official photograph showing the seating layout and the interior finishes. Has internal adverts for Frank Mason for advertising on tramcars, Wrigley's chewing gum, No-dusta furniture polish and small advert for possibly a lottery of 100,000 pounds prize. The tram is now part of the Ballarat Tramway Museum operational collection.Yields information about the interior of tram 671. Black and White photograph, with a piece of card glued to the rear.tramcars, w4 class, tram 671, advertisements