The Series 2A Ambulances entered service in 1965 and the winch version in 1967. The bodies were locally built and the type was used in South Vietnam by 2 Field Ambulance at Vung Tau. A khaki green vehicle with a solid canopy fitted to the back. A spare tyre sits on the bonnet. Red cross symbol on 3 sides. ambulance, landrover, vung tau, series 2a

Reproductions of various transactions and reports dealing with Aboriginal people in Port Phillip in the period 1835-39, beginning with some of the earliest reports and tracing the evolution of government interaction and policy towards Aborigines in the 19th century. Covers mission work, government reports, the native police, conflicts with squatters, with numerous illustrations and original reports. Contents: Part I, Evolution of British policy Ch. 1. Proposals to appoint protectors of aborigines Ch. 2. Racial conflict in the year of official settlement at Port Phillip Ch. 3. House of Commons Select Committee on Aborigines Part II, The Wesleyan Mission at Buntingdale Ch. 4. Establishment and early operations of the Wesleyan mission Part III, The Government acts Ch. 5. Establishing the first government mission 1835-7 Ch. 6. Food and clothing for the Aborigines Ch. 7. Punishment of Aborigines found drunk, 1836-8 Ch. 8. Operations of the government mission, November 1837 to March 1839 Ch. 9. First attempt to form a native police corps Part IV, Growing conflict with squatters, 1837-8 Ch. 10. The disappearance of Gellibrand and Hesse Ch. 11. Attacks in the Western District Ch. 12. Attacks on the overland routes to Port Phillip Ch. 13. Evolution of policy in Sydney, 1838.b&w illustrations, b&w photographs, tables, document reproductionsvictorian history, colonisation, justice system

Series of four photos of Railway Step Bridge Stawell 1991Four (4) Colour Photographs, two on one page and 2 individual Photographs.The Two photographs one showing a footbridge in the distance with two cement pipes in front, and a pile of soil further back. A Truck is parked under the bridge. Buildings are in the distance on the lsft side. The Lower photograph is showing the bridge almost dismantled with the surfces of the bridge being held by two cranes with a person on the brdge. The other two photgraphs show the bridge from the groundlooking across the railway tracks one is a clsoe up of the bridge. On the rear of the tow Individual Photographs 224-2a on the top from the left Stawell Old Railway Bridge Bottom left corner ST1-2 224-2b From top left Stawell Old Railway bridge 1991. Bottom left ST1-4stawell, railways

Series of Six photographs showing people at the unveiling of the bust of Sir William Stawell. 0318-2 Sir John Young speaking at the unveiling 0328-2a Sir john young unveiling the bustof Sir William Stawell 0328-2b Secretary of the Stawell Historical Society, wendy Melbourne with the bust 0328-2c Sir John Young with teh bust of Sir wWllaim Stawell 0328-2d Shire President Alan Holden Speaking at the unveiling 0328-2e A section of the crowd at the Unveiling.6 Colour Photographs showing various people at he unveiling of the bust of a past Chief Jsutice Sir William Stawell. and who stawell is named afterstawell

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2, 2A, 4, 4A Lawrence Street, Kew by Margaret Picken.2, 2A, 4, 4A LAWRENCE ST., KEW / MARGARET PICKEN '94 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2 2a 4 4a lawrence street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2A Maxwell Street, Kew by Margaret Picken.2A MAXWELL ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2a maxwell street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2A Rockingham Street, Kew by Margaret Picken.2A ROCKINGHAM ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2a rockingham street -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2A Currajong Street, Hawthorn East by Margaret Picken.2A Currajong Road, Haw E, Margaret Picken '98. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2A Grove Road, Hawthorn by Margaret Picken.2A Grove Road, Hawthorn, Margaret Picken '91. Woodards - Hawthorn. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2A SCOTT ST HAWTHORN Margaret Picken ~94 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2A & 2B SOUTH RD, HAW Margaret Picken ~98 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film 2A LAVIDGE STREET, HAWTHORN Margaret Picken ~89 WOODARDS - HAWartist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photo Album - titled "TAP - Part F - Work Trams Sheets F1 to F34", from Transit Australia Publishing. Photos used in the Destination City and other publications series. For a detailed list of photographs see htd4605i.pdf. For individual photo images see: \dbtext\hawthtramcoll\photo collections\TAP-, images TAP316 to TAP395. TAP316_2A_Preston_c1927_GJNowell.jpg TAP317_4_Preston_KSKings.jpg TAP318_4_SouthMelbourne_RayPearson.jpg TAP319_5_SouthMelbourne_9Mar1959KeithKings.jpg TAP320_5_CollinsSt.jpg TAP321_First6_Preston_RayPearson.jpg TAP322_7_HawthornDepot_RayPearson.jpg TAP323_7_SouthMelbourne_KeithKings_9Mar1959.jpg TAP324_7_SouthMelbourne_KeithKings_14Mar1965.jpg TAP325_8_HighSt-Preston_BASilcove.jpg TAP326_9W_Preston_NormCross_1979.jpg TAP328_11W_Preston_HughBallment_Mar1982.jpg TAP329_9_BourkeSt_2Sep1969_DavidClark.jpg TAP330_9_SouthMelbourne_KeithKings_29Jul1959.jpg TAP331_10_SouthMelbourne_KeithKings_26Dec1968.jpg TAP332_10_SouthMelbourne_ABeebe.jpg TAP334_First11_Hawthorn_RayPearson.jpg TAP335_11W_Bundoora_28Aug1995_HughWaldron.jpg TAP336_16_Preston_28Sep1961_KeithKings.jpg TAP337_17_HannaSt_29Jan1960_KeithKings.jpg TAP338_17_GleferrieRd_DavidClark_30Jul1969.jpg TAP339_209-18_Preston_RayPearson.jpg TAP340_18_Preston_Mar1948_JackRichardson.jpg TAP341_19_FlemingtonRd_4Jun1970_DavidClark.jpg TAP342_19_HannaSt-perway-yard_ABeebe.jpg TAP343_20_SouthMelbourne-perway-yard_27Mar1964_KeithKings.jpg TAP344_30_DogCar_Camberwell_PWDuckett.jpg TAP345_190_Camberwell_JBStranger.jpg TAP346_198_Preston_27Dec1968_KeithKings.jpg TAP347_199_Preston_15Aug1959_KeithKings.jpg TAP348a_199_HannaSt-perway_ABeebe.jpg TAP348_199_HannaSt-perway_ABeebe.jpg TAP349_206_Preston_1Nov1949_KeithKings.jpg TAP350_267_SouthMelbourne_30Jan1967_KeithKings.jpg TAP351_485_SouthMelbourne_9Mar19641967_KeithKings.jpg TAP352_533_lightrail_DaleBudd.jpg TAP353_890_HawthornDepot_27Apr1992_RJMarsh.jpg TAP354_9-7-8_HannaSt-perway_ABeebe.jpg TAP355_2Grinder_StKildaRd_ABeebe.jpg TAP356_2Grinder_HannaSt-perway_9Mar1959_KeithKings.jpg TAP357_3Grinder_HannaSt-perway_c1960_KeithKings.jpg TAP358_3Grinder_HannaSt-perway_9Mar1959_KeithKings.jpg TAP359_BallastTrailer-24_Preston_PTC.jpg TAP360_BallastTrailer-24_DandenongRd_12April1964_KeithKings.jpg TAP361_BallastTrailer-24_Aerodrome_CharlesCraig.jpg TAP362_LongBallastTrailer_Preston_Mar1948_ABeebe.jpg TAP363-exHTT-trailer_Dwg-R115_KeithKings.jpg TAP364-exNMETLCo-trailer_Dwg-R1452_KeithKings.jpg TAP365-exPMTT-cleaner_Dwg-549_KeithKings.jpg TAP366_3_Preston_1932_RayPearson.jpg TAP367_5_StKildaRd-at-CityRd_WJohnWebster.jpg TAP368_(Second-6_Preston_c1961_PTC.jpg TAP369_7-HighSt-StKilda_Feb1959_JimSeletto.jpg TAP370a_7_SouthMelbourne_1950s_JohnBeckett.jpg TAP370_7_SouthMelbourne_1950s_LMarshallWood.jpg TAP371_7_SouthMelbourne_WJohnWebster.jpg TAP372_7_StKildaRd-into-ParkSt_Feb1978_GaryDavey.jpg TAP373_8_SwanstonSt_LindsayCrow.jpg TAP374_8_StKildaRd-at-CityRd_WJohnWebster.jpg TAP375_8_Preston_MMTB.jpg TAP376_8_PrincesBridge_1954_JimSeletto.jpg TAP377_16W_Preston_1980_RayMarsh.jpg TAP378_First16_Preston_1930s_RayPearson.jpg TAP379_17_ColdbloRd_WJohnWebster.jpg TAP380_17_HannaSt_RayPearson.jpg TAP381_19_Preston_RayPearson.jpg TAP382_233_LineMarker_PTC.jpg TAP383_533_TestTram_MMTB.jpg TAP384_Grinder3_ChapelSt-at-Carlisle_1969_JeffBounds.jpg TAP386_Second6_HighSt_c1962_PTC.jpg TAP387_11_HighSt-StKildaRd_JimSeletto.jpg TAP388_15_PrestonWorkshops_1966_JimSeletto.jpg TAP389_17_SouthMelbourneDepot_DaleBudd.jpg TAP390_221_Derail-trainer_SouthMelbourneDepot_NormCross.jpg TAP391_485-trailer_JimSeletto.jpg TAP392_485-dropcentre_DaleBudd.jpg TAP393_Grinder_SouthMelbourneDepot_MMTB.jpg TAP394_Grinder3_Preston_PTC.jpg TAP395_Trailer-20_Preston_NormCross.jpgtrams, tramways, transit australia, destination city, tramcars, depots, work trams, tram 2a, tram 4, tram 5, tram 6, tram 7, tram 8, tram 9w, tram 11w, tram 9, tram 10, tram 11, tram 16, tram 17, tram 209, tram 18, tram 19, tram 20, tram 30, tram 190, tram 198, tram 199, tram 206, tram 267, tram 485, tram 544, tram 890, tram 24, tram 5, tram 6, tram 233, tram 533, tram 15, tram 221, tram 485

Postcard of Swanston St Melbourne, looking south from Bourke St, Rose Series No. P4458. Has a W2 possibly No. 562 south bound showing route 2A ( ST KILDA BEACH VIA SOUTH MELBOURNE - CITY (via Swanston Street)) which dates from 1930. The Shrine of Remembrance is not visible. There are other trams in the view as well. In the background are the Royal Mail Hotel, Browns stores, Carlton Cigarettes, Robur Tea, Ezywalkin shoes and the Leviathan storeYields information about the view along Swanston St from Bourke St.Postcard - black and white, divided back, unused."$3" in pencil on the rear.trams, tramways, w2 class, swanston st, tram 562, route 2a

First Montsalvat pise building, Built 1934-35, Designed by Justus Jorgensen, Founder of Montsalvat. This building was used for many years as a dining room and kitchen. The Alistair Knox Collection (Image 2A) The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcmontsalvat, houses, justus jorgensen, pise construction, alistair knox collection