Majory Seton-Williams, (1910-1992) was the daughter of Gordon Nixon Seton-Williams, lawyer/ solicitor and lived at the Uplands, Terrara Rd Vermont. She was an archaeologist who conducted excavations in Egypt and Near East. 12 page A4 document detailing the life of Australian archaeologist Marjory Veronica Seton-Williams (1910-1992) including living at Uplands, Vermont. Also 5 pgs about Uplands, and 4 photocopied articles from Herald (1934), Sunday Mail (1938), Mercury (1938) and Women's Realm/Mercury (1938).seton-williams, the uplands, archaeololgy, seton williams

Photocopies of pp17-22 of Buried History 2013 on Veronica Seton- Williamsnon-fictionaustralian archaeologist, seton-william margery veronica, merrilees robert, egypt

David WILLIAMs David Williams established Toolangi Pottery in Toolangi, Victoria, in 1977. In 1980, he completed a BA in Fine Art from Phillip Institute of Technology (now part of RMIT University). He produces mainly crystalline glazed bowls, platters, vases, lampbases and other domestic ware. His works are marked with an impressed stamp reading 'David Williams' or 'David WIlliams Handcrafted in Australia ' and he also used a cursive 'DP Williams'.Photograph of a hand thrown ceramic vase with crystalline glaze. It is signed on the base with a cursive 'DP Williams'. ceramics, pottery, david williams, crystaline glaze, crystalline glaze, toolangi pottery, studio pottery, australian studio pottery

Lt-Col Williams was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1975 to 1979One of a collection of portraits of former Commanding Officers of the RegimentFramed, self portrait, oil painting of Lt-Col J F Williamsportrait, williams

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Bal larat Treasure' in 2007.Pencil drawing of a plaster cast floral form.Written on the mat board below the drawing "Drawing ornament from cast in light and shade. For Drawing Teacher's Secondary Certificate by Albert E. Williams, Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, plaster cast

Albert E. WILLIAMS (1899-1986) Born Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. From its inception in 1914, it was 30 years before the first candidate achieved the certificate’s exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted original illuminated artwork in Celtic style"Design for Title Page, in Historic Style of Ornament." "Submitted by Albert E. Williams, Technical Art School, Ballarat, for Art Teacher's Certificate" "Celtic Art. A treatise on the history and peculiarities of Celtic Art with numerous illustrations in colour taken from ancient national manuscripts in the British Museum and other libraries." "Ballarat A.D. 1936". Monogram of AW forms part of the artwork.art, artwork, albert e. williams, celtic art, ballarat technical art school, art teacher's certificate, illumination, title page, design

Rev Thomas Williams (1815 - 1891) went to Lakeba, Fiji as a missionary in 1839. In 1843 he went to Somosomo, and in 1848 to Bua. When his health failed, he was sent back to the colonies, and did circuit work in Adelaide 1854 - 1856. In 1857 he was transferred to Victoria, where he was stationed in Melbourne, Brighton, Creswick, Colac, Ballarat East, Castlemaine and Melbourne South. He became a Supernumerary in 1878. He was elected president of the 18th and last Australasian Conference held in Sydney in 1873.B & W head and shoulders image of the Rev. Thomas Williams.Revd Thomas Williams President of the Australasian Conference 1873.rev thomas williams, fiji, missionary, lakeba, somosomo, bua, adelaide, president of the australasian conference

A4 purple two ring folder that contains four illustrated articles about the Royal Australian Survey Corps written by Dr Bob Williams. Article 1. A brief history from a memorable event in 1915 - Gallipoli. A tribute to Australia's Military Mapmakers Videre Parare Est, 1910-2000. Article 2. Fortuna's role in the story, Reflections of a military mapmaker. Military Mapmakers of "Fortuna" The house of the Army Survey Regiment - Royal Australian Survey Corps. Article 3. A Political Imperative - An amazing surveying and mapping operation. Impossible to Map! Papua New Guinea. Article 4. Military Mapmakers. The farther backward you can look; the farther forward you can see. Dr Bob Williams served in the Royal Australian Survey Corps from 1965 as a Sapper in the Royal Australian Survey Corps and retired from the Army in 1991 as a Major to join DSTO continuing his career in the spatial sciences. A4 purple two ring folder that contains four illustrated articles about the Royal Australian Survey Corps written by Dr Bob Williams. Article 1. A brief history from a memorable event in 1915 - Gallipoli. A tribute to Australia's Military Mapmakers Videre Parare Est, 1910-2000. Article 2. Fortuna's role in the story, Reflections of a military mapmaker. Military Mapmakers of "Fortuna" The house of the Army Survey Regiment - Royal Australian Survey Corps. Article 3. A Political Imperative - An amazing surveying and mapping operation. Impossible to Map! Papua New Guinea. Article 4. Military Mapmakers. The farther backward you can look; the farther forward you can see.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

In 1990 MAJ Bob Williams was the OC of Technical Development Cell. He won first prize for his entry ‘Innovations in Cartographic Communication’ in the individual category at the 2nd Australian Institute of Cartographers and BHP Engineering Technology Research and Development Awards. The award was announced at the 1990 Australian Cartographic Conference in Darwin where MAJ Williams presented his entry. At the time he had completed PhD studies at the Australian Defence Academy and was the first Survey Corps officer to complete studies at this advanced level. Also, in 1990 the Royal Australian Survey Corps’ meritorious achievements were formally recognised by the Senate of the Australian Parliament in a Notice of Motion on 31st of May 1990. The Royal Australian Survey Corps also featured in the issue of a commemorative stamped envelope issued by Australia Post. These achievements are covered in more detail in page 147 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. This photograph of MAJ Bob Williams was taken in Technical Development Cell at the Army Survey Regiment, Fortuna, Bendigo in 1990. The black & white photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, black & white, 1990. MAJ Bob Williams – Technology Award Recipient.1P – annotated in red pen ‘MAJ Williams Technology Awards’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Used by T.R.G. (Thomas) Williams, Main Street Ringwood, to advertise his photographic and picture framing business. No date evident however advertisement includes comment that studio is "equipped with modern electric light" which arrived in Ringwood in 1915. Main Street address includes "Rear of P.S. Eva Hardware Store", however a 1928 photograph of the premises advertises T.R.G. Williams as Ironmonger. Thomas Williams served on Ringwood Council from 1939 to 1945, including period as Mayor from 1941 to 1943.Buff coloured cardboard with black printing advertising a photographer and picture framer.

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink measured drawing showing side elevation, front elevation, sectional elevation and scales.art, artwork, williams, albert e. williams, ballarat technical art school, architecture, art teachers' certificate

The Maxwell & Williams Designer Homewares brand first entered the marker in 1996. The company was founded by Max Grundmann whose parents Harry and Anna Grundmann were Holocaust survivors who migrated to Australia in 1961. Harry Grundmann started his own homewares business H.A.G. from a Brighton garage. In 1978, Max took over the business and was later joined by Bill Ryan, a retailer. The name "Maxwell and Williams" did not evolve until 1996. Their collections are now sold in more than 500 retail outlets across Australia and some 50 markets around the world. This item is of significance as an early item produced by a major Australian Homeware company in the mid 1990s.Maxwell & Williams Designer Homewares glass bottle with lightning closure. The Maxwell and Williams Designer Homewares Logo is imprinted on the side of the bottle.On side of the bottle beside a black and red lion "MAXWELL/& WILLIAMS/DESIGNER HOMEWARES"maxwell & williams, australian glassware, homewares australia

Shaving cream is a cream applied to the face, or wherever else hair grows, to facilitate shaving. The use of cream achieves three effects: lubricates the cutting process; swells keratin; and de-sensitizes skin. Shaving creams commonly consist of an emulsion of oils, soaps or surfactants, and water. James Baker Williams was born in 1818 in Lebanon, Connecticut USA and, in 1834, began employment with F. and H.C. Woodbridge, a general store located in Manchester. Williams was offered half-interest in the store in 1838, after which its name was changed to Keeny and Williams. Two years later, Williams sold his interest in the store, but retained his share in the drug department. He began experimenting with various soaps to determine which were best for shaving, and eventually developed Williams' Genuine Yankee Soap, the first manufactured soap for use in shaving mugs. In 1847, Williams moved his enterprise to a rented gristmill on William Street in Glastonbury, Connecticut, and his brother, William S. Williams, joined the firm around 1848, when the firm's name was changed to the James B. Williams and Company. William's shaving soaps were sold throughout the United States and Canada and James Williams supervised many aspects of the company until shortly before his death in 1907 at the age of eighty-eight. The Williams family continued to manage the company until it was sold in 1957. By the early 1900s, the company was known throughout the world. In addition to its line of shaving creams, the firm produced talcum powder, toilet soaps, and other toilet preparations. The original 1847 factory is still standing in Glastonbury and, in 1979, was converted into a condominium complex. I In 1983 it was placed on the National Register of Historic Places. 1927 - 1990 Salmond and Spraggon (Australia) Limited , Sydney , New South Wales, was registered as a company on 10 June 1927 following the liquidation of Salmond and Spraggon (Australia) Limited known as the Old Company. The company distributed household cleaning and mineral, metal and chemical wholesaling, pharmaceutical wholesaling throughout Australia on behalf of manufacturers. In 1990 the company was taken over by Alberto Culver, a manufacturer of hair and skin products. A clear glass jar with a screw lid containing 'Williams Shaving Cream' Front Label : J.B WILLIAMS / LUXURY / SHAVING CREAM Back Label : The contents of this jar are guaranteed to be / The J.B.WILLIAMS Luxury Shaving Cream Jar has been changed to meet the Wartime conditions but / the cream is of the same high quality / made in Australia for / J.B. WILLIAMS COMPANY / Glastonbury, Conn. U.S.A. / Vendors / SALMOND & SPRAGGON (AUST.) PTY.LTD. / All Statesshaving equipment, razors, safety razors, cutthroat razors, soap, world war 11 1939-1945, moorabbin, bentleigh, cheltenham, early settlers, shaving cream, williams j.b. company ltd, connecticut usa, glastonbury connecticut usa, salmond & spraggon pty ltd, sydney, new south wales, toiletries, shaving soap,

Peter Williams, Heidelberg Golf Club President, 2007-2009,One of a set of framed portraits of Club PresidentsFramed colour portrait; timber frame with dark green mount under non-reflective glass.Peter Williams - President - 2007-2009hgc presidents, peter williams

History of the Williams - Magor Family Cream Textured Card cover with green drawing featuring building in the distance and soldiers on the right.Williams - Magor Family in Australia 1840 - 1982stawell

Williams Road Blackburn. Two early photos in black and white.Two early black and white photographs of Williams Road Blackburn prior to lots being sold.blackburn, williams road, 1924

For many years the Williams family owned the Royal Hotel, which was on the corner of Brook and Evans Streets in Sunbury's main shopping centre and close to the railway precinct.A non-digital sepia photograph of a family seated in a garden beside a verandah of a weatherboard house. There are two men, two ladies and a young girl in the group.Written on the back in pen: WILLIAMS FAMILYwilliams family, royal hotel, hoteliers

A photo of a group of female junior legatees in an elocution class. The photo appeared in the July 1954 Legacy Newsletter with the caption. "Here is a group of Intermediate Girls being tutored in Speech training by Miss Winifred Williams. Though not spectacular Speech Training is an important part of class work." Miss Williams also wrote a piece in a newsletter about the benefits of speech training. Melbourne Legacy ran many classes for boys and girls in their care. The speech training or elocution was one aspect.A record of an aspect of the classes provided for the girls.Black and white photo of Miss Williams speaking to a class of young ladies.junior legatee, girls' classes, miss williams

John Williams was an occasional contributor to C&N under the heading of 'Random Writings'. This article was entitled "Christmas begins at midnight" and it concerns the general theme of Christmas and its origins.Head and shoulders photo of Williams, head slightly turned to his left.C&N identification.williams, john, christmas

This home was the first cottage built by the Old Colonists' Association, and was the gift of Mr and Mrs F.J. Williams. It was completed in 1925. From the minute books: "Mr and Mrs F.J. Williams, both natives of Ballarat, offered to build a cottage on the Association's ground at Perry Park [now known as Charles Anderson Grove] something after a style of the Hassell Homes. That offer was immediately followed by another from Mr S.W.J. Clark, a member of the Council. Both offers were promptly and gratefully accepted." One of the first objectives of the Association was "to provide the shelter of a hose for those Pioneers of the Goldfields whom the reverses of fortune have deprived of the means of procuring the comforts of life in their declining years." The first home at Charles Anderson Grove was built in 1925. Before that time the Association provided relief for needy pioneers. Relief included monthly monetary payments, loads of firewood, medical assistance and distribution of Christmas bosed of groceries to deserving pensioners, and in some cases payment of burial costs. ::a) The dominant purpose of the Association is to give public benevolent relief as a charity, but providing independent living accommodation in our Retirement Village for person in need who are over 65. ::b) To raise funds by membership subscription, commercial and residential rents, donations, gifts and voluntary work, for the purpose of providing direct relief of poverty, distress, misfortune or helplessness. ::c) To maintain the important heritage and ongoing viability of the Old Colonists' Association. (Revised Rules of the Old Colonists' Association of Ballarat Inc., 2016) Mr and Mrs Fred John and Matilda Anne Williams of Melbourne made a generous donation to enable this cottage to be built. It was opened in their presence in 1925. Fred John Williams was the son of John Williams and Thomassina Whilley. Together with his brother Frank Williams, Fred Williams was the proprietor of J. Williams and Sons. The brothers took over the business when their father, John Williams, retired in January 1893. In 1918 Fred Williams left Ballarat for Melbourne, at which time he was described as someone who had ‘tried to benefit the whole of Ballarat’. He was highly involved with the Forward Ballarat Movement At the time of his death in February 1926 at Lorne F.J. Williams was a partner in the firm Williams Shoemen Pty. Ltd. Colour photograph of Williams Cottage at The Old Colonists' Association of Ballarat Inc retirement village at Charles Anderson Grove, Ballarat.old colonists' association, ballarat, ballarat old colonists' club, charles anderson grove, f.j. william, retirement village, williams cottage, fred john williams, matilda anne williams, fred williams, matilda williams