Male and Female Chinese shadow puppets in frame with black and gold mount. China Shadow Play. chinese shadow puppet, male shadow puppet, female shadow puppet, black and gold mount, souvenir

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.This artwork shows a wooden type sculpture depicting an ant. A blue spotlight on the ant is casting a shadow on a floor.louis balis, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, maquette, shadow, sculpture, photograph, ant, [email protected]

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

“We Walk in their Shadow” - An Allied Armistice book of poetry.Book, soft cover cardboard, blue print on front and back over beige background, cover has illustrated colour collection of flags above a ribbon in scroll shape of country names, 49 pages plain white, illustrated B & W sketches with poetry.books, poetry, armistice

This wall hanging was created by Kallista woman, Beryl Collett (1925-2018). Beryl learnt handicraft skills as a young person from her mother Hettie Collett (Thorn) who was a skilled milliner. Beryl created many textile objects following her retirement from her accountancy job in 1980. She often won prizes in handicraft competitions, and she was generous in sharing her skills with others. This wall hanging was entered in a competition, possibly in the 1990s. The Dandenongs have been the chosen home of many creative people who, like Beryl, have found inspiration in the natural beauty of the area. That much of Beryl's own handiwork was created following her retirement epitomises the potential of the retirement phase of people's lives.This wall hanging is an exhibition of the maker's patchwork skills.Decorative patchwork quilt attached to a wooden dowel at the top so that it can be hung for display. Blue background. Green squares at each corner. A star pattern comprised of multiple small squares in the centre.Handwritten on paper attached to the top right front corner: 'Sunshine and Shadow' Handwritten on small white tag on bottom right front corner: 'B Collett' beryl collett, textile

This is the 13th edition. Beverly Coultman Smith was a newspaper reporter in Hobart, Tasmania, an A.I.F. officer in the Pacific War, a sub-editor, feature writer, magazine editor and a professional soldier specialising in public relations, staff, medals and records.This item is a useful reference tool for the convict history of Tasmania. A 150 pp paper back book with a cream cover. It is titled, "Shadow Over Tasmania" in red and black print. Diagonally across a map of Tasmania inside a banner is " "The Whole Story Of The Convicts".inside on title page is signature of the author, B. Coultman Smith.tasmania-history penal-colonies tasmania-history book-shadoww-over-tasmania smith-coultman-beverly

Digitised video (4.05GB). Duration: 40 minutes. Recorded June, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presentation: Members of Heathmont History Group address a meeting of RDHS with a reading of a play telling of destruction of orchards in the 1950s/60s and the resistance of change to the landscape and family lifestyles with the onset of residential developments.

Index, bibliography, ill, p.185.non-fictionThis volume is one of a series that chronicles the rise and fall of Nazi Germany. It examines German espionageworld war 1939-1945 - espionage, world war 1939-1945 - diplomatic history

The medical and psychological legacies of the Vietnam War are major and continuing issues for veterans, their families and he community, yet the facts about the impact of Agent Orange, post-traumatic stress disorder and other long-term health aspects are little understood. veterans - australia - history, vietnam war, 1961-1975 - participation, australian, veterans – australia – mental health

The medical and psychological legacies of the Vietnam War are major and continuing issues for veterans, their families and he community, yet the facts about the impact of Agent Orange, post-traumatic stress disorder and other long-term health aspects are little understood.veterans - australia - history, vietnam war, 1961-1975 - participation, australian, veterans – australia – mental health, agent orange, 1961-1975 - medical care - vietnam, psychology

The leaders who shaped the Australian Army from the Veldt to Vietnam.Australian military history is full of big names that loom large in the public memory of the nation's wartime experiences - Monash, Chauvel, Jacka and Blamey. But what about the others, influential but lesser known army strategists and leaders, who shaped the Australian Army? this book pulls them out of the shadows.australia. army - officers - biography, australia. army - military personnel - biography

xvi, 323 p.; 24 cmnon-fictionA book about people who explored if parts of Australia could be transformed into a Jewish homeland during World War Two. It includes the story of Critchley Parker Junior, or Upper Beaconsfield, who perished in Port Davey, Tasmania.critchley parker junior, caroline isaacson

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

Gift of the Australia Council, 1984

Edo PeriodColoured woodblock printlandscape, hill

http://vhd.heritagecouncil.vic.gov.au/places/1993 Digital imageshepburn mineral springs reserve, hepburn mineral springs, hepburn springs, 150, crowd, picnic, anniversary, celebration, community, mineral water, mineral springs, swiss italian

1983, 220, director ian brown, heidelberg theatre company inc

1958, 44, city of heidelberg repertory group, heidelberg theatre company inc, directed by george tanner, vdl victorian drama league, heidelberg eisteddfod

Painting depicting a male and female nude with arms out stretched in an abstract composition. Signed (L.r) 'Clifton Feb 74'. On reverse in chalk 'Assassination Series Clifton Pugh'. clifton pugh, painting, male nude, female nude, assassination

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left)