WATERCOLOUR OF CLUNES RAILWAY STATION GILT FRAMED WATERCOLOUR OF CLUNES RAILWAY STATION TITLED "EVENING SHADOWS"SIGNED BY JOHN CRAWLEY 1989artist, clunes railway station, john crawley

Walter Magilton's professional painting career is highlighted by numerous solo exhibitions, five of which have been in Great Britain. He has also won countless prizes, which include many 'Best in Show' awards. Walter is represented in a great number of private and corporate national and international collections, including ART Bank, in approximately twelve countries.This painting is a one of a series of approximately eight works of the river at Warrandyte and the local creeks, with particular emphasis on the reflections in the water and of the wattle growing along the banks. I was particularly inspired by Penleigh Boyde who did similar work while living in Warrandyte in the early 1920s.'Sunlight and Shadows, Warrandyte' is an oil on canvas painting depicting the Warrandyte landscape, featuring a winding creek with beautiful reflections cast upon it. The colour palate comprises muted green and earth tones, with a vivid aqua for reflective water.walter magilton, nillumbik, warrandyte

Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image.

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe

Male and Female Chinese shadow puppets in frame with black and gold mount. China Shadow Play. chinese shadow puppet, male shadow puppet, female shadow puppet, black and gold mount, souvenir

This book bears the names of Linda Mathieson and Nullawarre State School. The Mathieson families were early settlers in the Warrnambool area at Woodford and Purnim and later in the Nullawarre district. Nullawarre State School was opened in 1875 with members of the Mathieson family being foundation pupils. It still operates today.This book is of interest because of its connection to the Mathieson families of Nullawarre and to Nullawarre State School.This is a hard cover book of 92 pages. It contains many short articles, over 80 illustrations and advertisements at the back of the book for other books published by T. Nelson and Sons. Some of the illustrations have been hand-coloured. The cover is buff-coloured with ornamental patterns and an image of a family watching a slide show outlined in dark red. The lettering on the cover and spine is in black, red and brown tonings. The inscription is handwritten in black ink. ‘Nullawarre S.S. Linda Mathieson, 14.4.23’. linda mathieson, nullawarre state school

p.247.non-fictionAustralian veterans of the Second World War who fought against the Japanese share their feelings about the war in the sixtieth anniversary of its close.world war 1939-1945 - prisoners of war - japan, world war 1939-1945 - veterans - attitudes

Index, Bibliography, ill, maps, p.192.non-fictionPhotography, maps, and eyewitness accounts describe the War in Vietnam.vietnam war 1961-1975, vietnam - history - 20th century

This is the gripping true story of life and death in the jungle, and an enemy up close and personal.vietnam war, 1961-1975 - campaigns, special military operations, aattv, australian army training team vietnam (aattv)

The Vietnam War differed vastly from any conflict the U.S. has ever experienced.vietnam war - 1961-1975, operation phoenix, operation menu, the raid at son tay

non-fictionThis book tells us the story of the Heale Family From England to the Channel Islands then onto Australiareverend john heale, george bartlett heale, john heasle, william bowden heale

Born: Birmingham, England 1854; Arrived Australia 1882; Died: 1914Heidelberg SchoolLedger Gift, 1980Rural landscape with grazing sheep and trees. Gold brushed grey painted timber frame. Recto: Signed "Walter Withers" in brown paint l.r.c of composition; Dated: "~ 10 ~" in brown paint; Not titledlandscape, animals, trees, sheep, australian art

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramaphone, record, textile mills - staff

Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- )

[Northcote, Victoria] : Colin Briton, [2018] ©2018 v, 118 pages, 11 pages of plates : illustrations, maps ; 21 cm non-fictionHistory of institutional care in Yarra Bend Park and Studley Park by Colin Briton.institutional care -- victoria -- melbourne -- history., health facilities -- victoria -- melbourne -- history, asylums -- victoria -- melbourne -- history., reformatories for women -- victoria -- melbourne -- history.

1973, 153, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice bugge

Hardcover with dark purple dust jacket. Title printed in white along the spine and a white spine label sticker at the base. The front cover shows an image of three men carrying another man on a stretcher through thick mud. The lower half of the cover shows the title details in large white print.non-fiction The Australian Army was woefully unprepared to fight a medical war in Papua and the soldiers paid the price. Almost 30,000 soldiers suffered from illness and tropical diseases, and an estimated 6000 were killed or wounded during the six-month campaign. These statistics have traditionally been represented as unavoidable consequences of fighting a war in a place such as Papua. This book disputes that narrative. Death and disease were inevitable outcomes, but the scale of the suffering was not. The medical challenges presented in Papua were extreme - they were not insurmountable. Shadows on the Track considers a wide range of issues that impacted on the health of the Australian soldiers before, during and after the Papuan campaign was fought and won. The strengths, successes, shortcomings and failures of the medical campaign are identified, analysed and evaluated. The focus on the front-line medical personnel - the men of the field ambulance units - brings a new perspective to the battles of the Kokoda Track, Milne Bay and the Beachheads. [taken from Trove record]2/6 australian army field ambulance, australian army medical care, transport of sick and wounded, medical aspects of war, papuanew guinea, world war 1939-1945, wwii, ww2, kokoda, milne bay, beachhead

Sunshine and Shadowssunshine harvester works

Black and whitewater colour painting. Silhouette of a building on the left, and figure and shadow walking down a path, streetlight and tree shadows on the right. 'D Goodman' bottom left corner

Video of shadows taken in afternoon light.

Beginning in 1877 as a breakaway from the Ancient Order of Foresters the Irish National Foresters were established in Australia before 1890. By 1914 the INF had spread worldwide and with a quarter of a million members in over 1,000 branches. The Ballarat branch whose presidential chair the image is of was Branch No 20.Irish National Foresters Branch No 20 in gilt shadowed signwriting on pediment.

SEPIA PHOTOGRAPH OF GRAVE OF MARY JANE PEACOCK. HIGH WHITE COLUMN - ENCIRCLED WITH A WREATH - SURROUNDED BY BLACK IRON RAILINGS.IN MEMORY OF MARY JANE PEACOCK BEHOLD THE DAY BREAKS AND SHADOW FALLS AWAY.local history, photography, photographs, cemetery

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints