Showing 96 items matching shawl
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Mont De Lancey
Tablecloth
Royal blue, square, satin tablecloth/shawl with 27 cm. crocheted and fringed border. It is heavily embroidered with multiple flowers and leaves in many different colours.household textiles, table linen, tablecloths, shawls -
Whitehorse Historical Society Inc.
Clothing - Coat, c 1950's
Margaret Skey migrated to Australia with family 4/8/1957. She was wearing this coat on a hot summer's day, arriving in Melbourne 6/9/1958 on a cold wet Sunday. This coat was purchased at the local shop - Prattes of Streatham London.Red Mohair overcoat. Shawl collar fastening to a tab in front & closing with three large buttons down front. Wide raglan sleeves with turnback cuffs.LESTERS COUTURIERS STREATHAM LONDON SW 16costume, female -
Glenelg Shire Council Cultural Collection
Document - Baby Shawl, n.d
Items hand made by Mrs Grace Osbourne. She won prizes at the Warracknabeal Show and elsewhere for her hand work.Cream baby's shawl. Square, 14 cm filet crochet boarder, rest zig-zag pattern, knitted. Border different thickness of thread to central part. -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 499
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for baby clothes.Patons / No. 499 / KNITTING BOOK / No. / 499 / Babies' Wear / In PATONS SWIFTAKNIT and / PATONS PATONYLE, 3-Ply (Lilac Label) / With a Shawl in PATONS NIMBLA / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Dress, 1940's
Part of a collection of dresses from puppets from Beinssen family.Green brocade dress with yellow lace embroidered with red sequins. Shawl like collar. Red imitation stone at the centre front. Cardboard hands at end of sleeves. Gathered at neck.camp 3, puppetry, dr silke hesse, ekke beinssen, camp 3 puppet theatre, beinssen family -
Kew Historical Society Inc
Textile - Circular shot silk throw or shawl, Nineteenth Century
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rust coloured oval, pure silk throw or shawl. The fabric is very fine and decorative rather than functional. There are no joins in the fabric as it is made of one piece. Its cultural provenance is unclear.table cloths, table covers, shawls, throws -
National Wool Museum
Book, Knitting, Baby's Wardrobe
This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by the magazine "Womans World" and contains patterns for baby clothes.BABY'S wardrobe / EVERYTHING THE NEW BABY NEEDS / 6D. / LAYETTE / Approved by / Infant Welfare Dept. / (see page 4) / 33 / KNITTEDS / LAYETTES / SHAWLS / PRAM COVERS / FROCKS, Etc. / PUBLISHED / BY / WOMAN'S WORLDknitting handicrafts - history, victoria; department of public health (infant welfare department) woman's world, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Decorative object - Photo Frame, 1850 - 60
Ornate frame of light green with gilt. Included in the frame is a black and white photo of lady wearing shawl (NA2623) on display in this cabinet in museum. It is thought that the lady's name is Mrs.S. Smith (nee Miss .S. Scott). See NP855photography, photographs / slides / film, domestic items, ornaments / decorative -
Kilmore Historical Society
Clothing - Cristening underskirt, unknown
One of two underskirts accompanying a christening ensemble. First worn by William Thomas (Tom) Poulter in 1858, eldest surviving child of Mary and James Poulter. Used by generations of Poulter & Chapmans. The robe is reliably dated to 1858 but the two underskirts, shawl & bonnet may have been added to the ensemble at a later date.Early christening underskirt related to early Kilmore families.White cotton christening underskirt with pintuck & broderie anglaise detail to skirt. Excellent condition.poulter, chapman, christening -
Orbost & District Historical Society
lace collar
A coffee-coloured lace bertha collar which is wide, round, flat collar designed to accent a woman's shoulders. It has a long history stretching back to Victorian fashion. It can be worn as an accessory to a dress or a top, and it is sometimes removable like a shawl.lace accessories collar bertha -
Brighton Historical Society
Suit, 1980s
Pink taffeta suit comprising jacket, skirt and belt. Fitted jacket with peplum. Machine-quilted shawl collar and separate belt. Calf-length pencil skirt with V-shaped pleated insert centre back. .1 - jacket .2 - skirt .3 - beltLabel, woven silver on cream acetate, centre back jacket and skirt: Prue Acton woman's suit, 1980s, prue acton -
Kew Historical Society Inc
Book - Instructional Book, Weldon & Co, Weldon's Practical Needlework, c.1891
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). Bound copy of Weldon's Practical Needlework, retailed by W.C. Wright and Co., Booksellers & c., Broken Hill, New South Wales. The book includes advice for women on Knitting, Crochet, Drawn Thread Work, Netting, Knitted Edgings or Shawls, Mountmellick Embroidery with full working descriptions.Inscribed top right of title page: "E.M. Betteridge, Broken Hill, July 2nd 1891 / E. Weir".edith mary weir (nee betteridge), 84 princess street -- kew (vic), needlework patterns -
Warrnambool and District Historical Society Inc.
Clothing - Theatre coat, c. 1900
This garment would have been worn at an evening function by a lady of some considerable means. It dates from the late 19th century.This item has no known provenance and is retained for display purposes.This is a woman's black, knee length, satin theatre coat. It is ornamented with geometric and curved cornelli work. The shawl collar has a pointed back. It is fastened in the front with a large, satin covered black button. It is lined with black satin. It has full length sleeves, turned up at the ends and lined with satin.vintage clothing, woman's evening apparel -
Cheese World Museum
Photograph, Edward Herbert Uebergang and Alma Gertrude Schurmann, 1912
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Edward Herbert Uebergang and Alma Gertrude Schurmann were married on 1 March 1912. . Edward, born in 1883 at Cudgee, was the son of Friedrich Johann Uebergang and Pauline Johanna Hillbrick. Alma Gertrude was born in 1882 at Natimuk.They lived in Horsham where Edward, known as Bert, developed a chaff-cutting business servicing the Wimmera and Riverina areas. Their story is recorded in the Uebergang family history pp.200-208. Source: The Uebergang Families in Australia 1848-1985 Edward was a cousin of Percy Uebergang.Sepia photograph of the Uebergang-Schurmann wedding. The bride is standing. She is wearing a lace shawl overlay gown with elbow length lace sleeves and long white gloves. A three tiered floor length veil falls from a circlet of flowers. The groom is seated and is wearing a three piece suit, a high collared shirt and boots.allansford, cudgee, natimuk, horsham, uebergang, edward, schurmann, alma, marriages -
Halls Gap & Grampians Historical Society
Photograph - B/W, Oct-86
This is part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. Thephoto is a close up of a young girl. She is wearing a broad brimmed straw hat and a flowery print dress with lace around the sleeves and a shawl lice cowl edged with lace. She is handing (or receiving) a flower to a woman, whose arm is the only part visible in the photo. The woman is wearing a bracelet with a heart shaped charm.events, parades -
Whitehorse Historical Society Inc.
Clothing - Gown Bridesmaid
George Harold Merrett married Dorothy Lorna James at Christ Church Horsham 14/08/1954. Wedding Gown & all accessories were donated by family, plus wedding photo.Mauve Damask satin full length gown. Shaped bodice with pin tuck detail over bust line, pin tuck shawl collar across back. Zip closing down back, full flared skirt. Bodice lined with rayon.|Refer to 3985.1-5, 3949.1-2, 4138, 3999.1-2, 4000.1-2costume, female ceremonial -
Circa Vintage Archive
Duval Ensemble, Late 1950s
Dressy day ensemble set - Fitted dress with short sleeves and straight skirt Centre back metal zipper Band of cream guipure lace above the waistline Fitted cropped jacket with shawl collar trimmed in matching lace Three quarter length sleeves to the jacket Pipping trim to most edges Both pieces are fully linedLabelled "Duval of Melbourne Pure Silk" -
Yarrawonga and Mulwala Pioneer Museum
Cream Cane Pram, Pram
Vinyl lined large pram with folding hood, large wire basket under handle. Thick (5cm) mattress, baby pillow and silky shawl/cover. 3 towelling nappies - 1 cloth nap in basket. Was well sprung pram with 4 solid rubber tyres. Handle reaches 30cm above pram top (waist high) - made from shaped tubular steel.No markings noticed -
Circa Vintage Archive
Printed silk evening coat 1930s, Floral and butterflies silk princess line evening coat 1930s, Late 1930s
Evening or opera coat with princess line seams and shawl collar. Leg o' mutton sleeves, full length flared skirt of six panels and secured with one self covered button and bound buttonhole at the waist. Fully lined in cream coloured silk taffeta. Fabric is printed in gold with flowers, vines and butterflies with hand silk screened roses and forget-me-not flowers over the topNone -
Churchill Island Heritage Farm
Clothing - Fichu, attached to band
This piece consists of Battenburg machine braid tacked onto net which has been hand appliquéd with lace motifs. The lace fichu was worn by ladies to enhance the neckline of garments and to preserve modesty. Many lace fichus were shaped in a large square which was folded in half and draped over the shoulders like a shawl. They were often held in place with a small fichu pin or tucked into the neckline of the dress or under the apron or skirt at the waistline. This small jabot-like example may have been tied at the neckline and tucked into the bodice. It could also have been used at the front of a skirt and tied at the waistline.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Battenburg machine braid tacked on to net. Hand appliquéd lace motifslace, churchill island, janet amess lace collection, amess, neckband, garment, battenburg, clothing -
Kew Historical Society Inc
Clothing - Black lace evening dress, 1930s
Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Long black lace, floor-length evening dress extending to a short train at the back. The dress has a belt at the waist that is joined by two white metal clasps studded with diamentes. With the dress there is also a matching lace square (2017.00921) that might have been used as a mantilla or as a shawl. The dress was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, evening dresses, doris bennett (nee wilmott) -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo, Norah Douglas
Black and White photograph of Mrs Norah Douglas (1864-1957) and an unidentified woman seated on a trap on a road winding between hills. Forest and paddocks are visible. Both women are wearing winter coats and hats with brims. One woman is facing away from the camera. The other woman is facing the camera and is smiling either at the photographer or her companion. The second woman has a heavy scarf or shawl around her neck. See VSSH0046 for further information on the family. -
Kiewa Valley Historical Society
Hair Pins - Personal Item
Cardboard white box with decorated coloured flowery sides which curve over the edge to frame the top of the box. Top of the box has a picture of a smart fashionable lady wearing a broad brimmed black hat with a pink rose and seemingly wearing a white fur shawl. Her body is not shown. The inside of the box is divided into 4 equal compartments - 1 across and 3 in a row lengthwise. 15 metal black hairpins are in 3 of the compartments and 2 brown plastic hairpins in the other. Base if the box - "Finest selected / Hairpins. / Black / Made in England hair pins, make-up, personal item, hairdressing, toiletries, bathroom -
Halls Gap & Grampians Historical Society
Photograph - B/W, Oct-86
This is part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. The photo shows two young girls wearing flower patterned dresses, frilly hats and shawls standing on the edge of a road. The front girl is offering flowers in a straw basket to people lining the street. A Toyota land cruiser with people dressed in what appears to be park ranger or scout uniforms standing in the tray is driving down the road and an old car can be seen behind that. People and cars line the far side of the road and trees can be seen behind them.events, parades -
Brighton Historical Society
Dress, Evening dress, c.1930s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this in 2012 at an auction of vintage clothing from the private collection of prominent Sydney fashion designer Lisa Ho, part of a wider sale of assets after Ho's business fell into deep debt. Ho began collecting vintage clothing and fabrics at the age of fifteen and her collection featured significant clothing items collected from around the world. For many years she drew on it as a source of design inspiration, particularly for print, in her highly successful fashion business. Di later wished she had purchased more at the auction!A full length slim fitting gown of gold metal thread and black thread self wave design fabric. The dress features a shawl collar, vertical pleat bodice, three panel, peaked front skirt. The dress secures with press studs at the centre front for modesty with a full left side opening secured by press studs. The sleeve features a front and back seam creating a squared shoulder head with fullness that is pleated in centre on the arm. the sleeve length is above the elbow. lisa ho, lisa ho collection, di reidie, vintage clothing, 1930s -
Cheese World Museum
Photograph, Percy Uebergang and Myrtle Wright wedding party, 1924
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit -
Churchill Island Heritage Farm
Textile - Lace Trim
This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
RMIT Design Archives
Painting, Illustration of a Woman in Traditional Dress from Patzcuaro, Michoacán, Mexico, c.1953
Gouache on paper illustration of a woman from Pátzcuaro region, Michoacán, Mexico, by Mexican fashion illustrator Alfredo González Bouret (1926-2018). Likely created in 1953, prior to being exhibited in Mexico and Paris in 1954. From the Patzcuaro region of Michoacán state, Mexico, this woman wears a wide-brimmed 'sombrero' on top of her 'rebozo' - a long rectangular shawl made of wool or cotton with an intricate hand-knotted pattern, popular throughout Mexico. Her hair is held away from her face, likely in long plaits down her back in the traditional style of the region. Her ears and neck are decorated with long earrings and strings of beads, while her plain white blouse is tucked in to a bright red 'refajo' skirt, gathered at the waist by a textile belt with geometric designs. In her hands she holds long-stemmed lilies. While resembling other illustrations of fashion from the Patzcuaro region, this costume stands out for the bright colour of the skirt, and the lack of embroidered decoration on the blouse. Rebecca Lloyd, 2019.Mounted painting of a woman in traditional regional dress from the Patzcuaro region of Michoacán, Mexico. Gouache on paper, c.1953.Signed in green paint, bottom right, 'AG Bouret'.mexico, 1953, fashion design, painting, illustration, mexican, fashion illustration, dress -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph, 30 06 1965
The Melbourne District Nursing Service (MDNS) Sister is massaging the left hand of the patient. The Sister is wearing her grey cotton uniform dress and red cardigan under her white gown. A red Maltese cross emblazoned on her peaked hat. The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelistis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.On the left of the black and white photograph is a a lady laying in her bed, and to her right is a Melbourne District Nursing Service, (MDNS), Sister sitting beside her. The Sister is wearing glasses, and has a white gown over her uniform; with the grey collar of her uniform and dark sleeves of her cardigan in view. The Sister is wearing her grey peaked uniform hat, with a Maltese cross emblazoned in the centre front, over her short dark curled hair. The Sister has her hands on the left hand of the lady, who is wearing glasses, has white curly hair, and is wearing a crocheted shawl over her grey nightgown. Her head is resting on the pillow on her bed which has a dark bedhead, .Light coloured bedding covers most of her body.Photographers stamp and 'Quote No. DW 86'mdns, melbourne district nursing service, mdns patient care -
Kew Historical Society Inc
Photograph - Cabinet Card, Mrs Merritt, 1881-1891
Charlemont & Co., operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Silver albumen cabinet card by Charlemont & Co., who operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. In this portrait of Mrs Merritt, she is posed gazing directly at the lens, thus achieving a potentially more intimate relationship with the viewer. All that is revealed however in this supposedly more direct pose is her face. As with an earlier generation, her hair is centrally parted and flattened to accommodate her bonnet, which is surmounted by feathers. The detail in her coat-dress is sharply revealed by new photographic processes that allowed firms like Charlemont & Co., to capture greater light and shade, as well as the detail of fabrics. The entire garment is beaded with what is probably Parisian jet. The beading is arranged in a ‘paisley’ design. The paisley pattern was to become ubiquitous in the 19th century as a design on everything from carpets, to shawls, to clothing.Mrs Merrittcharlemont & co., mrs merritt