Mitchell Shelves used in Mitchell Store Main Street Stawellstawell

This set of homemade shelves are part of the crafted domestic decoration popular in the early-to-mid 20th century.This decorative homemade wall shelf is typical of early 20th century room decoration.Display shelves: three narrow shelves on a decorative oval wood plaque with scrolled edges. The black lacquered pine construction is decorated with gold-painted flowers and birds in a chinoise design. The shelves hang from a wire attached to eyelets at the top. warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shelves, wall shelves, decorative shelves, furniture, domestic furniture, hanging wall shelves

Four people retrieving Braille from the shelves to pack into cane storage baskets for dispatch. A woman is taking a book off the shelf, another is annotating a piece of paper whilst a third woman looks at the spine of a book. A man in a dust coat is also handling a book. Book shelves line the walls and cane baskets are stacked upon the floor.1 B/W digital image of people sending braillebraille library of victoria, braille

Male handles Clarke & Smith talking book cartridges, placing one cartridge on a bookcase filled with numbered cartridges, whilst holding another two in his other hand. To the side of him is a cane basket that contains black mailing cases with silver reinforced corners and strapping. These cases were used to send the cartridges out to talking book clients. Behind the man is another bookshelf, with the two bottom shelves containing mailing cases, the next two Clarke & Smith cartridges and possibly Clarke & Smith tapetes and tapete mailing pouches on the top shelf. A metal fan hits on top of the bookcase.Digital image of man with audio book cartridgestalking books, library, royal victorian institute for the blind

This music stand set of shelves is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Many of the items of furniture, linen and crockery in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) whose photos are in the parlour. They married in 1880. Henry, born at Tower Hill in 1858, was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. THE SHELVES During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869 the first bamboo furniture maker), while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked the differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as Corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive bamboo, aimed particularly at the export trade. The company stated in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere in the Flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer hear and put together by the owner. The Etagere is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain, so this example is a valuable addition to the Flagstaff collection. It is believed that the construction method used is by a notable and respected maker of bamboo furniture and that its production was aimed at the export market and probably came to Australia in kit form.Bamboo shelves: decorative free standing Etagere comprising three large shelves and one small shelf. Shelves are made of wood used to store either orange or bacon boxes (as there are no knots in the wood, imported from South America and cheap to recycle). Shelves are covered with embossed leather paper. Frame is made from tortoise shell bamboo (brown lacquer applied to simulate tortoise shell appearance). Ends of bamboo canes are covered with metal shoes and fixed with a pin. Other bamboo joints are fixed with round head steel screws. This item is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bamboo shelves, bamboo etagere, victorian furniture, furniture, bamboo furniture, embossed leather paper, simulated bamboo, tortise shell, a englander & searle, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture

Shelves suitable for books and other office items.This set of office shelves is an example of office furniture of the mid-20th century.Tall book shelve five shelves Noneflagstaff hill, warrnambool, shelves, office shelves, office furniture, bookshelf, maritime museum, maritime village, shipwreck coast, great ocean road, office equipment

This item is an example the skill and craftmanship of early settler families who of necessity were self-reliant.Bamboo shelves (3 shelves + top) with brown vinyl padded top. Insides are wallpapered with an embossed paper of cream flowers on dark brown background. Wooden sides are covered with same wallpaper which has been painted over tan . There seems to have been a door originally attached as there are two hinges, top and bottom, on right hand side. There are 4 legs angled outwards with stays - all made of bamboo. Back and shelves appear to be slatted timber. Sometimes called a "whatnot".furniture-shelves-handmade

This photograph shows the interior of a library, including a person looking at the shelvesBlack and white photograph showing the interior of a library with tall bookshelves. A person stands in front of the shelves to the right of the photograph, facing away from the camera and towards the books. A band of high windows looks out onto the sky and the roof of a building next door. Printed in grey ink:| 526B / 15.11.73library, libraries

When in 1991, the Sunshine Technical School merged with Sunshine High School, Sunshine North Technical School and the Tottenham Technical School to form the Sunshine Secondary Cottage (later Sunshine College), this cabinet and the three shelves of trophies inside were donated to the Sunshine & District Historical Society. The cabinet has been repurposed as a general display cabinet with the top shelf displaying some of the original trophies.School sports trophies are important because they recognise achievement, motivate students, build school culture, and connect young athletes to a long tradition of celebrating excellence.Wooden trophy cabinet with glass front, sides & shelves with hinged door at back. An internal display light is also fitted.sunshine technical school, derby road, sunshine

At some point, Arthritis Victoria's Moonee Ponds opportunity shop was relocated to new premises at 10 Everage Street. In this photo, Alice Gilbert (Manager) poses for a photo in front of some shelves of kitchenware and bric-a-brac at the Everage St shop.COL medium close up photo of a woman inside a shop. She is wearing a red shirt over a black t-shirt. She is standing next to some wall shelving and has one hand on one of the shelves. On the shelves, there is a range of crockery, glassware, and pottery, including some vases. Alongside the shelving, there is a clothes hanging rack affixed to the wall. Hanging from the rod on coathangers is a range of linen. In the bottom right corner of the photo image, there is a date stamp in bright orange digits: "16 4 '02".[Handwritten in blue ink] Alice Gilbert Moonee Ponds op shoparthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, crockery, pottery, glassware, vases, relocation, linen, new premises, alice gilbert, manager, everage street, moonee ponds, 2002

This photo of the Resource Centre shows a woman reaching for some books on a set of shelves. A sepia version of the photo appears on page 12 of the 2004 Annual Report. It accompanies a report on the Resource Centre. The photo is captioned, "During 2004, many of Arthritis Victoria's information sheets were added to the site as PDFs (Portable Document Format), allowing organisations such as Community Health Centres, health professionals and the general public, immediate access to the most current version of our information sheets." A black and white version of this photo also appears on page 9 of the Vol 18 Issue 1, Autumn 2005 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update. It accompanies a two-page feature article titled, "Taking a walk around Arthritis Victoria - education and services".COL photo of a woman reaching for some books on the top shelf of a row of shelving. The shelves are filled with books and other printed resources. There is a brown teddy bear on one of the shelves. On the end of the rows of shelving, as well as around the room and hanging from the ceiling, there are various posters, signs, and some bunting.[Handwritten in aqua ink, in the top left corner] Y [Handwritten in pencil, in the centre] Resource Centre [Handwritten in pencil, in the top right corner] Barthritis foundation of victoria, afv, library, resource centre, books, educational resources, educational material, annual report, update, 2004, 2005

This photo depicts Arthritis Victoria op shop volunteer, Maureen Reid, posing for a photo in front of a rack of clothes and some shelves of handbags at the Malvern Opportunity Shop.COL medium close up photo of a woman inside a shop. She is wearing a white shirt and a checked tartan vest. She is standing in front of a rack of hanging clothes. Beside the clothes rack are some shelves containing handbags. There are two signs on the wall behind the clothes rack. On the bottom right corner of the photo image, there is a date stamp in bright orange digits: "18 4 '02".arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, clothing, clothes rack, handbags, volunteers, members, malvern, 2000

This photo depicts Arthritis Victoria op shop volunteer, Gail Bennison, posing for a photo in front of some shelves of crockery, glassware, silverware, pewterware and miscellaneous kitchenware at the Malvern Opportunity Shop.COL medium close up photo of a woman inside a shop. She is wearing a white shirt with small pink flowers. She is standing in three-quarter profile in front of some wall shelving, and smiling. On top of the shelves are various pieces of crockery, glassware, silverware, pewterware and some miscellaneous kitchenware. On the bottom right corner of the photo image, there is a date stamp in bright orange digits: "18 4 '02".arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, crockery, pottery, glassware, silverware, pewterware, volunteers, members, malvern, 2000

The Life of Sir Willaim Stawell, Chief Justice of Victoria, 1815-1889. Two FldersTwo Grey A4 Ring Binders with pocketsOn Spine: Sir Willia Foster Stawell Book One. Cat No: 764 Mitchell Shelvesstawell law

The two identical bookcases probably date to the 1960s-70s period and retain their original light wood finish. They contain two adjustable shelves as well as the base shelf and stand on four legs braced by a stretcher extending across the front and around the sides. The bracing and the angled slightly curved front legs, which do not align with corners of the cabinet, produce the appearance of a box resting on a separate frame. These modern style bookshelves are examples of the low-cost furnishings that the Commonwealth Lighthouse Service (CLS) introduced to Australian lightstations in the post-war years. Most notably, it commissioned a number of light, compact and functional items in bulk from émigré designer, Steven Kalmar (1909-1989), who played a significant role in popularising modernist design concepts in Australia and drew his ideas from Scandinavian and American design trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses being built in Australia’s new post-war suburbs. It is not known whether the bookcases bear the Kalmar label, but the design, particularly the legs and bar bracing, is a signature style of his Sydney-based firm, Kalmar Interiors. The CLS supplied the same bookshelves to a number of other lightstations, including Cape Nelson (3 examples), Cape Otway and Gabo Island (2 examples), as well as other types of furnishings such as tables and nests of coffee tables, cabinets, drawers, bedside tables. The Point Hicks bookcases original function was more likely office-related rather than domestic. The bookcases have first level contributory significance for their provenance and historic value as examples of the modernist furnishings that the Sydney-based firm, Kalmar Interiors supplied to the Commonwealth Lighthouse Service in the post-war years.Two bookcases in the Scandinavian style. Each have 3 internal shelves and four legs, light coloured wood.

The tall, two‐door cupboard with curved shelves is without a back and is taller than the bench cupboard on the lower lantern room of the lighthouse . The curved shelving suggests that this practical storage cupboard was custom‐built or adapted to serve in this location on the landing level below the lantern room. It is not known when it was provided to the lightstation. It shares the structural features of this furnishing as well as other nineteenth century utilitarian cabinets that were made for Victoria’s lightstations, such as those fitted beside fireplaces in the keepers’ quarters (for example CNLS 0016) or serving as lantern room cupboards. They have doors simply framed and bevelled around central panels. This particular cupboard, which is painted grey with four white panels, is unusual both for its height and the four doors, with the twin top panels taller than those underneath. This panel arrangement repeats the design of the lightstation’s door cases. Further research may reveal more about its manufacture. It is not known whether it is attached to the wall or movable; if attached it is considered to be a fixture and included in the Victorian Heritage Register listing for the lightstation (VHR H1773). Other similar cabinets which have been constructed to fit the curved wall of a lighthouse survive at Cape Schanck, varnished wood benchtop, 2‐door cabinet with brass door knob, no drawers); Point Hicks, benchtop, 2‐door, painted green with silver doors, no drawers) and Gabo Island bench top, 2‐door, no drawers, green paint removed to reveal cedar timber), and Cape Nelson, benchtop, 2‐door, 2‐drawer, partially varnished). Cape Nelson’s tall cupboard with curved shelves and back profile is unusual among the lighthouse furnishings. The cabinet is a unique, original feature of the lighthouse and has first level contributory significance for its historic values and provenance.The tall, two‐door cupboard with curved shelves is without a back and has curved shelving. Painted grey with four white panels, on the four doors, with the twin top panels taller than those underneath.

Letters written by Mary Stawell, concerning their family & Sojourn in Australia. Conections with the city of StawellGrey four ring folder, containing photocopied pages of the book "My Recollections" by Mary F.E. Stawell 1910On Cover: My Recollections By Mary F.E. (Wife of Sir William Stawell. Cat No: 759 Mitchell Shelvesstawell

WW2 Internment Camp 1. Nursing staffSisters sitting room in mess, Camp 1. Armchairs, book shelves, occasional table in front of fireplace. Vases of flowers, small radio and framed pictures on shelves. Floor rugs.a.a.n.s., internment camps, camp 1, tatura, nursing quarters

Cane hall stand with mirror, 2 hooks and 2 shelvescane, hallstand, furniture

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A ginger cat is depicted sitting on a footstool in front of shelves of books11/50 Big Mac's Bookplate Pat Rowdybookplate, printmaking, australian bookplate design award, keith wingrove memorial trust

This specimen was found in Cape Patterson, Vic. Cape Paterson is a cape and seaside village located near the town of Wonthaggi, 132 kilometres southeast of Melbourne, in the Bass Coast Shire of Gippsland, Victoria, Australia. These dark, fossiliferous Mudstones were deposited in slow-moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon-rich material would remain unoxidised during subsequent deposition & diagenesis. it has an imprint of a leaf in the rock itself, displaying the fossil of the plant. This specimen is unique due to the leaf impression within the stone itself. Imprint fossils are formed from an organism moving in some way, leaving behind a trace or track. These tracks are preserved when the clay/silt dries slowly and is covered by other sediment. Plants can also leave imprint fossils when they are covered by sediment. The leaf tissue degrades, leaving an imprint of where the leaf once was. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.These dark, fossiliferous Mudstones were deposited in slow moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon rich material would remain unoxidised during subsequent deposition & diagenesis. FOSSILIFEROUS MUDSTONE / Locality: Cape Patterson, Victoria | Descriptive catalogue / Pg 27 No 95 / "Grey Clay, / Cape Paterson with leaf impressions' / 15/4/21 C. William /mudstone, cape patterson, leaf imprint, fossilised leaf, fossiliferous mudstone

Inquests & Deaths from Newspapers and Digger Database3 large White 4 ring folders, 1 small white 4 ring folder Inquests Book One, Inquests Book Two, Inquests Book Three, Inquests Book 4 Cat No: 5838 Mitchell Shelvesstawell law, inquests

B/W photograph of brownies in radio room with equipment on shelves in backgroundGentleman in Centre Fred Glissonguides

This shunt is a type of resistor built of copper and designed to carry a current. It was part of the Hydro generator control metering system. It reduces the large current to a small voltage.Historical: This equipment represents a major construction and ongoing operational industry dealing with the supply of hydro electricity to Victoria.Made of copper the shunt has a middle cube with 12 sheets of copper, 5mm apart formed like shelves. On either side of the cube are two shelves coming out from the middle. Both have 2 hollow circles 17.5mm in diameter 25 mm apart in the middle. At the Join of the 'shelves' and cube is a screw on each side.Screwed in metal plaque: Deriv. 1662691 / OHM 0.0000833 / AMP 1200 on the side of the cube above a shelf and on the opposite shelf: ALTO ----> (also a metal plaque screwed on). kiewa hydro electric scheme. secv. hydro generator. victorian electricity grid, power station. electricity., resistor

According to Dutch tradition this type of sets have normally 3 large containers (coffee, tea and sugar) and sometimes 2 small containers (salt and pepper). During manufacturing of this set, the labels on salt (Zout) and tea (Thee) container were interchanged, crating a A-Typical set with large salt container and a small tea container. Likely ordered from Dutch East Indies and manufactured in China.A rare example of an imperfect product surviving to create an historic record.Set of 5 hexonal shaped porcelain storage containers, each with lid, for the storage and home use of (1,2) "Koffie", (3,4) "Thee", (5,6) "Suiker", (7,8) "Peper" and (9,10) "Zout".When the glass side of the display case disintegrated and all shelves and items fell down. two lids broke. They are repaired (but the cracks are visible)koffie thee suiker peper zout manufacturing error dutch container