"Inverlochy" wrecked 1902.Part of the railing from the "Inverlochy" which wrecked in 1902 on the "Ingoldsby" reef, Anglesea River, 1902. Includes three nails protruding at right angles from the wooden piece.inverlochy, ship railing

Article on the party held for A[nnie] M[oriah] Sage upon her retirement as Matron-in-Chief of the Royal Australian Army Nursing Corps (RAANC).A photocopy of a newspaper clipping of part of a photograph and a complete large photo, both with captions. The complete photo is of a group of women in nurse's uniforms standing along ship railings.world war two, wwii, ww2, raanc, royal australian army nursing corps, annie moriah sage

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of the torso of a man wearing a suit, leaning against ship's railing and holding streamers. The man is Frank Wright and the ship is 'Balranald'. .2) Black and white photograph of two levels of the side of a ship with passengers standing at the railings. In the middle distance is a man leaning against the railing, holding streamers and in the foreground are the backs of a crowd of men. The man is Frank Wright and the ship is 'Balranald'..1) Printed on back - Post Card, Kodak Handwritten in pencil on back - Frank Wright, Taken by Herald photographer when boat ("Balranald") was leaving Port Melbourne for London, Aug 5th 1933 Stamped on back - An indistinct "Copyright Herald ..." stampfrank wright, cornet, conductor, ballarat, st hilda's band, herald, balranald, port melbourne

Nurses with the Australian General Hospital (AGH) have returned to New Guinea, after twice being withdrawn as the military situation became serious. The images depict: Top left - four nurses in the foreground washing up in the mess. Top right - a nurse tending to a patient in a New Guinea military hospital Middle left - a large group of nurses, mostly seated, at the location of their jungle hospital, with the construction of the mess buildings in the background Middle right - the matron in charge of the AGH in New Guinea standing in front of a ship. Bottom left - a large group of nurses, seated and standing, on the edge of the jungle, waiting for the transport to their hospital Bottom right - nurses disembarking down a gangplank from a ship, being helped by men in army uniforms. Above the nurses there are people leaning on the ship's railing.Large newspaper page with six large black and white photos with captions underneath. All the photos depict nurses in uniform in various activities and situations, including washing up, tending to a patient, in a jungle hospital, in front of a ship, waiting for their transport and disembarking a ship.wwii, ww2, world war two, e bishop, j cameri, d bush, m holding, d mcgee, b duval, matron nell marshall, elinor bishop, j.f. crameri

On a piece of paper subsequently glued near one end of its curved upper face, this length of planed and polished hardwood timber bears the inscription: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. The timber is carefully worked with rich dark colouring and a uniformly moulded design, suggesting that it was part of a fitting or furnishing that was publicly visible and prominent. If the artefact is what it is declared to be, then it is possible that it formed part of the ship’s railings or companionway stairs. The LOCH ARD was a 1,693 ton, 3 masted barque, built on the Clyde in 1873. In an age of increasing competition for the emigrant passenger trade from steam-driven vessels, special attention was paid to her wooden furnishings and fittings. The Loch Line owners prided themselves on their attractive, distinctively painted, sailing ships. Below decks, where cargo and third class passengers were stowed, was made of iron. But everything above deck, and on show to the saloon and second class passengers, was carved and varnished timber. Captain Daish’s 1878 report for the ship’s underwriters notes “a quantity of general Cargo washed up in a confused mass” in the cove and “a number of Cases, Casks and Bales; also deals and boards floating about in some of the gorges” further west of the shipwreck. Contemporary newspaper accounts also reported a large quantity of cargo and timber washed ashore in the days following the LOCH ARD shipwreck, adding “but those were speedily removed by persons who came down from Port Campbell, Scott’s Creek and other places with carts and pack horses”. The appearance and good condition of this wood artefact, and the aged patina and dated hand-writing style of its pasted on inscription, support the suggestion that it was ‘souvenired’ from the floating debris of the LOCH ARD at or near the 1878 date of its foundering off Mutton Bird Island. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Loch Ard wreck is of state significance – Victorian Heritage Register S417. However there is a lack of documented provenance that limits the interpretive value of this piece of timber (for example, its potential to interpret nineteenth century souveniring and scavenging from shipwrecks along the south west coast of Victoria). Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A length of hardwood timber, planed and varnished to smooth finish on three sides, with two unfinished tongues protruding from each end (one broken off), possibly from the wreck of the LOCH ARD. The front or upper face is moulded and routed to a regular, linear (skirting board type) design along its entire length, the two sides flat planed. One side contains two inserted dowel rods that have been broken off. The bottom face has not been finished to the same standard. The sample is good quality wood that has retained its density and weight and shows no evidence of having been submerged in seawater for any length of time. Glued on to the upper face of the length of timber near the right hand end is a deteriorated square of paper bearing an inscription. The paper, peeling back and with torn edges, is stuck over an original wood stain but under a subsequent layer of varnish. The faded ink words are indecipherable where paper is missing, but written carefully in an old fashioned cursive script.The inscription on the paper reads: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, nineteenth-century souveniring, shipwreck scavenging, loch line sailing ships, wood sample

Maritime trades included making and mending nets. Netcraft skills have been taught and applied for centuries and are ongoing. Shuttles, or net needles, are used in the netting process, along with twine or cord, and a sharp knife or scissors. The twine is wound onto the shuttle and dispensed as the shuttle knots and weaves the cord to make the net. These shuttles are lightweight, compact and portable too. Nets were used on sailing ships for the crew's safety, often saving the sailor's lives in stormy seas Examples are the ship mast nets or shrouds that are wide at the base on the deck and taper to a point at the top of the mast, and railing nets that encircle the rails around the deck and prevent people and objects from rolling or falling into the sea. The shuttles were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, until 1969. Nets were an essential part of the life-saving safety equipment on sailing vessels. The set of netting shuttles is an example of net-making tools used in the 18th to 20th centuries and continues into modern times to create and repair safety equipment. The shuttles are part of the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. Shuttles, set of three; wooden slats, one end pointed, the other a concave shape. The centre is cut-out, leaving a straight tab in the centre lengthwise. The set is part of the W.R. Angus Collection. warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, net making, net mending, net shuttle, net making tool, maritime trade, darning, shuttle, tool, 20th century, w.r. angus, weaving, netting shuttle, net craft, net needles, safety nets, safety equipment

Alan Charles Quinn went to sea at the age of 16 and photographed his work and the places he visited. In keeping all of his photographs he created a pictorial autobiography. Also included in the Alan Charles Quinn Collection are letters written to and from his mother during his time at sea.Black and white photograph of the bow of the Queen Mary taken from a "street-level" view. On the very front of the ship there is a person visible as well as several people to the left of the photograph, peering over the railing.Blue/green ink, handwritten on reverse of photograph: "14.9.49" Handwritten on original page within photograph album: "Bow on at pier ninety"allan charles quinn, queen mary, ship liner, passenger ship, passenger liner, new york, usa

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950. This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of Nilsson and Peter Stone on the M/S "Mongabarra" Goteborg from the U.S. to Australia in December 1950. The two men are undertaking ships duties pulling ropes on the deck of the ship.On the back of the photograph is the text "Nilsson & Peter 4/12/49" in blue pen and what looks like "K 9 B" in pencil upside-down.1950, ship, pulley, deck, rope, mongabarra, allan quinn collection, allan quinn, nillson stone, peter stone, railing

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of "Mosnes" departing Port Lincoln on 5/4/50. This photograph captures the side of the ship and two men standing by some railing.1950, deck, rope, mongabarra, allan quinn collection, allan quinn, railing, port lincoln, mosnes

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of ten men sunbathing on the No. 5 Hatch on the ship "City of Bristol" on 22/5/1950. Two additional men sit in the background next to the railing.1950, men, deck, rope, mongabarra, allan quinn collection, allan quinn, railing, city of bristol, sunbathing, no 5 hatch

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the Elbe River in Germany. In the foreground is a lounge area with chairs and railing. Behind this are masts, rigging and rope near what appears to be a jetty with partial roofing. In the middle ground is the Elbe River running from the bottom right to middle left of the photograph. In the background is a passing ship and a mountain.germany, 1950, ship, deck, mast, chairs, mongabarra, allan quinn collection, allan quinn, tailing, elbe river, mointain

Mounted Colour Photograph of sailors and soldiers in dress uniform stand at the railing of a ship in port. Streamers hang from the railings.photograph, sailors, soldiers, ship, port

Produced for the Melbourne leg of the visit of the American Fleet to Australia 23 July to 6 August 1925. Digital copy of an illustrated poster showing a sailor and two women standing at the railing of a ship with two navy vessels and the prow of a third in the background under the heading "AMERICAN FLEET / 23rd July - 6th August Melbourne". american fleet, armed services - navy, us navy

Wooden railing with spike.p.s. ruby, ship's timber

Tilly Aston stands between Miss Lawson and another women, next to the railing of a ship with hills in the background. On the back 'taken on a trip to Queensland, mentioned in "Memoirs".'B/W photograph of three woman aboard a shiptilly aston, miss lawson

Nursing sisters departing on a ship to war.A newspaper clipping of a large black and white photo of eight women in nurse's uniforms standing along a railing with a caption beneathnancy olive logan, iris ruby seller, mary j. lade, gladys elva mole, wilhelmina edna goodin, gwendoline healey, lilian elaine mcphail, ellen may (nell) bryant, nurses in warfare

Photos depicting nurses in uniform departing and socialising on board a ship headed to World War Two.Black and white photocopy of a magazine page showing three large black and white photos with captions. The photos all depict young women in nurse's uniforms. In the top photo six nurses are standing at a railing, waving. The left photo shows three nurses looking at a book, with one holding a ukulele. The right photo shows four nurses around a Chinese Checkers board. world war two, wwii, ww2, australian imperial forces, aif nurses

Article provides a brief history of nursing in warfare from Florence Nightingale in the Crimean War (1854-1856) and the formation of nursing services in Australia from the Boer War through to the nursing officers on peacekeeping missions in the 1990’s. Point of the article is 100 years of military nurses and the planned national memorial for military nurses.Centre newspaper spread with two colour photographs and three black and white photographs. Article has ten columns of text. Spread has a blue and red border at the top and bottom of the page, blue inside, red outside. One colour photograph is of an elderly woman in a wheelchair looking down, she is wearing a khaki coloured hat, green coat with medals on the left side of her chest and a plaid skirt. The other colour photograph is of six older women seated or standing and a man in a suit standing between them. The black and white photograph at the top centre of the article is of eight young women in nurses uniform leaning on the railing of a ship. The black and white photograph at the top on the right is of a woman in uniform upright and four men lying, strapped in beds and bunks. The third black and white photograph at the bottom of the page on the left is of three middle aged women in nursing uniforms with medals pinned on the left of their capes.memorial, nursing in warfare, history, military nurses