Names included on cloth: Colliver, Whelpdale, E. Williams, Ms Lynch, Slender, Dowell, Corrigan, McDonald, Hutchinson, Loveden, Young, Hogan, Maher, Reilly, Fraser and Fahey.Square cotton tablecloth embroidered in blue silk, crocheted around edges. Fancy worked blue birds holding cards with local family names from reserve, south of Tatura,1920's - 1930's.local craftwork, cotton tablecloth, colliver, whelpdale, e williams, lynch, slender, dowell, corrigan, mcdonald, hutchinson, loveden, young, hogan, maher, reilly, fraser, fahey

Arts and CraftsVaseovoid form with slender neck, decorated with ruby lustre stamped 'De Morgan Merton Abbey' in oval stamp.william morris, william de morgan, arts and crafts, pottery, lustreware

From the early days of our race, the knife represented one of the first and most important tools that enabled rise of our technology, military, culture, science and all other things that brought us to this point of modern civilisation. As a vital tool for survival, combat, construction and food preparation, the knife quickly became the most basic tool from which all others were born. In those ancient times, 500,000 years ago, sharpened stones started slowly evolving, becoming more and more like their modern counterpart. Before the time when fire enabled the melting of the various metals, and forging them into modern knives, their stone counterparts received several visual upgrades. Double bladed knives were most popular, and their wooden or stone hilts were decorated with animal skins and feathers. Those knives represented a great deal of pride for the warriors and elders who owned them, and that tradition continued to be practised with the arrival of the Bronze Age. The appearance of metallurgy brought the ability to create knives from softer types of metal. Even though knives from bronze did not provide durability over longer periods of time [easily dulled, and susceptible to corrosion), their sharpness and slim designed proved to be superior to any stone knife tool. As the centuries went on, iron and then steel became commonplace across the entire world. Knives created from those materials were much more durable and easier to maintain their sharpness after prolonged use. During medieval times in Europe, steel metallurgy managed to evolve knives from small single or double-bladed edges to larger sizes - swords, spears and axes. Even with all those advancements, the use of knives as an eating utensil continued to be used in some small circles. Even as early as the 15th century, wealthy circles of people started carrying personal knives, intended for double use - both eating and defending against threats. During those times the host were not obliged to provide their guest with any kind of eating utensil in addition to plates, so wealthy males used their eating knives for cutting their own meals, and the meals of nearby female guests. Slim double-bladed knives were good for cutting and piercing foods. As the use of forks became widespread in the whole of Europe by the late 17th century, most people used this kind of small knife on a regular basis (a combination of two knives, one for stabilising and other for cutting the meal). http://www.eatingutensils.net/history-of-cutlery/knife-history/The knife is one of the most important items that has enabled the development of civilisation over thousands of years.Carving knife with wooden handle and rusted slender metal blade.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, knife, kitchen equipment, dining

Used by Manning Chemist, Flinders Street Railway Station, Melbourne until 1984.Round brown glass bottle tapering to slender neck at top with brown glass stopper.On base : 'D' in box over M, 0 701 M A32

August Vogeler was born in Minden, Germany in 1819, and emigrated to the United States to Baltimore when 20 years old and entered the employ of the wholesale drug firm Smith & Atkinson. Five years later he established the firm of A. Vogeler & Company manufacturing drugs and chemicals and eventually built up a drug business and manufactured products such as St. Jacob’s Oil, Dr. August Koenig’s Hamburg Drops, Koenig’s Hamburg Breast Tea, Diamond Vera-Cura and Dr. Bull’s Family Medicines. Vogeler & Company was located for a long period of time at Liberty and German Streets in Baltimore City and had an impressive multi-block operation. Charles A. Vogeler, August’s son, grew the business and was one of the pioneers of progressive patent medicine advertising and employed many novel schemes. Another son, Jerome Vogeler was also engaged in the drug business. Previously, in 1873, August Vogeler acquired the medicinal compounds of Reverend Dr. Bull (not the Dr. Bull in Louisville). Eventually in 1877, with the help of his partner, Adolph Meyer, the company promoted and sold Dr. Bull’s Family Medicines until shortly after the death of Charles Vogeler in 1882. In 1883, A. C. Meyer purchased all interests of his Vogeler partners and remained in business until his death 0n 4 February 1914. Slender aqua tinted clear glass with three lines of text embossed on half side of bottle, initial on base.On side 'ST JAKOBS OEL', A VOGELER & CO', BALTIMORE MD'. On base 'C'.liniment

ShoewearPair of black beaded backless slip shoes with silver lining. Have small slender heels with black soles.Made in Chinashoes, ladies' footwear, evening wear

Slender glass bottle of castor oil (half full) with yellowing label in poor condition and a metal screw on cap.On label: "Finest quality castor oil. Medicinal or internal use. Dose: Children: one or two teaspoonfuls according to age. Adults: one dessertspoonful, more as required. 5 fl.oz.". On base: "2 GM M, F 594".bottles, medicinal containers

Signed & dated 1916.Prefaced"a few examples of some of the famous,the beautiful,and the historicplaces for which this delightful land is so justly renowned.....The craftmanship in producing such a record of that time.Historic & Artistic significance.Surely rare therefore highly significant.LARGE "Portrait"slender book of views of SCOTLAND .Cover green cardboard pages aged cream .Gold embossing to front cover .Front Cover....Gold embossed title Beautiful Scotland ...COAT of ARMS DEPICTING LION RAMPENT ,ACROWN ,,ATARTAN&SCOTCH THISTLES.ALSO A CROWN ON ACUSHIONWITH A SCEPTRE .

Slender clear glass bottle, square in section, embossed text in impressed circle on base. and cartouche shaped panel impressed on one side.'M714' (indistinct) 'AGM' on baseglass manufacturer.

Tawonga Tennis ClubTawonga Tennis Club in the 1990sShiny silver slender cup mounted on a small square dark grey flecked granite base. Inscriptions near lip and on the opposite side in the centre.Tawonga Tennis Cup / Mixed Doubles; Within a circle: Rossinol / R / Tennis; On opposite side near the lip: 1990 Sue O'Brien - Michael Bartholomew / 1991 Joanne Moncrieff - Peter Burgess / 1992 Lyn Forke - Marc O'Brien / 1993 Sandy Hovey - Malcom MacKay - Ellis / 1994 Chris Hall - Lin Hall tawonga tennis club, 1990s

Mass produce in AmericaTall, slender glass kerosene lamp with wick in place. Simple vertical line decoration around oil reservoir and base. Period 1880 - 1900.lighting, kerosene & oil

Slender clear glass bottle of Castor Oil (half full) with a blue and white label that describes the medicinal use and manufacturer. It has a metal screw on cap. TASTELESS CASTOR OIL/A pure Castor Oil specially refined for Medicinal Use/ FOR INTERNAL USE/Children: 1 to 2 teaspoonfuls/ Adults: 1 to 2 tablespoonfuls/ 5 FL. OZ. NET. PITT & PARTNERS/SYDNEYmedication bottles, apothecary bottles, medications

San Remo house built by Charles Grayden 1880?? Possibly Miss Elms' house.coloured print - side view of weatherboard painted white/cream. Verandah with slender square posts - framed by Pine Tree on left and small leafed tree on right.local history, photography, san remo, local area development by europeans, housing, coloured photograph, commercial development san remo, domestic development

A transitional flat-top wooden tennis racquet with a solid, convex throat, and, a grooved, slender octagonal handle. Materials: Wood, Metal, Lacquer, Gut, Leather, Gluetennis

This sword was collected by Norman Ladner in New Britain during WW11. It was returned to Australia in 1946. Lorraine Joiner (Norman Ladner's daughter) gave the sword to Orbost Police in 2010.Katana were one of the traditionally made Japanese swords that were worn by the samurai class of feudal Japan, also commonly referred to as a "samurai sword.A Japanese Army Samurai sword from WW11. It has a Katana style blade - a curved, slender, single-edged blade with a circular or squared guard and long grip to accommodate two hands.sword ww11 katana samurai japanesse-army weapon

A plumb bob or plummet is a weight suspended from a string or rod and used as a vertical reference line or plumb line. It is the vertical equivalent of the water level. It is used to ensure constructions are plumb or level. It has been in use since Egyptian times and is also used in surveying. It is still in use today. This plumb bob weighs 910 grams and was probably used in the building trade. This item is retained as an interesting example of a trade tool from the past.This is a brass weight with a bulbous-shaped body rounded on the bottom, a slender neck and an enclosed top. The top has a metal ring to which is attached a metal rod with a ring at the end. The item is a little stained.building accessories, history of warrnambool

Item found at Enid Walls estateHand held wooden-handled metal object. Object movement/use is similar to an egg beater. Has a rubber ball bevelled into metal base which is attached onto the side with a slender metal arm.Stamp on object proper left "PAT.B 99365". Object proper right middle metal part has hand written inscription of a name which appears to be "Harvey". Top metal disk has the inscription "VEEDEE"/The Veedee Co./96 Southwark Street/London.Smedical instruments, personal massager/vibrators, enid wall

A Wright and Ditson tennis racquet, with: solid, convex throat; and, fine-grooved, slender octagonal handle. Inscription along throat on obverse: BOSTON/WRIGHT & DITSON. Materials: Wood, Lacquer, Glue, Metal, Painttennis

A 'Champion' model transitional flat-top tennis racquet, with solid convex throat, black leather crown protector, and fine-grooved, slender octagonal handle. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

Brickworks situated on large farming area. Built soon after his arrival on Phillip Island in 1868.Brickworks in rural setting. Slender tree trunks in foreground alongside river. Post and wire fence with slip-rail gate. Large brick building and pavilion-type sheds with canvas awnings. Wood piled up outside.local history, photography, photographs, slides, film, buildings, historic, brick works of robert anderson snr, at phillip island, black & white photograph, mrs emma anderson jacobs

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Sylvan Dell, near Loutitt Bay’ : Views of Victoria (General Series) No.54 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Sylvan Dell is one of the favourite resorts for visitors who are in search of the romantic. The peculiarly slender and upright foliage which is seen near the foreground is that of the myrtle tree. Dogwood, brush, staghorn, ferns, and wattle make up the background. Considerable difficulty is experienced in reaching the Dell, in consequence of the precipitous hills and dense scrub which surround it.’nicholas caire (1837-1918), lorne (vic), landscape photography

An Andersons All England tilt-top tennis racquet, with solid convex throat, and long, slender, fine-grooved handle. Racquet originally featured leather collar around shaft. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

A J. Dowling transitional flat-top tennis racquet, with solid convex throat, and fine-grooved, slender octagonal handle. Initials 'HR' carved into butt. Manufacturer's details impressed along shaft on obverse. Materials: Wood, Lacquer, Glue, Metal, Guttennis

This trophy was won by the West End Football Club in 1937. This football team appears to date back from the late 1890s but it is known that it was competing in the early 1900s in the Thursday afternoon matches in the Warrnambool and District Football Association. In the 1930s it was in the Warrnambool Football Association competition and about the 1960s it amalgamated with Allansford to form the West End Allansford Football Club. The name West End disappeared in 2001 when the name changed to Allansford Football Netball Club. No further information has been found on the J.Earls Cup.Although this trophy is in poor condition it is interesting as a memento of a local club that existed for over 100 years.This is a gold-coloured cup with a slender tapering piece resting on a circular base. The base is on a brown Bakelite stand. The cup has had two side handles but one handle is missing. The stand has a silver-coloured plaque. The cup and plaque are much stained and oxidized. ‘W.F.A. J. Earls Cup Premiers West End 1937’ warrnambool football association 1930s

A wooden Horsman 'Cleveland' tennis racquet, with oriental gut (silk) strings, solid convex throat, and, fine-grooved, slender and smooth handle. Inscription across throat, on obverse: E.I. HORSMAN/CLEVELAND/N.Y. Materials: Wood, Metal, Lacquer, Ink, Glue, Silktennis

A Spalding 'Union Club' flat-top tennis racquet, featuring: solid concave throat; bevelled head; and fine-grooved, slender octagonal handle. Model name, and Spalding logo within ball trademark impressed across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Guttennis

A B.H. Dyas 'Doug' tennis racquet, with bevelled crown, slender, flat and concave throat, and fine-grooved octagonal handle. Model name across throat on obverse. Retailer's decal across throat on reverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Leather, String, Cloth, Inktennis