MEDIUM: Inkjet print of original drawing (scale 1:1), archival inks.

A novel by Captain W.E. Jones that was held in the Marysville State School library.A book from the Marysville State School library.Stamp of the STATE SCHOOL No. 1273/ UPPER/ 3/ FICTION/ MARYSVILLE In both front and back inside cover's labels have been removed leaving behind glue residue. Stamp of the Marysville & District Historical Society Inc/ P.O. Box 22/ Marysville 3779captain w.e. jones, planet, earth, space exploration, fiction

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Space exploration exhibits inside the US Pavilion, Expo 67, Monreal, CanadaMade in Australia / 32 / MAY 67M6expo 67, montreal, robin boyd, slide

honeywell, scout rocket, echo satellite, mercury rocket, centaur rocket, advent rocket, mariner satellite, dyna soar, x-15, midas rocket, tiros satellite, discoverer rocket, vanguard satellite, aerospace industry, alan gardiner collection, space industry

On 6 December 2018, a recurring event was organised at the Mission. From the Multicultural website: "Meeting at the Seafarer’s bridge on the Yarra, you will be welcomed into a little-known site nearby, a sanctuary for seafarers for the last 100 years and a symbol of old-world generosity amidst the rapidly shifting landscape of the Docklands. A journey through the quirky spaces at Mission to Seafarer’s site through a compelling contemporary ritual performance. The Echoes Projects artists evoke fragments of stories embedded in this site through mesmerising live soundscapes, movement and imagery. Ria Soemardjo, Janette Hoe and Pongjit (Jon) Saphakhun collaborate to create an ongoing exploration of contemporary rituals in response to urban sites in Australia. Based in Melbourne, their contemporary performance work draws deeply from their personal connections to Thai, Chinese and Indonesian ceremonial traditions. Featuring Intricate rhythmic compositions inspired by the rich heritage of Indonesian and Middle Eastern musical traditions, performed by Ron Reeves and Matt Stonehouse – two of Australia’s foremost world music percussionists. Note: 7 PM and 8 PM sessions include delicious vegetarian Indonesian food. 9 PM session includes Indonesian and Thai cakes and sweets. You are invited to stay and eat after the performance, drinks available for purchase at the venue. Performers: Janette Hoe – dance artist Pongjit (Jon) Sekhukhune – actor Ria Soemardjo – musician Ron Reeves – musician Matt Stonehouse – musician /instrument maker Supported by the City of Melbourne Arts Grants Program Details: 6 Dec 2018 (Thursday) Sessions: 7 PM, 8 PM & 9 PM The Mission to Seafarers Audience Meeting point – next to the entrance of the Seafarer’s Bridge, Siddeley St, Docklands. Wheelchair accessible venue. Bookings essential. Tickets: $10 – $15 via Eventbrite. Ticket price is purely to pay for the food element. Companion Card ticketing available. Please contact Multicultural Arts Victoria for ticketing options. Companion ticket will allow admission only. The Seafarers Welcome is presented as part of Mapping Melbourne 2018."The Mission has always welcomed artistic events Colour programme of events with illustrationstop right corner: Multicultural Arts Victoria lower left corner: MAPPING MELBOURNE/1-15 DECEMBER 2018arts, events, multicultural arts victoria, the seafarer welcome, echoes project, 2018, cultural events, community

This photograph, taken during the 1990 Jacana Primary School Christmas picnic, shows children playing freely on a grassy hill—likely within Greenvale Reservoir Park, a popular location for school and family outings in Melbourne’s northern suburbs. The image captures a relaxed and spontaneous moment of outdoor play, with students climbing, sitting, and lying on the hillside while others observe from the fence line above. Jacana Primary School, founded in 1959, was a key educational and social institution in the Jacana community until its closure in the early 2000s. Annual events like the Christmas picnic were central to the school’s culture, offering students opportunities to celebrate the end of the school year in a natural, open-air setting. These gatherings fostered a sense of belonging and community among students, families, and staff. The choice of Greenvale Reservoir Park reflects the school’s emphasis on accessible, inclusive experiences and its connection to local landscapes. The park’s open spaces provided a safe and engaging environment for children to explore, play, and interact beyond the classroom. This photograph is historically significant as it illustrates the role of public education in promoting social cohesion and community identity in Melbourne’s outer suburbs during a period of rapid urban development. It also serves as a visual reminder of the value placed on outdoor learning and intergenerational connection in the school’s traditions.This photograph, taken during the 1990 Jacana Primary School Christmas picnic, is a significant visual record of childhood experience and community life in Melbourne’s outer northern suburbs. It captures students engaging in unstructured outdoor play on a grassy hill—likely within Greenvale Reservoir Park—highlighting the school’s emphasis on freedom, exploration, and connection to the natural environment. Jacana Primary School, established in 1959 and closed in the early 2000s, was a vital institution in the Jacana community. Events like the annual Christmas picnic were central to the school’s culture, offering students opportunities to celebrate the end of the school year in a relaxed, inclusive setting. The choice of Greenvale Reservoir Park reflects the school’s commitment to accessible, local spaces that supported both learning and play. The image is historically significant as it illustrates the broader role of public education in fostering social cohesion, community identity, and intergenerational connection during a period of suburban growth and change. It also serves as a testament to the enduring value of outdoor experiences in shaping childhood memories and school traditions.Photograph on glossy paper of a group children in the park.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, christmas party

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground