Showing 13 items
matching spats
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Trafalgar Holden Museum
Functional object - Spats
... Spats...Spats ...Cotton webbing military issue ankle spats C1940 used for ankle protectionManufactured and sold by Holden and FrostCotton webbing ankle spats with leather fastening straps fitted into brass bucklesEW DoDmilitary, spats -
Warrnambool and District Historical Society Inc.
Spats, Early 20th century
... Spats...Spats ...These spats appear to be part of an army uniform and may have been worn by a member of an Australian Lighthorse unit. The Victorian Mounted Rifles was established in 1885 by Colonel Tom Price who lived in his retirement years in Warrnambool. Many members of the G Company Mounted Rifles from Warrnambool and district enlisted in World War One and served with distinction in the Victorian Lighthorse units which evolved from the Mounted Rifles units. These spats are retained as they are possibly part of the uniform of an Australian Lighthorse soldier early in the 20th century and may have local provenance.These are two spats or leggings made of stiffened brown leather shaped to fit the lower calf of the leg. They have leather straps and metal buckles at the top end. australian lighthorse regiments, spats, history of warrnambool -
Whitehorse Historical Society Inc.
Clothing - Spats
... Spats ...Pair black cloth ladies spats. Leather strap to go under shoe. Seven Buttons on each.costume, female -
Bendigo Historical Society Inc.
Clothing - PAIR OF SPATS, 1900-1920
... Spats ...Gentleman's brown suede fabric spats, bound at seams and lower edge in .75 cm leather strips. Four one cm, diameter plastic buttons at outer ankle, with four stitched buttonholes. Centre front seam is lined with a leather strip, opening edges lined with cotton tape, and finely machine stitched. A two cm wide and 16.5 cm long strap passes under the instep, and fastens with a metal buckle on the outside of the foot, leather -tapered 2.5 cm to 1.5 cm.H.E.Randall Ltd (written on fine leather label, six cm long on inside of spat. Lettering in gold. ( An English Company).costume, male footwear, spats -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Footwear, Spats, wool, 20thC
Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa, -
Bendigo Historical Society Inc.
Clothing - PAIR OF SPATS, 1900-1920
... Spats ...Gentleman's fawn suede fabric spats. Seams and edges are lined with 2 cm wide cotton tape. The opening edges have four plastic one cm buttons, and four stitched buttonholes A tapered leather strap ( 2.5 cm tapering to 1.5 cm ) fastens with a nickel -(silver) buckle. This strap passes underneath the instep. Leather lining at top of spats, gives a piping of leather effect on the outside.Mansfield and Sons Ltd. An english Manufacturer.costume, male footwear, spats -
Bendigo Historical Society Inc.
Photograph - GILBERT RULE COLLECTION: PHOTO OF GLADYS RULE, 1903 ?
Gilbert Rule Collection: sepia toned photo of infant child, wearing a fur like coat, with long white spats over black shoes. Hat is matching coat.Alan Spicer, Williamson Street, Bendigoperson, individual, gilbert rule -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Man in fancy dress clown suit, n.d
Black and white photo postcard. Man in fancy dress - clown; suit, spats, white gloves, waistcoat and chain, check bow tie and pocket handkerchief, beard, face paint (?mask), top hat with miniature flags, walking stick -
Bendigo Historical Society Inc.
Photograph - GROUP OF FOURTEEN MEN WITH CORNISH SYMBOL
Blue and white photocopy of photograph taken outside of group of fourteen men, in front of brick building with six sash windows. All men wear hats, some carry folded umbrellas, some wear frock coats, most wear three piece suits. Large rock in foreground. Rails on L background. At L background is shield with spats, and under 'one and all' ( Cornish Symbol). Mounted on white board.person, group, males -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
White card with pale blue scalloped edge. It is picture of a Scottish Highlander wearing a blue, yellow & black kilt and a red jacket with gold buttons & braid. He is wearing white spats & belt. He is holding a brown rifle with a white sling. He has red/black tartan socks, black shoes & a black & white sporran. Coloured rural scene behind him. The card was designed to stand up and the man's head is missing. A Happy Yuletide is printed in dark blue. Seaforth Highlander is printed at the bottom in grey.Printed in Germanyperson, greeting cards, malone collection, malone collection, greeting cards -
Australian Nursing & Midwifery Federation
32-minute video documentary on 1986 Victorian nurses strike, Breaking point: the 1986 nurses strike, 10 years on, 1998
In October 1986, Victorian nurses began an historic strike action which was to last 50 days. Breaking Point (1998) is a retrospective work, reflecting on the 10 years following the 1986 Victorian strike. It was produced by Mark Bird and Nicholas Bird (of Waterbyrd Filmz, the production company that, as outlined above, also made Vivien Bullwinkel, Nurse TV and Australian Nurses). In this film, it is not primarily images of striking nurses and the words of striking nurses that tell the story, but the voice-over. The narrator (Patrick J. Bonello) positions the strike alongside other national and world events of 1986, ‘the year that changed the nursing profession in Australia forever’. In this film, the strike is framed as a pivotal one in the history of Australian nurses, and one that affected individual nurses deeply and transformed their profession irrevocably. There is a conscious discussion on the emotional effects of the 1986 strike – relationships broke up, people had no money, unionists could not feed their families, it was hard to keep going, families fought over the strike, picketing nurses recalled getting spat at, and there was even a death threat. [Description adapted from Milner & Brigden, 2014, pp. 116; 118]39 minute video file (.mp4 multimedia format), transferred from original videocassette. In colour, with sound. Original was released with a booklet explaining the broader context for the documentary.labor, labour history, nurses, royal australian nursing federation, strikes, industrial action, film, trade unions, 1986 victorian nurses strike, nursing, strike action, unionism, women, irene bolger, john cain, david white -
Warrnambool and District Historical Society Inc.
Correspondence – Louis Buvelot, 1889-1897
One of these items is an 1894 letter written by the artist Tudor St George Tucker regarding one of his artworks in the Warrnambool Art Gallery collection. The other eight letters were written between 1889 and 1897 and document the controversy of the time when the authenticity of the art work by Louis Buvelot, The Waterhole at Coleraine, in the Warrnambool Art Gallery collection, was questioned. The Warrnambool photographer Daniel Clarke was querying the authenticity of the art work in the Art Gallery but evidence in the form of letters from George Folingsby of the National Gallery in Melbourne and from Louis Buvelot’s widow, Caroline-Julie, confirmed that there was confusion over the number of art works that Buvelot had executed with a similar theme. It was eventually proven that the Buvelot art work was genuine. The public spat was largely played out in the Warrnambool Standard but these original letters fill in the gaps of our knowledge on the subject. The letters came into the possession of George Lance who was involved with the Warrnambool Mechanics Institute /Art Gallery in the 1880s and 1890s and was the secretary of these institutions from 1892 to 1901. The letters were then handed on George Lance’s grandson, Bruce Morris, a well-known Warrnambool historian who was the editor of the Warrnambool Standard from 1946 to 1968. These letters are of great significance as eight of them are the original letters written in connection with the 19th century controversy in Warrnambool over the authenticity of a Louis Buvelot art work owned by the Warrnambool Art gallery. .1 A sheet of paper folded in two containing three pages of writing handwritten in black ink and pasted on paper. .2 A sheet of paper folded in two containing one page of writing handwritten in black ink and pasted on a sheet of paper. .3 A sheet of paper with handwriting in black ink pasted on a piece of paper. .4 One sheet of paper folded in two to make four pages of writing, handwritten in black ink. .5 .6 .7 A sheet of paper with handwritten material in black ink pasted onto another sheet of paper .8 A sheet of paper folded in two with three pages of handwritten material pasted onto another sheet of paper. .9 A sheet of paper folded in two with one page of handwritten material pasted onto another sheet of paper. tudor st. george tucker, artist, louis buvelot, artist, george lance, warrnambool, daniel clarke, warrnambool, george folinsby, melbourne, history of warrnambool -
Greensborough Historical Society
Newspaper Clipping, Spat over night policing, 04/11/2015
The closure of Greensborough Police Station from 11pm to 7am is discussed in this article.News clipping, black text.police - greensborough, victoria police, greensborough police