The object was donated by Ramsay Surgical Limited in 1944. Cylindrical metal face mask with a high neck that is open at both ends. The larger opening was placed over the patient's mouth while the smaller opening, comprising a sponge to absorb the anaesthetic and a hinged perforated lid, was used to administer the anaesthetic.waring's cone, facemask, metal, sponge, anaesthetic, ether, ramsay surgical limited, cone

Lambert Ormsby was a New Zealand surgeon who migrated to Ireland. He described his inhaler in a letter to the Lancet in 1877.Ormsby listed the advantages of his inhaler as simple, inexpensive, small quantity required to produce sleep, prevents evaporation of ether, portable and small (can be carried in pocket), short time to complete anaesthesia (two minutes) and safe. Disadvantages of this apparatus were that it had to be removed in order to recharge the sponge with ether or when anaesthesia becomes too deep. Considerable carbon dioxide accumulation developed and there would also be some oxygen lack. In thirty years of use, Ormsby's Inhaler underwent certain modifications, an exhalation valve was fitted to the mask and device for recharging the sponge with ether was later added. The Ormsby inhaler was modified by Carter Braine in 1898 with the aim of making it easier to clean. Essentially it is very similar except there is no net around the bag.The inhaler consists of an india-rubber flexible bag enclosed within a net bag to limit expansion. There is a soft metallic mouthpiece with india-rubber tubing around the edge. The tubing had to be purchased separately from the manufacturer. The body contains a wire cage with a similarly shaped hollow sponge into which ether was poured.Maker's details inscribed into metal ring around the bore: Barth Co. London.ormsby, new zealand, carbon dioxide, carbon accumulation, carter braine, portable

These items were used by Ballarat signwriter Keith Rash, who studied signwriting at the Ballarat School of MinesSponges, rags, probably related to stenciling and signwriting.signwriting, keith rash, ballarat school of mines, stencil

This item was designed by surgeon Paul Herman Martin Sudeck to administer ether and then chloroform anaesthesia. Paul Hermann Martin Sudeck was a German surgeon (28 December 1866 - 28 September 1945). He first described his inhaler in a 1903 article, "Eine neue Aethermaske" (A New Ether Mask).The metal cone shaped mask has moulded features on the proximal end to fit over the patient's mouth. The distal end is rounded and has an area for the absorbent material (in this item, a sponge) through which the anaestheric ether or chloroform was dripped. The side 'arms' would have been used to attach a strap.inhaler, mask, cone, paul herman martin sudeck, germany, ether, chloroform, sponge, 1900

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Ceramic shard with brown matt finish applied in a sponge style. pottery, ceramic, archaeology

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Artefact at Wycheproof Court House - opened 24-9-1890It is an artefact from the days when the Wycheproof Court House was operating.All glass - two ink wells separated by groove for a rubber or sponge; also a pencil groove.ink well, pencil holder, court artefact

Commercial artist, Keith Edwin Rash (1910-1985), studied at the Ballarat Technical Art School between 1923 and 1929. These artefacts are from his professional practice. Sign writing and ticket-writing bridged art and trade, with hand lettering applied to long-term signage and short-term promotional materials. At the Ballarat Technical Art School, sign writing, ticket writing, and house decoration were overseen by Thomas Raisbeck (1884-1970) from 1915. Classes were then successively taught by former students William Kenneth (Ken) Moss (1889-1921) from 1920 until his untimely death, Albert E. Williams (1899-1986) until 1928, followed by experienced, practising sign writer, Charles Emrys (Angus) Henderson (1899-1976), who had trained under Raisbeck. A number of brushes and sponges used by Ballarat sign writer, Keith Rash, who studied sign writing at the Ballarat School of Mines. signwriting, keith rash, ballarat school of mines, brushes, ballarat technical art school, sign writing, ticket writing

A small wallet of badges donated back to Melbourne Legacy by the family of Field Marshall Sir Thomas A Blamey (who was once a Patron of Legacy) and his son Lt. Col. Thomas R Blamey who was an active supporter of Legacy throughout his life, especially on the Mornington Peninsula. The folder contains 21 badges of various colours and donation values. One green enamel on metal badge marked 10 pounds or 20 dollars - oldest one as pre-decimal. With a clip on back. One green enamel on metal badge marked $20. With a clip on back Four orange enamel elongated shape stick pin marked $25 Four blue enamel shield shape stick pin marked $10 Two yellow enamel pentagon stick pin marked $5 One yellow plastic pentagon badge on short pin $5 Three blue plastic torch badges on short pin $1 Three red plastic torch badges on short pin $2 One pink plastic torch badge marked $2 One pink plastic rectangle badge marked $2 One gold with red enamel Widows broch missing its pin. Various manufacturing dates but all produced by AJ Parkes.Shows that the Blamey family supported Legacy with badge day.Dark brown thick cardboard folder with sponge inside to hold badges. 21 Legacy badges and one Legacy Widows broch.badges, blamey

Soo-hand puppet from "The Sooty Show" (1955 - 1975) British Children ShowWhite coloured hand puppet with black ears and arms. Has black nose with yellow & black plastic eyes. Has red & pink spot skirt with lace edging Has red & white spot hair ribbon. Tag: Made exclusively for Patsy & Marketing Ltd, Shipley Yorkshire DB 18 1BP. Under license in China Registered 758227Matthew Corbett Ltd Surface washable, sponge with luke warm water and mild soap. Dry, brush lightlysooty, soo, handpippet, the sooty show, toys

An empty Faultless (USA) 'No. 25' sponge tennis ball box. Printed on box: 'Pat. April 21, 1925'. Materials: Cardboard, Inktennis

Sweep - hand puppet from "The Sooty Show" (1955-1975) British children showGrey coloured hand puppet with black ears and red nose with black paw pads. Has yellow & black plastic eyes. Red neck band with white stars. Tag: Made exclusively for Patsy & Marketing Ltd, Shipley Yorkshire DB 18 1BP under license in China. Registered 758227Matthew Corbett Ltd Surface washable, sponge with luke warm water and mild soap. When dry, brush lightly. sooty, sweep-hand puppet, the sooty show, toys

The Creation Serpent is the central image moving through the land. As well as being the creator of the land, it's whole image, coloured blocks and individual dots represent the Gunditjmara Nation, tribal groups and individual clans respectively. The four hands in the corners mark all peoples who at present form our community. They show the people that live on the land in the north, south, east and west of the Shire. The two shaded hands in the background represent the spirit of the old people living within the land. They not only point to the law which governs the country but also remind us of the spirits of those elders whose lives were lost both in battle and in life itself.This artwork was the cover art chosen for the Memorandum of Understanding between the Glenelg Shire Council and Indigenous Communities of 2005. Danny Lovett is a Gunditjmara artist.An image of a serpent in the centre of the work. The serpent is depicted in white dots. Its body has sections of yellow and blue. It's head is burgundy. Surrounding the serpent in each corner there are four handprints. The background of the work is painted blue, red and yellow areas which look sponged. Surrounding the artwork is a border of black and white also with a sponged effect. It is framed in dark brown plain wood.first nations, aboriginal art, serpent

This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal sponge holder. Instrument resembles a long pair of scissors, with thin arms and a ratchet adjacent to the handles to lock instrument into place. Each arm ends in a hollow, circular loop.obstetrics

This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal sponge holder. Instrument resembles a long pair of scissors, with thin arms and a ratchet adjacent to the handles to lock instrument into place. Each arm ends in a hollow, circular loop.obstetrics

Coloured photo of a lady holding a sponge cake. She is standing beside a table which has been set for a meal. There is a bunch of flowers on the table. Written on the back is: 'To little Eileen Love From Dot'.photograph, portrait, female, foster & wilson collection, photograph

The Ormsby inhaler was modified by Carter Braine in 1898.Colour photograph of a Carter Braine modification of the Ormsby inhaler, sitting on a wooden table. The mask inhaler has a black rubber tubing around the mouthpiece, a metal cap and a wire net containing a natural sponge.anaesthetic equipment, carter braine, ormsby inhaler, inhaler

Replica of original glass ether inhaler used by Dr William Russ Pugh in Launceston in 1847. William Russ Pugh is credited with being the first person in Australia to administer ether as anaesthesia. Pugh created his own ether inhaler based on a report in the London Illustrated News, dated January 1847. The paper reached Pugh in May and by June he had already designed, made and used the ether inhaler. On 7 June 1847 he performed two surgeries using anaesthesia. He also had a journalist present to record the event.The main container comprises an inverted funnel shaped glass jar that is connected to the top glass globe via an etched glass valve. Sea sponges are located within the glass vessel and the woven cloth tube is connected to the base of the glass container. inhaler, anaesthesia, william russ pugh, replica, glass, sea sponge, ether, launceston, illustrated london news, lady howden, dr john belisario, dr gwen wilson

This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Stainless steel sponge forceps. Design of instrument resembles a pair of scissors. There are circular finger grips at one end, with a metal ratchet between them for locking the forceps in place. Each arm of the forceps ends in a serrated, round point. Text engraved near pin of forceps reads 'L.R.I./STAINLESS'.'L.R.I./STAINLESS'.gynaecology

This inhaler appears to be a modification of the original Rendle's inhaler, developed in 1867 by Richard Rendle for use with bichloride of methylene. Rendle's original design was criticised as there was no clear way to regulate the dosage of anaesthetic and it was difficult to clean. Nevertheless, the inhaler was available until 1915. Richard Rendle was the second son of William Rendle (qv), Medical Officer of Health for St George the Martyr, Southwark, London, SE, of whom there is an account in the Dictionary of National Biography. Richard Rendle studied at Guy's Hospital, where he held the posts of House Surgeon, Surgical Registrar, and Demonstrator of Anatomy. He was afterwards House Surgeon at the Seamen's Hospital, Greenwich, and at the Waterloo Road Royal Infirmary for Women and Children, and then Resident Medical Officer at the Brompton Consumption Hospital. Resigning that post, he was put in medical charge of an emigrant ship to Australia, where he remained. He held several posts there: Resident Medical Officer of the Government Hospital, Fremantle; Medical Officer of the Lying-in Hospital and Hospital for Children; also Health Officer at Brisbane. In later years he practised at Taringa, near Brisbane, and died at Taringa, Queensland, on Aug 10th, 1907. The mask for the administration of bichloride of methylene was named after him in the instrument-makers' catalogues. (Source: RCS England, Plarr's Lives of the Fellows)Leather inhalational face mask in a cone shape covered with red flannel on the outside natural coloured linen lining the inside. There is a natural sea sponge inside the cone. A perferated ring sits at the top of the cone, surrounding a circular opening which is formed from metal. There is also a circular opening on the side.richard rendle, bichloride of methylene, guy's hospital, taringa

Experimentation with electricity for medical purposes has its origins in the late 18th Century. Throughout the 19th Century it became more common, including as a proposed treatment for 'nervous' disorders. This device is a small, portable, 'at-home' device.Device for administering electric stimulation to patients. Consists of a wooden box containing a hand driven generator, with terminals for the attachment of electrodes that may be held by the patient or placed against the patient's skin. The directions for use include information about wetting the sponges and the patient's hands before cranking the machine to produce a small electric shock. electricity, medicine

Sooty hand puppet from 'The Sooty Show' (1955 -1975) British children showGold coloured hand puppet with black ears and nose, with plastic yellow and black eyes. Light brown paw pads.Tag - Surface washable, sponge with luke warm water & mild soap, when dry, brush. Made exclusively for Patsy B. Marketing Ltd Shipping Yorkshire Bd18 1BP under license in China Registered 758227 Mathew Corbett Ltd.sooty, hand puppet, the sooty show, toys

Collection of receipts/invoices dated October & November 1995. Receipts/invoices from Hume & Iser, Clark Rubber, Abbott Supply, Masfield Manufacturing, Blueline Office Supplies P/L, Bendigo Hire, Wesfarmers Dalgety, Victorian Producers for hardware, tools, ute mat, sponge rubber, office supplies, machine hire, dog chain and workboots,bendigo, council, cattle markets, bendigo saleyards collection - receipts, hume & iser, ron laird, clark rubber, abbott supply, masfield manufacturing, blueline office supplies p/l, bendigo hire, city of greater bendigo, wesfarmers dalgety, victorian producers, ben hinck

Tin box printed with scenes depicting playing card characters and domino charactes. Scenes include characters playing tennis, boules, croquet & soccer. Inside of lid printed floral border containing words: 'HOUSE OF QUALITY/GREEN'S/OF/BRIGHTON/MANUFACTURERS OF/GREEN'S SPONGE MIXTURE, "NEWSTYLE" JELLIES/CHOCOLATE MOULD. ETC ETC'. Materials: Metal, Inktennis