Showing 27 items
matching st clare's catholic church
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Box Hill Historical Society
Photograph - Debutantes, 1966
... St Clare's Catholic Church.... Debutantes St Francis Xavier 1966 Dewar> Marie St Clare's Catholic ...Group of debutantes with partners and Mr. Stan Dewar and Mrs. Marie Dewar (on his right) at St. Francis Xavier Debutante Ball, Kew Town Hall in 1966. The lady on his left is chaperone Mary Hancock. The 1966 annual Parish Ball of St. Francis Xavier's Box Hill and St. Clare's Box Hill North, was held at Kew City Hall. Host Mr. R. Daffy, O.B.E. and Mrs Daffy welcomed more than 400 guests. Official guests to the ball included Rev. Fr. Conquest, P.P., and Rev. Fr. Deakin, of St Francis Xavier's, Rev. Fr. Kelly and Rev. Fr. Martin of St Clare's, Rev. Brs. Doolan, Principal and Rev. Br. Faulkner of St. Leo's College, Box Hill. Mrs. H. Hancock, chaperone, presented the ten debutantes to the Mayor and Mayoress of Box Hill, Cr. and Mrs. S. Dewar. Debutantes and their partners were: Anne Lawrence and John Ross, Mary Fisher and Bruce Williams, Gabrielle Long and Paul McCann, Tricia Coffey and Emiel Timmers, Annette Wilkinson and Jim Oliver, Annette Stagg and Jeff Carthew, Cathy Wernert and Norman Christopherson, Christine Timms and Alan McKay, Susan Hynes and Michael Smith, Beverley Sullivan and John Hosie. The debutantes were trained by Mr. A. Curtis. Mr. Arthur Lakeman was compere and the music provided by Ron Richards Dance Band.B&w photo mounted in cream cardboard folderdebutantes, st francis xavier, 1966, dewar> marie, st clare's catholic church, ron richards dance band, richards> ron, dewar> stan, hancock> mary -
Box Hill Historical Society
Photograph - Debutantes, 1966
... St Clare's Catholic Church... Xavier 1966 Dewar> Marie Mayoress St Clare's Catholic Church Ron ...Group of debutantes with Mrs. Marie Dewar (Box Hill Lady Mayoress) at St. Francis Xavier Debutante Ball, Kew Town Hall in 1966. The 1966 annual Parish Ball of St. Francis Xavier's Box Hill and St. Clare's Box Hill North, was held at Kew City Hall. Host Mr. R. Daffy, O.B.E. and Mrs Daffy welcomed more than 400 guests. Official guests to the ball included Rev. Fr. Conquest, P.P., and Rev. Fr. Deakin, of St Francis Xavier's, Rev. Fr. Kelly and Rev. Fr. Martin of St Clare's, Rev. Brs. Doolan, Principal and Rev. Br. Faulkner of St. Leo's College, Box Hill. Mrs. H. Hancock, chaperone, presented the ten debutantes to the Mayor and Mayoress of Box Hill, Cr. and Mrs. S. Dewar. Debutantes were: Anne Lawrence, Mary Fisher, Gabrielle Long, Tricia Coffey, Annette Wilkinson, Annette Stagg, Cathy Wernert, Christine Timms, Susan Hynes and Beverley Sullivan. The debutantes were trained by Mr. A. Curtis. Mr. Arthur Lakeman was compere and the music provided by Ron Richards Dance Band.B&w photo mounted in cream cardboard folderdebutantes, st francis xavier, 1966, dewar> marie, mayoress, st clare's catholic church, ron richards dance band, richards> ron -
Glen Eira Historical Society
Document - St. Christopher’s Anglican Church, Bentleigh East
4 items: 1/Three parish newsletters dated May 1957 and December 1959, and Christmas 1959, and undated. Newsletter about fundraising for new church building completed in 1969. 2/Three Christmas church service details for 1979, 1984, one undated and one for 09/05/2010. 3/Photocopy of booklet dated 1977 celebrating 25 years of the church and list of invitees and 2002 celebration of fifty years of the church and order of service dated 08/09/2002, and photocopy of recollections, handwritten, by Mrs. Iris Fowler in 2002 of her years as a parishioner. 4/Two pages of names of St. Christopher’s Pioneers, handwritten, dated 24/07/2012 by Clare Barton. Newsletters all contain lists of officials and various parishioners, and advertisements by local businesses, and lists of all ministers and curates.st. christopher’s church of england, centre road, mackie road, bentleigh east, chambers david h. rev., green laurie v. rev., st. john’s church of england, glasscock geoffrey t. rev., brady road church of christ, brooker burne, east boundary road, north road, bignell road, south oakleigh uniting church, st. peter’s catholic church, east boundary road uniting church, kenny charles rev., cecil street, cottier john rev., poole tony, churches, anglican church, church services, church festivals, christmas, sunday schools -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Alipius Presbytery, Ballarat East, 07/01/2012
St Alipius Church was the first Catholic Church at Ballarat. It was initially a tent church in Humffray Street, but after flooding it was moved to Victoria Street were the current bluestone church was built. The presbytery is beside the church and houses the priests. A colour photograph in digital format showing red brick building with slate roof, behind a green iron fence. The building is St Alipius Presbytery, Victoria Street, Ballarat East. ballarat east, catholic, religion, church, st alipius', st alipius -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Statue of Saint Mary MacKillop, 2013
Mary MacKillop was the first Australian canonised a saint by the Catholic Church.Detail of a Statue of St Mary MacKillop from the exterior of the Catholic Cathedral at Adelaide, South Australia. -
Victorian Interpretive Projects Inc.
Photograph - Digital, Clare Kathleen Gervasoni, St Mary's Kinglake, 2012, 15/12/2012
The images depict the newly completed fourth Catholic Church at Kinglake. The previous three churches having been destroyed by 'Black Saturday' bushfire. The painting is oil on canvas. The historical continuity is expressed by the continuity of the skyline and the disconnectedness of the colours. it is not a literal depiction of each church, but a recognizable and symbolic image conveying resilience of faith of the local community. The first church was burnt down in a bushfire, the second burnt down by vandals, and the three burnt down in the 2009 bushfires known as 'Black Saturday'.The white cross and black fence at the lower left commemorated the remarkable fact that these remained intact after the 2009 bushfires. The red-orange can be the colour of the kinglake soil or the fires. The return of new life is indicated by the green growth on the burnt gumtrees. The presence of the Holy Trinity is shown above the entrance to the church. The return of new life is indicated by the green growth on the burnt gumtrees. The presence of the Holy Trinity is shown above the entrance to the church. The Holy Sprit is symbolized by the sulphur crested cockatoo, an Australian bird instead of the white dove. The symbol for the father is above the church in the triangle which has God's Holy Name (I AM) as given to Moses from the Burning Bush, written in Hebrew. Christ is represented by the cross above the entrance. The previous church was destroyed in the 2009 bushfires. The area is surrounded by 22,000 hectares of Kinglake National Park, the largest National Park close to Melbourne. The park was established in 1928 to protect native flora and fauna. Kinglake takes its name from Alexander Kinglake who travelled through the area in 1870. Photographs showing the newly built St Mary's Catholic Church at Kinglake. .1) Interior of Church .2) Painting of the Four Churches of Kinglake by Judy Racz .3-5) Views from the Church windows to the adjoining landscape .6) St Mary's Church groundskinglake, bushfire, black saturday, church, catholic, racz, st mary's catholic church kinglake -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Laurence O'Toole Catholic Church, Sandon, 2009, 06/08/2009
St Laurence O'Toole Catholic Church, Sandon was blessed and opened by Bishop James Alipius Goold on 06 May 1883.A number of coloured photographs show interior and exterior of St Laurence O'Toole Catholic Church, Sandon, Victoriasandon, st laurence o'toole, catholic, goold, james alipius gould, toilet, drop toilet, dunny, altar -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, St Alipius Presbytery, 2015, 05/04/2015
Traditionally a Catholic Priest lived in a presbytery which was close to the church.A colour photograph showing a detail of the entrance to St Alipius Presbytery, Ballarat East.catholic, presbytery, st alipius, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Ballarat Heritage Services
Digital photographs, L.J. Gervasoni, St Brigid's Crossley - Mens Shed, c2016
Digital images of St Brigid's Crossley, including the Men's shed under construction. st brigid's crossley, st brigid's, catholic church, catholic, church, mens shed, community, construction, clare gervasoni -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, St Mary's Catholic Church, Bairnsdale, 2011, 28/08/2011
Francesco Floreani was born near Venice and studied painting at the Academy pf Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale, baptisimal font -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, St Mary's Catholic Church, Bairnsdale, 2011, 28/08/2011
Francesco Floreani was born near Venice and studied painting at the Academy of Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale, baptisimal font, italo-australians -
Ballarat Heritage Services
Photograph, Clare Gervasoni, St Joseph's Catholic Church, Warrnambool, 2019, 22/12/2019
Interior view of St Joseph's Catholic Church, Warrnambool.st joseph's warrnambool, warnnambool -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Francis Xavier Chapel, Eganstown, 2021, 29/1/2021
The St Francis Xavier Chapel and Catholic Cemetery was established on land donated by squatter John Egan.St Francis Xavier Chapel, the chapel in the Eganstown Catholic Cemetery. The grave stone at the front of the church is for John Egan. st francis xavier chapel, eganstown, 1999, eganstown catholic cemetery, eganstown, church, chapel, cemetery, john egan -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Former St Columba's Catholic Church, Bowning, New South Wales, 05/05/2022
St James Anglican Church Bowning was built c.1878. Bowning is one of Australia's earliest settlements, this village is home to a renewed and growing community. It lies at the foot of the 796 metre Bowning Hill which gives a good idea of how early explorers and settlers saw the area.Photograph of a weatherboard church in Bowning, New South Wales/bowning, former st columba's catholic church, rev. j. gallagher, rev. j.f.le nard -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Toilet at St Laurence O'Toole Catholic Church, Sandon, 2017, 08/04/2023
St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a long drop toliet at the Catholic Church, Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Anne's Catholic Church, Purnham, 2013, 29/12/2013
Colour photograph of a brick church at Purnham, Victoria.purnham, st anne's catholic church, purnham, church -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Francis Xavier Chapel, Eganstown, 1999, 28/09/1999
The St Francis Xavier Chapel and Catholic Cemetery was established on land donated vby squatter John Egan.Three photographs of St Francis Xavier Chapel, the chapel in the Eganstown Catholic Cemetery. The grave stone at the front of the church is for John Egan. st francis xavier chapel, eganstown, 1999, eganstown catholic cemetery, eganstown, church, chapel, cemetery, john egan -
Ballarat Heritage Services
Photograph - Colour, St Peter's Catholic Church, Daylesford, 2015, 2015
In 2015 St Peter's celebrated 150 years since it was established.Colour photograph of the Catholic Church in Daylesford. st peter's catholic church, daylesford, catholic church daylesford, catherine d'alton, john mcmahon, m.c. gough, archdeacan slatter, archdeacon slattery, rev. m.c. mahon, jack dixon, harry maddiks, peggy maddicks, paul gregory daglish, fr gary a. jones -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Former St Thomas Aquinas' Catholic Church, Clunes, 2016, 01/05/2016
The bluestone St Thomas Aquinas' Catholic Church at Clunes was built in 1873, replacing an earlier timber chapel. The church closed in May 2018 and was sold for $520,000. It was resold in December 2021 for 1.2 million dollars.Colour interior and exterior photographs of a bluestone church at Clunes called St Thomas Aquinas Catholic Church. The photographs were taken during Clunes Book Town.clunes, st thomas aquinas catholic church, james alipius gould, john nolan, ellen nolan, bishop ronald mulkearns, centenary, kierce, bluestone, mary conroy, john conroy, james colfer, stained glass, church, religion, giovanni brusaschi, alice mary brusaschi, jeremiah mckew, catherine mckew, thomas mullins, bridget mullins, mary mullins, margaret mullings, altar, chapel, james alipius goold, foundation stone, bishop mulkearns -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
A small wooden school (22' x 14') was erected in Sandon by Father Patrick Smyth in 1859 (and at Golden Point) which was used for Mass and came to be regarded as a chapel. Twenty-three years later, a brick church was built by Father Allen at a cost of 1,000 pounds. The Church was blessed by Archbishop Goold on May 6th 1883 and dedicated to St Laurence. The 1940s saw some refurbishment and in 2002 a major restoration project was undertaken. St Laurence's was restored from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence's was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a brick church at Sandon, Victoria. sandon, sandon cemetery, st laurence o'toole catholic church, sandon -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Sandstone foundations at St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Details of the exterior of St Laurence O'Toole Catholic Church, Sandon in Central Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, sandstone, foundations -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Brick church at Sandon, Victoriasandon, sandon cemetery, st laurence o'toole catholic church, sandon -
Ballarat Heritage Services
Photograph, Clare Gervasoni, St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of a red brick church in Sandon. sandon, sandon cemetery, st laurence o'toole catholic church, sandon -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Treed road behind St Laurence O'Toole Catholic Church, Sandon, 2017, 16/07/2017
St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of bushland behind a church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, landscape, road -
Ballarat Heritage Services
Photograph, St Joseph's Catholic Church, Mount Prospect, 11/05/2019
St Joseph’s was built between 1869 and 1874 to the design of amateur architect E. Shepardson, who was a schoolteacher at Eganstown. Modelled on St Peter's Catholic church, Daylesford, a Gothic Revival church designed by William Wardell. The church on .81 acres was sold in 2021 for $965,000.Colour photographs of a bluestone church - St Joseph's, Blampied. .st joseph's blampied, st joseph's mount prospect, catholic church, bluestone, church, e. shepardson -
Ballarat Heritage Services
Photograph - Photograph - Colour, Flag of St Alipius', Ballarat East, 2004, 23/09/2004
"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag