Photograph of a double storey commercial building that is set on a corner block. The name 'State Savings Bank' is painted on the sides of the building just below the roof line. There is also a smaller copy of this photo with the words 'Eaglehawk Branch' written on the base. Ashmans Tailor is beside the bank in partial view .buildings, bank, state, eaglehawk, state savings bank eaglehawk, ashmans tailor

Photograph. Harry Biggs Collection. High Street, Eaglehawk. A line of shops with the State Savings Bank the closest. Beside the Bank is Ashman's Dry Cleaners followed by Hughes Photographer & more commercial premises after that. In the foreground is a large light pole with ornate lighting features and also there is a male cyclist. The tram lines are also clearly seen in the foreground.photograph, streetscape, eaglehawk, harry biggs collection, high street eaglehawk, state savings bank, ashman's dry cleaners, hughes photographer

Spring bound photographic record of the former Lyric Theatre, 19 High Street (Charing Cross), Bendigo, by Bruce Trethowan, B.arch, FRAIA, dated June, 2005. A letter in the front of the document mentions as part of the Bendigo Bank Development, it was necessary to demolish the former Lyric Theatre. Before doing so, the Bank commissioned a heritage architect to produce a photographic record of the building. It is addressed to Mr Jim Evans, President, Bendigo Historical Society and dated 10 August 2005. The beginning has the Historical Background, Building Description and three pages of Plans and Elevations. There are sixty colour photographs of the building depicting the front outside of the building, other outside photos and a number of the interior.buildings, commercial, former lyric theatre, photographic record of the former lyric theatre, bruce trethowan, gallagher jeffs consulting, gallagher jeffs pty ltd, jim evans, bendigo bank development, ted gallagher, richard hasseldine, city of greater bendigo planning department, keogh & austen, state savings banks, sydney smith and ogg, godfrey and spowers, colonial life building, johnson morley warehouse, j g austen, muioof building eaglehawk, george austen, backhaus building, allawah, william cowling, taylor, soilleux, overend, plaza theatre, backhaus trust, princess theatre, the annals of bendigo vol 8 p163, the annals vol 8 p180, fernwood women's health club, bendigo real estate

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.