Construction of the new Eltham Library 1993-1994. Officially opened 22 May 1994. Formerly mounted on display card 40 x 50 cm (9 images)Colour photographconstruction, eltham library

Black and white photograph. "Horticultural Enclosure after removal of Pasture Branch's stocks of wire netting & steel posts. Looks better even if quite useless." E M Gibson "1951"315/25horticultural enclosure, pasture branch, wire netting, steel posts, e. m. gibson collection, agrostology

Construction work in camp 13Black and white photograph of 2 lines of steel posts in front of a line of wooden posts, then carpenters "horse" then Army huts, trees. Some buildings in course of construction.camp 13, construction work in victorian camps

Replica WW1 German steel helmet, post 1916.headgear, ww1, army

Worker in trench on a pipe laying machine. Orange safety netting attached to steel posts surrounds this large trench. 2 pieces of short tubing on ground next to safety fence.Kodakorganisation, industry, gas and fuel

pipe in trench ready to be connected to old pipe. Orange safety netting attached to steel post surrounds the trench,2 tyres to left of pipe, white drum with lid also to left.Kodakorganisation, industry, gas and fuel

Sepia photograph, a collection, train derailment. A photo of a few carriages after derailment, man in overalls, smoking, standing on left hand side of photo, in the middle, a tall ladder leaning up against a steel post.place, train, derailment, photograph, train derailment, culgoa, victoria. wed. 31st may, 1961.

Steel posts in the library foyer entrance and display area, Eltham Library construction, Oct 1993 Construction of the new Eltham Library 1993-1994. Officially opened 22 May 1994. Colour photograph print on Agfa photographic paper 10 x 15 cmconstruction, eltham library

U.S. M1 Steel Helmet post WWIISteel with green painted surface of sand & paint with welded rim. Two cotton webbing chin straps with metal bucklesOn front of helmet reads SMILEYu.s. m1, steel helmet

Used in the 19th or early 20th centuryA long handled steel vintage post hole digger with two large curved split blades. Each blade is attached to the top of the handle by three screws. It has a rotating action with the digger boring into the earth as the handle is turned. There is an attachment at the end of the steel handle for a missing turning handle.'S' is stamped on the top of the handle.tools, agricultural tools, farming equipment, garden tools

Knife, Clasp, with Marline Spike and Tin Opener, manufactured in England to the Standard Pattern 6353/1905, as modified in 1913 with specific dimensions to the tin opener. This pattern was used by British forces, and was one of the patterns issued to members of the Australian Infantry Force during WW1. This pattern was used up until the late 1930s, where it was superseded by other patterns.Knife, Clasp, with Marlin Spike and Tin Opener, manufactured to the standard British pattern 6353/1905, as modified in 1913 with changed dimensions for the tin opener. The hilt of the knife has two chequered pattern sides secured by five metal rivets. The underside of the hilt has two recesses to allow storage of the blade and the tin opener. A tapered steel Marline spike is mounted on the other side of the hilt, pivoting at the opposite end to the blade and tin opener. A copper wire shackle is also secured at this end of the hilt that was used to attach the knife to a lanyard or belt clip. A fingernail indentation is located near the top of one side of the blade. The tin opener has bevelled edges tapered to a point on one side, with a steel post mounted in the middle of the other side.J. CLARKE & SON SHEFFIELDknife, clasp, ww1, steel, marline spike, australian infantry force, milirary

Built 1909 for George 'Maori' Jemmeson, member of the Salmon CompanyColour photograph of a timber dwelling at 10 Orme Street. Hipped iron roof, single paned sash window each side of front door, which has fan light above. Veranda of concrete, with steel pipe veranda posts. Lakes Entrance Victoriahouses, heritage study

Work started on the Lauriston Reservoir in 1939 as part of the Coliban water system and was officially opened by Victorian Premier, Albert Dunstan in 1941. Capacity was increased in 1946 when steel spillway gates were added. Although these had been part of the original design they could not be added at the time of the building because of post-war steel shortages.Bendigo Advertiser ''The way we were'' from 2003. on tour: school of mines civil engineering students visit the construction site of the Lauriston Reservoir in 1940. Left to right: Les Nankervis, Ron Watts, instructor Syd Power, an unknown student and Cliff Binks. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Concrete bridge over North Arm, constructed by Coate Bros. opened September 1917. Also Maranui Guest House history.Black and white photograph of a tourist launch named Maranui 2 beside the North Arm Bridge. People on launch dressed in summer clothing of pre WW1 era. Posts and steel rope rails on bridge. Low tide indicated by height of bridge piers out of the water. Lakes Entrance Victoria boats and boating, bridges, clothing

The St Albans Community Youth Club began in the early 1950s, operating out of a small tin shed on Main Road East. This was during the explosive post‑war population boom, when St Albans lacked basic services such as sports clubs, libraries, and youth facilities. As membership grew, the original shed was replaced with a recycled Quonset Army Hut, a curved steel structure typical of post‑war surplus buildings. The hut was adapted by volunteers and became the heart of the centre. From the 1950s onward, the Tin Shed hosted an extraordinary range of activities, including: Judo (including the long‑running St Albans Judo Club) Table tennis Marching girls Gymnasium and fitness classes Scouts and Guides Drama and concerts Boat‑building and woodwork Preschool and playgroups Tai Chi, yoga, and lifelong learning programs Police Youth Club Country Women’s Association Food relief and community support services (more recent decades) This diversity made the Tin Shed one of the most important social anchors for newly arrived migrant families.The St Albans “Tin Shed” is one of the most important community-built institutions in Melbourne’s west, a post‑war, migrant‑era youth hub that grew from a tiny, corrugated shed into a major social centre.Only the 1st twenty photographs have been uploaded to Victorian Collections 5881.001 - St. Albans Tin Shed - Drama StCYC 1992.jpg 5881.002 - St. Albans Tin Shed - Edna Cooper and Lorna Cameron.jpg 5881.003 - St. Albans Tin Shed - Edna Cooper StACYC 1980's.jpg 5881.004 - St. Albans Tin Shed - Elfie and Lorna at the 50th Anniversary.jpg 5881.005 - St. Albans Tin Shed - Ellie, Lorna and Kon 2005.jpg 5881.006 - St. Albans Tin Shed - Floor plan.jpg 5881.007 - St. Albans Tin Shed - Gathering 1994.jpg 5881.008 - St. Albans Tin Shed - Ingrid and Samantha selling home made jewellery.jpg 5881.009 - St. Albans Tin Shed - Jack Sheridan and Lorna Cameron 1994.jpg 5881.010 - St. Albans Tin Shed - Jean and Sylvia StACYC 1992.jpg 5881.011 - St. Albans Tin Shed - Jenny watering at the Youth Club 1993.jpg 5881.012 - St. Albans Tin Shed - Karla Montalvo.jpg 5881.013 - St. Albans Tin Shed - Kerry, Elfie, Angela, Lorna Marilyn, Jennifer and Edna.jpg 5881.014 - St. Albans Tin Shed - Kim and Mal, Sunshine Council 1994.jpg 5881.015 - St. Albans Tin Shed - Les Cameron.jpg 5881.016 - St. Albans Tin Shed - Lorna and Nick Szwed 2005.jpg 5881.017 - St. Albans Tin Shed - Lorna at the Tin Shed.jpg 5881.018 - St. Albans Tin Shed - Lorna Cameron and Edna Cooper August 1994.jpg 5881.019 - St. Albans Tin Shed - Lorna Cameron and John Ribarow.jpg 5881.020 - St. Albans Tin Shed - Lorna Cameron and Thea Dukic.jpg 5881.021 - St. Albans Tin Shed - Lorna Cameron with her Renault 1970's.jpg 5881.022 - St. Albans Tin Shed - Lorna presented with certificate.jpg 5881.023 - St. Albans Tin Shed - Mary and Vicki.jpg 5881.024 - St. Albans Tin Shed - May 1993.jpg 5881.025 - St. Albans Tin Shed - Mosaic dedication 1994 1.jpg 5881.026 - St. Albans Tin Shed - Mosaic dedication 1994 2.jpg 5881.027 - St. Albans Tin Shed - Mural damaged 1.jpg 5881.028 - St. Albans Tin Shed - Mural damaged 2.jpg 5881.029 - St. Albans Tin Shed - Play group 1994.jpg 5881.030 - St. Albans Tin Shed - Play Group.jpg 5881.031 - St. Albans Tin Shed - Ray and Ken 1994.jpg 5881.032 - St. Albans Tin Shed - Ray, Helen and Willy. Mosaic 1994.jpg 5881.033 - St. Albans Tin Shed - Remembering Lorna.jpg 5881.034 - St. Albans Tin Shed - Return of the ring.jpg 5881.035 - St. Albans Tin Shed - Roy Cameron book launch 2025.jpg 5881.036 - St. Albans Tin Shed - StACYC drama 1992.jpg 5881.037 - St. Albans Tin Shed - StCYC mosaic 1994.jpg 5881.038 - St. Albans Tin Shed - Steve Thorpe, Lorna Cameron and Ruth Frede 1994.jpg 5881.039 - St. Albans Tin Shed - Sunshine Council workers 1994 Photo 01.jpg 5881.040 - St. Albans Tin Shed - Sunshine Council workers 1994 Photo 02.jpg 5881.041 - St. Albans Tin Shed - Tin Shed Photo 01.jpg 5881.042 - St. Albans Tin Shed - Tin Shed Photo 02.jpg 5881.043 - St. Albans Tin Shed - Tin Shed Photo 03.jpg 5881.044 - St. Albans Tin Shed - Tin Shed Photo 04.jpg 5881.045 - St. Albans Tin Shed - Tin Shed Photo 05.jpg 5881.046 - St. Albans Tin Shed - Tin Shed Photo 06.jpg 5881.047 - St. Albans Tin Shed - Tin Shed Photo 07.jpg 5881.048 - St. Albans Tin Shed - Tin Shed Photo 08.jpg 5881.049 - St. Albans Tin Shed - Tin Shed Photo 09.jpg 5881.050 - St. Albans Tin Shed - Tin Shed Photo 10.jpg 5881.051 - St. Albans Tin Shed - Tin Shed Photo 11.jpg 5881.052 - St. Albans Tin Shed - Tin Shed Photo 12.jpg 5881.053 - St. Albans Tin Shed - Tin Shed Photo 13.jpg 5881.054 - St. Albans Tin Shed - Tin Shed Photo 14.jpg 5881.055 - St. Albans Tin Shed - Tin Shed Photo 15.jpg 5881.056 - St. Albans Tin Shed - Tin Shed Photo 16.jpg 5881.057 - St. Albans Tin Shed - Tin Shed Photo 17.jpg 5881.058 - St. Albans Tin Shed - Tin Shed Photo 18.jpg 5881.059 - St. Albans Tin Shed - Tin Shed Anniversary cake Photo 19.jpg 5881.060 - St. Albans Tin Shed - Tin Shed Photo 60.jpg 5881.061 - St. Albans Tin Shed - Tin Shed Photo 61.jpg 5881.062 - St. Albans Tin Shed - Tin Shed Photo 62.jpg 5881.063 - St. Albans Tin Shed - Tin Shed Photo 33.jpg 5881.064 - St. Albans Tin Shed - Tin Shed Photo 64.jpg 5881.065 - St. Albans Tin Shed - Tin Shed Photo 65.jpg 5881.066 - St. Albans Tin Shed - Tin Shed Judo Photo 66.jpg 5881.067 - St. Albans Tin Shed - Tin Shed Photo 67.jpg 5881.068 - St. Albans Tin Shed - Tin Shed Photo 68.jpg 5881.069 - St. Albans Tin Shed - Tin Shed Photo 69.jpg 5881.070 - St. Albans Tin Shed - Tin Shed Photo 70.jpg 5881.071 - St. Albans Tin Shed - Tin Shed Photo 71.jpg 5881.072 - St. Albans Tin Shed - Tin Shed Photo 72.jpg 5881.073 - St. Albans Tin Shed - Tin Shed Photo 73.jpg 5881.074 - St. Albans Tin Shed - Tin Shed Photo 74.jpg 5881.075 - St. Albans Tin Shed - Tin Shed Photo 75.jpg 5881.076 - St. Albans Tin Shed - Tin Shed Photo 76.jpg 5881.077 - St. Albans Tin Shed - Tin Shed Photo 77.jpg 5881.078 - St. Albans Tin Shed - Tin Shed Photo 78.jpg 5881.079 - St. Albans Tin Shed - Tin Shed Photo 79.jpg 5881.080 - St. Albans Tin Shed - Tin Shed Photo 80.jpg 5881.081 - St. Albans Tin Shed - Tin Shed Photo 81.jpg 5881.082 - St. Albans Tin Shed - Tin Shed Photo 82.jpg 5881.083 - St. Albans Tin Shed - Tin Shed Photo 83.jpg 5881.084 - St. Albans Tin Shed - Tin Shed Photo 84.jpg 5881.085 - St. Albans Tin Shed - Tin Shed Photo 85.jpg 5881.086 - St. Albans Tin Shed - Tin Shed Photo 86.jpg 5881.087 - St. Albans Tin Shed - Tin Shed Photo 87.jpg 5881.088 - St. Albans Tin Shed - Tin Shed Photo 88.jpg 5881.089 - St. Albans Tin Shed - Tin Shed Photo 89.jpg 5881.090 - St. Albans Tin Shed - Tin Shed Photo 90.jpg 5881.091 - St. Albans Tin Shed - Tin Shed Photo 91.jpg 5881.092 - St. Albans Tin Shed - Tin Shed Photo 92.jpg 5881.093 - St. Albans Tin Shed - Tin Shed Photo 93.jpg 5881.094 - St. Albans Tin Shed - Tin Shed Photo 94.jpg 5881.095 - St. Albans Tin Shed - Tin Shed Photo 95.jpg 5881.096 - St. Albans Tin Shed - Tin Shed Photo 96.jpg 5881.097 - St. Albans Tin Shed - Tin Shed cheers 50 years of goodwill.jpg 5881.098 - St. Albans Tin Shed - Tin Shed still place to be.jpg 5881.099 - St. Albans Tin Shed - Tonnes of tons 2010.jpg 5881.100 - St. Albans Tin Shed - Val, Shea, Ken Steve and Louise 1994.jpg 5881.101 - St. Albans Tin Shed - Volunteers Required The Advocate 16 November 1999.jpg 5881.102 - St. Albans Tin Shed - Weekly time table.jpg 5881.103 - St. Albans Tin Shed - Bill Shorten at the Tin Shed.jpg 5881.104 - St. Albans Tin Shed - Book dream lives.jpg 5881.105 - St. Albans Tin Shed - Errington Reserve 1994.jpg 5881.106 - St. Albans Tin Shed - Errington Reserve sculpture 1.jpg 5881.107 - St. Albans Tin Shed - Errington Reserve sculpture 2.jpg 5881.108 - St. Albans Tin Shed - Facelift for an old tin shed.jpg 5881.109 - St. Albans Tin Shed - Fifty years on, the Tin Shed stands tall.jpg 5881.110 - St. Albans Tin Shed - Gravesite of Alice Errington, Footscray.jpg 5881.111 - St. Albans Tin Shed - Joe Ribarow and Lorna 2005.jpg 5881.112 - St. Albans Tin Shed - Judo 1994.jpg 5881.113 - St. Albans Tin Shed - Judo at the Tin Shed.jpg 5881.114 - St. Albans Tin Shed - Tom Rigg.jpgst. albans tin shed, main road east, st. albans, st. albans community youth club

The milk shaker machine was used in milk bars during the 1940's and 1950's often using fresh milk from the local diaries. Modern machines are more compact with a variety of different settings and the ability to blend a variety of food including fruit and vegetables as well as liquids.Vera Drummond worked in the Tawonga Milk Bar where she used the Milk Shaker machine. The premises were leased out until it finally closed. The Milk Shaker machine was then lent to the Tawonga cafe which was situated opposite the Tawonga Hotel on the Kiewa Valley Highway near Mountain Creek Road. When the cafe owner bought their own milk shaker machine the original was returned to Vera who lived at the Tawonga Post Office. The milk shakes were made with fresh real milk direct from the diary and enjoyed by Vera's grandchildren and great grandchildren especially on summer holidays.This set consists of: 1 stainless steel milkshake blender with black electric cord attached; 3 moulded glasses with vertical grooves; 4 aluminium mixing beakers also with vertical grooves; 3 long handle stainless steel mixing spoons; 1 stainless steel swivel stick. The blender is heavy with an enclosed cylinder at the top containing the motor with a rotating mixer hanging below it. This is supported by a long vertical enclosed cylinder attached to a base where the electric cord is placed. This cylinder has parts attached to hold the beakers during mixing.On the cylinder with the motor - "Type D3; No. 1675; Volt 230; Watt 40; RPM A; ACDC; (the letter) R (with) G (in the top) (and) E (between the 'feet') Reg. Des.No. 24264/65 Spoons: 2 rows of embossed writing on handle end but illegiblemilkshake maker machine; vera drummond; tawonga milk bar; tawonga post office

The cattlemen's huts on the High Plains were used as shelter during the herding of the cattle on the Bogong High Plains during summer. Wallace's Hut is the oldest cattleman's hut and was owned by the Wallace family.This long handled spade was used by the 3 Wallace Brothers to dig 6 post holes for the posts of Wallace's Hut in 1889. On the 6th hole they struck rock 6 inches down but they persevered and succeeded in chipping away the rock to the required depth of 3 feet. This is the post in the south east corner.This long handled spade was made in Birmingham and was used by the 3 Wallace Brothers to dig 6 postholes for Wallace's Hut on the bogong high Plains in 1889.Birmingham 3 Cast Steel 234bogong high plains. wallace's hut. cattlemen's huts. tool.

Used for postage of letters / parcels weighing up to 28 lb.. Mercury was first founded in South Australia in 1946Use at a post office in te Kiewa ValleyPainted gold steel scales with tray for goods and a smaller tray, with edges, for weights.Centre front: 'Mercury' embolished. Below is a tin plate: 'Mercury Scale Co. Ltd. / Scale Maunfacturerers / The Barton S.A. / No. 9366 Cap. 28 lb.mercury scales, postage

Used by turning the auger around to create a round hole.Used by residents of the Kiewa ValleySmall steel hand auger tools with a wooden handle. Used for digging more shallow holes eg. gathering soil samples and making post holes

This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music

This item wasused before diesel, electric and battery drilling apparatus were used by farmers, and other trades requiring a portable yet reliable method of drilling holes. As this item is a 3/4 inch hole drill it would be suitable for fencing and providing holes for structural studs. As with all outdoor farm equipment, man power was required (be it the farmer or farm hands). Fitness of the operator was at a high standard but protective gloves were not highly thought of as it was before occupational, health and safety regulations became mandatory over all manual handling activities, be they on rural properties or town/city factories. This period was one where the male ego was at its pinnacle i.e. the harder the tasks the more of a man was required. Hard manual work was not only the "way to go" but also a necessity. Evolution of cheap portable electric/battery powered tools opened up a more efficient method available, especially to those with less muscle strength. This item personifies the rugged environment of the rural workplace. The Kiewa Valley with its main emphasis on farming and grazing provided ample opportunity to use this construction implement. The manufacturer being a Scottish tool company is very significant in the era when this hole maker was in high demand. British steel products were of high grade and had a good record of reliability. The reliability of any tool was a solid factor for farmers and tradesmen in this semi-isolated region (Circa early 1900s) within the Kiewa Valley and its regional area. This factor,although not as crucial, post 1960s, when Asian manufacturers entered the market place and produced cheaper tools and transportation and supplies was more frequent and reliable, the need for the more expensive British made tools diminished considerably. After the influx of tradesmen from war torn Europe (post 1945) and the increased availability of tradesmen in the Kiewa Valley and its region the price of tools was and still is not as crucial and the cost of all required tools has become a minimal part of the equation. It is only with the emerging younger trades person, farmer and grazier, who have more, "one eye on production costs" and no "old ties to the motherland" inert mind set that quality tools such as this auger and other hand tools "must be made to last a life time" is no longer part of the modern work environment.This cast iron, hand operated Auger has a short barrel shaped cylinder at one end (known as the "Eye") and at the other end a Helical screw blade (screws the cutting edge into wooden material, thereby creating a hole 3/4 inch diameter in the wood) . The barrel section at the top permits a metal or wooden leverage plank to be inserted. The main rod has a 180mm long cutting/screw blade running from the bottom up towards the "eye" end. From the end of the screw blade to the handle is 380mm and cylindrical, but this changes at 550mm from the "eye" end to a 14mm x 10mm rectangular shape shaft.This shaft end is welded to the "Eye".On the shaft below the "eye" is stamped " MATHESON GLASGOW" on the front side and a spade (cards) symbol on the back.auger, hand drill, fencing, tool, rural trades, brace & bit

This item was before diesel, electric and battery drilling apparatus were used by farmers, and other trades requiring a portable yet reliable method of drilling holes. As this item is a 3/4 inch hole drill it would be suitable for fencing and providing holes for structural studs. As with all outdoor farm equipment, man power was required (be it the farmer or farm hands). Fitness of the operator was at a high standard but protective gloves were not highly thought of as it was before occupational, health and safety regulations became mandatory over all manual handling activities, be they on rural properties or town/city factories. This period was one where the male ego was at its pinnacle i.e. the harder the tasks the more of a man was required. Hard manual work was not only the "way to go" but also a necessity. Evolution of cheap portable electric/battery powered tools opened up a more efficient method available, especially to those with less muscle strength.This item personifies the rugged environment of the rural workplace. The Kiewa Valley with its main emphasis on farming and grazing provided ample opportunity to use this construction implement. The manufacturer being a Scottish tool company is very significant in the era when this hole maker was in high demand. British steel products were of high grade and had a good record of reliability. The reliability of any tool was a solid factor for farmers and tradesmen in this semi-isolated region (Circa early 1900s) of the Kiewa Valley and its regional area. This factor,although not as crucial, post 1960s, when Asian manufacturers entered the market place and produced cheaper tools and transportation and supplies was more frequent and reliable, the need for the more expensive British made tools diminished considerably. After the influx of tradesmen from war torn Europe (post 1945) and the increased availability of tradesmen in the Kiewa Valley and its region the price of tools is not as crucial and the cost of all required tools has become a minimal part of the equation. It is only with the emerging younger trades person, farmer and grazier, who have more, "one eye on production costs" and no "old ties to the motherland" inert mind set that quality tools such as this auger and other hand tools "must be made to last a life time" is no longer part of the modern work environment.This cast iron hand operated drill, has a short barrel-shaped cylinder, known as "the eye" welded across the main rod and is 30mm in circumference. It also has a hole drilled to allow a screw to be fastened onto the hand stock ( not available).The main rod is solid for 400mm and then has been flattened and coiled (Helical screw blade) for another 200mm. At the end of the larger screw blade there is a smaller gauged starter blade with a pointer thread 15mm long. This Auger produces a 1/8th inch hole (metric measurement not used at time of manufacture) See KVHS 0469 for 3/4 inch hole and KVHS 0471 for another 1/8th inch hole.A number 5 stamped on the flat sideauger, hand drill, fencing, tool, rural trades, brace & bit

This item was before diesel, electric and battery drilling apparatus were used by farmers, and other trades requiring a portable yet reliable method of drilling holes. As this item is a 3/4 inch hole drill it would be suitable for fencing and providing holes for structural studs. As with all outdoor farm equipment, man power was required (be it the farmer or farm hands). Fitness of the operator was at a high standard but protective gloves were not highly thought of as it was before occupational, health and safety regulations became mandatory over all manual handling activities, be they on rural properties or town/city factories. This period was one where the male ego was at its pinnacle i.e. the harder the tasks the more of a man was required. Hard manual work was not only the "way to go" but also a necessity. Evolution of cheap portable electric/battery powered tools opened up a more efficient method available, especially to those with less muscle strength.This item personifies the rugged environment of the rural workplace. The Kiewa Valley with its main emphasis on farming and grazing provided ample opportunity to use this construction implement. The manufacturer being a Scottish tool company is very significant in the era when this hole maker was in high demand. British steel products were of high grade and had a good record of reliability. The reliability of any tool was a solid factor for farmers and tradesmen in this semi-isolated region (Circa early 1900s) of the Kiewa Valley and its regional area. This factor,although not as crucial, post 1960s, when Asian manufacturers entered the market place and produced cheaper tools and transportation and supplies was more frequent and reliable, the need for the more expensive British made tools diminished considerably. After the influx of tradesmen from war torn Europe (post 1945) and the increased availability of tradesmen in the Kiewa Valley and its region the price of tools is not as crucial and the cost of all required tools has become a minimal part of the equation. It is only with the emerging younger trades person, farmer and grazier, who have more, "one eye on production costs" and no "old ties to the motherland" inert mind set that quality tools such as this auger and other hand tools "must be made to last a life time" is no longer part of the modern work environment.This cast iron hand operated drill, has a short barrel-shaped cylinder, known as "the eye" welded across the main rod and is 30mm in circumference. It also has a hole drilled to allow a screw to be fastened onto the hand stock ( not available).The main rod is solid for 400mm and then has been flattened and coiled (Helical screw blade) for another 200mm. At the end of the larger screw blade there is a smaller gauged starter blade with a pointer thread 15mm long. This Auger produces a 1/8th inch hole (metric measurement not used at time of manufacture) See KVHS 0469 for 3/4 inch hole and KVHS 0470 for another 1/8th inch hole.auger, hand drill, fencing, tool, rural trades, brace & bit

This tester was used between 1950 and 1980's. As part of the Occupation, Health and Safety requirements, equipment used to monitor the performance of electricity producing generators, regularly, hand held testers were used to check the insulation and the "earth" pin were up the the required operational levels. As the generators and their ancillary monitoring equipment was spread over a large area and cumbersome to service small hand held devices were required. These had to always be safe for the user to operate. A selected range of high quality meters were recalibrated every two years in the Meter and Calibration Laboratory at Yarraville(near Melbourne) This meter is very significant to The Kiewa Hydro Electricity Scheme because it was an integral part of maintaining the electricity producing water driven generators of the power stations. The reason why this meter was so essential is that provided the safety check on equipment used to monitor each Hydro Generator that they were complying within the grid network parameters. Grid parameters are set so that if there is an electrical fault on the system, that fault can be attended to with a very small change in the output stability of each generator. It is essential that the voltage of the network remain within the set limits. Generators are at Dartmouth, Mackay, Clover, West Kiewa, Yarrawonga, Cain Curran and three Power Stations in the Thornton area.This hand driven current generator produces 500 volts by winding the handle(on funnel curved side) to keep the voltage constant(one minute per test). The whole body is made from caste aluminium. One of the functions of this meter is to test the isolation resistance of any equipment being tested. This is to see if that equipment is safe to handle(no electrical shocks). The second function is to test the earth pin of any portable electrical equipment. The turn key on one side can direct which function is required(marked insulation or continuity). On the top side(enclosed in a glass fronted marked scale) is a continuity scale(top) and an insulation scale(bottom). This is covered , when not in use by "flip up" lid with manufacturer's details and name of the instrument. Opposite the winder are two screw tight knobs. One marked earth(left side) and one marked line(right side). On the top and next to the glass windowed scales in a post manufacture SEC Vic equipment equipment ID number. For carrying purposes there is chromed steel (fold together) handle.The bottom of the unit has two metal "feet" 150mm long by 114mm wideManufacturer's details on top side "MEG" underneath "INSULATION AND CONTINUITY TESTER" below this "constant 500 VOLT pressure" below this "REGISTERED MEG MEGGER TRADE MARK" below this "REG DESIGN NO. 690326" below this "UNITED KINGDOM PATENT Nos. 193746, 197178, 198182, 202062, 202398, 204649, 350715" below this "SUPPLIED BY THE GENERAL ELECTRIC Co. Ltd OF ENGLAND" below this "MAGNET HOUSE, KINGSWAY LONDON W.C.2" 'sec vic kiewa hydro scheme, alternate energy supplies, alpine feasibility studies temperature, rainfall

The white rubber mask indicates it is a post war / cold war production.Post war production item . Commonly used as dress up or cosplay attire Gas Mask kit complete in carry canister. Includes screw on steel filter canister, cleaning rag. Mask is made from white rubber with glass eye pieces. Drager 65G

A sledge hammer is generally wielded with both hands and is used for driving wedges and posts and for other heavy work. It can be used to remove concrete slabs, to drive heavy steel bolts into concrete, to hammer large stakes as well as for demolition.This item was a common tool used by farmers or blacksmiths.A large flat hammer with a wooden handle.Underneath hammer - 10hammer sledge-hammer tool

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

Murray's Bridge over the Diamond Creek on the Diamond Creek Trail just prior to demolition and replacement with a new steel bridge. Heritage advice obtained by Nillumbik Shire Council, following a suggestion by the Eltham District Historical Society (EDHS), is that the original bridge appears to have been a simplified version of the Country Roads Board’s (CRB) standard timber bridge design of the early-to-mid 1920s. In c1990 Murray’s bridge was renovated with three recycled steel girders as part of a bike/pedestrian path in the reserve. During these alterations many parts of the bridge were removed, and some were replaced. Heritage advice indicates the condition of Murray’s bridge is poor. The remaining original parts are all in poor condition, with severe weathering, splitting and rot, especially to the stringers retained on the bridge. Heritage advice is that Murray’s Bridge does not have sufficient significance in the cultural history of the Nillumbik area to warrant inclusion in the Nillumbik Shire Heritage Overlay and also does not have sufficient significance as a rare survivor to warrant inclusion in the Nillumbik Shire Heritage Overlay. There are no indications in the historical record that this site was individually important to the cultural history of this area. EDHS is comfortable with the heritage advice provided to Council and has worked closely on this project with Council. EDHS has suggested some of the removed timbers be used in the vicinity of the bridge for landscaping and possibly seating, so as to retain these remnants close to the site of the original bridge, which is the last old timber bridge along the lower reaches of the Diamond Creek. Mary (Sweeney) Murray and John Wright Murray selected 80 acres, Lot C Section 16 and Lot 5 Section 17 Parish of Nillumbik, under an occupation license in 1866. John died in 1867 and freehold was granted to his son John in 1873. The farm was known as ‘Laurel Hill’. John Junior was an Eltham Shire councillor and sometime president from 1887 up until 1897. He added Lot A Section 16 to the farm in ca1888. John and his younger brother James arranged to rent/purchase Lot B Section 17, across Diamond Creek to the west, in ca1900. It appears that John and James farmed separately for a few years, with a new homestead built for James ad family on the high point of Lot B Section 17 in ca1910. John sold off Lot 5 Section 17 in 1912. When John died in 1912 James took over the land on both sides of the Diamond Creek. The old homestead on the west side of the Creek disappeared. A farm bridge over Diamond Creek from this period may have been located close to the northern boundary of the farm. John Langlands, owner of the farm known as ‘Ihurst’ on the west side of Diamond Creek to the south of the Murray’s land, died in 1907. In 1909 his land was then subdivided into 100 lots to become the ‘Glen Park Estate’. Other similar subdivisions of nineteenth century farms around Eltham in this period included the ‘Franktonia (or Beard’s) Estate’ to the northeast and ‘Bonsack’s Estate’ between Eltham and Greensborough. Soon after the opening of the railway extension line from Eltham to Hurstbridge in 1912, Glen Park and nearby residents including James Murray agitated for a railway station or siding to be located half-way between Eltham and Hurstbridge, so that the Glen Park residents who used the railway daily did not have to walk into the Eltham or Hurstbridge stations. Some believed Coleman’s Corner (opposite Edendale Farm) was an appropriate spot for the platform. James Murray was among those who thought the railway should be located on his land, closer to half-way between Eltham and Hurstbridge stations. The Railways Commissioners warned that the locals would have to fund these works themselves. The Glen Park Estate residents initially had difficulty accessing Eltham by road, with only an old low-level bridge over Diamond Creek at the south end of their estate. A new timber trestle bridge across the creek, now on Wattletree Road, was opened in 1915. Road access to the north was gained in 1927 when the new Murray’s Road, which crossed the Murray’s land, was built. Residents continued to agitate for a Glen Park station. By 1926 the Railways Commissioners’ preferred site was on the Murray’s land. They arranged an estimate of cost of a full-length platform. The estimate was too much for the locals, who in 1928 argued unsuccessfully for a shorter and hence cheaper platform. By 1929 Murray had agreed to donate the land, but the locals would still have to fund the works. Murray decided, unilaterally it would appear, to commence work on a timber trestle road bridge over Diamond Creek to link the new Murray Road to the proposed station. Late in 1929 he stopped work on the bridge, for reasons unknown, but started work again and completed the bridge in 1931. There is no further newspaper evidence of the campaign for the Glen Park station until 1939, when Murray and another local, Mr Maxwell, met the Railways Commissioner. The Glen Park locale now included 45 homes on the west side of the creek and 20 on the Eltham side. Most of the residents used the train every day. The Commissioner remained adamant that only a full-length platform could be built for safety reasons. It appears the campaign dissolved at this point. The increasing move to cars may have had an impact. There is no evidence of Murray’s bridge ever being connected to Murray’s Road, or of it having wide use for any purpose by locals. James Murray died in 1947 and the farm was taken over by his son James (Jim). Jim started to sell off parts of the farm in the 1980s, retaining a few acres around the ca1910 homestead and building a new house there. Recreation reserves were established along the creek. In ca1990 Murray’s bridge was renovated with steel girders as part of a bike/pedestrian path in the reserve. The old farmhouse was demolished in ca2014. * * * A theory posted on local community Facebook groups was that the bridge was built in the 1860s and was built to be more robust than was necessary for the movement of cows from one side of the creek to the other. It was suggested the robustness was necessary to support the weight of gold ore being transferred from a mine on Murray’s land to a railway siding near Murrays Bridge (presumably for transfer and processing at Diamond Creek). Perhaps this may have been one of the motivators for Murray, who really knows? Knowing when mining operations ceased on his land and how that fits the overall timeline would be useful but at the time the bridge was built, local gold production was minimal at best. The known facts are: • The railway line came to Eltham in 1902. • The extension of the railway from Eltham to Hurstbridge was constructed in 1912 so no railway line even existed through Murray's property until 1912 and the Victorian Railways maps at the time show no such siding on Murray’s property. • In 1923 a new company was formed in anticipation of the old Diamond Creek Gold Mine being re-opened. The mine had been previously closed and flooded. It was noted in the press at the time that the mine was within a mile of the railway. Nothing really came of this. • Construction of Murrays Bridge was commenced by James Murray in early 1929 in anticipation of a proposed flag station being nominated on his land, but work ceased shortly afterwards. The proposed flag station was commonly referred to as Glen Park as the residents of the Glen Park Estate wanted Option 1, located near them with the platform adjacent to Colemans corner. This was probably never going to fly as it was virtually in eyesight of Eltham station. Allandale Road was the third option, but the Commissioners' preferred option was No. 2 - on Murray's property. • The Railway Commissioners were not going to finance any such station and the works had to be funded by private landowners and residents, hence Murray investing in this himself. • Murray recommenced work two years later and finished his bridge in 1931 but unfortunately for him, the proposed flag station never eventuated. The bluestone siding you reference may well have been built by Murray as part of the proposed station platform. • Up until then, apart from the Main Road bridge, which was washed away in 1924, virtually all local crossings over the Diamond Creek were low lying bridges – Kaylocks Bridge at Brougham Street, Diamond Street bridge, Glen Park Road bridge. It is expected that Murray also had a low-lying bridge to connect his land either side of the creek. These were all washed away or severely damaged multiple times in the 1920s. Lessons were learnt, and Murrays Bridge appears to have been built in accordance with Country Road Board standards of the time. Flood damage was ongoing, and even more recently constructed raised bridges kept getting washed away, e.g., the new Wattle Tree Road bridge in 1958 just months after completion. Murray’s bridge was reinforced with steel some 30 years ago presumably to provide additional floodwater resistance, given the history of bridges disappearing in floodwaters. • In March 1932 it was reported in the Advertiser that there were still some prospectors operating around Eltham North who apart from further scarring the face of the earth over the previous two years had gained significant experience but little gold - hardly a driving factor for constructing a dedicated railway siding and bridge to transfer gold ore. It is far more probable that James Murray was hoping to have the railway station located on his property and invested his money by building the bridge to lead to it as well as a station platform. Had the station eventuated, it may well have driven up the value of his land for subdivision and new housing estates like the Glen Park Estate. That did not eventuate. Whilst the bridge was indeed old (90 years), the core structure being completed in 1931, it had been modified substantially from original and hence had no significant historic value – i.e., it was not a representative example of its type, construction, and age. Given that the bridge was not worthy of saving, the Eltham District Historical Society with Council’s support, and the Eltham Woodworkers group endeavoured to see what suitable sized timbers were salvageable to fabricate a commemorative seat. Unfortunately, the experts at the Woodworkers group were unable to salvage any suitable length/width timbers to fabricate the seat due to the presence of rot. Last remaining wooden trestle bridge on the Diamond Creek Trail just prior to demolition and replacementBorn digital image (27)diamond creek (creek), diamond creek trail, murrays bridge, ‘laurel hill’, john wright murray, mary (sweeney) murra, john murray jnr, james murray, john langlands, ‘ihurst’, ‘glen park estate’, beard's estate, franktonia, bonsack's estate, glen park estate, glen park railway station

Photographic reproduction of a steel engraving 'Alexandra Fountain and Pall Mall from Charing Cross'. Alexandra Fountain, pedestrians, Post Office, Bee-hive Stores, gas lights. Inscriptions - below photo 'Alexandra Fountain and Pall Mall from Charing Cross', within photo 'Henderson & Goddisson, Bee-hive Stores', 'Melbourne Cash Store', written engraving 1 'Abbott New Times', ' H Burridge'. On rear blue stamp 'RHSV, Bendigo Branch'. History of photograph: From an 'Album of Sandhurst Views, c.1894' (J Lerk 18/02/2004)place, streetscape, charing cross

Two identical post cards: 'Pall Mall', Bendigo streetscape, fountain in foreground, horse-drawn cab, cable trams, Hustler's Royal Reserve Mine, Post Office, Henderson & Goodisson Beehive sign clearly visible. Physical description: loose photograph, sepia. Inscriptions markings: on back of photo - The 'Valentine & Sons' Publishing Co., Ltd., Melbourne. POST CARD. Printed in Great Britain. This space to be used for communication. The Address only to be written here. On front - Pall Mall, Bendigo. Also 300.336 then the letters JK in a circle. On back of the second postcard: Royal Historical Society of Victoria, Bendigo Branch. Hustlers Royal Reserve No.2 data. Hustlers Royal, Pall Mall, Bendigo. RSL Memorial Hall now occupies site. Depth of Shaft - 1,660 feet. Formed 1885; Closed 1917. Poppet Legs - Steel, 60 feet high. Winding engine: First motion, 24 in. Cylinders, 10ft. Drums. Gold yields - 10,262 oz. Dividends 3,200 pounds.The Valentine & Sons' Publishing Co., Ltd., Melbournebendigo, pall mall, rhsv, hustlers royal reserve