Thomas Stoddart was greatly respected and remembered by Ballarat people as can be seen in the commissioning of a bust and marble tablet in his memory.Thomas Stoddart was the first great benefactor of the Ballarat Botanical Gardens.1 coloured photographLabel on back, printed in blue biro, "Thomas Stoddart, Grave BOC, March 2007."john garner, doctor, thomas stoddart's grave, old ballarat cemetery, ballarat botanical gardens, benefactor, stoddart collection of classical statues, john garner collection, gardene, ballarat, stoddart

Particulars of Thomas Stoddart's death registered.The Death Certificate gives further perspective on this renowned Ballarat citizen.One page divided into sections with printed headings at the top of the page and listings down the page written in longhand. To be read horizontally.Printed, longhand, top righthand corner, Thomas Stoddart 1905. On the back of the sheet, written in longhand "Obtained 22 Feb, 2010 for FBBG, History Group. thomas stoddart, ballarat botanical gardens, doctor john garner, 10 carrera marble statues, death certificate, friends of the ballarat botanical gardens, sharebroker, miner, john garner collection, gardens, ballarat, stoddart

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of the Thomas Stoddart memorial in the Ballarat Town Hall.thomas stoddart, statues, ballarat town hall, memorial, marble, ballarat botanical gardens

Photographic portrait of Thomas Stoddartthomas stoddart

Originally pubished in Ballarat and Vicinity..Photographic portrait of Thomas Stoddart.thomas stoddart, ballarat, statues, portrait

Image of Thomas Stoddart, member of the Old Colonists' Associtation.old colonists' association ballarat, thomas stoddart

Photo of FBBG members at the Centenary in 1984. Centenary of Stoddart Statues, Courier, Friday 25th May, 1984, page 10. History of the FBBGLaminated yellow page of the Courier newspaper, May 25, 1984, p.10. left bottom corner missing.None.john garner collection, garner, dr, stoddart, statues, centenary, courier, fbbg, mayor, ballarat botanical gardens, ballarat, gardens

Proposal to relocate the Stoddart collection of Statues indoors after vandalism. "Stoddart Collection to be Moved Indoors"_Courier, Thursday 11th July 2002, page 4.Impact of vandalism on the statues over the yearsHalf page article with photo of Statue, Leda in the BBG, taken 1884.The Courier, Ballarat, Thursday, July 11, 2002. Author: Andrew Eales, City Council Reporterstoddart collection, vandalism, statues in the ballarat botanical gardens, statue of leda., john garner collection, garner, dr, ballarat botanical gardens, ballarat, gardens, courier

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The Greek goddess of eternal youth, Hebe, was famed for having the power to restore to age the vigour of youth and was cup-bearer to the gods.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman holding a cup in one handHebe/ Presented by Thomas Stoddart 1884hebe, stoddart, botanic gardens

john garner collection, ballarat botanical gardens, gardens, ballarat, stoddart, statues

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of a statue of Thomas Statue in the Ballarat Town Hall.thomas stoddart, statues, bust, ballarat town hall

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. In Greek mythology Leda was the wife of the king of Sparta who was seduced by Zeus in the guise of a swan.The artwork is of aesthetic and historic significance to the people of Ballarat White marble figure of a woman holding a swanLeda Presented by Thomas Stoddart 1884leda, stoddard, botanic gardens

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. in this work Angelo Bertozzi portrays Winter as a wizened old man protecting himself again the winter chills.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of an old man with a cape around his shouldersWinter Presented by Thomas Stoddart 1884.winter

Photograph of a statue of Thomas Statue in the Ballarat Town Hall.thomas stoddart, statues, bust

Belts on nurse uniforms were made to be detachable for ease of laundering. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. These belts are part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.Three pairs of white starched belts for a nurse uniform. One belt (1/3) has a long narrow rectangular shape with two buttonholes at each end. The other belt (2/3) has a triangular shape at one end with two press studs (rings) at this end. There may have been two posts at the other end at one time. The third (3/3) has three buttonholes at each end.At one end of belt 1/3 hand printed: 'E. M. Stoddart' At one end of belt 3/3 hand-written: 'Stoddart' and underneath printed '?8412'red cross, world war 1, nurse uniform

Cuffs on nurse uniforms were made to be detachable for ease of laundering. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. These cuffs are part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.Two pairs of white starched cuffs for a nurse uniform. Each cuff has a buttonhole at each end which would enable the cuff to be joined by cufflink-like buttons.On each cuff, printed: 'NURSE 8 G' On each cuff handwritten: 'Stoddart'red cross, world war 1, nurse uniform

Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. This portrait was presumably taken after Ethel had completed this course. Ethel's daughter later donated her mother's uniform - which is held by the Museum. Most Australian Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. This photograph is emblematic of the variety of ways in which Australian women contributed to the war effort during World War 1.Black and white photographic portrait of Nurse Ethel Stoddart mounted in a sepia-coloured cardboard frame. Signature of photography studio in bottom right of frame.In bottom right of frame: 'Gainsborough / 213 CHAPEL ST / PRAHRAN'red cross, world war 1

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Summer is portrayed with the handle of a sickle and holding a sheaf of grain, symbolising harvest time.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure shown with handle of sickle and holding a sheaf of grain, symbolising harvest time.Summersummer, stoddart

Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Stoddart's gift inspired the moves to make Ballarat a "City of Statues". Hercules was is one of the best-known heroes in Greek and Roman mythology. Hercules was renown for his great strength and courage, here he is depicted raising his mighty club and wearing a lion skin as a trophy.The artwork is of aesthetic and historic significance to the people of BallaratMarble figure of a man with raised club and wearing a lion skin around his loinsHerculeshercules, stoddart, botanic gardens

Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Spring is represented by the image of a young woman who is crowned with a floral wreath and carrying a posy. Her dress is a one-shoulder toga dress in the Greco-Roman style. In ancient times the welcome return of spring was celebrated with lengthy pagan festivals this tradition was adapted into Christians cultures.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman wearing a toga dress, floral wreath headress and carrying a posy.Springspring, stoddart, botanic gardens

Nurse collars were detachable to allow for quick laundering. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. These collars are part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.Two almost identical white starched collars. Each collar has a buttonhole at each end which might have enabled the collar to be fastened at the front with cufflink-like buttons.On back of collar 1/2: 'NURSE 3 x 13 1/2 G' On back of collar 2/2: 'NURSE 8432 /13 1/2 P' - also '?Stoddart' very faint.red cross, world war 1, nurse uniform

Framed Poem written by Ric Norris to Commemorate the reopening of the Shamrock Hotel, titled ''Timeless Beauty'', the poem is dedicated to John Stoddart the new licensee and prime instigator towards the restoration.place, building, commercial, shamrock hotel poem, shamrock hotel, poems, shamrock