Donated by Mrs West, 1972Talc stonegippsland, artwork, permanent collection

This piece is likely African in origin.Serpentine stone sculpture of a mother and child, carved from a single piece of stone. Sculpture depicts of two semi-abstract figures, one big and one small, joined at the arms and the base. Made of dark coloured stone.

This piece is possibly an Inuit sculpture from Alaska.Small stone sculpture of a mother and child, carved from a single piece of soft stone. Sculpture depicts a kneeling figure, with jacket and scarf, holding a baby bundled in cloths in front of them. The sculpture is made of dark, relatively soft stone. The base is carved with a number, '30107' and additional text which may be the name of the artist.

Local stone was used by P.O.W at Camp 13 to carve the plaque.Hand-Carved stone plaque featuring German eagle and swastika with Australian 1939 penny inset.Tatura 1940camp 13, murchison, plaque

Green cloth hard covered book of 160 full page photo plates. Ballarat Technical Art School book platenon-fictionsculpture, ballarat technical art school library, neville bunning, w. aumonier, architecture, art deco, stone carving

Carved by German POW at Camp 13Bas relief stone carving. A map of Australia, flanked by a kangaroo, boomerang and a kookaburra and "Tatura 1940 Australia" on the boomerangTatura 1940 Australiacivic mementos - plaques, internee stone carvings

Stone carving of three figures - Viet Cong, Government, and NZ veteran halfway to his grave but still fighting. The word 'honour'model, 'tribute 08', nz

This piece is made of a stone called greenstone in New Zealand English, known as pounamu in Maori. Hei-tiki are considered taonga (treasures) by Maori. Stone carving of a Maori hai-tiki. The carving is made of green stone, and depicts a figure with both hands on its thighs and a head tilted to one side, with big eyes.

William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji

Red brochures from Duango Foreign Language Teachers College and Jiangsu Foreign Language School; two Japanese international exchange program partner schools. These schools have donated a number of gifts including a metal war elephant artwork (1999, Miss Nuttakarn Witoon), a wooden box with stamp collection, a stone carving (2008), a photograph and decorative box, a commemorative coin in specialty case (1994-2004), photographs and a kimono, and the heraldic shield (1997).

Green cloth hardcovered book with black leather spine, featuring the art deco work of Bernaux, Beligant and Feseau, Binquet, Bouchard, Bouraine, Bourdelle, Chassaing, De Bardyere, Gallerey, Gauvenet, Guenot, Hairon, Jallot, Lalique, Le Bourgeois, Malcles, Joel and Jan Martel, Max Blondat, Follot, Sad, Sue et Mare and Vera and J. Martin. Monochrome prints numbered 1 to 32, showing examples of modern wood and stone carving, all by named people. Text in French.non-fictionsculpture, carving, art nouveau, art deco, seguin, joel et jan martel, repousse, plaster, modelling

Carving from stone of a figure of a monkey in a sitting poisition with it's tail in its mouth. Painted brown with cream flecks. Text and marking have been etched in to the stoneRicordo POW (ricordo translated means remember or memory)monkey, sculpture, ricordo, bilney r, ww 2 camp, handrafts, italian pow

Selwynite is a fine-grained, compact green rock made primarily of chromian muscovite (fuchsite) and diaspore. Corundum and fuchsite can occur together in the form of massive aggregates or nodules. Often, copper carbonates are found as earthy films or tiny crystals in joint planes. The mineral name honours the late A. R. C. Selwyn, founding Director of the Geological Survey of Victoria. The particular specimen, a mottled green stone suitable for carving was recovered and found in Heathcote, Victoria, Australia. The rarity and qualities of this mineral attracted commercial mining, which was not successful, but traces of the mine shafts still exist today, and it is still highly valued by mineral collectors.Selwynit is considered to be one of the rare forms of rock because it is composed of phosphate minerals containing zirconium. This is an extremely rare combination found in nature. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A fine grained rock composed of mainly of chromian muscovite (fuchsite) diaspore and corundum.geological specimen, geology, geology collection, burke museum, beechworth, mineralogy, heathcote, mineral collectors, selwynite, green rock, rock specimen

New Zealand Greenstone, also called Pounamu is found on New Zealand’s South Island in riverbeds and boulders, and colours vary depending on the source, but always include green tones. It is a form of the mineral nephrite, also known as jade, and is a tough stone with a crystalline structure, made up of calcium magnesium and iron silicate. Its hardness means it is ideal for carving, and has been used for this purpose throughout history, especially by the Maori people of New Zealand. Greenstone features heavily in Maori mythology, and the traditional name for the South Island, Te-Wai-Pounamu, literally translates to waters of greenstone. Wearing of Greenstone pendants with different carvings is practiced by Maori to represent connection to land and ancestors, or to endow the wearer with certain attributes. The sticker on the base of the specimen identifies it as a product of Hokitika Jade Company. The company, which was active in the 1970s, sold jade and greenstone specimens and ornaments. Hokitika, which started life as an 1860s gold rush town, is the origin of most nephrite found in New Zealand, and the centre of the Greenstone carving industry. The object has scientific and research potential as part of the Burke Museum's Geology Collection, and as and example of New Zealand Greenstone. It also has spiritual significance for it's role in Maori beliefs and communities, where it is both traditionally worn and features in mythology. As a valuable stone regularly used in carving and jewellery, it has aesthetic significance. Sticker on base: "N.Z. Greenstone/ a product of/ Hokitika Jade Coy."geological specimen, geology, geology collection, burke museum, beechworth, new zealand, greenstone, hokitika, nephrite, jade

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'

An adze is an ancient and versatile cutting tool and has been in use for thousands of years. Adze are similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. They have been used since the Stone Age. Adzes are hand tools used for smoothing or carving wood.The adze has been used for centuries for cutting and shaping wood. It is a maritime tool, as well as being used in other trades. This adze is an example of that tool.Tool; long wooden curved handle with a heavy shaped head, similar to an axe. Inscriptions are on the blade. Made in England.Stamped; "38" & "2" " Made in England"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, axe, adze, ship's adze, tool, hand tool, wood working tool, cutting tool

An adze is an ancient and versatile cutting tool and has been in use for thousands of years. Adze are similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. They have been used since the Stone Age. Adzes are hand tools used for smoothing or carving wood. The subject item was made by Ward & Payne of the Limbrick Works at Hillsborough, Sheffield England manufacturers of hand-forged tools. Their trademark registered in 1850 was a Letter "W" & "P" stamped into the steel. The firm was established by David Ward (1767-1822) in 1803 the company became David Ward & Sons, in 1837 after Ward's son Edward joined the firm. In 1845 Henry Payne the founder's son-in-law became a partner but died in 1850 after which the company reverted to the Ward family. The business then concentrated on making carving tools, chisels and gouges. In 1882 David Ward's grandson David Ward Jr. (1835-1889) purchased land and built a factory at Sheffield North known as the "Limerick Wheel". For a time Wards operated from both 106-114 West Street Sheffield and at Limbrick Road, Hillsborough on the river Loxley. By 1911 they had expanded into making spades, forks, sheep shears and many other types of edged tools including drills and wood planes. In 1967 Wilkinson Sword purchased all the company's share capital and continued to sell Ward & Payne tools until 1970 when a fire burned the factory down and housing development was built on the site.The subject item is significant as it gives a snapshot of the technological development of sailing ships and their operation before steam-powered vessels took over around the world. Tools such as the subject item demonstrate the traditional craftsmanship and skill of the shipwright and the aesthetic quality of the timber ships designs of the time. Adze with wooden handle curved painted green with patent number and maker's name inscribed on inside curve of blade. Inscribed "Patd 561 Ward" "2w". flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, smoothing tool, hand tool, carpenders tool, adze, coopers tool, woodworking tools

There has been a fair amount of confusion about this object as the paperwork states that a 'greenstone' gavel with a maori head carving and plaque mounted on green nephrite stone' was gifted when in fact the gavel is made of wood with a silver plaque. There has been no suggestion made as to what happened to the greenstone gavel. We can assume that it was lost or stolen and replaced with a plain wooden one that we now hold at ANZCA. From the attached plaque the Gavel was gifted to the Faculty of Anaesthetists by the New Zealand Fellows of the Faculty in 1965. Plain highly polished wooden pestle sits on a central walnut block on a flat wooden board, a silver plaque is attached on a piece of nephrite stone to one side of the board.[silver plaque] PRESENTED BY THE / NEW ZEALAND FELLOWS / 1965 [in black ink on back of stand] 1992/9aotearoa, new zealand, wood, nephrite, corporate gift

Found at camp 13 TaturaCarving on local stone of an eagle & swastika. The word "Tatura" is carved on the bottom edge and '1940' above the eagle.1940 , Taturacarving

Item carved by a German Internee who was held in Camp 1 in WW2. Came into the possession of one of the guards, whose nephew donated it to Tatura MuseumSandstone piece with carved map of Austraiia, Tatura 1939-1940, and a 1939 penny inserted in the stone."Tatura Vic.1939-40." Map of Australia/Bird.internment camp 1, tatura, german internee..

StoneCarvings

Inge KING (26 November 1915 – 23 April 2016) Born Berlin, Germany Arrived Australia 1951 Inge King trained as a wood carver and studied at the Berlin Academy (1937-1939), Royal Academy London (1940), and the Glascow School of Art (1941-1843) . She moved to London in 1847 and began carving organic abstract forms in wood and stone. In 1949-50 she went on a study tour to the United States of America where she was inspired to work in metal . Inge King arrived in Australia in 1951 and she completed several large scale public works. Between 1861 and 1875 Inge King lectured at the Institute of Early Childhood Development, Kew. From 1976 to 1987 she lectured in Sculpture at Royal Melbourne Institute of Technology. She was a founding member of the Ceminal Centre Five group, and she actively lobbied architects, governments and State galleries to include modernist sculptures in their plans and displays. In 1991 Inge King joined the first National Trust of Australia (Victoria) Public Art Committee, advising on public art at risk and worthy of Trust classification. The Australian Women's Art Register describes Inge King as having been at the forefront of developing a non figurative vocabulary in Australian Sculpture. Welded bronzed steel sculpture painted black and red. This sculpture by Inge King was purchased in 1967 with funds raised by staff and students of Ballarat Teachers' College, a predecessor institution of Federation University Australia. During this era a collection was made which resulted in an annual purchase or commission of an artwork of note. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Signed 'I. King' on the lower steel plate. art, artwork, inge king, king, sculpture, ballarat teachers' college collection, welded metal, metal sculpture

Rock with carved name W Steele 1888 on South Beach. Research has been fairly extensive but no further information can be established at this time.Black and white photograph of a carved rockRock inscribed W Steele 1888 (on Stone )photo, rock, carving, william steele 1888, w.steele, south beach, pea soup

Index,ill, p.367.non-fictionThe author and explorer of Kon-Tiki fame here recounts for the layman his archeological adventures on Easter island, where his expedition uncovered many facts about the island's giant statues, secret caves, ancient stone-carving natives, cannibalism, and civil warseaster island - ethnology, easter island - antiquities