The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) In 1863-4 A.Marion & Co. 23 Soho Square, London, were publishing cartes for Southwell Brothers of 16 & 22 Baker Street W. London, and in c.1866 producing cartes wholesale for Mayall of Regent Street. They appear to have printed numerous cards with a very small name printed onto the lower front. Travelling photographers would purchase the cards and sometimes have their own personlaised details printed onto the back..6) A tintype studio portrait of two seated men in suits, attached to a card, possibly brothers. On lower edge of card "marion Imp. Paris"little gem, tintype, photography

Black and white photograph mounted on dark frame. 3 police officers on formal suits from the early 20th century posing for photograph in front of varandah at Russel St Police depot. On the middle, superintendent Kennedy seated in serious countenance, with Cawsey and Consendine[?] standing next to him.Handwritten: (top left) Kennedy seated // Cawsey on Kennedy right // Consendine on Kennedy left (top right) CP 46 // 68 Paper glued into frame, handwritten: - Lefit to right - // Detective Cawsey // Superintendent Kennedy // Detective Consendinevictoria police museum, police officers, police force, detective cawsey, superintendent kennedy, detective consedine

Black and white photograph mounted on bege frame with red ornaments. Seems to be taken very early in the 20th century, before WWI. 3 Gentlemen stand on room, facing each other and not the camera. On the left, men is relatively more simple dressed, with small hat. In the middle, men with tall hat and pocket watch on fancy suit. And on the right, older man with hat, walking stick and overcoat.Handwritten: (top left) 55 P99(crossed out) (top right) AP 78 (bottom left) 81 (centre) (stick) FOYLE // PHOTOGRAPHER // WARRNAMBOOLvictoria police museum, police officers, police force, foyle photographer, warrnambool

Digital scan of black and white photograph. Names not recorded.

Poster promoting suits made from Australian woolthe new suit/you can trust the wool/ that wears the WOOLMARKwool marketing

Fourfold flyer from Ashman's Men's Store presenting options for men's suits..menswear, suits, ashmans

Suit pants, cream, natural, wool. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Black and white photo of a H crossing overhead that suits both trolley poles and pantographs..1 - On the rear in ink - "Newly hung o/head crossing suits panto's and poles"trams, tramways, overhead, mmtb, trolley poles, pantographs

Suit vest, cream, natural, wool and cream silk. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982.Part of the 'Sheep to Suit' event outfit.textile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Suit jacket, cream, natural, wool and cream silk lining. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

This pant suit belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with Darren, Jenny and their three children. Stell-Ricks was the label of Melbourne fashion designer Stella Dare.Pant suit comprising tunic (.1) and flared pants (.2) made from cream, yellow and gold lurex woven in a floral pattern. Tunic has a pair of non-functional pocket flaps at breast and two finctional pockets at front hip area. Tunic fastens with a centre back zip. Tunic lined with shell pink poyester satin; pants unlined.Label woven white on black acetate centre back tunic: Stell-Ricks / OF MELBOURNE / SUITS TOPCOATSpant suit, 1970s fashion, chevy chase, overend family, bernice overend, melbourne designers, stell-ricks, stella dare

Grey jumper, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which was worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event. Worn by participant in the 'Sheep to suit' event.Textiles/TAFE [Japanese characters]textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

The Sidcot Pattern Flying Suit was the general suit used by the British AM (Air Ministry) during WW2. This suit dated 1941. Used by the RAF and the RAAF.Khaki flying suit with map pocket. Zips on front right side and sleeves. Lambswool collar

Neck tie, part of the outfit for the "Sheep to suit" record attempt, Melbourne School of Textiles,1982.Part of the 'Sheep to Suit' event outfit.Gary David/ highest quality/MADE IN AUSTRALIAtextile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Business shirt, gold with collar, long sleeves and cuffs. Part of the outfit to go with the "Sheep to Suit" record attempt, 1982.Part of the 'Sheep to Suit' event outfit.sheraton/ styled in/ Permanent Press/ KORATRON/ 65% polyester/ 35% cotton /15 1/2textile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Various playing cards with large print numbers and suit types. Playing cards with red and white design with numbers and suit in large print. recreation equipment, games

Black track pants, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which were worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event.textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

This type of diving suit was used for construction diving by the Melbourne Port Emergency Service.Early type of diving suit used in underwater construction since the 1940s before rubber wet or dry suits.Siebe Gorman standard dress full body diving suit with head cap and gogglesdiving suit, diving, underwater construction, mpes

Professional portrait of unknown man wearing a pin striped suit, white shirt and tie. 1 B/W portrait of man in pin stripe suit, white shirt and tie26 2917 C.3association for the blind, elanora home (brighton)

A 52 playing card set (plus two jokers) with large print numbers and suit types. Playing cards with red and white design with numbers and suit in large print in paper packet. recreation equipment, games

A 52 playing card set (plus two jokers) with large print numbers and suit types. Playing cards with black and white design with numbers and suit in large print in paper packet. recreation equipment, games

Framed photograph of a man looking at the camera. He has a salt and pepper mustache and wears a dark suit with white shirt and a dark thin tie. At present it is unknown which organisation he was involved with. The only clue are the words 'Robert Bruce' on the reverse of the frame.Digital image of man in suit and tierobert bruce

Tie worn by Vernard G. Williams on his marriage to Dorothy Cunnington on 27/09/1958. See suit NA4152Plain grey tie worn at a Wedding with suit NA4152 and pink cummerbund NA4129'Austico'costume, male ceremonial

This baby’s flannelette romper-suit is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th CEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A baby’s home-made flannelette, romper-suit. Most likely night-wear.clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork

"Sheep to suit" -The Melbourne College of Textiles, 1984. The story of the Melbourne College of Textile's World Record of 1hr, 32 minutes, 33.52 sec on June 24, 1982, recorded by the Guinness Book of RecordsBooklet describing the 'Sheep to Suit' event for the Guiness Book of World Records.textile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing