Showing 114 items
matching tag -clothing
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Bendigo Historical Society Inc.
Memorabilia - JOHN BROWN TAG
... Tag -clothing...Object. John Brown Industries Ltd.,tag for clothing... DOMESTIC EQUIPMENT Tag -clothing Object. John Brown Industries Ltd ...Object. John Brown Industries Ltd.,tag for clothing?. Circular tag with 9cm string attached.domestic equipment, tag -clothing -
National Wool Museum
Archive - Alexander Lau Clothing Tag, Alexander Lau Pty Ltd
... Alexander Lau Clothing Tag...Glossy paper clothing tag with rainbow coloured logo...Alexander Lau Clothing Tag Archive Glossy paper clothing ...Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissioned many of his textiles to be spun and woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Glossy paper clothing tag with rainbow coloured logo and black printed text.front: CRESTKNIT KNITWEAR & / ALEXANDER LAU FABRICS / TOGHETHER IN / CO-ORDINATING FASHION / (SEE OVER) back: This ticket is your / SYMBOL GUIDE / to help you to / co-ordinate this garment with / a color-matched CRESKNIT lambswool / pullover or cardigan. / Look for the matching ticket on / CRESKNIT LAMBSWOOL KNITWEAR / and you'll find colors created to / give you sophisticated / CO-ORDINATION. -
Bendigo Historical Society Inc.
Memorabilia - GROWERS MASH
... Clothing Tag... DOMESTIC EQUIPMENT Clothing Tag Object. Tomlins Simmie's Growers ...Object. Tomlins Simmie's Growers Mash analysis tag. No 04338. Manufactured by Tomlins Simmie, 87 Charleston Road, Bendigo.domestic equipment, clothing tag -
Montmorency/Eltham RSL Sub Branch
Uniform - Blouse, Khaki, Patt.'49 Battle Dress, 1949 Battle Dress, 1988
Pattern 1949 Khaki woollen battle dress blouse. Five front buttons. Two front pockets, one on the left and one on the right.Two buttoned epaulets with embroidered crowns signifying rank of Captain.Royal Australian Regiment patches sewn on the left and right shoulders. Belted at the waist..Two red patches on each shoulder embroidered with Royal Australian Regiment. Identification tag sewn on the inside at the back of the neck - Docket number - 39614-14. Size - J K + M Serge KH. Garment no. - 209. Remarks - Vanzwol or Vanswol, J handwritten on tag. Tag sewn inside left front panel - A.G.C.F. VIC 1988 ARMY NO. NAME B34 handwritten. Care states - dry clean only, crease upper half of lapels only.battle jacket, royal australian regiment, van swol, van zwol, vanswol, vanzwol -
Montmorency/Eltham RSL Sub Branch
Uniform - Trousers, Khaki, Summer Dress, 1989
Wool and polyester khaki dress trousers. Two pleats at the front. Fob pocket on the right front. Front zip with metal closure and button tag.. Pockets on the left and right hips. Pocket on the back right side with hidden button and button hole.Seven belt loops on waist band. Four small horizontal loops on the waist band, two at the front and two at the back. Label on the inside on the lining of the back pocket states - A.G.C.F. (Australian Government Clothing Factory) Vic 1989. 8405.66.018.5545. Macquarie 89. Batch U. Size 87.5L W.87.5 IL.82 Army No. Name. Dry clean only. re press on original creases use damp cloth or medium to hot steam iron. White tag on the waist band on the right back stating - Size 87.5L. Tag on the right hand side on the back above the pocket stating - This tag is for identification only. Please remove before wearing. Docket No. 1106512 Order No. 29743836 Size 87.5L Garment No. 20851A Remarks 6I11Manufacturer - A.G.C.F. VIC 1989polyesters, dress trousers, wool polyester -
Montmorency/Eltham RSL Sub Branch
RAAF Tie, 1990
Donated by CPL Bramley who was in charge of our Catafalque Party ANZAC Day 2006Blue CottonSewn Tag ADI P/L 1990, 8440-66.062.073, Defence Australia 5047.clothing -
Geelong RSL Sub Branch
Service Records VX 110629 Sig F T Purcell, Mid 20th Century
The documents belong to VX 110629 Sig F T Purcell who served in the Australian Miliraty Forces from 18 April 1941 to 27 March 1946These are the original Documents belonging to VX 110629 Sig F T Purcell3 x Oblong Books, 1 x Quarto Size Certificate of Discharge, 1 x Final Statement of Final Account - Discharged Member, set of Dog TagsVX 110629 Sig F T Purcell Record of Service Book AAB 83 VX110629 Sig F T Purcell Demobilization Proceedure Book AAB 87 V 59307 Special Clothing Ration Book Discharged Setrvice Personnel Certificate of Discharge VX 110629 Sig Francis Thomas Purcell Form WF 88 Final State of Account - Discharged Member Mr F T Purcell VX 110629 Dog Tags - one tag round VX110629, RC, Purcell FT, one tag octagional VX110629, RC, Purcell FTdocuments, records service, book, australia military -
Lara RSL Sub Branch
Uniform, Commonwealth Government Clothing Company, Officer Dress Uniform Trousers
Black Officer's Dress uniform Trousers with Red Stripes 4.3cm To be worn with BracesRed Stripes Tag on inside CGCF -
Bendigo Military Museum
Headwear - BERET, RAN, Commonwealth Government Clothing Factory, Post WW2
L. Schilling collection.RAN Beret, white, stiff cotton woven with strong thread lines in one direction.Tag inside: “CGCF, Size 7 3/8, RAN, Made in Australia”uniforms - navy, costume - male headwear, ran -
Orbost & District Historical Society
documents, C1915 -1920s
These items were found in the ruins of a house/ hut located along the Clarkesville Road at Bendoc. The donor, David Buntine was stationed in Bendoc in 1969-1971 managing timber harvesting operations for VicForests. The swatches of curtain material are from Edward Arnold & Co Department Store of Oxford and Crown Streets, Sydney. The six tag labels are from Schute, Bell & Co Ltd - Wool & Produce Brokers, Sydney. There is a carbon copy of a receipt from the Shire of Orbost to Mr J. Dent. It is dated 9-10-1915 and is for the amount of 10 shillings. There is a receipt for a gun licence dated, 18-5-1920 and is from Edward Dent for 10 guineas. The invoice / receipt is for men's clothing and cups from Peter Joseph General Storekeeper at Delegate and is dated September 1920. There is an overdue notice to Isaac Dent, Bendoc for a 12 month subscription to "The Bombala Times" - W.G. Tweedie. Isaac Dent was married to Margaret Leslie and had six children - Isaac, James, Mary Ann, Charles, Elsie and Joseph. They made their home at Burrumbooka, near Bombala. The Bombala Times newspaper has been continually published since 1863. It was owned by the Johnson family between 1938 and 1975. These documents are early 20th century records of business transactions. The Dent family were early settlers in the Bendoc / Bombala district.A collection of invoices, receipts, labels and a card of material swatches. 3095.1 is a rectangular card with swatches of material stapled to it. 3095.2 and 3095.3 are rectangular pull apart labels. 3095.4 and 3095..5 are carbon copies of receipts. 3095.7 is an overdue notice. All documents have hand-written and printed information.dent-isaac-bombala edward-arnold-&-co schute-bell-&-co joseph-peter-delegate bombala-times -
Warrnambool and District Historical Society Inc.
Clothing, Jacket South Warrnambool Football Club, 1930s
This blazer belonged to Gordon Burleigh (1888-1956) who lived at ‘Macken Hill’ in Mepunga. He was the ninth child of James and Janet Burleigh who were early settlers in the Nullawarre area. Gordon Burleigh was a prominent and successful sportsman playing football and cricket in the local area and playing one game in 1914 in the Victorian Football League for Geelong. The blazer indicates that the cricket team he played for was the Premier team for 1934, 1935, and 1936 and the ‘S.W.’ on the blazer pocket may indicate South Warrnambool but it is more likely to be ‘South West’, perhaps the name of the district the team played in. This blazer is of considerable interest as it belonged to Gordon Burleigh, a prominent sportsman in the district in the early decades of the 20th century.This is a maroon-coloured blazer which belonged to Gordon Burleigh of Mepunga. It has gold-coloured edging and piping on the sleeves, pockets and edges (collar etc) of the blazer. It has two material-covered buttons and stitched buttonholes and gold stitching on the pocket. There is a tag on the collar but no writing is visible. Pocket: ‘Premiers, S.W., 1934-35-36’gordon burleigh, local cricket in the 1930s, warrnambool -
RMIT Design Archives
Mixed media - Textile Design Sample, Design for Clothing Label, 1958
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. The Boy Scouts commissioned this point paper design featuring a boy, puma and snake. It is inspired by imagery from Kipling’s Jungle Book.Point paper design featuring boy, puma and snake. Corresponding clothing label attachedtextile design, design -
RMIT Design Archives
Mixed media - Drawings, Design for clothing label featuring map of Australia
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. Point paper design featuring map and flag. Corresponding clothing label attachedtextile design, rmit design archives -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
National Wool Museum
Clothing - Jacket, Mrs Jean Inglis, 1988
This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori -
National Wool Museum
Clothing - Jumper, 1993
Stanley Couzens of the Wathourong community was commissioned by Geelong Wool Combing Ltd to create a painting of the You Yangs and Corio Bay to be reproduced on a jumper. The jumper itself was designed by Jeni McMahon using Merino wool from her property McMahon Farm Pty Ltd. Jumper was presented as a gift at the opening of the Geelong Wool Combing LtdWoolen Jumper containing red, mustard, green and cream depicting Indigenous artwork. Sold colour cuffs and collar of black. Size XL, label stitched to inside neck with paper swing-tag attached. jumper, indigenous, wool, geelong, 1993, geelong wool combing ltd, stanley couzens, jeni mcmahon, woolmark, you yangs, corio bay, wathourong, snake, fish -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1930
Black Shiny Straw Hat. Grosgrain Ribbon edged with Straw rhinestone ornamentation. Shallow crown flat brim. Price Tag attached. McClure familystawell clothing material -
Hume City Civic Collection
Clothing - stockings - ladies, Golden Opportunity
The stocking were worn with corsets or a suspender belt and were fastened to the foundation garments with suspenders. 60 denier stocking were not the finest knit stocking. The stockings are seamed and have a heel and toe shaping.A coffee coloured pair of 60 denier nylon stockings Size 10. The 'Myer' price tag is on the inside of the leg and shows the department (26), the size (10) and the price (9/9). There is a band of red around the top of the ribbing.GOLDEN OPPORTUNITY / 60 DENIER / SELECTED MEDIUMS / NO 2 NYLON 10myer, hosiery, nylon stockings, clothing and dress, footwear accessories, george evans collection -
Hume City Civic Collection
Corset
This item was used by women to enhance their figure (body) and held their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.Flesh coloured leaf and flower embriodered cotton material corset with stays, elastised inserts and full length hook and eye closure. There is a small attached inner control with stays, elastised and hook and eye closure. Four suspendersManufacturers tag "Liberty/Made in Australia..."clothing and dress, george evans collection -
Hume City Civic Collection
Corset
This item was used by women to enhance their figure (body) and hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.Pink floral embriodered cotton material corset with stays, elastised inserts, metal hook and eye closure, two lace-up sections with elastic straps and metal buckles, four suspendersTag "Gross/Support"clothing and dress, george evans collection -
Ballarat RSL Sub-Branch Inc.
Trousers, Conway Bros Pty Ltd, 1969
Standard issue Air Force trousers.Navy blue, woollen pants, plastic buttonsInside tag: "CONWAY BROS PTY LTD" / "1969" / "A ^ F" / "SIZE 0" / "8405-66-012-3732" Inside back pocket: "J. Vaitkevics" written in blue pen, and "Wilson" has also been written in blue pen, but it has been crossed out.military clothing, military uniforms -
Bendigo Military Museum
Clothing - BVD UNDERWEAR, 1970
Standard Army issue BVD underwearUnderwear, BVD green colour, shorts style with fly in front, elastic waist band.On tag in front, “B.V.D size 38 - 1970 (arrow up) 8420 - 66 - 021 - 5783” Tag on back,”Army No ............... Name .............”clothing, underwear bvd, army issue -
Clunes Museum
Clothing - NIGHT GOWN
NIGHT GOWN ORIGINALLY WORN BY ERNEST HULL - SON OF JOHN AND WILHELMINA HULL, FORMER RESIDENTS OF DUNACH, VIA TALBOT. ORIGINAL NAME TAG AT NECK [MINNIE HULL] MCLENNAN [GRANDDAUGHTER OF MRS. HULL, NIECE OF ERNEST HULL.] FOUR GENERATION OF CHILDREN HAVE WORN THIS NIGHT GOWN.INFANTS NIGHT GOWN, WHITE COTTON, BODICE PIN TUCKED, TRIMMED WITH EMBROIDERED COTTON EDGES.M Hlocal history, costume, infant, infants night gown -
Clunes Museum
Clothing - NIGHT GOWN
ORIGINAL NIGHT GOWN WORN BY ERNEST HULL - SON OF WILHELMINA AND JOHN HULL, FORMER, RESIDENTS OF DUNACH VIA TALBOT. ORIGINAL NAME TAG AT NECK M H. [MINNIE HULL] MCLENNAN [GRANDDAUGHTER OF MRS. HULL, NIECE OF ERNEST HULL] FOUR GENERATIONS OF CHILDREN HAVE WORN THIS NIGHTGOWN.INFANTS LONG WHITE COTTON NIGHTGOWN TRIMMED WITH COTTON LACE INSERTION, AND EMBROIDERED COTTON EDGING.M H MCLENNANlocal history, costume, infant -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy blue necktie with yellow and brown diagonal stripe and single HGC logo.Manufacturer's tag on back of tie: "Holly Green, Made in Australia", "Man-made fibre"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy blue necktie with diagonal stripes and single HGC logo repeated over tie..Manufacturer's tag on back of tie: "Holly Green, Made in Australia", "100% polyester"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Solid navy necktie with letters "HGC" embroidered in gold.Manufacturer's tag on back of tie: "Tee Dee Made in Australia", "100% polyester"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Black necktie with yellow and red diagonal stripes and HGC logo on bottom of tie.Manufacturer's tag on back of tie: "Career Dressing and phone number"heidelberg golf club, memorabilia, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Black necktie with 2 yellow and red diagonal stripes and HGC logo in between.Manufacturer's tag on back of tie: "Career Dressing and phone number"heidelberg golf club, memorabilia, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy necktie with multiple yellow and red diagonal stripes and single HGC logo.Manufacturer's tag on back of tie: "Holly Green. Made in Australia. Man made fibre"heidelberg golf club, memorabilia, neckties, club ties