May Sewell was born in Beechworth in 1917, her paternal grandparents had come to Beechworth from Ireland and her maternal grandparents from Scotland. She was the youngest of five siblings and the only one to be born in a hospital rather than at home. May loved growing up and living in Beechworth, and fondly recalls knowing all her neighbours, meeting friends at the pictures, attending girl guides, picking wildflowers around the gorge, participating keenly in the Church of England choir and dances, and the big Easter festivals. May worked various jobs before getting married. After leaving school at fifteen, May learnt dressmaking with Lal Anderson (and was delighted with her wage of two and six pence a week) and then went on to learn tailoring with Mr Charles. May then worked in the dining rooms at the Commercial Hotel and Hotel Nicholas. May was at the Hotel Nicholas for seven years but stopped when she got married as female employees were not asked to stay once they were married. May married her husband in 1944 and had known him since school. They went on to have six children, sadly three did not live past infancy. Her first children were twin girls who died six hours after birth. May briefly discusses the difficulty in grieving her twin daughters, the lack of available support, and the expectancy to carry on. Her next child, a son named Ian James, died when he was only ten months old from a tumour. May described Ian James as a lovely boy. May had multiple connections to the Zwar Brothers' Beechworth Tannery. Her father and then her three brothers worked there, and also her husband for a short period of time. The tannery was a major employer in Beechworth, and May having multiple family members employed by the tannery underlines the significant role of the tannery in Beechworth. May described her husband as very hardworking, he worked as a cleaner overnight at the Ovens and Murray Hospital for the Aged while during the day tended his cattle and sheep farm. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Miss May Sewell’s account of her life in Beechworth is historically and socially significant to the cultural heritage of the region. May in reflecting on her experiences of leisure opportunities, town festivals, work available for women, leaving the workforce once married, the tannery, post-natal care, grief and child mortality provide essential historic, economic, social, and healthcare insights. May’s oral history recording is part of a larger collection of oral histories recorded by Jennifer Williams in 2000, collectively they provide invaluable insights into Beechworth during the 20th century, much of the information in these oral histories would be lost if not documented and missed in the interpretation of tangible objects. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs May Sewellmay sewell, oral history, jennifer williams, listen to what they say: voices of twentieth century beechworth, beechworth church of england, easter festival, beechworth girl guides, hospital birth 1917, lal anderson, tailor beechworth, commercial hotel, hotel nicholas, zwar brother's beechworth tannery, ovens and murray hospital for the aged, dressmaking beechworth, beechworth cinemas, paul voglis

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

The original medals were issued to Corporal Clark VX34546 for his war time service. The court mounting is in the correct order of precedence. Court mounted WWII Medals comprising 6 original medals, ribbons and clasp (Africa Star with 8th Army Clasp; 1939-45 Star; Pacific Star, Australian Service Medal 1939-45, 1938-45 War Medal, Defence Medal. On the reverse is a tag bearing the tailor's name, "Russ Johnston/Tailor"ww2, world war 2, 2/24th battlion

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Norman Thomas Henshaw operated a tailor's business in High Street, Wodonga for several years. He was born in Albury in 1891, the sone of WIlliam Henshaw and Ellen nee Goldsworthy. At various times, Norman operated a tailor business in Albury, Rutherglen, Beechworth and Wodonga. His business in High Street, Wodonga was advertised as being located opposite the Fire Brigade Hall. Mr. Henshaw died 10 September 1966 and his wife Agnes died on 30 July 1999, aged 107. They are buried in the Waugh Rd. cemetery in Albury, NSWThis item has local significance as it represents business which operated in Wodonga in the 1920s. It is also representative of a significant local family.A metal and enamel match box holder promoting Henshaw's Tailor in Wodonga. The back features a calendar for 1927. On Front: "With compliments from/ N. T. Henshaw/ Tailor/ High Street "/ Wodonga/ G. & G. A/SIA. LTD. On Back: 1927 Calendar On Side: "STRIKE" N. T. HENSHAW / TO BE SUITED"wodonga businesses, henshaw tailor, high st wodonga