TEAL Tasman Empire Airways Limited 1940-1965 issued this bookmark c. mid1950s. The reverse side explained the significance of the logo and its Maori meanings. The airline became Air New Zealand from 1965 onward.new zealand, airlines, teal, air new zealand, bookmarks,

Promethazine hydrochloride is an anti-histamine with strong sedative effects. It is used as a sedative and to combat hay fever, allergic reactions, nausea and vomiting.Amber coloured glass ampoule with yellow band on neck and teal coloured print on glass containing 50mg in 2ml of Hermethazine [promethazine hydrochloride].Printed on glass in teal: CAUTION S4 / HERMETHAZINE / PROMETHAZINE / HYDROCHLORIDE / 50mg in 2ml / DAVID BULL / EXP APR 81hermethazine, anti-histamine, sedative, hay fever, allergies, nausea

The Cup Squad was an under-18 team selected to play for the NAB AFL Under-18 Championship (formerly known as the "Teal Cup"). The players and officials in this photograph are residents of Emerald and environs.B/W photograph of the 1986 Yarra Valley & Mountain Districts Football League Cup Squad, 27 people in all. Woori Yallock Cricket Club shield on wall in background.Handwritten on rear: YVMDFL Cup Squad - 1986 ["TEAL" crossed out, replaced by "YVMDFL"] Richard Wicks - Emerald Robbie Walker - Emerald Shane Brockwell - Emerald Geoff Ladner - Healsville [sic} then/later Emerald yarra valley mountain districts football league, football, nab under-18 championship

The family history of George Ridgewell. This Information was mainly obtained from records held by the Stawell Historical Society which comes from various Stawell Papers; from Stawell cemetery records, from baptisms at ST. Patricks Roman Catholic Church, Stawell; from Stawell rate records; from Hotel Licenses and Hotel records; from residential areas obtained under Miners Right and the Land Board; from accounts of Weddings and funerals and from the Victorian Index of Births, deaths & Marriages.Teal Plastic cover and spine on white sticker on spine - George Ridgewell Book 2stawell, family history

A Vietnamese Not that is teal colour, 466763currency, dong, julian peter mcnamara, mcnamara, australian army, 3794332, trooper, royal australian armoured corps, b squadron, a squadron, national service, 1st armoured regiment

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Unclear as to which Victorian disabled sports organisation this pin represents.Small lapel badge in the shape of the state of VictoriaGold wheelchair and letter V on top of dark teal background.

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Teal knitted ribbed beanie with gathered crown.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Business card for a medical centre, Greensborough Road Surgery, at 520 Greensborough Road, Greensborough.Business card, teal blue card with white text and colour image.business cards, greensborough road surgery, greensborough road greensborough, medical centres

Invitation card for the private opening of the Wattle Path Palais & Cafe, on the Esplanade, St Kilda, on 30 October 1923. The event was written up in The Argus newspaper the next day as follows: WATTLE PATH PALAIS OPENED. Five thousand persons were present at the "private opening" last night of the Wattle Path Palais and Cafe, St Kilda esplanade. The mayor of St Kilda (Councillor Allan) welcomed the guests on behalf of the management. The floor, 190ft. x 90ft, is claimed to be the largest specially constructed for dancing in Australia. There was much to admire in the colour tones, which blended brown, blue, and gold harmoniously, while soft lighting effects came from old gold georgette and crepe-de-chene lamp shades. A good band was provided. Sixty-five loges are available for parties of dancers. A feature of the building is the open-air pagoda, in which free band concerts are to be given on Sundays.White card, discoloured with age, printed in brown with teal profile in background.wattle path palais & cafe, palais de danse

Advertisement for the Majestic Private Hotel, 151 Fitzroy Street St Kilda. The building was constructed in 1912 as a block of flats, designed and built by JR Daley, and was renovated in the 1930s. After a fire in 1981, most of the rear of the building was demolished and replaced by modern apartments.White paper printed in black on both sides, and some teal, and laminatedmajestic hotel, fitzroy street

Family history of George Ridgwell Book iTeal Plastic Cover with green spine title on white tape on spineGeorge Ridgwell Book istawell, family history

Military Payment Certificate, $1, Blue, Teal & Umber, #B25251510B-7currency, military payment certificates, mcnamara, julian peter mcnamara, australian army, 3794332, trooper, royal australian armoured corps, national service, b squadron, a squadron, 1st armoured regiment

Book titled "Time-line history of Melbourne's Government Cable and Electric Trams and Buses", prepared by Barry George, Don Storey, John Birch with photographs by Ray Marsh. Gives a timeline history of Melbourne's government (with some private, VR) tramway and bus transport from 1868 to 1 October 1997 when the PTC was corporatised. Also gives opening and closing dates for each electric and cable line. Provides information on events on specific and approx. dates. Yields information the history of Melbourne tramways and specific events.Book - 130? pages - A4 - perfect bound with black binding tape on outside, colour printed card coversMany entries have been marked with a teal or pink marks to high light them.mmtb, tramways, melbourne, history, the met, ptc, cable trams

This is a booklet made up of two pages folded to make 8 pages. The outer page is made of thickened cream paper. On the front is to symbol of the Masonic Lodge printed in Gold and Teal Blue with the writing printed in different Fonts and sizes in the Teal Blue. The middle page is printed on white paper again in the Teal Blue colour with different Fonts and sizes used.r r wakenshaw, r j aitkin, r attenborough, a a backman, w j bart, w bellingham, g benham, j blackwood, b l broadbent, f brooke, c buchanan, r j butler, h a carrol, e child, l j cochrane, k cole, p colvin, s r colliver, k a day, b darlington, w l dick, j r dusting, h r edwards, a ellett, c fraser, h e gill, a j gilcrest, w j gilcrest, f p goepel, c graham, m g hardy, r d hardy, t a hatty, a b hewitt, v w hibbert, e j holley, f honeychurch, c e hubbard, w hubbard, a humphries, e johnson, w johnson, j a kappler, a j kevan, d l kinsella, l laidlaw, r j lees, r levey, s levey, s e lewis, g light, t light, g h lucas, t mcclure, r mcgregor, k mcinnes, c s mcleod, j c mackin, f j marsh, n maughan, r maughan, h mills, w mills, a nicholson, w k paterson, a m perry, j d pollock, b ridgeon, h e ridgway, j robertson, h scott, j scott, l seddon, w c smith, h st clair, j h storey, l vick, e v wadsley, j h walsh, p c wildes, a r white, e r williams, w g winters

10 pages A4 white paper. teal accents throughout. Colour photographs. workshops, mass media, vocational guidance

Miniature shoes belonged to Martha Edwards who died in 1957, married in 1897. Martha was donor's grandmother. Donor's uncles worked at Geal Bros. Pottery so possibly made there.A pair of miniature dark fawn coloured pottery shoes with some teal paintingceramics, earthenware, ornaments

Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Interactive CD Rom titled "Liquid" accompanies Re_Designed pack, features students and examples of their work. Successfully tested on vintage Macintosh G4 with Mac OS 9.2.2 The end of year exhibition theme appears to have been "Solid, Liquid, Gas"CD Rom printed two colours (yellow and very dark teal) single sided.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer

University of Ballarat was a predecessor of Federation University.Teal edged handbook from the University of Ballarat with a picture of students on a lawn with man paintinguniversity of ballarat, handbook, university of ballarat handbook

University of Ballarat was a predecessor of Federation University.Teal edged handbook from the University of Ballarat with a picture of students on a lawn with man paintinguniversity of ballarat, handbook, university of ballarat handbook

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Teal glittery top with short sleeves, fake tie at the front and in-built bodice panel. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Programme of a Legacy Demonstration at the Melbourne Town Hall on 2nd November 1932. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Aaron Beattie was the coordinator of boys classes and his collection of programmes have been included in the collection.A record of a Junior Legacy annual demonstration.Printed programme for 1932, teal cover with navy print and cream paper with black text. On title page in blue ink 'Aaron Beattie'.annual demonstration, junior legatee

History unknown26 count beige linen hemmed with six teal blue and red darning patchesH.L

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Dark teal green corduroy woman’s beret. The beret has a bow of the same fabric at the rear.Nilwomen's clothing -- hats, berets, headwear