Showing 3 items
matching television license
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Eltham District Historical Society Inc
Photograph - Document, Combined Receiving License: Mrs E.T. Orford, 1973
... Television License... Combined Receiving License Television License Radio License ...When television began transmission in Australia in 1956, viewers were required to pay 5 pounds for a licence to watch. Failure to pay could incur a fine of up to 50 pounds. They were eventually abolished in 1974 by the Whitlam government. This license, one of the last to be issued cost $26.50 for one year and allowed the user and members of their family to use radios or televeisons installed in the home or motor vehicle.eltham, ernest thomas orford, reynolds road, combined receiving license, television license, radio license -
Flagstaff Hill Maritime Museum and Village
Leisure object - Stereoscope, H C White, Late 19th century
The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment -
Unions Ballarat
The Australian moment : how we were made for these times, Megalogenis, George, 2012
An account of some of Australia's best economic, political and social reform, including interviews with Fraser, Hawke, Keating, Howard, Rudd and Whitlam's confidant Graham Freudenberg. Table of contents: Three years late to the party The Gough shock A gathering crisis The ingredients for a crack-up Testing the nation's constitution The age of the rorter The siren song of the quarry The drover's dog has his day Learning to let go A license to reform Getting ahead of the game The cult of property Recession as nation-builder The dynamic duo dissolves The last serious election Rolling back the years Passing the tests He of the never ever Tuning in to globalisation The last rich nation standing. Relevant to Australian history, economics, social reform and politics.Paper; book. Front cover: white background; colour photographs of Malcolm Fraser, Bob Hawke, Paul Keating, John Howard, Kevin Rudd and the character Kath (from the TV show Kath and Kim); red, black and blue lettering.Front cover: author's name and title; quotes from Annabel Crabb and Don Watson.btlc, ballarat trades hall, ballarat trades and labour council, economics, politics, social history, alp, australian labor party, liberal party australia, rudd, kevin, fraser, malcolm, whitlam, gough, howard, john, hawke, bob, freudenberg, graham, social reform, prime minister, society and culture