Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & ink sketch on paper of a two-storey terrace house by the artist Joy Stewart. Inscription: "Terrace House". Signed lower right: "JStewart"joy stewart, terrace houses

A miner from the Hustler's Hill mine struck a rich vein of gold and suggested George Lansell should buy all available share and enter into a partnership with him. The resulting fortune allowed the miner to build these substantial cottages of bluestone and named them Mt Pleasant House and View Hill House. They were later known as Bellyache Terrace. No 267 was eventually sold to G H Tatchell, solicitor. It was then bought by his son Charles Tatchell and remained in the family until 1939.A paper detailing the history of the two terrace house at 257 & 267 View Street. 1 Page. view street, house, goldfield

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Colour Photo taken from slide

Benjamin Street terrace houses 1890 to 1891 sub division Probably section 11 E 12 to 14 Braybrook Station Estate. See also Cat no 57benjamin street, sunshine, house

Colour slide in a mount. Terrace Houses, Corner Gipps and Simpson St, East Melbourne, Victoria, AustraliaMade in Australia / 21 / JAN 65M / Terrace House Gipps St, E. Melb (Handwritten)melbourne, slide

Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2003.A landscape painting of a terrace house painted in oils using yellows, greens, blues, greys, browns, oranges, and white.Obverse: Taylor/ (bottom right corner) Grand Winner - 2003/ Richmond Patterns/ Artist: Kevin Taylor/ Judge: Herman Pekel/ (plaque mounted on frame)wangaratta art gallery, kevin taylor, landscape, painting, richmond, terrace house

Large two story quadruple fronted terrace houses.Black and white photographvictorian terrace house, victorian modern

Established in 1966, the Committee of Eastern Historical Societies (CEHS) was a network of historical societies in the region east of Melbourne. Kew Historical Society was a member of CEHS in 1980 when this tour of Queenscliff was organised and held. The photograph is one of eight taken on the tour by a member of the Society and later donated to the collection.35 mm colour transparency (slide) of Queenscliff, taken on a tour by the Association of Eastern Historical Societies (AEHS) in 1980."Terrace House Queenscliff 1980"queenscliff -- victoria, committee of eastern historical societies (cehs), khs-slides

Terrace houses in Kew. Undated.kew

Colour slide in a mount. Victorian terrace house, Australia14slide, robin boyd

Colour slide in a mount. Victorian terrace houses, AustraliaMount Made in Australia / 1 / Encircled 12 (Handwritten)slide, robin boyd

Colour slide in a mount. Terrace house, Melbourne, Victoria, AustraliaMount Made in Australia / 14slide, robin boyd

Colour slide in a mount. (Possibly) Terrace Houses, East Melbourne, Victoria, AustraliaMount Made in Australia / 21melbourne, slide

Colour slide in a mount. (Possibly) Terrace Houses, East Melbourne, Victoria, Australia6melbourne, slide

Colour slide in a mount. (Possibly) Terrace Houses, East Melbourne, Victoria, Australia8melbourne, slide

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Atelierhusene ("The Studio Houses"), 1938-45, Copenhagen, Denmark. (Architect: Viggo Møller Jensen.)Gronnemosealle, Copenhagen / Houses / 'Atelierhose' Terrace Houses for Artists / Arch. V.Moller-Jensen / 1943 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Terrace houses, Bay and Ingles StIdentified and dated on back in inkjanet walsh, allen walsh, built environment - domestic, bay street, ingles street

Black and white photograph of terrace house. Undated, possibly c1900 based on Leo's age and service date?Written on rear of photograph: "Franklin St. West Melb. Mrs. Herry (died aged 94) and friend. Mrs. H. holding Marie, Leo at gate (died 29.2.56 at Vaucluse N.S.W. Served AMC 1914-1918)."

Anthi Chilianis and her husband George lived in this house at 4 Hotham Street, South Melbourne for fourteen years from 1945 to 1959. They left the house when the family went to live in Ithaca. The house now houses a printing business. It was Anthi's favourite house and she and George often sat on the balcony drinking Greek coffee. Four photos showing different views of a terrace house in a narrow street. Clockwise from L-R: A lady standing in front of a verandah which is level with the street, A full view of the double fronted terrace house, Sitting on a seat on the narrow verandah, Standing in the kitchen inside the house. chillianis

Photo taken in McKenzie Street around corner from Police HQWilliam Nelson on a Harley Davidson, registration number 6-617, in front of a Victorian terrace house. Circa 1948police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle branch; police motorcycles; harley davidson motorcycle; nelson, william

Slide, Allan Budge Collection: Pairs & Terraces house, Bancroft Street. .A pair - unusual pediment over the windows.house, public, allan budge collection:, pairs & terraces

Terrace houses, McKenzie Street, Bendigo. Terrace on right is number 39 (number is located on right hand side of door).slide, bendigo, housing, terrace houses in mckenzie street bendigo

Slide, Allan Budge Collection: Pairs & Terraces, House, Eaglehawk. A pair; obviously different owners with one attempting to go 'modern'.house, public, allan budge collection:, allan budge collection:

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew)