Showing 260 items matching "textile art"
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Federation University Historical CollectionPosters, Textile Art and Design, 1992 - 1994
... Textile Art and Design...textile art and design...Ten student made exhibition posters for textile art and design including Koori art and design....textile art and design koori art and design koori batik anna stewart anne o'grady poster Ten student made exhibition posters for textile art and design including Koori art and design. ...Ten student made exhibition posters for textile art and design including Koori art and design.textile art and design, koori art and design, koori batik, anna stewart, anne o'grady, poster -
National Wool MuseumTextile - Minerva's Robe, Aquarian Esoteric Group, 2005
... knitting handicrafts textile art... - Anne Heywood, on behalf of the Aquarian Esoteric Group knitting handicrafts textile art aquarian esoteric group costume knitting handicrafts textile art Anne Heywood Robe 'Minerva's Robe' is a large hand knitted and felted garment decorated with beads, yarn twists and copper discs. ...‘In the Tracks of Hercules’ was a multi-media visual and performing arts event in London in December 2005, transforming this ancient hero into a spiritual trail-blazer for our time. The Lucis Trust, London, as part of its educational outreach sponsored this exhibition at the Wathen Hall and Lennox Gallery. The Lucis Trust is an educational charity which promotes an understanding of spiritual values and principles and works towards right human relationships. Alice Bailey in her book ‘The Labours of Hercules’ an astrological interpretation, links Hercules’ journey through the labours, with the twelve signs of the zodiac. The guidelines of the exhibition called for works of art, music, poetry, dance and prose that would encapsulate the great leap of imagination that Hercules faced at each stage of his journey to reach the highest expression of who he was. At the start of his journey through the twelve labours, the ancient story tells us “Minerva handed him a robe, woven by herself, a robe that fitted well, of beauty rare and fine. He put it on with triumph and with pride, exalting in his youth, he had to prove himself” (The Labours of Hercules, by A Bailey). The robe impressed upon him a sense of vocation. Our group, the Aquarian Esoteric Group, was studying Baily’s book early in 2005 and with so much creative ability in our group, my vision was to blend our many talents and create ‘Minerva’s Robe’. The Lucis Trust accepted our suggestion for the robe as an entry to the exhibition and the enthusiasm, creativity and joy that followed amazed us all. Inspired at each stage by one of us, with particular skills needed, knitting, felting, beading, dressmaking and copper engraving. It truly became the 13th labour of love! The robe was exhibited in the foyer at the performing arts and then at the visual arts exhibition. Now it has returned to Melbourne we feel it’s journey should continue as a gift to the National Wool Museum, Geelong, for future exhibitions we hope it will inspire the spirit of group endeavour to continue in our country and in the world. We believe in this lies the vision for humanity. - Anne Heywood, on behalf of the Aquarian Esoteric Group 'Minerva's Robe' is a large hand knitted and felted garment decorated with beads, yarn twists and copper discs. The discs represent the astrological signs of the group participants.knitting handicrafts textile art, aquarian esoteric group, costume, knitting, handicrafts, textile art, anne heywood, robe -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Celebration Cake
... Agricultural shows Handicrafts Textile Art Knitting Weaving...Melbourne Victoria Agricultural shows Handicrafts Textile Art Knitting The Afternoon Tea Party: Celebration Cake Textile Handcraft ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of cakes
... Agricultural shows Textile Art Handicrafts...Agricultural shows Textile Art Handicrafts The Afternoon Tea Party: Plate of cakes Textile Handcraft ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of cheese and asparagus rolls
... Agricultural shows Textile Art Handicrafts Knitting...Agricultural shows Textile Art Handicrafts Knitting Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to by from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool fleece.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., felting, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Strawberry Pie
... Agricultural shows Textile Art Handicrafts Knitting...Agricultural shows Textile Art Handicrafts Knitting Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from commercial wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., embroidery, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Chocolate Roll
... Agricultural shows Textile Art Handicrafts...Agricultural shows Textile Art Handicrafts Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from commercial rug wool, the plate by an unknown member.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., macrame, embroidery, ingeme, mrs val, agricultural shows, textile art, handicrafts -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of Jelly Cakes
... ...Textile Art...Agricultural shows Textile Art Handicrafts Knitting Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool blend yarn, the plate mae by Les Clarke from wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of Biscuits and Cookies
... Agricultural shows Textile Art Handicrafts Knitting...Agricultural shows Textile Art Handicrafts Knitting Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool blend yarn, the plate from wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., felting, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of Sandwiches
... Agricultural shows Textile Art Handicrafts...Agricultural shows Textile Art Handicrafts Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed by Janette Stonehouse and Val ingeme. the white bread and plate made by Janette Stonehouse and the brown bread by Val Ingeme.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., felting, embroidery, ingeme, mrs val stonehouse, janette - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Plate of Slices
... Agricultural shows Textile Art Handicrafts...Agricultural shows Textile Art Handicrafts Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, felting, ingeme, mrs val, agricultural shows, textile art, handicrafts -
National Wool MuseumBook, Sonya's Mob: the life and times of a Polish-Australian family
... Weaving Textile Art...Inludes information about her husband, Wlodek Zakrzewski who made and repaired spinning wheels. Weaving Textile Art Spinning Spinning wheels Carrington wheel Carrington-Zakrzewska Mrs Sonya Zakrzewski Mr Wlodzimierz Weaving Textile Art To the National Wool Museum / with our best wishes / Lois Carrington / George Carrington Sonya's Mob: the life and times of a Polish-Australian family Book ..."Sonya's Mob: the life and times of a Polish-Australian family" - Lois and George Carrington, Canberra, 1996 (self published). Includes a seperately printed index and location guide to Sonya Carrington's khilims. Biography of Sonya Carrington-Zakrzewska, artist and weaver. Inludes information about her husband, Wlodek Zakrzewski who made and repaired spinning wheels.To the National Wool Museum / with our best wishes / Lois Carrington / George Carringtonweaving textile art, spinning, spinning wheels, carrington wheel, carrington-zakrzewska, mrs sonya zakrzewski, mr wlodzimierz, weaving, textile art -
National Wool MuseumBook, Pam Gaunt, selected works 1989-1996
... Sewing Textile Art...Pam Gaunt is a Perth-based textile artist. Sewing Textile Art Gaunt Ms Pam Sewing Textile Art Pam Gaunt, selected works 1989-1996 Book ..."Pam Gaunt, selected works 1989-1996" Curtin University of Technology, 1997. Pam Gaunt is a Perth-based textile artist.sewing textile art, gaunt, ms pam, sewing, textile art -
National Wool MuseumQuilt, Dressed in Memories IV
... quilting textile art wagga...W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' ...This contemporary quilt celebrates women's domestic work through the generations in Australia.' quilting textile art wagga eastwood ms michele quilting textile art wagga Dressed in Memories IV W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. ...Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga -
National Wool MuseumQuilt, Green Ladder
... quilting textile art...In this case freedom from entrapment of thought, feeling and creativity.' quilting textile art steele ms jo quilting textile art Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder' W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. ...Winner of Expressions 2008: The Wool Quilt Prize Artist Statement: 'My friend Vriginia named this quilt for me and I thought "of course". A ladder is a means of rising or climbing and I began this work woth a sense of freedom. In this case freedom from entrapment of thought, feeling and creativity.'W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. Jo Steele's 'Eggshells & Iron Bars' Photocopy from catalogue '2002: One step further marvellous minatures', including Jo Steele's entry. Photocopy from '2007 Australian Cotton Fibre Expo'. Jo Steele entry 704. Includes first prize certificate for Section 7: Contemporary Quilting and Patchwork. Certificate awarded to Jo Steele for 'Chill Out!' 2004. Winner 'Fashion Extravaganza' Category. Photocopy from catalogue for 'Territory Craft 30th Alice Craft Acquisition'. Jo Steele entry 133. Photocopy from catalogue for 'The 29th Alice Craft Acquisition'. Jo Steele entries 143 and 144.Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder'quilting textile art, steele, ms jo, quilting, textile art -
National Wool MuseumWall Hanging, The Honourable Walrus, MP
... weaving textile art...Sonya was married to George Wlodek Zakrzewski weaving textile art spinning - hand spinning wheels carrington-zakrzewska mrs sonya carrington mrs lois carrington mr george weaving textile art Large rectangular weaving depicting alice in wonderland characters. ...Made by Sonya Carrington in 1986-88. The weaving depicts characters from Alice in Wonderland. Sonya was married to George Wlodek ZakrzewskiLarge rectangular weaving depicting alice in wonderland characters. Woven on a loom, made of silk, linen and wool. Is attached to a wooden rod. Hanging is entitled The Honorable Walrusweaving textile art, spinning - hand, spinning wheels, carrington-zakrzewska, mrs sonya carrington, mrs lois carrington, mr george, weaving, textile art -
National Wool MuseumQuilt, Sure as night follows day
... ...textile art...Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. ...It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26). quilting handicrafts textile art running stitch group blankets running stitch collection irvine-nealie ms jan SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995... ...The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
National Wool MuseumRug
... Textile Art...Acquired on closure of factory. Textile Art Brintons Australia Pty Ltd Brintons Pty Ltd (Geelong) Brintons Ltd (UK) Carpet Labore Vinces Brintons Carpets/Special Enquiry Prepared for/Ref. ...The rug hung in the boardroom at the Brintons Carpet premises/factory at Fellmongers Road, Breakwater. Acquired on closure of factory.W7199 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Labore Vinces Brintons Carpets/Special Enquiry Prepared for/Ref. No 15/2878 for Aurora/Quality colours in trial/standard/non standard/Design and colour sample does not represent qualitytextile art, brintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), carpet -
Whitehorse Historical Society Inc.Article, Artist has landscape sewn up, 2001
... ...textile art...Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. ...Whitehorse Historical Society Inc. 2-10 Deep Creek Road Mitcham melbourne mien annemieke textile art Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. ...Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.mien, annemieke, textile art -
Queen Victoria Women's CentreRe-purposed Quilt, Patsy Coverdale, The Century Bedspread, c.1975
... textile art...The male phallic symbol illustrates the organ's early development and its natural power with the energy of relativity behind it all." textile art centenaries hospitals A quilt made for the centenary of the Hospital made for the International year of women 1975. ...Patsy Coverdale wrote on about the artwork which is found with the bedspread "This trousseau bedspread commemorates a century of our daily living, of four generations, a bedcover where many loves and lives have begun and ended. Once immaculate, its years of service, of blood, sweat and tears, have seen so many building washes that today's embroideries would shrink from. I rescued it, patched its tears and wears with needlework from ancestors and aunties to celebrate the International year of Women in 1975. It symbols include the IYW to the left, women's work and its rhythms and cycles, a pearl button for our pleasure centre. The male phallic symbol illustrates the organ's early development and its natural power with the energy of relativity behind it all."A quilt made for the centenary of the Hospital made for the International year of women 1975. Re-purposed from a quilt used at the hospital. Given to QVWC in 1997 for the grand opening. textile art, centenaries, hospitals -
Heidelberg Theatre Company Inc..Memorabilia - Program Photos Review Newsletter Poster, It's a wonderful life a radio play by Joe Landry directed by Terese Maurici
... Artspace exhibitor Textile Art Community Art space...Heidelberg Theatre Company Inc.. 36 Turnham Ave Rosanna melbourne 2019 heidelberg theatre company inc directed by terese maurici 431 Artspace exhibitor Textile Art Community Art space Artspace Curator - Teresa Schipano Freddie Filmore/Henry F Potter & Others played by Liam Gillespie Jack Laurents/George Bailey played by Mark Yeates Sally Applewhite/Mary Bailey played by Llaaneath Poor Mycroft Fry/Clarence the Angel played by Tim Camilleri Lana Sherwood/Violet Bick & Others played by Paula McDonald Harry Heywood/Harry Bailey & Others played by Gavin Baker Bobby B Sharpe /Pianist played by Jack Stringer Wally Watson/Foley Artist played by Phil Holmes Dolores Birdwhistle/Floey assistant & Others played by Kadey McIntosh Musical Director Jack Stringer Production Coordinator Jim Thomson Lighting Design Emma Fox Set design Phil Holmes Sound Engineer Andrea Cole Stage Manager Karen Dowling Pianist/Vocal Coach Jack Stringer costume design wendy drowley Choreography Llaaneth Poor Foley props Phil Holmes Props Jim Thomson & Phil Holmes & Terese Maurici Set Painter Mal Cother Set Construction: Owen Evans & Dough McNaughton & Brett Hunt & Des Harris & Norm Munks & Paddy Moriarty & Tim Scott & Bib Dyers & Nicholas Gugel & Ben Chapman and HTC Members Sound and lighting operator Emma Fox Rehearsal Prompt Ryan Purdey photographer david belton program/poster design Chris McLean publicity jim thomson & toni tyers box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt Front of house Jenny gilbert and HTC members production review by beth klein It's a wonderful life a radio play by Joe Landry directed by Terese Maurici Memorabilia Program Photos Review Newsletter Poster ...2019, heidelberg theatre company inc, directed by terese maurici, 431, artspace exhibitor textile art community art space, artspace curator - teresa schipano, freddie filmore/henry f potter & others played by liam gillespie, jack laurents/george bailey played by mark yeates, sally applewhite/mary bailey played by llaaneath poor, mycroft fry/clarence the angel played by tim camilleri, lana sherwood/violet bick & others played by paula mcdonald, harry heywood/harry bailey & others played by gavin baker, bobby b sharpe /pianist played by jack stringer, wally watson/foley artist played by phil holmes, dolores birdwhistle/floey assistant & others played by kadey mcintosh, musical director jack stringer, production coordinator jim thomson, lighting design emma fox, set design phil holmes, sound engineer andrea cole, stage manager karen dowling, pianist/vocal coach jack stringer, costume design wendy drowley, choreography llaaneth poor, foley props phil holmes, props jim thomson & phil holmes & terese maurici, set painter mal cother, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, sound and lighting operator emma fox, rehearsal prompt ryan purdey, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by beth klein -
Whitehorse Historical Society Inc.Article, Annemieke Mein: A Life's Work, Sept 2024
... ...Textile Art...Mein Annemieke Textile Art An article about Annemieke Mein OAM 9 page article from Issue No. 155. ...An article about Annemieke Mein OAM9 page article from Issue No. 155. Textile Fibre Forumnon-fictionAn article about Annemieke Mein OAMmein annemieke, textile art -
Whitehorse Historical Society Inc.Article, Annemieke Mein: Nature Reserve, March 2025
... ...Textile art...Mein Annemieke Artspace Textile art Annemieke Mein will have her first solo exhibition in Melbourne in nine years at Artspace from 11/07/2025 - 30/08/2025 Annemieke Mein: Nature Reserve Article Whitehorse News March 2025 ...Annemieke Mein will have her first solo exhibition in Melbourne in nine years at Artspace from 11/07/2025 - 30/08/2025non-fictionAnnemieke Mein will have her first solo exhibition in Melbourne in nine years at Artspace from 11/07/2025 - 30/08/2025mein annemieke, artspace, textile art -
Ballarat Heritage ServicesPhotograph - Digital photographs, L.J. Gervasoni, Some of Lisa Gervasoni's Birds in the Tweet Exhibition, c2012
... ...textile art...Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields Tweet Warrnambool Art Gallery exhibition regional arts birds textile art Some of Lisa Gervasoni's Birds in the Tweet Exhibition Photograph Digital photographs L.J. ...tweet, warrnambool art gallery, exhibition, regional arts, birds, textile art -
Whitehorse Historical Society Inc.Article, Annemieke Mein Has Autoimmune Disease, 09/06/2019
... ...Textile Art...Mein Annemieke Textile Art Annemieke Mein has spent her life working with texture and now she has lost her sense of touch. ...Annemieke Mein has spent her life working with texture and now she has lost her sense of touch.Three pages A4 from ABC News Gippsland posted Sun. 9 June 2019non-fictionAnnemieke Mein has spent her life working with texture and now she has lost her sense of touch.mein annemieke, textile art -
Embroiderers Guild, VictoriaTextile - Printed and Embroidered Wall Hanging, Sophie Xeros-Constantinides, Fabricate #1, 2006
... This wall hanging was acquired from the Fabricate Exhibition held at the Guild in 2006, by the Textile Art Group (TAG)....This wall hanging was acquired from the Fabricate Exhibition held at the Guild in 2006, by the Textile Art Group (TAG). Wall Hanging Surface stitchery printing/painting Soft ground etching printed on crushed silk with hand embroidery. ...This wall hanging was acquired from the Fabricate Exhibition held at the Guild in 2006, by the Textile Art Group (TAG).Soft ground etching printed on crushed silk with hand embroidery.wall hanging, surface stitchery, printing/painting -
National Wool MuseumClothing - Tabard, Jun Tomita, 1970s
... Textile...Tabard...Japan...Art...Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. ...The donor subsequently retained this in storage with some other items since the business closed. Textile Tabard Japan Art Clothing Weaving Fashion Design Ikat Kasuri Double sided reversible tabard featuring woven centrals panels. ...This tabard is one of a small number that were produced/woven by Japanese master weaver Jun Tomita during the period that he was resident artisan at the Jam Factory in Adelaide. The tabard incorporates Ikat/Kasuri woven central panels. Tomita was born in 1951 in Toyama prefecture, and is based in Kyoto, the textile centre of Japan. The technique he uses kasuri (the Japanese term for ikat) is selectively pre-dying yarns before weaving to create pattern. The other decorative features of this garment are based on Japanese family crest designs (kamon). The pointed shoulders of this garment are reminiscent of the stiffened shoulders of kataginu, the upper part of the kamishimo ensemble that was formal wear for samurai men. Tomita was at the Jam factory from 1976-78 and he has works in numerous public collections, including: - Stanthorpe Art Museum, Art Gallery of South Australia / Australia - Oslo National Gallery / Norway - National Museum of Israel / Israel - Stedelik Museum, Museum of Rotterdam / The Netherlands - Denver Art Museum, St. Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed.Double sided reversible tabard featuring woven centrals panels. One side is navy blue with white and blue detail panels, one side is grey with green, brown and cream central panel detail.textile, tabard, japan, art, clothing, weaving, fashion, design, ikat, kasuri -
Wangaratta Art GalleryTextile, Paul Yore, Map, 2012
... textile...wcta...wangaratta art gallery...Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country Yore is a prominent Australian contemporary textile artist, with "Map' winning the Wangaratta Contemporary Textile Award 2013. textile wcta wangaratta art gallery paul yore wool needlepoint A rectangular wool needlepoint textile work that features a multi-coloured map of Australia on a black and white checkered background. ...I see my work with textiles as always a negotiation of both the poetic and the political. A medium often relegated to the realm of ‘craft’, I see working with wool as a subtly subversive methodology, and an opportunity to engage in socio-political critique. As a laborious yet cathartic craft, the delicately feminine familiarity and domestic warmth of my hand-sewn tapestries allows me to open up and question traditional notions of masculinity through the enactment of a highly personalized queer ritual. Furthermore, wool carries with it frontier pastoral associations of early colonial expansion, and it is in this context that the work Map, which is based on the ethnographic mapping of indigenous language groups, was envisioned.contemporaryWangaratta Art Gallery Collection. Work acquired as winner of 2013 Wangaratta Contemporary Textile Award. Digital reproduction courtesy of the artist, Neo Parc Melbourne and Hugo Michell Gallery Adelaide.A rectangular wool needlepoint textile work that features a multi-coloured map of Australia on a black and white checkered background. textile, wcta, wangaratta art gallery, paul yore, wool needlepoint -
Australian Army Museum of Western AustraliaMixed Media, Hung out to Dry, 2015
... Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. ...The mixture of history and the people who lived through these times has been an absorbing and rewarding journey for my art practice." Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. ...The Artist in Residence program enabled research of the Museum's collection of artefacts relating to 11th Battalion AIF. Access was provided to the behind the scenes storerooms of uniforms, banners, photographs, artefacts and diaries. Michele summarised her experience with the project as follows: "It was an interesting experience and a topic I would not probably have considered had I not been asked. The mixture of history and the people who lived through these times has been an absorbing and rewarding journey for my art practice."Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. The hand knitted sleeveless jumper in the Museum, made by Sergeant John Ellwood Rudd of the 48th Battalion was the inspiration behind this work. With great ingenuity John Rudd unwound the knitted socks sent by the women back home. Creating knitting needles fashioned from the barbed wire surrounding the POW camp he was incarcerated in, he knitted a jumper to help him through the freezing winters of Germany in the First World War. Original artefact was inspiration for this artistic interpretation. -
National Wool MuseumBook, Fabric of Our Community
... Art Gallery, 1988. Catalogue for an exhibition of modern quilts produced to celebrate the bicentenary in Hamilton. They were accompanied by a display of historic textiles from the Hamilton Art Gallery's permanent collection....Art Gallery, 1988. Catalogue for an exhibition of modern quilts produced to celebrate the bicentenary in Hamilton. They were accompanied by a display of historic textiles from the Hamilton Art Gallery's permanent collection. ..."Fabric of our community" - City of Hamilton Art Gallery, 1988. Catalogue for an exhibition of modern quilts produced to celebrate the bicentenary in Hamilton. They were accompanied by a display of historic textiles from the Hamilton Art Gallery's permanent collection.quilting patchwork handicrafts, city of hamilton art gallery, quilting, patchwork, handicrafts
