Pedro J. Lemos was an educator and artist. He was also the editor of the School of Arts Magazine and Director of Stanford University Museum of Fine Arts. He was born in 1882 and died in 1954. This art portfolio contains ten periods of art history: Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Some of the images are: The Temple of Luxor in Egypt, Temple of Zeus, the Arch of Titus, Gothic cathedral in Cologne, Assyrian furniture and weapons, Greek architectural decorations, Byzantine costumes, Renaissance weapons and household articles, plus much more. Blue, large, hard cover. Black tape edges and spine. Title is written in orange on front cover. Ribbon ties stitched to the edge of the cover used to close book by tying them together. Loose pages showing coloured and b/w illustrations of the ages of art. Includes fold-out text booklet with five pages. The book has a number of coloured prints of examples of art through the ages, including Egyptian, Assyrian, Grecian, Roman, Byzantine, Romanesque, Saracenic, Gothic, Renaissance and Georgian. Inside the front cover there is a plate titled "Ballarat Techincal Art School Library no. R/400". It is also stamped with the publisher's details. art, art ages, pedro j lemos, historic art, egyptian art, grecian art, roman art, byzantine art, romanesque art, saracenic art, gothic art, renaissance art, american colonial art, assyrian art, ancient costumes, ancient weapons, ancient instruments, ancient household articles, ancient furniture, ancient architectural, textile decorations

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

Awarded to Donald Neil Symons for excellence in Scripture during 1926 at Ballarat College. Neil was educated at Ballarat College (Dux 1933) and Ormond College, Melbourne University. He became a Clothing industry leader and was Fletcher Jones' distinguished successor as chief executive of the FJ organisation, and a prominent advocate for the Australian textile and clothing industries, decentralised industry and government support of employee share ownership schemes.Medium-sized, maroon, leather-bound book with gold-lettering and decoration on spine and gold school crest on front cover; bookplate inside front coverBookplate inside front cover: School crest / Ballarat College / Sixth-Lower Form / Dux Prize / Awarded to / D N Symons / A Richardson BA / December 1930 Principaldonald-neil-symons, dux, 1930s, fletcher jones

The Ballarat Technical Art School was a division of the Ballarat School of Mines, and a predecessor of Federation University Australia. Red hard covered book including chapters on interior decoration, furniture, woodwork, carpets, textiles, metalwork, lighting, heating, pottery, and glass. Formerly Book R528 in the Ballarat Technical Art School Library.industrial arts, henry g. dowling, ballarat technical art school library, ballarat technical art school, j. ewins & son, bookplate, wrought iron, furniture

Flour bags were a useful source of material to be repurposed into domestic objects in the early 20th century. This object, fashioned from two well-known brands of flour bag, was most likely used as a pillowcase.The pillowcase provides an example of how flour bags were recycled and repurposed into useful domestic objects in the early 20th century.Two flour bags opened out and sewn together to create a possible pillowcase. The open end has a tie sewn to each side to enable the pillowcase to be closed. The bags have been sewn with the inscriptions on the inside of the pillowcase.Side 1 25LBS GROSS WHEN PACKED, John Darling & Son, ECLIPSE, ROLLER FLOUR, MELBOURNE Side 2 O-SO-LITE, Self-raising, FLOUR, Creamy & Delicious, O-SO-LITE PRODUCTS, 412 COLLINS ST MELBOURNE, C.I. Decoration of wheat stalks surround the inscription.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, john darling & son, eclipse roller flour, o-so-lite flour, pillowcase, flour bag

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of three rows: a decorative top row, a middle section of diamond shapes and a bottom row of Christmas bells.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of four rows: a decorative top row, a second row composed of diamond shapes, a repeat of the decorative top row and finally a row of Christmas bells to complete the pattern.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

This quilt or wall hanging is entirely hand-made by noted Orbost district craftsperson, Elsa Williams (nee Elsa Beavis, b 27-5-1924, d 22-6-2007) who lived on a property at Wombat Creek near Orbost in the 1980s. Elsa had her own sheep, spun and dyed the wool, and crafted this quilt. For about 20 years, Elsa was a member of a weaving group started by Gwenda Bland at Lake Tyers. Elsa wove carpets for her own home at Wombat Creek. Gwenda Beavis was given this quilt by Elsa in 2007 and it was often displayed around the district, receiving many comments due to the quality of the workmanship and design. This quilt has been made from hand-spun and hand-dyed wool. The background is Tricot crochet squares, and the coloured decorations of Australian animals and plants have been embroidered onto the tricot squares. This items is significant because it shows excellent creativity and quality of workmanship. It also represents an era in Australia when hand-weaving, spinning, and dying wool became very popular as hand-crafts. A hand-made woollen quilt, cream background, with images of Australian flowers, plants, birds, and animals embroidered onto the cream background. elsa williams, handcrafted quilt, australiana design, spinning and weaving

Piece of gold lace used for decoration of clothing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gold lace, decorative lace

Wallpaper fragment from an early workman's cottage in Weller St, Geelong West built in 1854. This property was refurbished following its sale in the early 1990s. Over time many layers of wallpaper had been pasted to the original paper. The wallpaper was damp and hanging off the walls. It was removed to reveal packing case 'slats' on the stud wall. When the skirting board was removed the original wallpaper was revealed. Although not a Warrnambool artefact, the Weller St property was owned by a local resident. It shows the wallpaper design of the period and the manner in which wallpaper was attached in the mid 19th century.Wallpaper fragment with maroon flowers and olive green leaves on a bone-coloured background mounted on hessian backinggeelong west, weller st, workman's cottage, interior decoration, wallpapers

Textiles. Fine white linen bedspread embroidered at one end, which would fold back over the pillow of a single bed. Elaborate embroidery and cut work decoration The initials CF are embroidered in the centre. Hemmed on all sides. linen, bedspread, favaloro collection

Grey woollen sock, green red ,white and blue decoration, c1930's and 1940's, possibly manufactured by Scallywags .Grey woollen sock, green red ,white and blue decoration, c1930's and 1940's, possibly manufactured by Scallywags.textile industry knitting, scallywags industries, textile industry, knitting

"Federaton Flora" was created by thirteen members of the Geelong Handweavers and Spinners Guild Inc for the centenary of Federation in Australia. It won 1st prize in the Australian Sheep and Wool Show, Bendigo, 2000.Large handmade doll featuring white felted wool with wooden disc joints and orange woollen, possibly hand spun, hair. The facial features have been formed with white stitching, eyelashes are embroidered with black cotton, the lips have been painted on. The doll is dressed in a pale green short sleeved dress, of hand spun wool, buttoned at the back and lined with pale green silk. It is embroidered at the lower front with pink heath, the floral emblem of Victoria. She is wearing a cream woollen hand knitted underwear set consisting of singlet and pantaloons. The pantaloons have a fine hand knitted edge. Her shoes are of dark green felt with red kangaroo paw decoration. A green knitted cape with red and dark green waratah decoration is tied around her neck and tied to her left arm is a small pale felted bangle. handicrafts, geelong handweavers and spinners guild inc., felting, hand spinning, hand knitting, weaving, bendigo, australian sheep and wool show, federation, flora, doll

Group photograph of staff at Dennys Lascelles Ltd in 1917.Photograph, sepia. Group portrait of five rows of men, seated and standing, outside the Dennys Lascelles building. Mounted on dark cream mat with printed red decoration. Handwritten inscriptions in biro on reverse of mat.DOUGLAS WILSON / RUPERT WILSON (SON) 16YRS OLD AT TIME (JUST STARTED WORK) / BORN 21/5/01 / Dennys Lascelles Ltd / 1917. / Harold Wilson featured centre age 47yrs. / (BORN 5/5/1870) / (DIED 1943 AGE 73 YRS) / (WAS 25 YRS OLD WHEN RETIRED-RESIGNED AS VICE CAPTAIN / GEELONG FOOTBALL CLUB IN 1895) / he was 31 yrs of age when Rupert (son) was borntextile industry - history wool stores - staff wool stores, dennys, lascelles limited, textile industry - history, wool stores - staff, wool stores, working life

The Embroiderers Guild Victoria celebrated its 60th anniversary in 2020. Members across the state embroidered diamonds that were hung in the main gallery at Embroidery House, Malvern.Nine embroidered diamonds in a variety of techniques - beading, hand embroidery, machine embroidery, metal thread, on a variety of background fabrics.60, 1960-2020diamond, aniversary

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Chrysanthemum’ pattern. Original pattern created 1876–1877 by William Morris (1834-1896). Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a dado pattern. Three colour, repeat pattern of facing squirrels in brown on a green ground, bordered top and bottom in a brown on yellow design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Inscribed verso: No.14decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dados

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of fleur de lys in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of birds and flowers in brown on a paler pink ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of inward and outward storks surrounding a Celtic knot in dark blue on a paler blue ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of lions and rose bushes above the letters SS in a knot design in burgundy on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, tightly designed repeat pattern of abstract flowers in a fan shape in cream on a green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., dado border design. Monochrome, repeat pattern frieze of flowers in an urn with an alternating design including a facing fox and flamingo in black on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dado borders

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co design. Monochrome, repeat pattern of fleur de lys and acanthus leaves in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).The tiebacks complete with tassels are historically significant for being associated ensuite with DAD-035-0001, the suite of curtains. The tassels have aesthetic significance as beautiful and intricate pieces of late 19thC interior decoration.6 parts of a total of 3 pairs of curtain tiebacks. Each pair comprises a length of plain gold silk cable cord plus a second, equal length with a magnificent tassel in the middle; the two pieces would loop around the lower-middle length of each curtain, pulling it open in a graceful drape. One pair is slightly shorter than the other two. The tie backs are made of floss (soft, shiny) silk cord, composed of two thick strands twisted together into a cable cord. Three lengths have an elaborate tassel attached to the middle of each cord, to weight the tieback in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed on a turned wooden core, wrapped with floss silk thread; further decorated with knotted netting, applied braid, and 16 glass beads. The big end of the mould forms a large, flattened shape, from which hangs a ring of long bullion fringe. Today this looks tarnished-silver (nearly black), colour, but as shown by the card of detached lengths of bullion fringe (DAD-035-0005), the untarnished colour would have been bright gold. Part of a group of 7 curtains with associated furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these 6 curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th. 7/6/2012 Ric Freeman 0419875707 (Nat Trust member) & Julie Freeman 0419875706 / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect". The phone numbers were tried in October 2024, and though picked up, the contacts did not want to talk about the curtain donation.interior decoration - history, curtain accessories, tassels