Sixteen page booklet published and distributed by the Thomson Motor Car Co. Ltd of Melbourne in 1900, to record the first overland journey by a motor vehicle in Australia. The steam car driven by its inventor and builder Herbert Thomson and his cousin Edward Holmes travelled from Bathurst NSW to Melbourne between 30 April and 9 May 1900 (790 km) in 56 hours of actual driving. Holmes' notes on the trip are recorded in this booklet which was intended to publicise the firm and its new 'Light Model' steam car. The booklet includes photographs and illustrations.pioneer motor vehicle, herbert thomson, overland travel australia, bathurst to melbourne, steam cars, thomson motor car co. ltd

Sign - metal strip, with folded edges, 8 countersunk screw holes (some offset compared to the top ones), painted cream back with black letters "Never get on or off while the car is in motion / Call attention of Conductor or Gripman to stop the Car."trams, tramways, signs, cable trams, conductors, passengers, gripmen

Community engagement with Creswick Campus History and Historic CollectionMemorabilia including stubby holders, Belgian flags, a rally booklet, an historic newspaper excerpt and a plaque from the Maryborough District Historic Vehicles Club car rally to the Creswick Campus (VSF) in October 2017. Commemorating a rally from 1915.Plaque: 10th Central Goldfields Rally 2017. In Appreciation, Maryborough District Historic Vehicles Club

East Ringwood 2000-The East Ringwood Railway Station from the car park opposite IGA Supermarket- B&W Photo from Album 6501

Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark

Volunteers are used in a variety of roles. Here a woman is assisted out of a car, possibly to attend a day centre program.association for the blind, volunteers

Deep Lead – Portrait of Cray Family car. Amy Cray & Boys Bill and Frank at a family picnic. Note trailer.stawell transport

Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner with the words. "Spitting in the car is STRICTLY PROHIBITED / Passengers infringing this Rule are liable to be ejected and prosecuted under the Board's By-law No. 5"trams, tramways, signs, tramcars, tramways, passengers, behaviour

Photo shows the first car (a Buick) to reach summit of Mt Victory. The car was owned by Mr J Hemley. One copy is a slide in slide box 303.Photo shows a car parked on rocky outcrop. Five men are standing near the car.First car to reach summit of Mt Victory - Mr J. Hemley in his cartransport, cars

Used on the inside of the doors of a Melbourne Tramway and Omnibus Cable tram saloon trailer along with item 7438. See also item 2907 for another example. Recovered by the donor from a trailer that was in a yard in Dromana shortly before it disappeared. See image 2 of the locations of the signs. Demonstrates a MTOCo sign from a cable tram trailer and the style of signage.Sign - metal strip, with folded edges, 8 countersunk screw holes, painted cream back with black letters Shows position of the sign on a cable tram door."trams, tramways, conductors, cable trams, signs, trailers, safety, passengers

52 Frater Street was the home of the Coade family who had the house built for them. Photograph of Jane Coade and 'Gert', the family car, outside 52 Frater Street, Kew East. The photographer was Mrs Doris Coade. Verso: "Jane & Gert / Nov. 1953"52 frater street -- kew east(vic.), coade family, jane coade

52 Frater Street was the home of the Coade family who had the house built for them. Photograph of Jane Coade and 'Gert', the family car, outside 52 Frater Street, Kew East. The photographer was Mrs Doris Coade. Verso: "Jane & Gert / Nov. 1953"52 frater street -- kew east(vic.), coade family, jane coade

52 Frater Street was the home of the Coade family who had the house built for them. Photograph of Jane Coade and 'Gert', the family car, outside 52 Frater Street, Kew East. The photographer was Mrs Doris Coade. Verso: "Jane & Gert / Nov. 1953"52 frater street -- kew east(vic.), coade family, jane coade

Letters - carbon copy on quarto paper between the RACV (16/11/1921) and response from the MMTB (23/11/1921), regarding shunting of cars at the Richmond car house or depot. The RACV requested flag men like that at the Toorak corner and Lonsdale St. The MMTB said No, flag men and provided at the two locations to regulate cars. Letter from the Chas J H Hodges, Secretary of the RACV.trams, tramways, racv, cable trams, lonsdale st, toorak, richmond, depots

Sixteen (16) page booklet or pamphlet, centre stapled, black and white photographs with bold red overprinting in heading and company name. Produced by the St Louis Car Company Missouri. Gives the background to the Presidents Conference Committee (PCC) type streetcar or tramcar, St Louis Car Company involvement, has photos of the first car on the front cover (1001), photos of interior, drawings, doors, copy of letters dated 1936, details of structure, construction, PCC truck, body details, equipment and general dimensions.Has AETA stamp on front cover with the letters "4J31" in ink as well.trams, tramways, pcc, transport equipment, tramcars, usa

tim jones, printmaking, gippsland campis, artwork, artist

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Darryl James Rowe was a qualified instrument repairer. He specialized in Vintage car instruments on dash boards. These would include speedometers, car clocks, ammeters, oil gauges, ignition switches, temperature gauges, glass tube fuel gauges and dials repaired. He was located in Vickers Street Sebastopol. Documents relate to the years 1984 to 1986.Decal designs various sizes for car dash boards. Ledger showing orders from 1984Car makers, guages zilles printers, darryl james rowe, instrument repairer, ballarat, vintage cars, dash boards, decals, speedometers, car clocks, ammeters, oil gauges, ignition switches, temperature gauges, fuel gauges

Mr John Monaghan in car outside “Vinelea” HomesteadB/W. Photograph of a man in a car prked in front of a house with a picket fence.On Rear: "Vinelea" Greens Creek Mr John Monaghan in a car.stawell, monaghan, vinelea

Ladies in the lower car park at Heidelberg Golf Club: Ruby Pavey, Faye Lamb, Betty Butterworth, Peg Tully.Colour photograph and caption.hgc women's golf, ladies' golf

This edition of The Humberette pays tribute to member Margaret Willimott, also a member of GHS.Digital copy of car club journal, 4 pages.margaret willimott, humber car club of victoria

E550 N8 Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Manuelo Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

E548 N13 Part of a 51-photo record of the development of the "Kubis" Estate, Ringwood North, including road works to Debbie Place, Kubis Drive, Werac Drive, Manuelo Drive, Iluka Place and Glenvale Road. From the Jack Lundy Clarke collection.

Photographic record by Russ Haines, RDHS, in 2008.

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitian Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aestethically and recreationally by the public. This souvenir postcard illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item represents an important historical aspect of the MMBW by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. The souvenir postcard is significant for its documentation of the Maroondah Water Supply System developed through the late nineteenth and early twentieth century, shaping the formative years of Melbourne. The postcard is also historically significant for its association with the MMBW and is viewed as a noteworthy achievement of the organisation. Souvenir coloured rectangular postcard with a framed picture of the carpark at the Maroondah Reserve.melbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

tim jones, printmaking, car, artist, artwork, gippsland campus