Bound book the Temple Builders compiled by Alex H. Stone, 10th May 1988. this book refers to the people responsible for the erection of the Masonic Temple in View Street Bendigo. The book also makes reference to the way of life and how news was circulated in a time before newspapers. This book also gives an understanding of how the group was first formed. Other material refers to the laying of the foundation stone on 24/6/1873. Centenary Souvenir of the laying of the Foundation Stone of the Masonic Hall, View Street, Bendigo on 24th June 1873. Photo of the laying of the foundation stone. Architects of the project were Vahland and Getzschmann.Alex H. Stoneclubs, social, bendigo masonic lodge

Small hard covered book with green & yellow text on front. Inside has maps, index of street names & advertisementsnon-fictionHard copy book that includes a set of maps that cover the streets of Melbournedirectory, joseph 'joe' wlodarczyk, street directory

first nations

Features artwork by VACL Project Officer Mandy Nicholson.maps, photographswurundjeri, carlton gardens, alexandria gardens, maysar, batman treaty, oral histories

The letter from Eric Harding to Legacy President Ron Foskett in 1978 was in response to a call for information and photos for the archive that was being compiled. Legatees Frank Doolan and Brian Armstrong were making an attempt to collect items relevant to Legacy's history for an official archive project The letter suggests L/- Eric Harding provided a photo in which Cyril Smith, Dudley Treagent and others appear but that photo was not with the letter. It also referenced the photo that appears here, with of a group of people at a weekend party at Ocean Grove. No names are identified but it must have been a Legacy event for it to be sent to the archive project. It could be Legatees and their wives and children socialising together at a weekend event in Ocean Grove. Legatee Eric Harding OBE, MM, was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)The photo shows that Legatees and their families socialised together. Also that the archive project in the 1970s approached legatees for items to be included in the archive.Black and white photo of a group of people in Ocean Grove and a letter from L/- Eric Harding.Handwritten on reverse of photo is 'No. 2' in blue pen. Letter is signed 'Dear Ron / Warm regards. Yours sincerely, Eric. / P.S. Another photo print No.2 is enclosed . This was a weekend party at Ocean Grove. I can pick out may wife but no others.' in blue pen.legatee event, founding legatee

Manual - approx. 115 A4 pages with card board manilla covers white comb bound with a yellow plastic front cover. Titled "MetRail Passenger Fares and Conditions". At about the 1/.3 point has another card cover titled "Summary of "A" Circulars issued in reference to the Metropolitan Transit Authority tickets introduced after 13-11-83. Issued late 1983, prepared by Ian Yarde of the MetRail Projects Officer for use at Stations by Booking and Ticket Checking staff. Has a note on the second page about the introduction of the new fare system for Neighbourhood tickets, rail, tram and private buses - signed by L. A. Strouse Managing Director, dated 13/11/1983. Has an index to the type of tickets. The second parts includes an index, gives changes up to early 1985, including the Bundoora tram extension.In the top right hand corner in red ink "VR - 20" and in blue ink "Group 74". Numerous notes and minor changes noted throughout the book.trams, tramways, metcard, tickets, manual, the met, metro trains, neighbourhood tickets, bundoora

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups, cr rod fyffe

This document by Beverley Carter, (Lansell family historian) explores the future potential of Fortuna Villa in Bendigo, emphasizing its significance for community, tourism, and economic development. The Defence Department has vacated Fortuna Villa after more than 60 years. There is an opportunity for public ownership, with state or local government having first refusal, ensuring community access. Fortuna Villa could become a major asset for Bendigo, enhancing its profile and supporting economic growth. Cultural tourism is highlighted as a rapidly growing sector, with visitors who stay longer and spend more. The success of recent cultural events in Bendigo, such as the Golden Age of Couture exhibition, demonstrates the city's capacity to attract international attention. The Villa Fortuna Action Group proposes transforming the site into a hub for cultural, commercial, and community activities. Suggested uses include concerts, festivals, exhibitions, heritage tours, retail outlets, community meetings, conferences, weddings, and fine dining. The document references successful models like Abbotsford Convent and Werribee Mansion in Victoria, and Hylands House in the UK, as examples of adaptive reuse. While acknowledging significant short-term costs, the document argues that long-term financial and social benefits outweigh these concerns. The project is seen as a way to diversify the local economy, create jobs, and foster business partnerships.The author rejects the notion that tough economic times should prevent investment, suggesting such projects can help mitigate downturns. Fortuna Villa is presented as a once-in-a-lifetime chance for Bendigo to secure a property that symbolizes the city's golden past. The author stresses the importance of a comprehensive, coordinated approach to tourism in the region, with Fortuna Villa as a potential centerpiece.Urgency: There is a strong call to action, suggesting that the community must act quickly to secure the property before it is lost to others. The document is authored by Beverley Carter, a member of the Lansell family, who is writing a detailed family history and a series on George Lansell and Fortuna Villa, further underlining the site's historical importance.Fortuna Articles - "A Vision for Fortuna Villa" Feb 20 2009 The Bendigo Advertiser by Beverley Carter, photo by Julian Prowd This item contains the following: 11217.36a Colour Photo of Fortuna 11217.36b Part of Page 14 - "A Vision for Fortuna Villa" 11217.36c Part of Page 14 - "A Vision for Fortuna Villa"non-fictionbendigo, fortuna, george lansell, villa fortuna action group, beverley carter