Showing 3 items matching "thomas sherry"
-
Flagstaff Hill Maritime Museum and VillageDomestic object - Razor Strop, circa 1922
... ...thomas sherry...Thomas Sherry’s application was to use the word “Sherlite” for detachable soles made of rubberised leather. ...Thomas Sherry...Domestic object Razor Strop Thomas Sherry ...A razor strop such as this one was used to sharpen and polish straight-edged razors. This particular design has a swivel hook with a locking clip that allows for movement as the strop is being used. This strop is branded "Sherlite". On May 5th, 1922 the Commonwealth officially accepted and advertised the Trade Mark Application of Thomas Sherry of Victoria, for the Trade Mark of "Sherlite" to be used under the heading of "Leather, Skins unwrought and Wrought”. Thomas Sherry’s application was to use the word “Sherlite” for detachable soles made of rubberised leather. Straight razors and cut-throat razors were the major tools for shaving before the safety razor was invented in the 1880s and even today specialist shaving shops still sell straight razors. Along with the razor, the process of shaving would commonly involve lathering up shaving soap with a shaving brush that had boar bristles. Men could own several razors and rotate them through the week and some shops sold the razors in a set, a razor for each day of the week. Straight razors could require stropping more than once during the shaving of a heavy beard, and stropping would also be performed at the end of each shave. Honing would only be performed two or three times a year, preserving the blade's edge. A lot of skill was needed to hone and strop the blades of these early razors and the methods to do so were a large part of the curriculum in Barber colleges. The razor would be sharpened on a grinding wheel then honed on sharpening stone and finally finished using a strop. Straight edge razors would usually be sold unfinished and that process would be completed by the customer. A razor strop, usually made from leather, thick canvas, or light timber, would be used to straighten and polish the straight razor for shaving. Strops could also be used to polish other blades such as knives, small metal tools, and chisels. Sometimes an abrasive polishing compound is also used to give a mirror finish. Some strops, such as this one in our Collection, are designed to be used while hanging from a nail or peg, while others are handheld. The person using the strop would draw the spine of the blade down along the strop with the blade following, without putting any pressure on the blade. At the end of the stroke, rotate the blade over its spine then draw the spine along the strop again so that the edge moves away from the top. The finer grade of leather strap is used to give the final finish.Razor strop, leather, and metal. Sherlite brand, double straps: two straps of different grade leather joined at ends with metal fittings. Stropping faces; sharpening surface is stained red and finishing surface is stained black. One end has a padded, bulbous-shaped leather grip handle, the other end has a metal, swivel hook hanger. Inscriptions painted in gold on leather at the hook end.Razor strop, leather and metal. Sherlite brand, double straps: two straps of different grade leather joined at ends with metal fittings. Stropping faces; sharpening surface is stained red and finishing surface is stained black. One end has padded, bulbous shaped leather grip handle, the other end has metal, swivel hook hanger. Inscriptions printed in gold on leather at hook end.Printed gold lettering stamped “Sherlite”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shaving leather, shaving accessory, barber’s equipment, barber shop razor strop, razor strop, straight razor, razor and knife sharpener, sherlite razor strop, personal effects, toiletries, thomas sherry -
Vision AustraliaDocument - Text, Mary Guy, Royal Blind Society of New South Wales Client Services structure, 1989
... Thomas...Di Uther...Roma St Clair...Imelda Hernon...Betty Simon...Sharon Hopper...Sue Gibson...Sherry...Royal Blind Society of NSW Felicity Purdy Margaret Jamieson Anne Bickmore-Hutt Melinda Hughes Robyn White Mary Guy Penny Shepherd Julianne Kenehan Irene Lovelock Hilary Nicol Christine Lacey Robyn Brentnall Gillian Long Janet Clarke Fran Murphy Wendy Macdonald Jutta Williams Jane Pardey Jan Wulff Alan Weiss Rosemary McGomery Sue Slattery Judith Lawliss Margaret Onus Ingrid Simon Robyn Wellington Lorraine Smith Joan Rowlands Louise Whiting Annette McGraine Leah Francis Maryann Bonney Christine Johnston Lizette Campbell Sue Wood Toni Williams Glenn Larner Josephine Key Chris Rubie Merrianne Sinclair Ann Spicer Phillipa Matthews Karen Nix Denis Thomas Di Uther Roma St Clair Imelda Hernon Betty Simon Sharon Hopper Sue Gibson Sherry Mak Ann Lancastor Sandy Norton Rosalie Driver Geraldine Doney Jenny Begg Paulo Olymbios Gail Martin Nadine Khoury Robyn Dagwell Maree LaMacchia Gillian Brooks Alana Matthews Liz Barker Kerrie Mulhearn Annette Collins Liz Williams Chris Maple Information booklet designed to create awareness of the Royal Blind Society of New South Wales and the services it provides. 4 pages of names and departments Royal Blind Society of New South Wales Client Services structure Document Text Mary Guy ...Staffing outline of the Client Services unit from circa 1975 to 1988, as created by Mary Guy. It covers the timeline of staff entering the unit, including Department Head, Social Worker, Preschool, Occupational Therapy, Secretary, Psychology, Physical Therapy and Orthoptist, as well as some location changes: pre 1975 - located in city then Plaza Theatre, Burwood 1975 - Children's Services located in accounts 1977 Moved to Pool Area 1981 - Expanded into flat upstairs. 4 pages of names and departmentsnon-fictionroyal blind society of nsw, felicity purdy, margaret jamieson, anne bickmore-hutt, melinda hughes, robyn white, mary guy, penny shepherd, julianne kenehan, irene lovelock, hilary nicol, christine lacey, robyn brentnall, gillian long, janet clarke, fran murphy, wendy macdonald, jutta williams, jane pardey, jan wulff, alan weiss, rosemary mcgomery, sue slattery, judith lawliss, margaret onus, ingrid simon, robyn wellington, lorraine smith, joan rowlands, louise whiting, annette mcgraine, leah francis, maryann bonney, christine johnston, lizette campbell, sue wood, toni williams, glenn larner, josephine key, chris rubie, merrianne sinclair, ann spicer, phillipa matthews, karen nix, denis thomas, di uther, roma st clair, imelda hernon, betty simon, sharon hopper, sue gibson, sherry mak, ann lancastor, sandy norton, rosalie driver, geraldine doney, jenny begg, paulo olymbios, gail martin, nadine khoury, robyn dagwell, maree lamacchia, gillian brooks, alana matthews, liz barker, kerrie mulhearn, annette collins, liz williams, chris maple -
Federation University Historical CollectionPhotograph - Photograph - Colour, Artafact, VIOSH - Occupational and Safety Certificate Course, Intake 8,1996, 1996
... thomas martens...tracey parsons...stewart peacock,...christopher peters...matthew piscioner...sirpa salminen...walter sansom...june schofield...june stephenson...sharon vasey...john wakely...sean welsh...sherry...VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge. viosh viosh australia occupatonal health and safety victorian institute of occupational safety and health allyson boys darryl clunes fortune dixon tony duhne bruce ellis hermann fasching mark gowland shaun hannam robert johnston dale kayler-thomson thomas martens tracey parsons stewart peacock, christopher peters matthew piscioner sirpa salminen walter sansom june schofield june stephenson sharon vasey john wakely sean welsh sherry white janelle williams troy wilson david yateman Framers details verso trs: "Artafact" Grey and gold framed photograph with title and names of students underneath. ...Victorian Insttute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OSH) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Grey and gold framed photograph with title and names of students underneath.Framers details verso trs: "Artafact"viosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, allyson boys, darryl clunes, fortune dixon, tony duhne, bruce ellis, hermann fasching, mark gowland, shaun hannam, robert johnston, dale kayler-thomson, thomas martens, tracey parsons, stewart peacock,, christopher peters, matthew piscioner, sirpa salminen, walter sansom, june schofield, june stephenson, sharon vasey, john wakely, sean welsh, sherry white, janelle williams, troy wilson, david yateman
