Alan Sartori became an artist in 1974, moving from Greensborough to live and have his studio at Diamond Creek, 100 Iron bark Road; he also wrote a book "Alan Sartori's Stories" in 1992. He died in 2007. Contents Newspaper article: "Alan's artful life", Diamond Valley News, 23 November 1992. Alan Sartori to exhibit at his studio in November and December 1992. Newspaper article: "Artist paints views of his state", Diamond Valley newspaper, no date. Alan Sartori to exhibit at his studio in November and December that year. Newspaper article: "Loss of an 'amazing' extrovert", Report of funeral of Alan Sartori. Newspaper article: "Art and memories", Diamond Valley newspaper, no date. An exhibition to be held of the late Alan Sartori's work at his studio. Newspaper clippings, A4 photocopies, etcalan sartori, 100 ironbark road diamond creek, cerel sartori, irma sartoria, g j coles, nilumbik artists open studios, tony summers, martyn thompson, rotary club greensborough, victorian artists society

Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members that explore aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionHistoric Maps of Kew / Robert Baker p1. Exhibitions p3. Quarterly Book Sales p3. Meetings & Lectures p3. New Members p3. For Whom the Bell Tolls / Suzanne McWha p4. Tuesday Volunteers p5. The Red Menace / Robert Baker p6. Philip Slobom p7. Daily Life in Kew: The Summer of 1885/86 / Andrew Frost p8. Recent Acquisitions / Robert Baker p10. Annual General Meeting / Tony Michael p10. Form of Appointment of Proxy p11. Nomination Form p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals

Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members that explore aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionNo 111 JUNE 2015. A historian's legacy (Dorothy Rogers) / Robert Baker p1. Exhibitions, Meetings & lectures, New members, 2015 meeting calendar / p3. What's in a box? / Suzanne McWha p5. New acquisitions / Robert Baker p5. A history of community activism / Valerie Bourke p6. Kew Tram Depot / p7. Boroondara Remembers: Stories of World War 1 / p7. Daily Life in Kew: the summer of 1885-86 / Andrew Frost p8. The textiles and clothing collection / Collections Activity Group p10. Kew Tram Depot celebrates 100 years / Tony Michael p11. Membership & Donations p12. kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge. Summer courses/classes were held each year.Two sheets with eight black and white photos; one sheet with five black and white photos and one colour photo; one sheet with three colour photos. Two lined sheets - names and photo orders.Each photo has a number (1 - 25)viosh, viosh australia, occupational hazard management, graduate diploma, asia-pacific, ballarat university, federation university, darrhyl alexander, brenton bellchambers, eldred bishop, elizabeth bluff, annthea boardman, christopher booth, henry clementine, francis frazer, alan gilrane, kenneth greene, peter irwin, alexander iwanow, wayne johnson, leonard lean, allan matheson, stanley mccartney, ivan miller, david nelson, brenton perry, michael peterson, david whiteman, derek williams, gwendalynn wilson, murray johnes, elise moore, chris boom, lahui itana, trevor turnet, barbara stack, john jensen, ted renton, ian swann, geoff brabroac, bill denton, tony van maanenberl, sue forsyth, roly parvenovics, gwen wilson, mary-anne camp, ivanka sucher, jacqueline wells, derek vines, trevor mann, j hondros, tom mitchell, john o'nell, neil dine

This class photograph of the 1978 Higher School Certificate (HSC) cohort at Salesian College, Rupertswood, captures a defining moment in the educational journey of its senior students. Taken in the final year of their secondary schooling, the image reflects a time of transition, achievement, and anticipation as these young men prepared to step beyond the gates of Rupertswood and into the wider world. Set against the backdrop of the historic Rupertswood estate, the photograph is more than a record of faces—it is a snapshot of a community shaped by shared experiences, enduring friendships, and the values of the Salesian tradition. The students pictured here were part of a generation that embraced both academic challenge and personal growth, guided by the principles of faith, integrity, and service. As a historical artifact, this image offers future generations a glimpse into the life and spirit of the college in the late 1970s. It stands as a tribute to the legacy of Salesian education and the formative role it played in preparing students for life beyond school.This 1978 class photograph of the HSC cohort at Salesian College, Rupertswood, holds enduring historical and cultural value as a visual record of a pivotal moment in the lives of its students and the broader school community. Taken within the grounds of the historic Rupertswood estate, the image captures the final year of secondary education for a group of young men shaped by the Salesian tradition of holistic learning, spiritual growth, and community service. The photograph is significant not only for documenting the individuals who comprised the graduating class of 1978, but also for reflecting the values and spirit of the time. It represents a rite of passage—marking the transition from school life to adulthood—and embodies the camaraderie, resilience, and shared experiences that defined the Rupertswood journey. As a preserved artifact, this image contributes to the collective memory of the college. It offers future generations a tangible connection to the past, highlighting the enduring impact of Salesian education in preparing students to meet life’s challenges with integrity, compassion, and purpose.Colour photograph of HSC level students in a plastic wallet.salesian college, rupertswood, sunbury, hsc, 1978, philip donohue, vic lakey, berand graham, damien chrystie, kym stuart, tony scully, peter lowe, tony hill, geoff nation, chris butler, coridal mcguire, mark murrell, peter symons, tom quinn, bruce oswald, paul moody, michael taylor, brendon fallon, mick taylor, terry payne, mark whorlow, brian lynch., peter gallagher, michael fallon, joe harper, damien synott, michael mcconnell, peter summers, john torr, pat redman, robert dejong, russell dunon., rick dalbon, andy readman, liam leonard, steve millett, peter aggrawal, clinton welch, robert hughes, steve nash, brendan wilson., fr. t. jennings, john tesoriero