Advertisement for the Bundoora Hotel Motel 1971, listing entertainment in the "El Toro" lounge and availability of Wedding and Christmas bookings.Digital copy of newspaper advertisementbundoora hotel, plenty road bundoora

Bendigo Operatic Society ''The Gondoliers'' At the Capital Theatre, View Street Bendigo. For a Five Night Season Commencing June 19th, 1970. Producer: Len Hall - Assistant producer, Ballet and Wardrobe Mistress: Madge Welch - Society pianist: Ruth Gorman - Musical Director: Gwen Grose. Cast in Order of Appearance: Fred Trewarne as the duke Of Plaza-Toro (A Grandee of Spain) - Neil Roxburgh as Luiz (His Attendant) - Ray Edebone as Don Alhambra Del Bolero (The Grand Inquisitor) - John Boquest as Marco Palmieri - Brian Thomas as Guiseppi Palmieri - Douglas Sayle as Antonio (A Gondolier) - Fred Veitch as Francesco (A Gondolier) - Henry Johnson as Giorgio (A Gondolier) - Michael Filippini as Annabale. ale (A Gondolier) - Patricia Lyon as Duchess of Plaza-Toro - Kathie Veitch as Casilda (Her Daughter) - Patricia McCracken as Gianetta (Contadine) - Ruth Iredale as Tessa (Contadine) - Aileen Ewart as Fiametta (Contadine) - Willi Carney as Vittoria (Contadine) - Bartina Daws as Guila (Contadine) - Ann Ball as Inez (Nurse). There are two copies.program, theatre, bendigo operatic society

1985 GR 3: Back Row: Claudio Toro, Peter Weaver, Dylan Coulson, Misha Deikmann, Atilla Erbasan, James Brown, Geoffrey Harding, Ben Pearson. 2nd Row: Simon Herdina, Phillip McNamara, Brooke Sinclair, Sandra Ratcliffe, Emma Rainey, Alyson Morrison, Ian Brown. Front Row: Kirsty McIver, Melissa Brisnahan, Karen Green, Rachel Pilmore, Jessica Taylor, Nancy Belingeri, Michelle McLean. Teacher Miss J Baldwin (Chapman).

1985 GR 6: Back Row: Garry Brown, James Foley, Jeremy Scheltus, Mark Yendle, Shannon Beath, Nathan Rooks, Chris Aravanis, Alan Harding. 2nd Row: Chris Pearson, David Weaver, Belinda Neave, Natalie Bartholomeusz, Michelle Bingham, Lee Baker, Christian Toro. Front Row: Rosabel Franklin, Kim Evans, Sherie Blackwell, Anna Burak, Vicki Olney, Candy Pietersz, Joanne Williams. Teacher: A. Irvine(left) and ?

A Trigger Nozzle Forum was held at the headquarters of Arthritis Victoria (AV) on the 31st of May, 2005. Participants included AV volunteers, the Department of Sustainability & Environment, local MP Johan Scheffer, representatives from Glen Eira City Council, as well as representatives from Nylex Gardenia, Toro (the Pope brand of gardening products), and Bunnings hardware stores. In this photo, a small group of people are sitting around some tables while perusing various garden hose nozzle attachments. There are a few other people standing in the background.COL photo of a small group of people sitting around some tables set up in a circle. The tables have various garden hose nozzle attachments on them, which some people are passing to one another. Behind them, three people are standing in front of a whiteboard. One of them is holding up a thick stack of colour-printed leaflets.[On a while label,typed in black ink] Trigger Nozzle Forum May 2005arthritis foundation of victoria, afv, arthritic aids, gardening aids, trigger nozzle, hose attachments, living with arthritis, living independently, pain management, volunteers, department of sustainability and environment, johan scheffer, member of parliament, mp, glen eira city council, nylex gardenia, pope products, bunnings, forum, update, 2005

A Trigger Nozzle Forum was held at the headquarters of Arthritis Victoria (AV) on the 31st of May, 2005. Participants included AV volunteers, the Department of Sustainability & Environment, local MP Johan Scheffer, representatives from Glen Eira City Council, as well as representatives from Nylex Gardenia, Toro (the Pope brand of gardening products), and Bunnings hardware stores. In this photo, a small group of people are sitting around some tables while perusing various garden hose nozzle attachments. There are a few other people standing in the background.COL photo of a small group of people sitting around some tables set up in a circle. The tables have various garden hose nozzle attachments on them, which some people are looking at or holding. In the background, on either side of an open doorway, a few other people are standing around in the room behind them.[On a while label,typed in black ink] Trigger Nozzle Forum May 2005arthritis foundation of victoria, afv, arthritic aids, gardening aids, trigger nozzle, hose attachments, living with arthritis, living independently, pain management, volunteers, department of sustainability and environment, johan scheffer, member of parliament, mp, glen eira city council, nylex gardenia, pope products, bunnings, forum, update, 2005

A Trigger Nozzle Forum was held at the headquarters of Arthritis Victoria (AV) on the 31st of May, 2005. Participants included AV volunteers, the Department of Sustainability & Environment, local MP Johan Scheffer, representatives from Glen Eira City Council, as well as representatives from Nylex Gardenia, Toro (the Pope brand of gardening products), and Bunnings hardware stores. In this photo, a small group of people are sitting around some tables while perusing various garden hose nozzle attachments. There is another small group of people sitting at another group of tables behind them.COL photo of a small group of people sitting around some tables set up in a circle. The tables have various garden hose nozzle attachments on them. Some people are looking at the garden hose nozzles while others are looking at some brochures. There are also some glasses of orange juice and water and a carafe of water on the table. Behind the group, a few other people are seated at another group of tables. There is a large whiteboard on the wall with an Arthritis Victoria sign sitting on the bottom ledge, leaning back against the whiteboard.[On a while label,typed in black ink] Trigger Nozzle Forum May 2005arthritis foundation of victoria, afv, arthritic aids, gardening aids, trigger nozzle, hose attachments, living with arthritis, living independently, pain management, volunteers, department of sustainability and environment, johan scheffer, member of parliament, mp, glen eira city council, nylex gardenia, pope products, bunnings, forum, update, 2005

A Trigger Nozzle Forum was held at the headquarters of the Arthritis Foundation of Victoria (AFV) on the 31st of May, 2005. Participants included AFV volunteers, the Department of Sustainability & Environment, local MP Johan Scheffer, and representatives from Glen Eira City Council, as well as representatives from Nylex Gardenia, Toro (the Pope brand of gardening products), and Bunnings hardware stores. A slightly cropped version of this photo appears on page 9 of the Vol 18 Issue 3, Spring 2005 editon of the Arthritis Foundation of Victoria's quarterly magazine, Update. The photo accompanies an article titled, "Trigger Nozzle Forum at Arthritis Victoria". It is captioned: "L-R: Bruce Harvey, Shirley Sweeney, Judith Cassar, Anna Sorenson, John Rowlings (Nylex) and Doreen McConnell".COL photo of a small group of people sitting around a table, on which there are various garden hose nozzle attachments. A man is demonstrating the use of one of the hose attachments. Behind them, there are other people are either sitting at tables or standing.[On a while label,typed in black ink] Trigger Nozzle Forum May 2005 [Placed on top of the white printed label is a yellow sticky note with black lines, printed with the text 'URGENT' as a heading. Additional printed text includes "TO:", "FROM:", "DATE:", and "Beautone #11321".] [Handwritten on the note in light blue ink] Table 2arthritis foundation of victoria, afv, arthritic aids, gardening aids, trigger nozzle, hose attachments, living with arthritis, living independently, pain management, volunteers, department of sustainability and environment, johan scheffer, member of parliament, mp, glen eira city council, bruce harvey, shirley sweeney, judith cassar, anna sorenson, john rowlings, doreen mcconnell, nylex gardenia, pope products, bunnings, forum, update, 2005

Colour photographRingwood State School- Grade 3/4, 1986 Back Row- L to R: Claudio Toro, James Brown, Dylan Coulson, Misha Deikmann, Sean Pietersz, Ben Pearson, Geoffrey Harding, Peter Weaver 2nd Row- L to R: Ian Brown, Paul Grbac, Emma Rainey, Sandra Ralcliffe, Deanne Short, Narelle Elliot, Kelly Reinhardt, Justin Ross Front Row- L to R: Lea Adams, Rebecca Daotbar, Brooke Sinclair, Melissa Brushahan, Naney Belingerij, Kirsty Mclver, Michelle McLean. Teacher: J Stock

Boyd quickly surveys the first generation of modern architecture. The talk then concentrates on where modern architecture turned next: "the search for new richness on the surface and a search for new excitement in form". Boyd focuses on the second generation of modern architects: Edward Stone (surface search) and Eero Saarinen (excitiement search). Several of their influential buildings are critiqued by Boyd. This document includes the whole of the typed manuscript titled "The Crisis in Architecture" (item D522, with edits), and includes two handwritten pages at the start and ends with a handwritten statement about "architectural poetry". The text and annotations indicate this was a lecture with slides.Typewritten and handwritten sections, an amalgamation of documents, quarto, 18 pagesUnderlinings, pencil additions, indications for slidesinternational style, mies van der rohe, frank lloyd wright, edward stone, eero saarinen, le courbuier, felix candela, matthew novicki, eduardo catalano, hugh stubbins, raymond and rado, jorn utzon, toro-ferrer

Boyd quickly surveys the first generation of modern architecture. The talk then concentrates on where modern architecture turned next: the "search for new richness on the surface and a search for new excitement in form". He focuses on the second generation of modern architects: Edward Stone (surface search) and Eero Saarinen (excitiement search). Several of their influential buildings are critiqued by Boyd. This document was the basis for a lecture titled "The Contemporary Situation in Architecture" (item D521, with edits).Typewritten, quarto, 16 pagesinternational style, mies van der rohe, frank lloyd wright, edward stone, eero saarinen, le courbuier, felix candela, matthew novicki, eduardo catalano, hugh stubbins, raymond and rado, jorn utzon, toro-ferrer

The pupils of Falconer Street Central School No.3918 in North Fitzroy rehearse with conductress Miss Ida Park for their performance at the Temperance Hall, Russell Street Melbourne with proceeds going to the Lord Mayor’s Fund. The house on the right of the photograph is Jubilee House, 126 Michael Street North Fitzroy and is extant. Photographer notations on slide: Choir At Fitzroy State School 1933 B5 While this photograph appears not to have been published, a photograph taken from a different angle of the same event was published in The Age 21 July 1933. SCHOOL CHILDREN SING IN THE OPEN AIR. “A choir of children at North Fitzroy practise their songs for a Pantomime, to be given in the Temperance Hall for the Lord Mayor's Fund on Wednesday next. On the extreme left is the conductress of the Choir (Miss Ida Park).” Reference: http://nla.gov.au/nla.news-article204368572 Research by project volunteer, Fiona Collyer: Children of The Falconer Street Central School Choral Society, trained by conductress Miss Ida Park, along with dance and gymnastics pupils of Misses Dorothy Gibb and Inez Ellis, performed in the “Cinderella” pantomime at the Temperance Hall in Russell Street, Melbourne on 26 July, 1933. The proceeds went to the Lord Mayor’s Fund. Conductress Miss Ida Park (1904- 1952) lived in the North Fitzroy and Clifton Hill area all her life. She was immersed in the music world of Melbourne and was a member of the Musical Society of Victoria. Ida graduated from Melbourne University Conservatorium with a Bachelor of Music degree in 1929 before departing for London where she studied piano and organ at the Royal Academy of Music. Ida returned to Melbourne in 1931, and billed as “The Gifted Young Australian Pianist”, held pianoforte recitals of classical music at Assembly Hall, Collins Street. She also played the organ for services at St Paul’s Independent Church in Delbridge Street, North Fitzroy and later St Luke’s, North Fitzroy. Ida conducted the children of the Falconer Street Central School Choral Society as they competed in the State School Choral Championships and the 85 children of the Fitzroy City Centenary Choir who sang at Melbourne’s Centenary celebrations of 1934/35. In 1945, Ida married Charles Hazeldine, a tenor and returned digger who had served in two world wars. The pair performed together in many concerts over the years. Tragically, both Ida and Charles were badly injured when struck by a car while crossing Queens Parade Clifton Hill in June 1952, with Ida dying from head injuries at St Vincent’s Hospital soon after. She was 48 years old. Charles wrote on Ida’s death notice - “Called home.” The choir were pupils of Falconer Street Central School No. 3918 in North Fitzroy which was built in 1915 to provide upper primary education for grades 5 to 8 for the area. In 1957 it became Fitzroy High School. In 1992, the Kennett Government swept to power, embarking on a program of fiscal austerity and privatisation of government services. 390 government schools were closed, with the land proposed to be sold to developers. 7000 teachers were sacked: 10% of Victoria’s public school teachers. Auxiliary school staff also lost their jobs. Amongst the first to close was Fitzroy High School. Fearful that the land would be sold, hundreds of students, parents, teachers and local residents occupied the building around-the-clock in four hour shifts and overnight for 14 months, sleeping on gym mats in the principal’s office and administrators’ wing. The blockade was lifted when a arrangement was reached to allow Kangan Batman TAFE to use the school from 1993 until 1998. With the election of the Bracks Government in 1999, and construction of new buildings, Fitzroy High School was reopened in 2004 after a 12 year battle. Temperance Hall, at 172 Russell Street, where the children performed “Cinderella”, was built in 1872 by the Melbourne Total Abstinence Society as a venue for lectures, meetings and alcohol-free community concerts and events. From 1934, Temperance Hall was fitted out as a cinema and renamed the Imperial Theatre, showing popular Hollywood films, before closing in 1939 for renovations and reopening as the Savoy Theatre, Melbourne’s first “Continental” talkies cinema. At this time, Australian cinema programming was dominated by American and British films. The lessees, Continental Film Art Theatre began negotiating for theatre properties in Melbourne, Sydney, Adelaide, Brisbane, Perth and Auckland to screen foreign language films, hoping to present the finest productions from France, Germany, Holland and Italy. At the cost of £6000, the theatre was fitted with the latest Mirrophonic sound and projection system and enlarged to seat 800 patrons with luxurious, ultra modern fittings and furnishings in a colour palette of rust and beige. Instead of usherettes, General Manager Peter Dawson, hoping to bring a sophisticated European atmosphere to the theatre, employed attractive, multilingual “Continental hostesses” to assist guests (not patrons) and answer queries relating to the films. Collectively the hostesses spoke English, French, Dutch, German, Russian and Italian. The Age 20 May 1939- “Atmosphere is a very important part of the theatre's scheme. Ushers in the ordinary sense will not be employed; hostesses will look upon patrons as guests. They will be dressed in full evening dress, and the only indication that they are not guests is the little medallion pinned to their evening dress, on which their names are inscribed.” The hostesses were dressed in evening gowns of olive-green velvet, the full skirts embroidered with gold loops, wine velvet bolero jackets and long white kid gloves with silvery tiaras in their hair. For guests worried that they may not understand the plot, the management assured patrons that- “By means of superimposed English translations on the bottom of the screen, the dialogue is perfectly understandable and the whole witty story can be followed with ease.” The Gala opening of the Savoy Theatre, on 31 May 1939 was attended by a “who’s who” of Melbourne Society, the women wearing beautiful gowns, headdresses and furs. Amongst the guests were former premier Sir Stanley Argyle and Lady Argyle, former Lord Mayor Sir Harold Gengoult-Smith and his wife Cynthia, Field Marshall Thomas Blamey and Lady Blamey and Miss Jessie Brookes. The Vice Consul for France, Monsieur Frank Puaux and his wife attended, Madame Puaux dressed in a black satin gown and a musquash fur cape. She was presented with a beautiful bouquet of scarlet carnations and lily of the valley tied with the tricolour of France. In his speech Monsieur Puaux stated that “from the cultural, linguistic and artistic points of view it was excellent that the Australian public should have an opportunity to see foreign film in the original language.” “Letty” writing in Table Talk magazine described the atmosphere of “Continental” gaiety that had permeated Melbourne - “The Letters of Letty”, Table Talk 8 June 1939 “The “foreign influence” is definitely obtruding itself into the even tenor of Melbourne life these days…. but in the pleasantest manner possible! Included in the great number of Continental people who have recently made their homes here, we have stars of the Russian ballet settling in our midst…. and now… we have been presented with our own Continental picture theatre in the attractive shape of The Savoy, which opened its doors on Wednesday night for the exclusive release of foreign films. One could hardly recognise the old Temperance Hall in its adaptation to the smart, comfortable and thoroughly-intriguing Savoy Theatre. Where once this rather draughty old building stood in Russell Street there now greets us an unmistakable “Continental” edifice, living up to its exterior by sustaining within its walls its overseas’ atmosphere. Indeed, one feels as though one has crossed the threshold into a European city, stepping out of the unmistakably Australian street that is Russell into The Savoy lounge to be greeted by polite “messieurs” from the attractive, Continental-looking usherettes and to gaze upon a film as delightfully French in story and presentation as “La Kermesse Heroique.” But successful though “La Kermesse Heroique” proved on its initial presentation inside the theatre, the debut was no more triumphal than that made by the winning and pretty little French lass who had charge of the booking office outside in the foyer. With her attractive accent and Continental flair for making one “feel at home” she was undoubtedly one of the hits of the night-especially with the susceptible males, who spent very much longer in the lounge than is customary, racking their brains for excuses for making conversation with the attractive Parisienne! Those French girls certainly have a way with them!” The opening film, the 1935 French comedy “La Kermesse Heroique”, (The Heroic Sex) starring Francoise Rosay and Jean Murat (film now called “Carnival in Flanders”) was the winner of the Grand Prix du Cinema Francais as the finest picture of 1936 and described in the advertisement as “The Gay French Comedy of Laughter and Romance” The film is set during the 17th century Spanish occupation of Flanders in the Flemish town of Boom at the time of their annual festival. Hearing news of a pending visit to Boom by the commander, the Duke of Olivares and his army, and fearing rape and pillage, the boorish burgomaster feigns his own death, hoping the Spaniards will bypass the grieving town out of respect. The army arrives and the cowardly men of the town flee. The womenfolk decide on a different approach. Lead by the burgomaster’s beautiful wife Cornelia, they set out to to preserve the peace with grace and hospitality only to find the Spaniards attractive and virile, unlike their own husbands. The Sun newspaper described the film as “Mellow as a Stilton cheese, and as ripely suited to adult taste.” Preceding “La Kermesse Heroique” was a Gaumont British newsreel of King George VI and Queen Elizabeth departing for a tour of Canada and the Soviet documentary “Nine Months on a Drifting Ice Floe” During the war “Continental” films became difficult to source, so the Savoy screened Hollywood movies and held fund raisers for the war effort. After World War Two, the Savoy continued to screen “Continental” films, catering to post-war immigrants from Europe and bohemian Melburnians. In 1953, the Savoy had a wildly popular season with queues winding around the block to see Swedish summer romance “One Summer of Happiness” (Hon dansade en sommar) with its nude swimming scenes. The Chief Commonwealth Censor declined to cut the film on the grounds that although it displayed nudity, it was genuinely artistic. According to Wikipedia, film director Fred Schepisi was first exposed to European films such as “Bicycle Thieves”, “Rocco and His Brothers” and “The Wages of Fear” at the Savoy as a teenager, leading to his long career in filmmaking. In 1955, in response to the massive rise in car ownership, the Melbourne City Council recommended that parking stations be built on every block. The Savoy Theatre and adjacent buildings, which included the Golden Fleece Hotel were demolished in 1963 and replaced with Total House, a Brutalist commercial building consisting of a seven storey car park crowned by a four storey office block, shops at street level, and a basement theatre which housed the Lido Theatre Restaurant-Cabaret from 1965. The building was designed by architectural firm Bogle & Banfield Associates and named for the original tenant of the offices, French oil company, Total Oil Products P/L. The Lido Theatre Restaurant was managed by former Tivoli dancer and promoter David Hamilton McIlwraith, presenting dinner and a glamorous cabaret floor show of showgirls, (some topless) to accompany variety acts by local and international actors, singers, comedians and magicians. The interior of the Lido was opulently decorated in deep, lush green with old world gold trim and chandeliers. Handily, patrons could enter and leave via an elevator, straight from the building’s own car park! A four course gourmet dinner with show and dancing cost $8.00 in 1968. The Lido advertised in 1966 that “Every visitor to Melbourne soon discovers the brightest entertainment spot in the Southern Hemisphere with its million dollar decor, dining delights and spectacular stage productions.” Australian Jewish News - 21 April 1967 - “Superb decor and atmosphere, cuisine and service have been readily recognised as the contributing factors to the excellence of stage presentations, staging, costumes, decor and, of course, the actual choice of artists.” The bedazzling ensemble of 40 high-kicking, feathered and sequinned showgirls were advertised as the “Fabulous Lido girls and the controversial Baretop Lido Goddesses” who were described as “Statuesque Beauty as Nature intended” and “…a host of glamorous gals whose favourite shade is flesh pink.” Some of the acts who performed at the Lido were- -Broken Hill’s own - opera singer June Bronhill -1967. -Versatile singer Lovelace Watkins known as “Black Sinatra - 1967. -“Queen of the five-fingered boogie", honky-tonk and rollicking rag-time pianist, Winifred Atwell - 1967. -New Zealand pop duo, Bill and Boyd -1968. -American actress and soprano Kathryn Grayson -1968. -Denise Drysdale in “Say It With Music” -1968. -“Catwoman” Eartha Kitt -1969. -Internationally recognised female impersonator, Sydneysider Tracey Lee, (Maxwell Richie) billed as "controversial impressionist and singing personality from the famous Carousel Nightspot in Paris". -Frances Faye, American comedienne and show-tune singer and pianist-1969. -“Cry Guy” histrionic singer Johnnie Ray -1970. -Risqué revue “Oh Calcutta!” with some segments and the “four letter” words removed-1970. In 1970, under new management, the Lido was renovated with claret and gold wallpaper, midnight blue ceiling and a computerised fountain with fairy lights and relaunched by “The Tigress from Tiger Bay”, Shirley Bassey. The relaunch was short lived however, as later that year the venue became El Toro Espana, a Spanish restaurant and nightclub offering a four course meal for $4.50 while you watched the floorshow. The venue then briefly became the Red Garter Music Hall Theatre from 1972, then in 1974 the site became the 600 seat Total Theatre comprising of a cinema with a stage for live acts. There were also three bars to choose from - the Crush Bar, the Bleachers and the Snake Pit. Total Theatre had the unusual concept of a live music act, or plays, musicals and magicians followed by a film. In 1975 soprano Suzanne Steele featured, followed by the film “The Voyage” starring Sophia Loren and Richard Burton. In 1975, the Total held a rock film festival showing a Jimi Hendrix documentary, “Monterey Pop Festival”, “Pink Floyd in Pompeii” and more. In 1976, 17 year old Chrissy Amphlett, later of rock band Divinyls, played the role of Linda Lips for nine months in the Australian stage production of R-rated “sexual musical”, “Let My People Come” at the Total Theatre. The Total Theatre closed in 1979 and from 1980 to 2014 the venue became Billboard Nightclub, hosting local and international acts, including INXS, Tina Turner and John Farnham, and in 2009, 18 year old Taylor Swift. The venue is now called 170 Russell and presents hundreds of live local and international acts every year. In 2014, after being under threat of demolition, Total House was listed on the Victorian Heritage Register as “a landmark of post-World War II modernist design and…one of the earliest and best expressions of Brutalist architecture in Victoria”. References: RICHARD CROOKS ARRIVES SCHOOL AGAIN VENUE OF ROYAL VISIT (1939, May 31). The Age (Melbourne, Vic. : 1854 - 1954), p. 17. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article205629696 AMUSEMENTS. (1933, July 27). The Age (Melbourne, Vic. : 1854 - 1954), p. 12. Retrieved September 19, 2025, from http://nla.gov.au/nla.news-article204378853 https://larzra.wordpress.com/origins/ CONTINENTAL HOSTESSES, (1939, May 31). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 27. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article278189387 The Letters of Letty (1939, June 8). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 12. Retrieved October 29, 2025, from http://nla.gov.au/nla.news-article149320966 SAVOY THEATRE (1939, June 1). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved September 19, 2025, from http://nla.gov.au/nla.news-article205639035 NEW THEATRE OPENED (1939, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved September 21, 2025, from http://nla.gov.au/nla.news-article12134234 https://en.wikipedia.org/wiki/Total_House Page [?] TOUCH OF SPAIN (1970, December 18). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 35. Retrieved September 23, 2025, from http://nla.gov.au/nla.news-article262493757 No title (1935, June 11). The Herald (Melbourne, Vic. : 1861 - 1954), p. 27. Retrieved September 29, 2025, from http://nla.gov.au/nla.news-article244840169 Dine, wine, and watch a stage show (1966, November 16). The Australian Women's Weekly (1933 - 1982), p. 6. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article44025050 http://jonathanbollen.net/2011/02/26/tracey-lee/ LIDO ‘ART’ (1967, April 21). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 8. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article263003136 THE FABULOUS LIDO (1965, October 22). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 17. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article262983995 No title (1939, May 31). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article12134144 #NEW THEATRE OPENED (1939, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved September 29, 2025, from http://nla.gov.au/nla.news-article12134234 https://en.wikipedia.org/wiki/Tracey_Lee_(female_impersonator) https://citycollection.melbourne.vic.gov.au/35b-40h-image-of-a-model-for-the-total-house-offices-and-car-park-on-russell-street/ https://www.theage.com.au/national/victoria/from-the-archives-1990-s-hundreds-of-school-closures-hit-victoria-20190801-p52cwj.html http://jonathanbollen.net/2011/05/29/the-lido-melbourne/Photographer notations on slide: primary schools, schools, music, education, choirs, fitzroy, cars, theatre restaurants, venues, films