HistoricalTortoise Shell Spectacle Case with oval gold label and push button opening.

Pair of knitting needles, size 10. [Tortoise shell knitting needles; size 10 were advertised in The Queensland Times 13/8/1949]Pair of brown plastic knitting needles with tortoiseshell pattern.[Size] "10" inscribed on top of each needle.knitting needles

Opal pendant mounted in tortoise shellcamp 3, hoopmann, mueller, lotte mueller, opal, pendant, tortoise shell

Tortoise shell and metal link bracelet.camp 3, lotte mueller, mueller, hoppmann, tortoise shell, silver, bracelet

Made by Internee at Camp 3Tortoise shell ring with rectangular shape as featurering, tortoise shell, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Made by internee Fritz Prager at Camp 3Tortoise shell butterfly buttons. 2 holes in centre of each. 2 buttons.buttons, tortoise shell, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, clothes

Made by internee at Camp 3Necklace with 22 tortoise shell sections. Joined by silver links. Silver catchnecklace, tortoise shell, silver, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Made by internee at Camp 3Bow shaped brooch made of tortoise shell. Hole in centre. Silver Pin on the backbrooch, tortoise shell, praager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Made by unknown internee at Camp 3.Tortoise shell bracelet with silver rose on front centre. The silver rose was made with coins.Wrist shaped bracelet. Child sizecamp 3, lotte mueller, tortoise shell, silver coin, hoopmann, bracelet

Made by Fritz Prager at Camp 3Bracelet made from indented silver. Tortoise shell inserts. 9 sections joined to form the braceletbracelet, silver, tortoise shell, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Made by internee at Camp 3Bracelet with 8 tortoise shell sections joined by silver links. Silver catch and safety chain attachedbracelet, tortoise shell, silver, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Made by internee at Camp 3Bracelet made from tortoise shell joined by silver links. Silver indented catch with fine chain attachedbracelet, silver, tortoise shell, prager f, grimsdale u, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Donated by Heather McNamara. The purse belonged to her mother-in-law Isobel McNamara B. 3/08/1930Small rectangle tortoise shell coin purse with four compartments lined with blue inside. Decorative plate for engraving (but not engraved)Silver inlay on lid.coin purse, mcnamara-heather, tortoise shell, caldwell-isobel

Lotte Mueller was 16 years old when her parents were interned. Her father was a German Woolbuyer living in Sydney. She was left alone for several months before she was able to join her family in Camp 3Oval shaped ornament/brooch with scalloped edge. An opal has been inserted in the centre with etched lines symbolising the rising sun. A silver native figure holding a boomerang is to the right. A small silver look chain is attached to the top.mueller, hoopman, camp 3, woolbuyer, tatura

Sewing implements and crochet hook date pre 1950. PArt of Jan Barrett's mother's sewing kit.Sewing Implements: 2 wooden cotton reels one with mercerised cotton, linen thread on green card, tortoise shell spindles, iron crochet hook with wooden handle, "C 1'0 The Mer-Surah, Mercerised Cotton, machine twisted on narrow reel. Superior Linen Thread No 32 2 cord Linen thread: Lindsay Thompson (Threads) Belfast - 50 yards on backing card.sewing implements, crochet hook, cotton thread, linen thread, tortoise shell toggle

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". Tatting looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. A shuttle is a small tool that looks like a small boat "sailing" in and out of the thread. Tatting is called "schiffchenarbeit" in German, which means "the work of a little boat". There are two popular types of shuttles. The first has closed ends and a removable bobbin where the thread is wound around - often made from metal or plastic. The second type has a post in the center where the thread is wound. The ends of this bobbin are open but snug. Because it is constructed in two pieces, it can be made from materials like bone, ivory or mother of pearl. Shuttles hold a larger amount of thread (as compared with needles) which means fewer ends to weave in. Fishermen in the past are thought to have used large shuttles to weave cord into certain knots whilst making their fishing nets. Their methods were copied by weavers, who innovated by using threads and smaller shuttles to make lace.Tatting Shuttle, tortoise-shellflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tatting shuttle, handcraft, needlework

Tortoise shell comb three prongs, diamantes, enclosed in shaped tortoise shellcostume accessories, jewellery

Cut throat razor, "Cuckoo' Brand, with a black tortoise shell handle, contained in a brown tortoise shell case Cuckoo Brand, Made in Germany (see photo)personal care, shaving, razor

Nail buffer with plastic tortoise shell base and lid. The lid is transparent tortoise shell. The base of the nail buffer is of tortoise shell with a soft pale yellow buffer glued on. The nail buffer has rounded ends.manicure, toiletries, nail buffer, personal item

Tortoise shell hand mirror - oval.domestic items, ornaments / decorative

Round Tortoise Shell Makeup Container with mirror on lidstawell

Used by HoldenBlack leather surrounds with tortoise shell around instrumentsholden, vx

During the years 1869-1935, there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in 1869, while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally, handles to drawers and cupboards were made with these roots, although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No. 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints, which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer, and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive' bamboo, aimed particularly at the export trade. Stating in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system is applied”. This method of construction best fits the Etagere and this item in the Flagstaff collection, and it is believed to have been made by A Englander & Searle, exported in a knock-down form to Australia, purchased in kit form from a dealer here and put together by the purchaser. The bamboo plant stand is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain because the item is so fragile so this example is a valuable addition to the Flagstaff collection. It is believed,the construction method used is by a notable and respected maker in England of bamboo furniture that was aimed specifically at the export market and probably came to Australia in kit form to be assembled by the purchaser.Plant stand: a bamboo plant stand with a hexagonal pine timber top edged with tortoise shell bamboo. The top is supported on four tortoise shell bamboo legs joined at the base by a square cane-covered shelf. The tortoise shell appearance is brown lacquer. This stand is part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, furniture, plant stand, bamboo furniture, etagere, victorian furniture, simulated bamboo, tortise shell, a englander & searle, domestic furniture, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods