R.M. Telford tranquil bush creek scene 1903 Langwarrin

R.M. Telford tranquil bush creek scene 1902-1903 Langwarrin

Reproduced page 114 of Pioneers & Painters, edited by Alan Marshall (1971) Source: Sydney Cooke Chemical Pty LtdThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 15 x 23 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection, peter glass

Walk developed after land acquired by Nunawading Council at western end of Blackburn Creeklands in 1967.parks and reserves, city of nunawading, melbourne water, blacks walk, middleborough road, blackburn, burns, stuart, bowker, cathy

Short history of Yarran Dheran on the banks of Mullum Mullum Creek in Mitcham, including mention of Schwerkolt Cottage, now a museum, and an Information Centre which now stands empty.schwerkolt cottage, smith, mavis, arrowsmith, valda, yarran dheran, parks and reserves

'Discovering tranquility in bushland', by Mathew Chandler. Article on Wandinong Sanctuary with photo of Bernard and Phyl Hooke, Nunawading Gazette, 17 January 1984.wandinong sanctuary, parks and reserves, hooke, albert arthur, janet emily, bernard, phyl

Black and white giant postcard showing a tranquil lake scene at Nowa Nowa. Timbered banks are reflected in the calm surface of the lake. Lake Tyers VictoriaPerfect reflections Nowa Nowawaterways, vegetation

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centerpiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 meters tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This wooden plaque, presented to Ian Green on 28/11/2010 by the International Buddhist Meditation Association Chan Khong Monastery, honours his dedication to fostering peace and spiritual enlightenment. It symbolises gratitude for his generosity and his role in promoting the Jade Buddha’s message of compassion and unity.jade buddha, memorabilia, great stupa archive

Bendigo Advertiser ''The way we were'' from 2000. Tranquil: this photograph of Charing Cross, taken in 1862, shows a very different intersection to the busy thoroughfare of 2000. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Yellow card in 3 parts detailing safety procedures for flights. Printed in black ink with diagram of plane. Photograph of a Royal Australian aircraft on front flying above tranquil waters with sailboats.raaf, aircraft safety procedures

Bendigo Advertiser ''The way we were'' from February 2001. Tranquil: the rotunda, bowling green and tennis court at Barracks Reserve 9noe Heathcote Sporting Complex), circa 1940. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Scenic: Lake Weeroona has always been a tranquil place for people to picnic and relax or alternately use the cycle path and enjoy water activities. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The tour took part in the early evening. The cemetery is situated in a secluded tranquil place in a busy suburb surrounded by trees. Born Digitalst katherine's church, st helena, cemetery, sunset, trees

Glimpse of arched bridge between trees from left to right of photograph. Scrubby low bush in foreground. Tranquil water behind and under bridge to Newhaven sand beyond.Glimpse of bridge, San Remolocal history, photographs, bridges, san remo, black & white photograph, mona condrick

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, was the stretch of the Yarra at Studley Park. In selecting this view he concentrates on the tranquility of the river and the remnant vegetation that lines the banks. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.)

Jan ALEXANDER Jan Alexander completed a Graduate Diploma of Ceramics at Federation University from 2019-2022. In her work Jan explores the synergy of form, texture, and glaze, and the crafting patterns of movement and reflective surfaces that capture and interact with light, to create an ambience which invites contemplation, to instil a tranquil tone.ceramics, jan alexander, dvc art award

A blue self patterned hardcover non fiction book with the title printed in gold lettering: Channel Islands Edith. Carey (author), Henry Wimbush (illustrator) and the publisher A&C Black at the bottom.It has a damaged white paper dustjacket with the same information printed in blue lettering as well as a coloured illustration of The Sister Rocks, Alderney in a blue lined frame. The back of the jacket has a list of Books and Postcards on the Channel Islands with details and prices. There is an inscription on the right hand endpapers written in faded black ink. Opposite the tile page is a frontispiece coloured illustration of St. Peter-Port, Guernsey, from the Pool. There are several coloured illustrations throughout the book.p.226non-fictionAn up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.travel books, books, channle islands, history

FOBKC (Friends of Boroondara Kew Cemetery) has previously published "Triangle of Tranquility":150 years of the Boroondara (Kew) Cemetery. 1859-2009 Gives brief biographies of many of the people buried in the Kew Cemetery from all walks of life, including the Henty family, Georgiana McCrae, George Coppin, Sir Owen Dixon and the Duffy family of lawyers.Gives brief biographies of many of the people buried in the Kew Cemetery from all walks of life, including the Henty family, Georgiana McCrae, George Coppin, Sir Owen Dixon and the Duffy family of lawyers.boroondara general cemetery, cemeteries, kew cemetery, fobkc, friends of boroondara kew cemetery

Folder containing a table of contents and various newspaper clippings and other information pertaining to the Maryknoll area. The date the articles were published, and title of articles are listed below. 1 Dec 1998 A Tranquil Vision Realised 7 Feb 2024 The Tradition Continues 2 Dec 2020 Big Day for Maryknoll 6 Feb 2019 A Moment Frozen in Time - Black Friday 15 Oct 2025 Maryknoll Celebrates 75th 15 Oct 2025 Colour and Classic Carsnon-fictionmaryknoll (vic.), black friday

Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf

Sketch of a man with a fishing pole standing on a bridge over a creek, stream or river in a bush setting. Unidentified artist and location.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, fishing, creek, sketch, tranquil, unidentified, other areas, bush, outdoors, country life

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Rob Andrew’s career was as an Environmental Health Officer with various councils around Victoria. As an Altona resident he became interested in the Truganina Explosives Reserve when he heard the site was to be sold. He was concerned that because of the prospect of commercial development the community would lose tranquil open parklands. Through his involvement with the Reserve he realised the historical, geomorphic, flora and fauna significance of the site. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018native grasses, explosives, cheetham wetlands, cheetham salt works, doug grant, chirnside, cliff gibson, lava plain, brown coal, sand ridges, selwyn fault, rowsley fault, victorian coastal strategy, aboriginal stone artefacts, aboriginal habitation, aboriginal remains, red gums, casuarinas, altona skipper butterfly, orange bellied parrot

Donated by J W Gliddon with his comments on back of photograph. Taken when motorbike and car racing were run around the roads on Phillip Island. Racing first came to Phillip Island in 1927 in the form of a 200 mile road race for motorcycles on a circuit encompassing Cowes and Rhyll. In the next year, a shorter rectangular course, again on public roads, was used for the running of what became the first Australian Grand Prix. Eight successive Australian Grand Prix were run on this course before the race was moved elsewhere. Finally in 1935, racing was discontinued and Phillip Island lapsed into the tranquility and peacefulness of its quiet country and beach atmosphere.Black & White photograph of motorcycle riders on bike and sidecar. Crowd watching at the side of the road. See Historical Information for more detail re motorcycle racing on Phillip Island.On back: "This picture could become historically interesting as machines and methods change. It was taken about the year 1950. Perhaps earlier." motor cycle racing

The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns" Transcription of sign: Walter Withers – The Silent Gums, 1909 Walter Withers painted this tranquil pastoral scene in the vicinity this park. Here he has captured the dairy cattle belonging to local Eltham farmer, Mr. Tom Orr, feeding and resting in the shade of the tall Manna gums. Wither’s daughter, Nan recalled how her father, for inspiration, often visited the property of their neighbour, Mr. Tom Orr, and in his later years, Withers painted many landscapes depicting Mr Orr’s sheep and dairy cattle. Heritage Excursion by EDHS Members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, walter withers, heidelberg artists' trail, wingrove park trail, the silent gums

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett