Social, historicalExample of the felling of trees for power company in the late twentieth centuryColour photo, of the Western outskirts of the township of Yendon showing felled pine trees and stumps yendon, moorabool shire, streetscape, felled pinetrees, powercor

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Photograph of a tree stump with axeman's footholes at Camberville.camberville, tree stump, forestry

Period unknown. A postcard depicting "Clematis". mkThe postcard is written on the back to "My dear little Ida" from "Aunt". See photo stored in "Adittional Images" for full text.The postcard depicts wildflowers (Clematis) climbing up a tree/stump."The Rose Series, P. 1800 Australian Wild Flowers - "Clematis"" written on bottom border of postcard. There is a letter written in black ink on the rear of the postcard - see "Additional Images".natural history, flora

Pons asinorum was the name given to a wooden carving made by road worker Finlay Munro in the early 1920s at Boulder Creek, on the old Princess Highway, between Orbost and Cann River. The carved face was said to mock the supervising engineer after an argument about putting the road alignment across a swamp that required new bridges. The Italian workmen had advocated for a different route to avoid the need for building new bridges across the swamp. This photograph is from a set of thirteen black and white postcards in a fold-out format.This is a photograph of an iconic tourist attraction which records the woodworking skills of workers in the early 20th century. The carving is no longer there.A small black / white photograph of a face carved into a tree stump.on front at bottom - ON THE ORBOST CANN ROADwoodcarving pons-asinorum boulder-creek-east-gippsland princess-highway

Black and white photograph of dead tree stump, Eltham c.1960s.trees, eltham, george w bell collection

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Koala climbing on a tree stump - caption under this photograph - "No good, I'll try another".local history, photography, koala, native wildlife, black & white photograph, koalas, wildlife - koala, john jenner, bryant west

Colour photograph of a tree stump at Camberville, showing the foot holes created for the axemen to climb the tree.tree stump, foot holes, axeman, camberville

Flathead square copper nails probably used either for building timber boats or for killing tree stumps.1. None 2. Several line marks on each of 4 sides near topnails, copper

This stump one of several replacements. Black and white photograph of carved tree stump on Omeo Road known as Mr Stringy East Gippslandsculpture, local history

A black and white photograph of Steavenson Falls in Marysville in Victoria.A black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.CAUTION/ FIRE/ ONE HUNDRED POUNDS/ illegible NOTICE TO ANGLERS/ illegiblesteavenson falls, marysville, victoria, waterfalls, john steavenson

The people in the photo are: Mr & Mrs Gus Knight and Ray Knight (on the right). The names of the other three people are not known. The site of the house is where a later monument would stand (see inscription).Photo shows six people; three seated on a large log, two standing and one leaning on a tree stump; in front of a house."Mr & Mrs Gus Knight, Ray on right. -Where Monument will go. Ray just cut down tree - so it would not fall on house." written in biro on rear of photo. "Wannon" written in pencil on rear of photo.people, knight, buildings, tea rooms

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of J. Bowman and F. Pickersgill pulling tree stump with tractor and chain, clearing the land for tree planting by Scotch College Boys.local history, photography, photographs, rhyll reserve - land clearing, rhyll reserve, land clearing, tractors, j bowman, f pickersgill, john jenner, bryant west

Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706

Photograph, sepia. Portrait of a young child, standing next to a tree stump, dressed in a white lacy looking dress, white socks and black shoes.Bartlett Bros., Sandhurst.person, individual, child portrait, photograph. portrait of a young child. unknown family collection.

Brendon Collier up at ladder against a tree trunk with a fire hose putting out a tree stump smoulderingcolor photoBrendon Collier 1985b.collier, 1985

German camp 3 internees formed a study group. The girls are: Annelies Bulach, Eleonore Ehnis, Gertrud Beilharz, Irene Beilharz, Magda Beilharz, Lotte Muller, Ruth Vollmer, Anny Kubler, Gertrud Scheerle, Helga Eppinger, Maria Streker, Liselotte Steller, Liselotte Streker and Evan Ruff.Black and white photograph of 10 young ladies standing, 4 seated. The number 828 centre front. To their right a tree stump in front of a hut several yards behind the stump.the number 828 internee children, camp 3, templer society, camp 3 study group

Winch Tool to pull tree stumps. Steel frame, two steel wheels, a cable drum and a large steel handle. Handle fits on square shaft of drum and ratchet arrangement

Group of Italian internees at No 3 Camp Rushworth Victoria. Photograph taken 10 March 1945. Back (l to r): Elpi Fortuna, Domenico Fortuna, Liliana Sabatini and Enrico Sabatini Front (l to r): Mario Fortuna (youngest child), Concetto Fortuna, Carmelo Fortuna and Mafalda Fortuna.Black and white photograph of a 2 women and 2 men standing and 4 children standing in front of the adults. Tree behind in centre and hut of to the right. No 85 on ground in front. Tree stump to the right.italian internees, no 3 camp, elpi fortuna, domenico fortuna, liliana sabatini, enrico sabatini, mario fortuna, concetto fortuna, carmelo fortuna, mafalda fortuna

Large plaster statue of a boy eating cherries with one detachable arm, green pants with patch on knee, brown coat slung over shoulder & holding a bowl of cherries, tree stump and leaves on base.682ornaments, plaster, statue, u4697

A photo of the Comfort Station in the Halls Gap Picnic and Camping Reserve.The photo shows a wood and stone building at the rear of a clearing with a large eucalyptus tree growing close to the front of it. In the background is heavy bush. A tent or large cloth can be seen on the right beside a large tree stump.buildings, mountain grand

Photograph was taken on the 10 March 1945 of two family groups of German internees at no 3 camp Tatura Victoria. Back row (left to right): Helga Girschik, Rudolf Girschik, Lothar Streker and Daniel Streker. Front row (left to right): Peter Girschik (standing), Elfriede Girschik holding baby Herbert, Elisabeth Streker and Liselotte Streker. AWM number 030245/04Black and white photograph 3 men and a girl standing behind a boy standing and 3 ladies sitting. Lady on left is holding a baby. Tree stump to right of photograph with a tree behind the men and barracks behind that. 818 in front of ladiescamp 3 tatura, helga girschik, rudolf girschik, lothar streker, daniel streker, peter girschik, elfriede girschik, herbert girschik, elisabeth streker, liselotte streker, german internees ww2, 030245/04

View of Mountain Grange Homestead with Great Barn. Tree stumps still visible. Fruit tress still present. Less cultivation near house. Fences more uniform and indication of a road.Woman in dress and bracken in foreground.kalorama, mountain grange

Camp 3 Internees. Back: Emil Hottelmann; Mr. Dannenberg. Front: Sieglinde Hottelmann; Ellen Hottelmann with baby Ellen; Mrs. Dannenberg; Maria Dannenberg. Black and white photograph of the two men in back row; two ladies in front row, one holding a baby and little girls on either end. Hut in background and tree stump to right. Number 806 at feet of ladies.emil httelmann, mr dannenberg, mrs dannenberg, maria dannenberg, sieglinde hottelmann, ellen hottelmann, 806, camp 3 internee families