This work was purchased from an exhibition of University of Ballarat staff members at the Post Office Gallery in 2009. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed photograph depicting a girl holding an unseen persons hand. Signed lower right side 'Gail Trembath' Signed verso 'Gail Trembath 'Prato' 2008' Sticker lower right hand corner: Title: PRATO - 2008 Medium: pigment ink on Lana Jet 256 gms GAIL TREMBATH art, artwork, children, gail trembath, photography, available, prato, italy

This work won the Ballarat School of Mines Acquisition Award in 1994. In that year Gail Trembath was undertaking a Diploma of Visual Arts. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed photographs of Lake Mungo National Parklake mungo national park, art, artwork, gail trembath, photography, acquisition award, available

Stawell Gift Runners at Central Park with Railway Station in Background. K.R.T. Trembath Port Melbourne 440yds Final 1958.stawell sport

Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of two Lodge Brothers. Horizontal fold printed in black ink on blue card. Embossed cover with scalloped edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: golden & Corinthian & Zenith Lodges / No. 7 and Mo. 52 / joint Installation / of / Bros, R. T. Trembath and L. A. Sonnenber / Masonic Hall, Bendigo / Wednesday, June 29th, 1910. bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, brockley printers bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo community groups, city of greater bendigo events

Hazel, aged 5, was one of 3 little girls who presented a beautiful workbox for Princess Elizabeth to the Duchess of York in 1927. Perhaps this stimulated her interest in the young princesses, although this was typical of young girls of the period. Scrapbook compiled by Hazel TREMBATH during the 1930s; illustrates a young girl's interests i.e. many pictures cut out of newspapers and magazines and pasted into bookdomestic life, celebrations fetes and exhibitions, family - children, costume, hazel wilson nee trembath, royal visits and occasions

Illustrated hardcover book with dustjacket. Book has a maroon cover with abbreviated title, authors names and illustration of a nurse in gold print on spine. Dust jacket is pink with white panels at top and bottom. Title is printed in maroon and black ink on front top panel, and authors names printed in blue ink on bottom front panel. Four portrait sketches of various nurses in small white ovals appear on the pink area of both front and back covers. Abbreviated title and authors names are printed in black ink on spine, along with coloured illustration of nurse.non-fictionCommencing with the rudimentary nursing arrangements of the mid 19th century Victoria, this book examines the gradual introduction of new concepts of nursing the sick and revolutionary approaches to the organisation of the nascent profession.royal australian nursing federation-victorian branch-history, nursing education-victoria-history, nurses-victoria-history

William James Trembath (13/4/1877-27/3/1930) was a draper who lived with his wife Mary Florence (nee Ellis) ( 1877 -29/7/1932) at 521 Hargreaves Street. They had married in 1901. Also living with them in 1924 was their daughter, Mavis Eileen who was a typist.Black and white photograph mounted on rectangular grey board. House, wooden double fronted house with L.H.S and recessed porch. Steps leading up to porch. Stucco and wood apex to gable. Canopy over front RH window. Written on back of photoboard ' Mr. Trembath, Hargreaves Street, £1200'Frank A. Jeffree photo Bendigobendigo, business, t.c. watts & son, trembath.

Sculpture at gateway to Edendale Farm, 30 Gastons Road, ElthamRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5eltham, edendale farm, gastons road, sculptures, the fences act 1968, tony trembath

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

POSTCARD SENT TO MRS. THOMAS TREMBATH, CAMP PARADE, CLUNES VICTORIAPOSTCARD SENT TO MRS. THOMAS TREMBATH FROM TASMANIA8320 "HAVING A DRINK" ROTARY PHOTO.E.C.local history, photography, photographs, trembath, perry

ORIGINAL SEPIA PHOTOGRAPH OF MIXED CHOIR. MRS. FLO TREMBATH, MUSIC TEACHER. MEMBER OF CHOIR.PHOTOGRAPH OF MIXED CHOIR. MRS. FLO TREMBATH, NEE PERRY, MUSIC TEACHER, AS MEMBER OF THE CHOIR.F.M. PERRY PENGUIN TAS.local history, photography, photographs, choirs

MRS. FLO TREMBATH, NEE FLO PERRY. MUSIC TEACHER AND MEMBER OF CHOIR.ORIGINAL SEPIA PHOTOGRAPH OF MISS FLO PERRY - LATER MRS. FLO TREMBATH, STANDING BY CANE FRAME BESIDE VASE OF ROSES.PARIS PANELlocal history, photography, photographs, trembath, perry

Illustrated hardcover book with dustjacket. Book has a maroon cover with abbreviated title, authors names and illustration of a nurse in gold print on spine. Dust jacket is pink with white panels at top and bottom. Title is printed in maroon and black ink on front top panel, and authors names printed in blue ink on bottom front panel. Four portrait sketches of various nurses in small white ovals appear on the pink area of both front and back covers. Abbreviated title and authors names are printed in black ink on spine, along with coloured illustration of nurse.non-fictionCommencing with the rudimentary nursing arrangements of the mid 19th century Victoria, this book examines the gradual introduction of new concepts of nursing the sick and revolutionary approaches to the organisation of the nascent profession.royal australian nursing federation-victorian branch-history, nursing education-victoria-history, nurses-victoria-history

Colour pencil drawing on paperNot signed. Not dated.drawing, diagrams, map, grid

Colour pencil drawing on paperNot signed. Not dated.grid, places, travel, buildings, snapshots

Colour pencil drawing on paperNot signed. Not dated.landscape, buildings, view, factory

BRIDGE OPENING 14TH APRIL 1986BRENDA TREMBATH, BETH COLLINS, LYN DUNNE AT BRIDGE OPENING.local history, photography, photographs, bridges

Blank Sale Note for shares (Woolcock & Trembath), Beehive Exchange, Bendigoorganization, business, bendigo businesses

A BALL AT CLUNES TOWN HALL, TOM EVANS, BRUCE REID, ROBERT VINECOMBE & BRENDA TREMBATHlocal history, photography, photographs, events and celebrations

BRENDA TREMBATH, JENNIFER HULL, MARY BARRY AT SUSPENSION BRIDGE OPENING. 14/4/1986local history, photography, photographs, bridges

William James Trembath (13/4/1877-27/3/1930) was a draper who lived with his wife Mary Florence (nee Ellis) ( 1877 -29/7/1932) at 521 Hargreaves Street. They had married in 1901. Also living with them in 1924 was their daughter, Mavis Eileen who was a typist.Black and white photograph mounted on rectangular brown board. House, weatherboard, corrugated iron gabled roof, cross and finial to exterior of gable end, brick chimney, decorative, twin pots, battens to gable ends, rectangular louvred vent, telephone connections, leadlight porthole window, awned 4 light window, frieze to awning and verandah, masonary steps, cement path, lawns. Palm tree front left hand side of house. On back of photo ' £1200, Mrs. Trembath, Hargreaves Street'Frank A. Jeffree Photo Bendigobendigo, business, t c watts and son, s