Showing 23 items matching "triptych"
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Geelong GalleryPainting, BOYD, Arthur, Study for triptych: Waiting at Styx, 1988
... Study for triptych: Waiting at Styx...Oil on canvas Study for triptych: Waiting at Styx Painting BOYD, Arthur ...Oil on canvas -
Art Gallery of Swan Hill
Painting, COOK, Michael, Coat of arms (triptych), 1991
... Coat of arms (triptych)...Coat of arms (triptych) Painting COOK, Michael ... -
Ararat Gallery TAMATim Gresham, Triptych from Red, 2002
... Triptych from Red...Triptych from Red Tim Gresham ... -
Federation University Art CollectionTextile, Paula Do Prado, Flagwork #1, 2009
... Triptych ...By sharing her own personal stories, her work creates a dialogue around issues of immigration and multiculturalism, which are just as relevant now as ever. flag textiles button available Triptych Flagwork #1 Textile Paula Do Prado ...Paula DO PRADO Born Montevide, Uruguay Arrived Australia September 1986 Paula Do Prado holds a Bachelor of Fine Arts (Textiles) with First Class Honours and a Master of Fine Arts from Art & Design at the University of New South Wales.Her works are compelling, multi-layered and rich with cultural references surrounding concepts of identity, race and gender. Her practice draws on materials, sayings and imagery collected from many different sources including the generations of her family history. By sharing her own personal stories, her work creates a dialogue around issues of immigration and multiculturalism, which are just as relevant now as ever. Triptych flag, textiles, button, available -
Federation University Art CollectionArtwork - Triptych, ‘Bits and Speechless Pieces’, ‘A Grimace on Obscurity 3’ and ‘Keeping the Interval’ by Tarli Glover, 1984
... Her work leans toward semi abstract symbolism and representation. This triptych was part of Tarli Glover's final year folio in 1983. ...A painted triptych by Tarli Glover with the following titles: .1) 'Bits and Speechless Pieces' .2) 'A Grimace on Obscurity' .3) 'Keeping the Interval'...Her work leans toward semi abstract symbolism and representation. This triptych was part of Tarli Glover's final year folio in 1983. ...Tarli GLOVER Tarli Glover undertook a Bachelor of Arts at Ballarat College of Advanced Education [now Federation University] between 1980 and 1983, majoring in Fine Art Painting. Based in Central Victoria, she has been practicing professionally for over three decades and has exhibited widely throughout Australia. While Tarli's work covers a wide range of creative disciplines’ she concentrate’s primarily on painting, drawing and multi-media works with a focus on both landscape and figurative genres. Her work leans toward semi abstract symbolism and representation. This triptych was part of Tarli Glover's final year folio in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A painted triptych by Tarli Glover with the following titles: .1) 'Bits and Speechless Pieces' .2) 'A Grimace on Obscurity' .3) 'Keeping the Interval'art, artwork, tarli glover, theatre, triptyc, oil on board, ballarat college of advanced education, alumni -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub BranchPhotos
... Triptych of Kokoda photographs, framed...Photo Kokoda Army Triptych of Kokoda photographs, framed Photos ...Triptych of Kokoda photographs, framedphoto, kokoda, army -
Horsham Regional Art GalleryPainting, Leif NILSSON, Cumulus strata, 1980
... triptych, synthetic polymer paint on cotton canvas...triptych, synthetic polymer paint on cotton canvas Cumulus strata Painting Leif NILSSON ...Gift of the artist, 1984triptych, synthetic polymer paint on cotton canvas -
![Fisher, Wendy, [Landscape] by Wendy Fisher, 2006](/media/collectors/530576742162ef0fa09a2288/items/534748179821f420f8c039d6/item-media/587ed6b1d0cdfe2704454ad7/item-fit-380x285.jpg?cb=6)
Federation University Art CollectionFisher, Wendy, [Landscape] by Wendy Fisher, 2006
... A triptych of three paintings that can be joined together to depict a landscape. ...The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork wendy fisher landscape horsham campus collection wimmera campus A triptych of three paintings that can be joined together to depict a landscape. ...This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A triptych of three paintings that can be joined together to depict a landscape. art, artwork, wendy fisher, landscape, horsham campus collection, wimmera campus -
Federation University Art CollectionPainting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
... A triptych commissioned for the Federation University Mt Helen A-Building Staircase....Her work has been commissioned by various organisations, public and private collectors. aboriginal abstract A triptych commissioned for the Federation University Mt Helen A-Building Staircase. ...leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art CollectionPrint - Artwork, Ricordi Souvenir Series by Antoinetta Covino-Beehre, 2013
... A triptych of three framed artworks. One features a kangaroo, one Pinocchio and another a lyrebird....Antoinetta Covino-Beehre kangaroo lyrebird animals pinocchio fauna Antoinetta Covino-Beehre available A triptych of three framed artworks. One features a kangaroo, one Pinocchio and another a lyrebird. ...Antoinetta Covino-Beehre A triptych of three framed artworks. One features a kangaroo, one Pinocchio and another a lyrebird.kangaroo, lyrebird, animals, pinocchio, fauna, antoinetta covino-beehre, available -
Darebin Art CollectionPainting, Phyllis Faldon, 'Solitude, Reverie and Rapture', 2010-2012
... triptych...triptych 'Solitude, Reverie and Rapture' Painting Phyllis Faldon ...Phyllis Faldon has exhibited extensively with the Contemporary Art Society and is a regular participant in the Darebin Art Show at Bundoora Homestead Art Centre. Phyllis was awarded the special prize for contemporary art at the 1995 Royal Overseas League Silver Jubilee Art Competition in London for her work Carnival, which was acquired for the Omega Art Collection and her artwork is also represented in the City of Darebin Art Collection.triptych -
Darebin Art CollectionPainting, PJ Hickman, 'No Title', 2017
... triptych...triptych 'No Title' Painting PJ Hickman ...triptych -
![Painting - Artwork, [Untitled] by Nadia Herzberg](/media/collectors/530576742162ef0fa09a2288/items/5c78854021ea69110c04d600/item-media/5cd01fce21ea6718e852e10b/item-fit-380x285.jpg?cb=6)
Federation University Art CollectionPainting - Artwork, [Untitled] by Nadia Herzberg
... A painted triptych on canvas. If you can provide information on this artist or artwork please use the email link at lower right....ballarat school of mines alumni available nadia herzberg A painted triptych on canvas. If you can provide information on this artist or artwork please use the email link at lower right. ...A painted triptych on canvas. If you can provide information on this artist or artwork please use the email link at lower right.ballarat school of mines, alumni, available, nadia herzberg -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cliffs between Whaler's Bluff and the Water Tower, n.d
... Black and white triptych of cliffs between Whaler's Bluff and the Water Tower, taken from the sea. ...Black and white triptych of cliffs between Whaler's Bluff and the Water Tower, taken from the sea. ...Port of Portland Authority ArchivesFront: Biro line ruled horizontally, inersecting with a ruled biro vertical. P.H.T control on horizontal line in biro.port of portland archives, cliffs, water tower -
Embroiderers Guild, VictoriaTextile - Triptych Patchwork Wall Hanging, Susan Denton, "Into the Shallows", 1986
... This triptych is the final piece in the "Reef Series". ..."Into the Shallows" Textile Triptych Patchwork Wall Hanging Susan Denton ...Acquired by the Patchwork Group after the 1987 Patchwork exhibition. Susan Denton started making quilts in 1979, after finding a book on patchwork in a local library. Susan was born in England and arrived in Australia in 1973 after travelling overland through Asia. she and her husband returned to England in 1988. "Colour foremost and pattern secondly are the tow aspects which have continually preoccupied me. Quilt making is the way I express what I feel"This triptych is the final piece in the "Reef Series". It is a celebration of colours, complexity and fragility of the Great Barrier Reef. Each piece is tapering from the top left to bottom right in predominantly blues.Susan Denton 1987patchwork, wall hanging, 1980-2000, australia, patchwork -
Melbourne Tram MuseumPostcard - Melbourne Australia - 3 colour view, Nu-color-Vue, early 2000
... Triptych (3 panels) featuring a Melbourne cityscape at dusk with a Yarra River view, a classic City Circle tram, possibly 887, in Flinders St. with Federation Square behind. ...Triptych (3 panels) featuring a Melbourne cityscape at dusk with a Yarra River view, a classic City Circle tram, possibly 887, in Flinders St. with Federation Square behind. ...Triptych (3 panels) featuring a Melbourne cityscape at dusk with a Yarra River view, a classic City Circle tram, possibly 887, in Flinders St. with Federation Square behind. Plus a view of Captain Cook's Cottage with the text "MELBOURNE AUSTRALIA" at the bottom. Published by Nu-color-vue, NCV 14367, 11ML592, with website and address details.Demonstrates a typical postcard promoting Melbourne.Postcard - three colour panels, unused.tramways, city circle tram, trams, flinders st, sw6 class -
Bendigo Historical Society Inc.Document - Dean John Christian MacCullagh (1982 - 1917), 5/09/2023
... At this stage the church was a long way from completion. 1872 made Canon 1877 Bishop's Canon 1883 rural dean 1883 Archdeacon of Sandhurst 1902 Dean of the diocese 1916 retired due to ill health 1917 Died in Melbourne and was buried at Lancefield. A triptych stained glass window at St Pauls stands as a memorial to his service of 47 years....At this stage the church was a long way from completion. 1872 made Canon 1877 Bishop's Canon 1883 rural dean 1883 Archdeacon of Sandhurst 1902 Dean of the diocese 1916 retired due to ill health 1917 Died in Melbourne and was buried at Lancefield. A triptych stained glass window at St Pauls stands as a memorial to his service of 47 years. ...John Christian MacCullagh (5/6/1832 - 24/9/1917) Born in Ireland Dean MacCullagh came to Victoria in 1863 and was ordained as a minister in 1864 and his first posting was to Lancefield where he served as the first resident minister 1867-1870. Following the death of his young wife he moved to Bendigo in 1870 as the parish minister for St Pauls in Myers Street. At this stage the church was a long way from completion. 1872 made Canon 1877 Bishop's Canon 1883 rural dean 1883 Archdeacon of Sandhurst 1902 Dean of the diocese 1916 retired due to ill health 1917 Died in Melbourne and was buried at Lancefield. A triptych stained glass window at St Pauls stands as a memorial to his service of 47 years.Biography Six-page notes on the life and service of Dean John Christian MacCullagh. Typed pages.biography, dean maccullagh -
Williamstown Historical Society IncPhotograph - Williamstown Hospital Auxiliary - Opening of the Caithness Maternity Wing
... Triptych: Mr. Stanley Garnsworthy, unknown mother and newborn, Mrs. ...Williamstown Hospital Auxillary Mrs Caithness S. Garnsworthy Triptych: Mr. Stanley Garnsworthy, unknown mother and newborn, Mrs. ...Triptych: Mr. Stanley Garnsworthy, unknown mother and newborn, Mrs. Isabel Caithness, This photo appears to commemorate the opening of the new Isabel Caithness Maternity Wing at Williamstown Hospital which was opened in January 1955. The original 1955 maternity wing now functions as the hospital's administration area. Stanley George Garnsworthy was the Chairman of the Maternity Building Appeal Committee established to raise funding for the new maternity wing at Williamstown hospital. The mother and newborn may be the first baby delivered at the new Wing. Mrs. Isabel Y. Caithness served as the Honorary Secretary of the Williamstown Hospital Annual Appeal Committee during the mid-20th century, organising major local charity events such as the annual Hospital Ball. In recognition of her extensive service and fundraising efforts, the hospital's new maternity section was named the Isabel Caithness Maternity Wing. It was officially opened on February 26, 1955. (Source: Williamstown Advertiser Friday 17 December 1954 williamstown hospital auxillary, mrs caithness, s. garnsworthy -
Federation University Art CollectionWork on paper, Patrice Mahoney, 'Jobs, Policy and LOST' (tryptich) by Patrice Mahoney, 2014
... This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. ...The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat. artist artwork patrice mahoney aboriginal victorian indigenous awards jobs culture printmaking drawing policies lost victorian indigenous art awards available alumni This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. ...These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni -
Eltham District Historical Society Inc
Document - Folder, Mackenzie, Andrew
... Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. ...Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. ...Andrew Mackenzie OAM (1952-), librarian, expert on the life and paintings of Walter Withers and Frederick McCubbin; compiler of "The Etchings, Lecture Notes and Writings of Victor Cobb" and "Walter Withers: The Forgotten Manuscripts", author (for the Famous Australian Art Series) of "Hans Heysen", "Albert Namatjira" and "Walter Withers"; author of "Holesch 1910-1983: Horse Paintings" and of "Frederick McCubbin 1855-1917:"The Proff' and his art"; curator of exhibition "A Tribute to Victor Cobb" and exhibition of artworks of City of Box Hill; co-curator of exhibition "Snugglepot and Cuddlepie and other Fairy Folk of the Australian Bush"; member of the Victorian Artists' Society, Old Water Colour Society's Club and Pastel Society of Victoria. Contents Letter from Andrew Mackenzie to Russell Yeoman, 19 December 1987, regarding planned exhibition of Walter Withers material and lecture to Eltham Historical Society. Nomination from Sue Law, President Eltham Historical Society, 23 January 1990, for Andrew Mackenzie to receive an Australian Heritage Award. Newspaper article: "Eltham honors artist", Diamond Valley News, 16 October 1990, re unveiling of commemorative plaque to Walter Withers in Eltham, designed by John Ebell. CV for Andrew Mackenzie undated but post 1990. Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's Weekly, January 1993, photographs of people attending exhibition of works of Frederick McCubbin, Queensland Art Gallery, including Andrew Mackenzie author of a new limited edition book on McCubbin. Newspaper article: "Meet Andrew Mackenzie", The Heidelberger 23 February 1994, his background and interests, his next project to research Hayward Veal. Letter from John Withers to Sue Law (Eltham Historical Society), 4 August 1994, notifying that he had nominated Andrew Mackenzie for a future Australia Day Award (attaching his documentation). Newspaper article: "Artist's portrait of tragic child is a special find", no publication details, details of forthcoming Sotheby sale which included Frederick McCubbin's portrait of daughter Mary who died in 1894 following an accident, with comment by Andrew Mackenzie. Notice of General Meeting of Eltham District Historical Society, 10 September 2014, speaker Andrew Mackenzie on Walter Withers. Newspaper clippings, A4 photocopies, etcwalter withers, frederick mccubbin, annie mccubbin, mary mccubbin, john withers, john ebell, kathleen mangan, james edward, on the wallaby track, fontainbleau eltham, william mcgregor of mount macedon, patrick watson, ballarat fine art gallery, margaret rich, sotheby's, justin miller, russell drysdale's "the outrider", hugh ramsay's "portrait of a young girl", benjamin duterrau's "portrait of matilda stanfield", eugene von guerard's western district landscape, jimmy watson, queensland art gallery, shirley florence, bettina macaulay, graham drummong, valerie drummond, susan anderson, jane henderson, maria poulos, hayward veal, andrew mackenzie -
Nillumbik Shire CouncilReinis ZUSTERS (b.1918 Ukraine, arr.1950 Aus - d.1999 NSW Aus), Sunday Morning Montsalvat, 1979
... He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. ...Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994. -
Embroiderers Guild, VictoriaTextile - Japanese Triptych Screen, Late 18th- Early 19th C Edo Period
... Textile Japanese Triptych Screen ...The ho-o bird (hōō or 鳳凰) is a legendary, phoenix-like creature from East Asian mythology, originating from the Chinese fenghuang. The name comes from Japanese, where hō represents the male bird and ō represents the female bird, symbolizing yin and yang harmony. Symbolism: Unlike the Western phoenix, the ho-o does not burn up and rise from ashes. It is a peaceful, divine spirit that appears only to mark times of peace, virtue, or the birth of a just ruler. Appearance: Traditional descriptions combine parts of many animals, featuring the beak of a rooster, head of a pheasant, neck of a snake, and tail of a peacock. Its feathers display five sacred colors (red, yellow, blue, white, and black). Eventually the two creatures merged into one and their combined name was used. The combined creature is still considered to be female, and is often partnered with the tatsu, which is considered to be male. The hōō is one of the most revered and holiest animals in Japan. Second only to the kirin in terms of power, it is the most sacred bird in the Japanese pantheon. Japanese dragon, known as ryū or tatsu (龍 or 竜), is a legendary, serpentine water deity in Japanese mythology and folklore. Physical Appearance: Body: Long, scaly, and snake-like without wings. Claws: Typically depicted with three toes on each foot (distinguishing them from Chinese five-clawed and Korean four-clawed variants). Features: Horns, long whiskers or a beard, and a fierce expression. Movement: Associated with water, oceans, rain, and clouds rather than fire-breathing. Meaning and Symbolism: Water and Weather: Viewed as benevolent water gods controlling rainfall, rivers, and tides. Wisdom and Power: Symbolize strength, protection, and good fortune. Imperial Lineage: Ancient legends state that Japan's imperial family descends from sea deities and dragon royalty like Ryūjin . A Japanese monkey (saru, 猿) in traditional or decorative embroidery symbolizes protection, good luck, cleverness, and the removal of evil. Core Meanings of the Monkey : Warding off evil: Historically, the monkey was viewed as a protector against demons and bad luck. Japanese macaques act as divine messengers in certain Shinto shrines (like the Hie Shrine). Fertility and safe birth: Ancient Japanese clay monkey amulets were used to pray for healthy children and easy childbirth, a meaning that carried into traditional folk textiles and garments. Mischief and playfulness: On a lighter note, single playful monkeys represent cleverness, agility, and lighthearted joy.Large Japanese metal thread screen depicting dragons, ho-o birds and monkeys.embroidery, japanese screen, metal work, surface stitchery -
Women's Art RegisterWomen's Art Register Bulletin, Women's Art Register Bulletin No. 28 - 1998
... Kate Ellis Christina Gowdie Juliette Corkhill Rosslynd Piggot Judy Horacek Sandra Angliss Emily Kame Kngwarreye Yvonne Koolmatrie Judy Watson Mural Triptych-VGCP Next Wave Louisse Jennison Kate Coching Elizabeth Boyee Grcia Haby Sue Todd and Jan Trengrove Bianca Hester and Jan Nelson Kim Donaldson and Emma Wooley Violeta Caporska Lisa Cianci Caroline Ho-Bich-Tuyen Dang Ponch Hawkes Michele Newman Constance (Jenkins) Macky Women's Art Register Bulletin No. 28 - 1998 Women's Art Register Bulletin ...kate ellis, christina gowdie, juliette corkhill, rosslynd piggot, judy horacek, sandra angliss, emily kame kngwarreye, yvonne koolmatrie, judy watson, mural triptych-vgcp, next wave, louisse jennison, kate coching, elizabeth boyee, grcia haby, sue todd and jan trengrove, bianca hester and jan nelson, kim donaldson and emma wooley, violeta caporska, lisa cianci, caroline ho-bich-tuyen dang, ponch hawkes, michele newman, constance (jenkins) macky
