Showing 13 items matching tussock

Koroit & District Historical Society
Tussock burner

This hand tool was used to reduce tussock grass by burning. It comprised of a long wooden handle with a wick and fuel container at one end. This kind of implement was used in the early 20th Century up until around the 1940s.The tussock burner is of local historical significance as an example of the kind of hand tools used during the period of early farming in the Koroit district. The significance is increased by its possible connection to Joseph Patrick Lee, farmer of Wangoom.The tussock burner is a long handled tool with a fuel burner at one end. farming implements, tussock, burner, tools, wangoom, st mary's farm
University of Melbourne, Burnley Campus Archives
Document, Tussock grass has designs on your garden, 1990

Article by Kevin Toebelman in Australian Horticulture, April 1990kevin toebelman, australian horticulture, tussock grass
Clunes Museum
Photograph

ORIGINAL WATER SUPPLY FOR CLUNES VIA BIRCH'S CREEK, BEFORE PIPES WERE LAID.SEPIA PHOTOGRAPH OF WEIR ON BIRCH CREEK - CLUNES WATER SUPPLY. PICKET FENCES SURROUNDING AREA. ONE MAN STANDING BY POND. TUSSOCKS BESIDE WATER. A HOUSE IN RIGHT HAND UPPER CORNER.local history, photographs, water supply
Hume City Civic Collection
Photograph, Early 1990's

This is a photograph of one of the many stone ruins which can be seen in the Sunbury area and surrounding districts. These ruins are found in varying degrees of structural damage caused by erosion, vegetation growth and vandalism. The bluestone structure was a sheep dip on the 'Karoora Park' property near Jacksons Creek.A coloured photograph of the stone remains of a sheep dip constructed from basalt rock. The ground at the entrance slopes down into a narrow walled channel. The surrounding paddocks are covered with tussocks of grass and there are bare hills in the background. The grass is brown.stone structures, sheep dips, basalt rock, 'karoora park', george evans collection
Glenelg Shire Council Cultural Collection
Drawing, Kenneth Jack, Cape Bridgewater, 05/09/1946

Pencil drawing of Cape Bridgewater. Green cliffs in the background surrounded by coastline. In the foreground grassy sand with grass tussocks. white mount, black wooden frame, reflective glass, hanging wire across width of frame, on backFront: 'Cape Bridgewater near Portland' hand written black ink bottom right hand corner 'KJ 5.9.46' hand written black ink bottom right hand edge of drawing Back: black stamp 'KWD Jack P/L P.O.Box 1, Doreen Vic 3754' centre '60' - pencil, bottom left hand corner
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph

Black and white photograph showing piers and entrance from ocean - Bass Strait. Concrete extensions completed, kiosk next to boardwalk. Appears to be cold day, few people about, wearing coats and sheltering behind tussocks, kiosk window half open.boardwalk, restaurant, waterways
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: LONG GULLY AREA

Copy of a black and white photo of the Long Gully Area before the Long Gully Estate was built. On the right is a small and a larger buildings. Beside the buildings are two large open vats. One has a pipe with liquid flowing into the vat. The centre of the photo is mostly sand dump and tussocks. In the background is bush and houses.bendigo, history, long gully history group, the long gully history group - long gully area
Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection
Glen Eira Historical Society
Article - Vegetation

Four items pertaining to vegetation within Caulfield: 1/2 copies of a booklet produced by the Caulfield City Council (undated) offering residents advice on the planting and care of trees within the district. Contains seven black-and-white photographs portraying various spots of vegetation within the district, plus nine black-and-white cartoons portraying the steps involved in correctly planting a tree. 2/An article from the Caulfield Contact, dated 04/1992, pertaining to Caulfield’s indigenous vegetation. Contains three black-and-white photographs of portraying three species of said vegetation – the swamp gum, the Kangaroo Apple and Poa grass. 3/An article from the Southern Cross, dated 13/05/1992, pertaining to Caulfield’s indigenous vegetation, and the efforts of groups and individuals such as the Caulfield Environment Group (CEG) to preserve it. Contains a black-and-white photograph of CEG member Paul Cain with a Red River Gum and large tussock grass, part of a re-vegetation program in a Murrumbeena linear park. 4/ A clipping from the Southern Cross, dated 20/05/1992, pertaining to the presence of Murray River red gum at Elsternwick primary school. Contains a black-and-white photograph of two pupils of the school, Craig and Emelia (surnames unmentioned), planting saplings.caulfield, plants, trees, caulfield city council, gardening, horticulture, landscape planning, caulfield contact, outer circle parklands, caulfield environment group, cain paul, smith colin, joint effort community house, outer circle railway, conservation of natural resources, murrumbeena, parks, minister for conservation, pullen barry, glenhuntly neighbourhood house, primary schools, elsternwick primary school, murphy street, mcinerney peter, elster canal
University of Melbourne, Burnley Campus Archives
Plan, 36 Railway Ave, Armadale, 1991-1997

Sets of plans for a Residential Garden produced by students for an assignment. (1) Tracing paper and paper copies site plan sketch. (2) Janine Bugg - Assessment Preliminary Plan, Concept Plan, Site Inventory and Analysis, Site Elevation A, Section Elevation B dated 26.05.1994. (3) Carmen Skrobonja - Assessment Main Plan & Section Elevation, Concept Plan dated 31.05.1991. (4) G. Mutimer - Preliminary Plan, Section Elevation, May 1994. (5) Melissa King - Assessment, Site Inventory & Analysis, Site Concept Plan, Preliminary Main Plan, Section Elevation, May 1997. (6) Jim Despotellis - Site Inventory & Analysis, Concept Plan, Preliminary landscape Design, 25.04.1994 - 15.05.1995. (Also see B11.0775.) (7) 33 Railway Ave (sic), Colour photographs pasted on paper. (8) Marli Draper - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Perspective Feature Bed. (Also see B11.0773). (9) Cowan (Creations) - Site Inventory and Analysis, Concept Plan, Preliminary Plan, Assessment, 30.05.1994. (10) McRae (Designs) - Site Inventory and Analysis, Preliminary Main Plan, Concept Plan, Section View to Tussock Grass and Eucalyptus, 30.05.1997 - 01.06.1997. (11) Leah Syme - Site Inventory and Analysis.armadale, janine bugg, carmen skrobonja, melissa king, jim despotellis, marli draper, leah syme, g. mutimer, students, assignments