Photograph. Black and white photo. Two men in front of mining poppet head, loking at a document" Col for thurs'' . With compliments of the Advertiser.photograph, person, two men at poppet head

Seven men were killed at the Great Extended Hustler's mine disaster on 2nd May 1914 by an explosion of dynamite occurring as the men were waiting at the plat to ascend the mine at the end of their shift. No blame was attached to anyone in the findings of the inquisition. It was unknown what caused the dynamite to explode. This document formed part of the research done at the time by Bendigo Historical Society, of the 100 years commemoration of the mine disaster, held at Hustler's Hill in 2014. Two pages of photocopies of images from the 'Australasian Sketcher' May 17th. 1873, of the Great Extended Hustlers Gold Mine Sandhurst. First page: across top of image 'Quartz Mining - The Great Extended Hustlers Mine, Sandhurst'. Across bottom of image ' General View of the Principal Shafts'. Image shows mine buildings, trestle way, mine dam in foreground, poppet head in background. Mining chimneys in background. Second page: same view as above with five small images of mine operations below; men underground, men in mine cate, man pushing ore truck. great extended hustlers, goldmining, accident, 1873

Bendigo Advertiser photo: two men dressed in suits and hats standing in front of a poppet head. Written on back of photo in pencil ' with the compliments of 'The Advertiser'bendigo, business, mccoll, rankin & stanistreet

Four-page typed document with information on the Great Extended Hustlers mine on the Hustlers line of reef. Formed in 1865 closed down in 1925. The mine was located a little to the south of the intersection of Hustlers Road and Anderson Street, North Bendigo. The mine plant and overall history of the mine is detailed in the document. The poppet head was steel, 70 ft high. Rear legs set on top of low mullock heap. Gold was first discovered here in 1853 by Jonathan Harris, who was later joined by two coloured men to whom he later sold out. They in turn sold out to a one-armed man, J. Hustler and Messrs. Latham and Watson. The poppet heads of the Great Extended Hustlers were later removed, and the extra 15 ft of the front lets cut to the Stanfield mine at Long Gully. From there to the Wattle Gully Mine at Chewton.bendigo, mining, great extended hustlers

Two copies of the Victoria Reef Quartz Mine Managers report. The report mentions putting up the poppet heads, drainage assessment, water level and two men offered 50/- per week. Dates 14/6/1861, 22/6/1861, 18/10/1861 and 13/12/1861.document, gold, victoria quartz, victoria quartz, victoria reef quartz mine manager's report, victoria reef gold mines, gerraws, mr cook, mr sterry, mr mollison, endeavour coy, the victoria reef gold mines coy, ironbark co, endeavour, chenoweth, mr hoskins

Copy of two photos on the page. The top one is a photo of the plaque with: The Bendigo Underground Miner. To acknowledge the contribution of the many hundreds of miners who lost their lives in the industry through accident and industrial disease. Many were Cornishmen and their descendants. The lower photo shows part of the poppet head with the plaque and another one below it. There are two men standing on one side of the plaques and a lady and a man on the other side.bendigo, history, long gully history group, the long gully history group - the bendigo underground miner, teh cornish association of bendigo & district, george a ellis, robert lloyd

HistoricColour photo, Construction of poppet head in deSoza Park, 1982, two men operating concrete mixer, two more digging - ground is very rough.desoza park, poppet head, workers

Holterman 1874 Photo. Mine commenced 1858. First Mine in Stawell to have a steam driven poppet head. Holtermanns wagon for developing wet plate photographs is partly visible on lower right.Holtermann Black and White photograph of Stawell Mine April 1874. Tramway on left Winch house on right with square chimney. Poppet Head at centre of photo. Two Mullock heaps visible with some men on it as well as men on mine beamsmining

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.